sonic

EOTO Kicks Off Fall Tour With Free Live Download

2011 marks the fifth anniversary for the nationally touring outfit  EOTO. The project that started as a late night experiment has grown into a full-fledged headlining machine complete with all original HD eye candy. To celebrate their success, the band is releasingtheir highly sought- after performance from the 2011 SONIC BLOOM festival for free download. Coincidently, this will be the bands 400th live release since their 2006 inception. With performances booked around the country and special VIP events planned for fans along the way, there is no doubt that EOTO will be closing out the year with a bang.

After a highly successful summer filled with headlining festival appearances, EOTO will embark on a large national tour with dates booked across the country including stops in Missouri, Oregon, Colorado, Nevada, Washington, Florida and California in just the first 30 days of the tour. This will mark the beginning of another iron-man tour season for the duo that puts their skills to the test each night with 100% live improvised electro, house, glitch hop, and dubstep. What exactly does 100% live and improvised mean? There are no pre made loops, no computer sequences in the background and absolutely no electronic karaoke going on here.  It’s all created and remixed live on stage by this talented duo for a dance party like no other!

Featuring Michael Travis and Jason Hann, EOTO is a musical anomaly. The project combines their shared knowledge of real world instruments with their love for electronic music and the technology it takes to produce many genres of music live on-the-spot. Not just a DJ and not just some band, EOTO takes all of the elements, throws them in a mixer, and creates a style of music that is uniquely all their own. But it’s not just the act of performing and producing cutting edge music without rehearsal or even song names, it’s the intensity and veracity for which they perform. EOTO clearly takes a ‘no holds barred’ approach whenever they take the stage.

EOTO will be performing in select cities scattered across the country this fall with tour dates booked in every corridor of the US. The band will also be arranging VIP parties for their fans along the way including late night and pre-show opportunities. To check out more about the band or for ticketing information check out www.eotomusic.org or to get a copy of the free live at SONIC BLOOM release check it out.

--

TOUR DATES:

8/5/2011       Rhinofest Music Festival         Plainfield, VT
8/9/2011         Blu Nightclub  Stateline, NV (Tahoe Area)
8/13/2011       The Crossroads           Kansas City, MO
8/18/2011       Praire Grass Music Festival    Houston, MN 55943
8/19/2011       Green Mountain Eco FestivalMissouri Ozarks, MO
8/20/2011       Sunseekers Ball Music & Arts Fest New Brunswick, Canada
8/21/2011       Mountain Stomp-Prindell Creek Farms          Tidewater, OR
8/27/ - 8/28/2011       State Bridge Riverside AmphitheaterBond, CO
8/31/2011       Burning Man Festival  Black Rock, NV
9/9/2011         Werk Out Festival       Bellefontaine, OH
9/16/2011       Mishawaka      Bellvue, CO
9/17/2011       Wonk Fest-The Quarry            Everson, WA
9/22/2011       Blackwater Music Festival      Live Oak, FL
9/23/2011       Earthdance Music Festival      Vallejo, CA
9/24/2011       Kountz Arena   Bozeman, MT 59718
9/27/2011       Bourbon Theatre         Lincoln, NE
9/28/2011       Majestic Live   Madison, WI
9/29/2011       Eagles Ballroom          Milwaukee, WI
9/30/2011       Roy Wilkins Auditorium          St. Paul, MN
10/1/2011       U.S. Cellular Coliseum            Bloomington, IL
10/2/2011       Bluebird Nightclub      Bloomington, IN
10/3/2011       Bell's BreweryKalamazoo, MI
10/4/2011       Blind Pig          Ann Arbor. MI
10/6/2011       Royale BostonBoston, MA
10/7/2011       Toad's Place    New Haven, CT
10/8/2011       Port City Music Hall    Portland, ME
10/9/2011       Pearl Street     Northampton, MA
10/13/2011     Jillian's of Albany        Albany, NY
10/14/2011     Brooklyn BowlBrooklyn, NY
1/9/2012         JamCruise       Ft. Lauderdale  |  Labadee  |  Haiti |  Jamaica

MartyParty at Fox Theatre - 08.20.11

Z2 Entertainment is proud to present MartyParty at the Fox Theatre on Saturday, August 20th.  Tickets go on sale Friday, July 1st for $15.00 in advance and $18.00 day of show.

Since the release of his Blueberry Kush EP in February 2011, MartyParty has been rippling a continuous wave of monstrous bass throughout the US.  Whether headlining alongside fellow Monsters of Bass FreQ Nasty and Opiuo or performing as PANTyRAID with co-producer Ooah of The Glitch Mob, his signature sound of purple dubstep oozes through the bins to entrance sold-out dance floors across the country.

Supporters have grown organically from the loyal tribes of crunkstep purveyors to a newer 100,000 person strong army of sonic kush connoisseurs.  Fans give rise to his PANTyRAID’s Superior release, pushing the EP to #1 position on iTunes electronic album charts in April 2011.

When not on the road, the South African-born performer and producer locks down in his Brooklyn-based studio to produce a diverse catalog of original heat-from downtempo compositions that slip behind the curtains of a dark and twisted audio fantasy to intense stadium anthems riddled with hooks and bass.  His exploration into the world of future bass tells an electronic story of Purple-the subject of his debut album release.

Purple hits stores on May 31st, 2011 and is supported by scheduled club and theater appearances throughout the US and Canada, as well as festival dates at Camp Bisco, Lighting in a Bottle and Sonic Bloom.  The 13-track LP begins with a breakfast of “Eggs and Toast” before launching into an amusement park ride that twist and turns through hyper-drive drum & bass and throbbing dubstep.

Tipper Sound Experience is Unleashed

Commencing this summer British composer and producer, Tipper, is embarking on a sonic pilgrimage, performing at select venues and festivals with the NeXuS Funktion One Dance Stacks originally designed by legendary sound guru Tony Andrews. Tipper will be joined by the highly sought-after lighting impresario Audiopixel to present an exclusive visual experience driven by highly attuned, audio responsive, 3D LED lighting software using intelligent control of light and color. Topped off with tour support from VibeSquaD the performances are intending to blow the minds of all who are lucky enough to encounter the TIPPER SOUND EXPERIENCE.

Tipper (real name DaveTipper) is widely acknowledged as one of Electronic music's pioneering innovators. He was signed to Sony as a teenager when he helped kickstart the Nuskool Breakbeat genre, creating the deepest and baddest basslines heard before, or since. He went on to inspire the Glitch Hop movement, focused on merging hip hop beats with electronic trickery through his seminal Tip Hop and Wobble Factor LP's. During this time he also composed one of the first albums produced and intended for release in the 5.1 surround sound format, and Surrounded was nominated Best Release Intended for Surround Sound. His talents in Sound Design and Digital Mastering have him in great demand with major music making software programs, and accordingly his work is quietly featured in the output of countless releases in various genres. His live performances consist largely of his own unreleased compositions, and he is highly regarded for scratching his own sounds over his music, creating a live element of turntablism stemming from prowess early in his career as a vinyl DJ.

THE TIPPER SOUND EXPERIENCE will feature a 5 way crossover sound system in a Quadraphonic Array with specialized sub woofers dedicated to 45 hertz and below; this configuration achieves incredible clarity and sonic accuracy punctuated by thick and luxurious super-low bass. When positioned this way for Tipper, these dance stacks are known for creating an immersive sound environment that transforms the dance floor into an ethereal field of holographic sound. The purity of the Funktion One design approach completely avoids the usual pitfall of system EQ with its associated phase problems, allowing all of Tipper's production trickery and nuance to be presented in an unfettered manner. This technology has won numerous international awards for Best Sound Product in the club world, and their installations have been behind countless 'Club of The Year' winners.

Audio Pro Lifetime Achievement Award recipient, and inaugural PLASA Gottelier Award winner Tony Andrews founded Funktion One with John Newsham in 1992. Whilst often imitated, their designs have been the first choice of many permanent and touring sound applications around the World including luminary clients Pink Floyd, Santana, and the Glastonbury Festival. They are globally known for their pioneering work and ethos, and consistently set the standard for modern audio engineering.

In their own words: We understand sound to be the most important of our senses and in fact, the root of the structure of the entire Universe. As such, we try to pay the amazing acuity of human hearing the respect it deserves by providing products that deliver as much resolution and detail as is possible. We also pay considerable attention to the emotional effect of not just music, but the sound itself, what you might call its 'quality'. In a world where everything is 'dumbing down' and finesse and subtlety are rapidly disappearing, it is a source of pride to us that we are continually going in the opposite direction, expanding the envelope. On a spiritual level, good music and good sound has the effect of opening peoples' minds and deepening their consciousness which can only be good for the planet.

THE TIPPER SOUND EXPERIENCE features a rare matchup of audio and visual talent and will include headline performances at The Big Bounce, Rain Dance, and SONIC BLOOM festivals, followed by a rare show at The Coconut Grove Grand Ballroom on Santa Cruz Beach Boardwalk and culminating with a special presentation at The Regency Ballroom in San Francisco. For more information about the TIPPER SOUND EXPERIENCE and ticket information, click here.

EOTO: A Vicious Bass Onslaught

Dubstep has arrived. It's in the clubs. It's on TV, insidiously creeping into commercials and terrorizing radio waves around the world; from Berlin to New York City and everywhere in between, Dubstep is a force to be reckoned with. The once-underground phenomenon crossed the pond and went mainstream. Thanks to its growing popularity, amateur producers just flip on their low frequency oscillators and take a nap. Drab and derivative, the genre has been co-opted by DJs simply regurgitating the work of others. There is one act, though, that has been leading the way and setting the standard for live performance Dubstep/Electro/House for over five relentless years. One force that does it live.

The cyber-kinetic bass juggernaut EOTO is Dubstep's savior and innovator. Two twisted demons blasting razor-bass and shrapnel beats from coast to coast and beyond. Snarling and brutal, these psy-dub beat sorcerers create Dubstep from the ground up, night after night, using only real instruments and their sonic wizardry. No pre-programmed loops, no heavy samples snatched from other producers, Jason Hann and Michael Travis bring Dubstep to life in real time, and push the movement into unexplored territories. Their soul-shattering brand of lazerstep is as mesmerizing as it is evil.

Those who haven't been exposed to the two-headed, buzzsaw-juggling behemoth best check their schedules. EOTO is in the process of throwing down an unprecedented 60 performances in 64 nights. There's no break, there's no solace, just a vicious bass onslaught from the South to the Rocky Mountains to the West Coast, and back across the Midwest. And that's before festival season even kicks off. Beginning with Summer Camp, and running through Wakarusa, The Big Up, and Nateva in August, EOTO is already charting its course of summer destruction. You can bet they're planning something perverse and especially warped for the season's most anticipated gathering of subsonic junkies: Sonic Bloom Festival.

There is no stopping EOTO from spreading a near lethal dose of dance music to the masses. The duo just unleashed a FREE 10-track sampler from their 2011 Colorado tour on SoundCloud and is also expected to release the third rendition of their annual live tour compliation called "K-Turns and U-Turns" on May 17th (Album Art). The 39-song-collection was recorded live in 2010 with each disc meticulously mixed to flow like a live show.

To educate and prepare the unwitting masses for their awesome destructive power, EOTO just wrapped up filming for their soon to be released live DVD. Soon, the world will be able to witness these two dark ninjas maneuvering in precise symbiosis through technology, slaying crowds in high definition, and will understand that Travis and Hann have been, and always will be, true pioneers of Dubstep. Their debut concert DVD will capture their entirely original, completely improvised sonic assault. Beware of the release date, to be announced this summer.

For more information about EOTO or their spring/summer tour check out their website at www.eotomusic.com and don't forget to check out their new ticketing service offering only $2 ticketing fees on all advance tickets.

--

Spring Tour 2011

4/13/2011 The Westcott Theater
Syracuse, NY
4/14/2011 Pearl Street
Northampton, MA
4/15/2011 Port City Music Hall
Portland, ME
4/16/2011 Paradise Rock Club
Boston, MA
4/17/2011 Toad's Place
New Haven, CT
4/18/2011 The Met
Pawtucket, RI
4/20/2011 Higher Ground
SO Burlington, VT
4/20/2011 Memorial Auditorium
Burlington, VT
4/21/2011 9:30 Club
Washington, DC
4/22/2011 Irving Plaza
New York, NY
4/23/2011 Washington Avenue Armory
Albany, NY
4/24/2011 Castaways
Ithaca, NY
4/26/2011 Town Ballroom
Buffalo, NY
4/27/2011 Blind Pig
Ann Arbor, MI
4/28/2011 Vogue Theatre
Indianapolis, IN
4/29/2011 Madison Theatre
Covington, KY
4/30/2011 Expo Five
Louisville, KY
5/1/2011 Newport Music Hall
Columbus, OH
5/2/2011 123 Pleasant Street
Morgantown, WV
5/3/2011 The Intersection
Grand Rapids, MI
5/4/2011 The Canopy Club
Urbana, IL
5/5/2011 Skyway Theatre
Minneapolis, MN
5/6/2011 The Portage Theater
Chicago, IL
5/7/2011 The Portage Theater
Chicago, IL
5/26/2011 Bella Music Festival
Geneva, MN
5/28/2011 B.O.M.B Fest @ Comcast Theatre
Hartford, CT
5/29/2011 Summer Camp Festival
Chillcothe, IL
6/2/2011 Wakarusa Music Festival
Ozark, AR
6/4/2011 Starscape Festival - Ft. Armistead Park
Baltimore, MD
6/25/2011 Sonic Bloom
Georgetown, CO
7/3/2011 Electric Forest
Rothbury, MI
7/15/2011 Motion Notion Festival
Edmonton, AB
7/30/2011 The Big Up
Ghent, NY


The Shpongletron Experience at the Boulder Theater

Shpongle & Z2 Entertainment are proud to present The Shpongletron Experience with Random Rab & Hallucinogen at the Boulder Theater on Saturday, April 23rd, 2011.

After three groundbreaking albums over the course of a decade, the internationally acclaimed electronica project Shpongle has returned from what fans feared was the end of the project when Nothing Lasts…but Nothing is Lost, their third album, was released. Not prepared to leave us hanging, electronic music pioneers Simon Posford and Raja Ram have continued to push the envelope and break boundaries to create yet another sonic masterpiece: the much-awaited fourth Shpongle album, Ineffable Mysteries from Shpongleland.

There are languages here that Shpongle fans will know and love as much as their previous work, and yet there are some massive leaps forward in terms of production techniques, sonic trickery, structure, and direction compared to all of the previous outings to date. With influences drawn from anywhere from Steve Reich and Mike Oldfield to the Batman movies and beyond, this really is another over the top record in terms of production skills, tonal textures, and original ideas from Shpongle. It is rich in detail and emotion, in worldly and otherworldly samples and inspiration, and in harmonic and melodic construction.

Ineffable Mysteries from Shpongleland opens with the massive Electroplasm, a rapidfire ascent into eastern scales and rich harmonic textures, underscored with a strongly pronounced rhythmic foundation. They dial in a different mode with Shpongolese Spoken Here, which transitions from glitchy breaks to four-on-the-floor mayhem before settling into a more laid-back but bouncy number. Nothing is Something Worth Doing is a grounded yet floaty work featuring a sophisticated tonal and harmonic palette, six-and-a-half minutes of timelessness before fading into the long-awaited Ineffable Mysteries. With original atmospheric and vocal samples from India, this tracks simple beginnings lead to a strong rhythmic drive and incredible sonic manipulations blending Raja Rams flute, Indian vocals, and synthesized creations.

That journey is followed by another - I Am You moves through shifting sands of time and sound, from its mysterious beginning through its central love song inspired by a special muse, evolving into a rhythmic and sonic tapestry of phenomenal complexity. Invisible Man In A Fluorescent Suit opens with a mournful cello solo that expands in true Shpongolian fashion into a celebratory melodic blend of synthesized and organic instrumentation before fading into the next track. No Turn Un-Stoned is cut from a different cloth, with a broodier opening that morphs into shimmering effects and soulful vocals floating over crisply defined rhythmic elements.

The final track is a multi-faceted jewel in the crown of this glowing album: Backwards Through The Cosmic Mirror features a grounded four-on-the-floor rhythm that supports forward-moving harmonic and sonic explorations with as many twists and turns as the previous tracks, eventually fading into the floating sea of soundlessness from which its brilliance arose.



Shpongle continues to evolve and inspire, as their sold-out gigs worldwide have demonstrated. The anticipation for this album is such that their launch party at the Roundhouse in London this October sold out and a second night had to be added. The demand for this album is expected to be in proportion to the uniqueness of its content. The CD booklet was designed by Storm Thorgerson, who created the classic record sleeve for Pink Floyd's Dark Side of the Moon and other timeless releases, making the entire package a consistent creative tour de force. Unique in their sound, structure, and style, Shpongle is at the forefront of the music of our generation.

--

Check out some earlier Shpongle coverage on Grateful Web.

--

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Friday January 21st!

GA / $35  + $2 for under 21 ticket buyers

Siriusmo To Preview Debut Album, Mosaik

After releasing dozens of singles & EPs on various Berlin-based record labels and remixing artists, including Scissor Sisters, Gossip, Chikinki, Simian Mobile Disco, Boys Noize, Digitalism, Chromeo, A-Trak, Munk and more, for over a decade, the inimitable Berlin producer, graffiti artist, ghost-painter & illustrator, Siriusmo (aka Moritz Friedrich), is set to release his debut album, Mosaik, March 1st on Monkeytown Records.

With Siriusmo’s previous releases striding confidently through a rich array of genres – from dubstep to disco, hip-hop to house, electro to experimental – his work is invested with incomparable diversity, eschewing outright any danger of a four-four snooze-fest over the course of an hour. Indeed, in its premeditated hodgepodge of styles, composite sonic totality and rugged texture, Mosaik couldn’t be more of a fitting rubric. Leading up this full-length release, Siriusmo is offering listeners a preview of what’s to come by featuring snippets of the record on his Soundcloud page. Several bits are already up, and the rest will be added by March 1st.

Betraying influences from the 70s to the present day and beyond, one foot keeps the door to the past ajar while the other kicks the door to the future wide open. The palpable funk and thumb-slap bass of opener, “High Together”, the pop-baroque of “Idiologie” and warped rap of “Bad Idea” all point towards Moritz's grounding in the records of Stevie Wonder, The Beatles and plentiful helpings of hip-hop. Any hint of nostalgia, however, is dragged kicking and screaming into a 21st Century discotheque where the bass is twisted, the beats are laden and space-age grandiosity envelops the whole.

Siriusmo’s timbre-palette is strikingly visceral and his understanding and appreciation of the intricacies of harmony prevail; every note is a corporal experience as well as an aural one. And for every drop of dancefloor sweat, there’s a soothing breeze to cool down. Individual melodic lines dance impishly around one another on “Signal”, for example, as sonic warmth is woven on a loom in your ears. Throughout Mosaik, Siriusmo makes an arresting switch from the beefy to the beautiful, from the body to the mind, as elegantly tapped organ keys play a melody with soulful poise. It's this type of canny counterpoint that provides the stitching throughout Mosaik's vibrant patchwork.

--

Listen to Siriusmo album preview

Listen to/download Siriumo’s “Mosaik

Two Jerry Garcia Acoustic Band releases

Jerry's daughters and brother-the Jerry Garica Family LLC-proudly reissue Almost Acoustic, JGAB's critically acclaimed 14-track set of gems from 1987's storied Wiltern and Warfield shows. Originally compiled by Jerry and Sandy Rothman, Almost Acoustic offers an exceptional mixture of tunes popularized by the likes of Jimmie Rodgers, the Stanley Brothers, Tex Logan, the Blue Sky Boys, Mississippi John Hurt and more. Remastered of course brilliant HDCD audio.

Twenty years in the making, Ragged But Right, Sandy Rothman's (and Jerry's) follow up to Almost Acoustic completes the mission of presenting JGAB's entire repertoire. Fourteen nuggets plucked primarily from 1987's Lunt-Fontanne "13 Magical Nights" on Broadway and additional material from the subsequent Wiltern and Warfield gigs. This tremendous follow up album was lovingly transferred from the original DAT soundboard cassettes and mastered in crystal clear HDCD audio.

The Dead deliver up their very own psychedelic soundtrack from Hollywood, Florida's Big Rock Pow Wow Festival in May of 1969. Yet another sonic gem from Bear's reel to reel master tapes, Road Trips Vol. 4 No. 1 offers up two fiery complete sets (over 3 discs) that show the group at their exploratory best. As always, it's been mastered to HDCD specs by Jeffrey Norman for maximum fidelity and punch. There's some pretty amusing stage patter you won't want to miss, too. We think it's one of our best releases yet, but judge for yourself.

Join the party! Enjoy free streams of "Oh, The Wind And Rain" from Almost Acoustic and "Turtle Dove" from Ragged But Right.  Click here to listen!

UK's Everything Everything Spring/Summer Tour

Imagine a band who fuse three part harmonies with scalding post-punk guitars; floor-filling bass lines with syncopated rhythms and lyrics about everything from high-school massacres to R&B lotharios musing on their lot in a post-apocalyptic wilderness.

Not easy, is it? But then Everything Everything aren’t here to make life easy. They’re here to challenge every knee-jerk convention of indie rock and dance on the grave of pointless retrogression.

Chances are you’ve come across EE before. Chances are they perplexed, intrigued and if you’ve an ear for something special, they excited you. They first accosted our senses with ‘Suffragette Suffragette’ in Dec 08, followed by ‘Photoshop Handsome’ in May and third single ‘MY KZ, UR BF’ in Oct 09.

Having whipped up interest in all quarters via these low key releases (they’ve acquired fans ranging from Zane Lowe to 6Music’s Marc Riley, played two UK tours- including an advance sold out ICA show as an unsigned band, notched up a top spot on MTV2’s My Space Chart and been tipped by the likes of NME and Times Culture), they signed to Geffen Records in late 2009.

Schoolin is the first single to be taken from their recently completed, David Kosten co-produced debut album (title tbc) due for release in August. It seems set to be the breakthrough debut album of 2010.

Live, the band are poised to head out on the NME Radar tour co-headlining with Hurts followed by the main support slot on Delphic’s forthcoming dates in May before the summer festivals kick in. EE are so far confirmed to play Reading & Leeds, Glastonbury, Latitude (headlining the Lake Stage) and Bestival.

Tour Dates:

4.27 - Preston - 53 Degrees
4.28 - Manchester - Academy 3
4.30 - Stoke - Sugarmill
5.1 - Leeds - Live
5.2 - Middlesborough - Teeside University
5.4 - Oxford - Academy 2
5.5 - Bristol - Thekla
5.6 - Wrexham - Central Station
5.8 - York - Duchess
5.9 - Portsmouth - Wedgewood
5.10 - London - Koko
5.11 - Norwich - Waterfront
5.12 - Northampton - Roadmender
5.14 - Brighton - Great Escape Festival
5.15 - Wolverhampton - Wulfrun Hall
5.16 - Leed - Brudenell Social Club
5.17 - Leeds - Leeds Met University
5.18 - London - Electric Ballroom
5.19 - Liverpool - Soundcity O2 Academy
5.21 - Manchester, UK - Ritz
5.31 - Gateshead - Evolution Festival
6.10 - Suffolk - Thetford Forest
6.11 - Kent - Bedgebury Pinetum
6.18 - Gloucestershire - Westonbirt Arboretum
6.19 - Nottinghamshire - Sherwood Pines Forest
6.25 - North Yorkshire - Dalby Forest
6.26 - Staffordshire - Cannock Chase Forest
6.27 - Glastonbury - Glastonbury Festival
8.7 - Tokyo - Summer Sonic
8.8 - Tokyo - Summer Sonic
8.14 - Haldern - Haldern Pop Festival
8.15 - Hamburg - Dockville Festival
8.20 - Kiewit - Pukkelpop

Hot Hot Heat Announce Brooklyn Residency in May

Hot Hot Heat’s highly anticipated new album, Future Breeds (Dangerbird Records), hits stores on June 8th but fans in New York can get an early taste when the band begins its May residency at Brooklyn’s Public Assembly.  The band opted to do the shows at the venue because of its intimate setting and its close ties to Brooklyn’s thriving indie music scene – a connection that the band feels to be particularly relevant with their forthcoming album.

Future Breeds is filled with the addictive, candy-coated melodies that Hot Hot Heat are famous for, but it also includes some of the band’s most experimental moments yet.  Charged with sonic detail, the collection of songs is packed with unconventional rhythms and quirky arrangements.  From the dark, carnival-esque feel of “Times a Thousand” to the frenzy of “What is Rational,” Future Breeds balances danceable, pop melodies with an unfettered and musically adventurous spirit.

Hot Hot Heat Residency Dates:

05/05:  Brooklyn, NY @ Public Assembly

05/12:  Brooklyn, NY @ Public Assembly

05/19:  Brooklyn, NY @ Public Assembly

05/26:  Brooklyn, NY @ Public Assembly