song

Paul Brady's 'Hooba Dooba' Streets 5/24

The career of Paul Brady — whose 12th solo album, the exuberantly titled Hooba Dooba, gets its U.S. release on May 24, 2011 via Proper American — is not that of your usual singer/songwriter. And the new record is the most wildly eclectic this man for all seasons has yet recorded. “I’m a marketing department’s nightmare,” he jokes, before discussing the confusion that has surrounded him for so long.

“I don’t really fit any of the recognized models for artists,” he acknowledges. “That has to do with my musical background, the variety of my tastes and the fact that I’ve jumped from place to place in my career. But at the same time, I’ve never found a compelling reason to narrow my perspective on the music I love by making a record that is only a small bit of what I am. I love big, romantic ballads, screamin’ blues songs, folk songs, country tunes. All these things have been hard to put into one box and say what it is, and I suppose I’ve suffered from that to a degree. But that’s what I am, and my fans are into me because of that — they’re the kind of people who resist marketing strategies, who like to discover things themselves. They respond to the sound of a voice, which says something to them on a subliminal level emotionally, rather than falling for some image.”
In 1963, five years after picking up his first guitar at age 11 and playing along with Shadows and Ventures records, the young Irishman snagged his first paying gig tinkling the ivories in a Donegal hotel, marking the beginning of 48 uninterrupted years of making music — all kinds of music. Like so many of his contemporaries on that side of the pond, he spent a chunk of the ’60s cranking up the volume in R&B bands before making a radical shift into Irish folk music, working with the Johnstons and Planxty, in collaboration with Andy Irvine and on his own, interpreting traditional songs. In the late ’70s, now married and with two kids on the way, he dedicated himself to writing his own material, inspired in part by the music of Gerry Rafferty, another folk artist who’d remade himself as an eloquent singer/songwriter. Hard Station, Brady’s 1981 solo debut album, containing the first fruit of his labors, returned him to the realm of rock and pop, and he scored his first big cover a year later when Hard Station’s “Night Hunting Time” wound up on Santana’s million-selling Shango, to its author’s surprise and delight.
Brady spent the next two decades leading a double life as a recording artist making a sustained effort to get on the radar and a much-covered songwriter, a number of his songs made famous by singers far better known than himself. These included such high-profile covers as Bonnie Raitt’s memorable, multiple-Grammy-winning rendition of “Luck of the Draw” (1991) and Brooks & Dunn’s chart-topping country single “The Long Goodbye” (2001). Around the turn of the century, the multitalented veteran once again reinvented himself, this time as a self-contained, truly independent artist. Since this latest metamorphosis, he’s been touring constantly in small-group settings on both sides of the Atlantic and making records whenever he felt inspired to do so. Which brings us back full circle to Hooba Dooba, its multiple facets glinting like an uncut diamond nestled in a field of shamrocks.
Brady describes “The Winners’ Ball,” propelled by a springy, soulful groove, as “a tongue-and-cheek look at the excesses of the modern end of music,” while “Rainbow” is a lush, widescreen ballad that begs for a country cover, though Brady insists that it’s closer to Memphis than Nashville. “The Price of Fame” builds to a string-laden crescendo in the grand manner of vintage Elton John, and the following “One More Today” sounds like some just-discovered Tin Pan Alley standard.
The album’s most dramatic segue takes the listener from the earthy, rollicking “Follow That Star” to the heart-wrenching “Mother and Son.” “I do like slapping people in the face, figuratively, with an emotional change,” Brady explains. “‘Follow That Star’ comes out of a genre that I have always loved, raw, acoustic blues — anything from Lead Belly to Mississippi John Hurt to ’60s British blues of Winwood, Beck and Clapton. ‘Mother and Son’ is a song about my relationship with my mother. It’s a song that I was trying to write for many years, but only managed to finish it after she passed on.”
The album also contains his first-ever recording of “Luck of the Draw,” the only song here not of recent vintage — apart, that is, from its lone non-original, a sublime, irresistible rendering of “You Won’t See Me” from Rubber Soul. “I wrote ‘Luck of the Draw’ when I was making the Trick or Treat album in L.A. back in 1990, and that’s when Bonnie Raitt picked up on it. I’d always wanted to record it because I had a very different take from the way Bonnie did it, but I decided to leave it alone for a respectable amount of time after hers was current. That was a long time ago, obviously, and it seemed like the right time to do it.” Good move — Brady’s take is so unlike Raitt’s familiar one as to be virtually unrecognizable, providing the song with an edgy, vital second life.
When asked why he decided to title the album Hooba Dooba, Brady replies, “It’s a phrase I’ve used many times in situations when something takes me by surprise that’s pleasurable. In this case, I was in the art department with the designer who was working on the cover looking through various ideas, and when he showed me the image that eventually became the cover, I looked at it and went, “Hooba dooba.” He said, ‘Is that the album title?’ and when I told him no, he said, ‘Well it should be.’ And I decided he was right. Nothing more profound than that.”
Given Brady’s back story, it’s hard to say whether Hooba Dooba — which features guests Jerry Douglas on lap steel and Sarah Siskind on backing vocals — will clear up the confusion about just who this multifaceted guy is or add to it, but one thing’s for sure: this record is a dead-honest picture of a one-of-a-kind artist who has always been absolutely true to himself.

“I’ve been in this business over 40 years, and I’m a survivor,” says Brady with unconcealed pride. “I’ve been through plenty of ups and downs, and I know what the business is. I have a broad enough base in terms of my activities to have survived for this long and to still be enjoying what I’m doing. Anything above and beyond that is icing on the cake.” He pauses for a moment, his face lighting up in a smile. “And the cake is okay.”

They Might Be Giants "Join Us" Advance Tracks out on iTunes Today

They Might Be Giants new album, Join Us, is the recordings that their fans have been waiting 20 years for! Impossibly catchy, sometimes strange and always original the album is a stunning return to form. On Join Us we find the Brooklyn originals have returned to rock and to their singular sensibility that made them an instant phenomenon in the world of alternative rock. Join Us is an electrifying mix of clever, maddeningly catchy songwriting and studio mastery. The album was created in the brand new private studio of their long-time collaborator Patrick Dillett (David Byrne, Mary J. Blige, Tegan and Sara, Doveman). The advance tracks are released digitally today on iTunes through the “Complete My Album” program, with the full album arriving in all digital and physical outlets July 19, 2011 through Idlewild/Rounder Records.

The advance track offering opens with “Can’t Keep Johnny Down”--a summer-perfect pop single that will get instantly stuck in your head and make you want to roll down the windows. The electronic ballad “Never Knew Love” puts a new and simple twist on the love song.  The pure folk-pop of “Old Pine Box” showcases the band's signature harmonies, handclaps and the always popular, never anticipated vocoder. Check out the “Can’t Keep Johnny Down” MP3 HERE.  Feel free to post and share!

They Might Be Giants unlikely success story started nearly three decades ago with their Dial-A-Song service. High energy, low budget videos broke them into heavy rotation on MTV and the rest would soon become alternative rock history.  Along the way the band has become the recipients of two GRAMMYs and a platinum record (1990’s Flood). They recorded numerous themes including The Daily Show with Jon Stewart, their GRAMMY-winning theme Malcolm In the Middle and many more.

Notorious for their energized live show, They Might Be Giants will launch the first international tour in over a decade this Fall, hitting 6 countries and over 50 US cities.  Several tour dates have been announces & stay tuned for more details next month.

-

They Might Be Giants Tour Dates

5/29: Des Moines, IA @ Iowa State Fair Grounds
6/11: Toronto, ON @ Luminato Festival FREE CONCERT
7/15: London, UK @ Koko
7/16: Southwold, UK @ Latitude Festival
7/29: Brooklyn, NY @ Williamsburg Waterfront w/Eugene Mirman FREE CONCERT

My Morning Jacket Share New Track: "Holdin On To Black Metal"

Less than two weeks after My Morning Jacket treated fans to a download of the title track from Circuital (ATO Records; May 31st), the band is sharing another track off their upcoming album.  Head over to My Morning Jacket’s Facebook page to listen to the new song “Holdin On To Black Metal.”  The song will be also available for purchase tomorrow, April 26th, on iTunes and Amazon.

The guys are also proud to announce a special hometown show at the historic Louisville Palace Theater on Circuital’s release date, May 31st.  Pre-sale tickets are available 4/26 at 12:00 noon through the band's fan club: Roll Call. Pre-sale for American Express cardholders go on sale 4/27 with the general public on sale on 4/29 at Ticketmaster.com, and $1 from every ticket sold will go to benefit The Center for Women and Families.  Fans are also encouraged to bring a pre-loved backpack to donate to Blessings in a Backpack.  Click HERE to preorder the album at the band’s website, which includes the option to purchase a special deluxe edition.  “Holdin On To Black Metal” is the latest example of My Morning Jacket’s perpetual drive to experiment with new ideas.  The track features a chorus of female backing singers and horns, creating a thrilling backdrop for Jim James’ mystical vocals.

--

Circuital Track List:

Victory Dance
Circuital
The Day is Coming
Wonderful (The Way I Feel)
Outta My System
Holdin On To Black Metal
First Light
You Wanna Freak Out
Slow Slow Tune
Movin Away

-

My Morning Jacket Tour Dates:

05/20:  Gulf Shores, AL @ Hangout Festival

05/31:  Louisville, KY @ Louisville Palace Theater

06/02-06/05:  Ozark, AR @ Wakarusa Festival

06/05:  Hunter, NY @ Mountain Jam

06/09-06/12:  Manchester, TN @ Bonnaroo Festival

06/16:  Milwaukee, WI @ Riverside Theater

06/17:  Chicago, IL @ Auditorium Theatre

06/22:  Los Angeles, CA @ Pantages Theatre

06/24: Oakland, CA @ Fox Theatre

06/26:  Seattle, WA @ Paramount Theatre

06/28:  Portland, OR @ Edgefield

06/29:  Vancouver, BC @ Orpheum

06/30-07/03:  Quincy, CA @ High Sierra Music Festival

07/11:  Toronto, ON @ Kool Haus

07/12:  Montreal, QC @ Metropolis

07/16: Southwold  @ Latitude Festival

07/17: London  @ Somerset House

08/04:  Denver, CO @ Red Rocks Amphitheatre

08/05-08/13:  Bangor, ME @ The KahBang Festival

GOMEZ Announce July Tour Dates

Fresh off the exciting announcement of their seventh studio album release, Whatever’s On Your Mind, Mercury Music Prize winning five-piece, Gomez, will be heading out on tour! Whatever’s On Your Mind is due on June 21, 2011 on ATO Records; pre-order the album now. Their first single from the new collection, “Options”, is available on iTunes now. You can stream the song here.
With a performance in the Dave Matthews Band Caravan and a stop at NYC’s Terminal 5, the band will be making their way through a multitude of cities for their July run of dates in support of the album. Gomez’ live shows are legendary – the band defies genres and labels and in doing so have quietly built a massive audience by consistently transporting listeners into a state of head-bobbing bliss. With their signature vocals and song stylings in full effect on this album, you can count on electrifying performances that show the true musicality of the band, exemplified by their time-tested, audience-approved live shows.
Serving as the follow-up to their acclaimed 2009 release, A New Tide their forthcoming album sees Gomez (Ben Ottewell, Tom Gray, Paul “Blackie” Blackburn, Ian Ball and Olly Peacock) pushing their limits in a way we have not yet heard. The band partnered up with longtime friend, Sam Farrar (Phantom Planet) to co-produce and sought out to feature other artist friends on the record, Luke Steele (Empire of the Sun, Sleepy Jackson) and  Stuart Bogie (Antibalas, TV on the Radio, Iron and Wine).


Whatever’s On Your Mind, their first self-produced offering since 2001’s In Our Gun, finds Gomez driving forward on a beautifully lush and dynamic album. There is a fresh feeling of rebirth and awakening. One to raise a smile even from the naysayers. A broad grin from the rest of us.

Full list of announced dates are below with more to be announced soon, including west coast, rocky mountain and northwest shows.
--
TOUR DATES
July 8 - Kansas City, MO - Crossroads
July 9 - Minneapolis, MN - Basilica Block Party
July 10 - Chicago, IL - DMB Caravan
July 12  - Boston, MA - The Paradise
July 14 - New York, NY - Terminal 5
July 15 - Philadelphia, PA - TLA
July 16 - Ottawa, ON - (venue to be announced on 4/26)
July 17 - Toronto, ON - The Phoenix
July 18 - Washington DC - 9:30 Club
July 20 - Raleigh, NC - Lincoln Theatre Outside*
July 21 - Charlotte, NC - The Fillmore*
July 22 - Atlanta, GA - The Tabernacle*
July 23 - Glen Allen, VA - Innsbruck After Dark*
* with John Butler Trio

Marianne Faithful to Release Horses and High Heels

Marianne Faithful will release her 23rd album, Horse and High Heels, in the US  on June 28th via Naïve Records.  The collection of songs consists of four originals and eight covers ranging from Carol King’s “Going Back” to Greg Dulli & Mark Lanegan’s “The Stations.”  Four of the tracks feature virtuosic guitarist John Porter (Eric Clapton, The Smiths) while Lou Reed and Dr. John/MC5’s Wayne Kramer each make cameos on multiple songs.

Iconic, influential, and inimitable, Marianne has been an entrancing and creative musical presence for the past 47 years.  Beginning with her debut single, “As Tears Go By” (1964, the first song ever written by Mick Jagger and Keith Richards), Marianne has created an enduring legacy with her distinct, emotive, and truly haunting voice.   She has also established herself as a powerful songwriter with a gift for crafting visceral melodies and deeply resonant lyrics.  Her artistic fearlessness has led her to sing with legends like David Bowie and Metallica, and collaborate with a younger generation of musicians she influenced such as Beck, Morrissey, Billy Corgan and Blur.

Horses and High Heels was recorded in New Orleans and features a core of masterful local musicians.  It was produced by Hal Willner (Laurie Anderson, Allen Ginsberg), who also helmed Marianne’s critically-acclaimed 2009 collection of covers and duets: Easy Come, Easy Go. The songs touch on everything from soul, blues, folk, country, jazz-pop perkiness, and beguiling guitar-rock.  Much like the rest of her career, the only consistent theme or style of the album is Marianne herself.  Click HERE to listen to the original new song, “Why Did We Have To Part?”

My Morning Jacket Share Title Track from New Album Circuital

Nearly three years since their last release, My Morning Jacket are now on the cusp of releasing the eagerly awaited new album, Circuital (ATO Records, May 31st).  The band has been gearing it all up by releasing songs from each of their five Terminal 5 shows this past October.  Today, My Morning Jacket are giving us a taste of the new album by sharing the title track and revealing it's enigmatic cover art.

Click HERE to download the song "Circuital" from the band's website.  The site is also now offering pre-orders for the album, and a beautiful limited edition deluxe package that includes an exclusive 30 minute documentary dvd, high quality lithograph portrait taken by Danny Clinch and many other goodies.  Ten deluxe versions will come with a 'Golden Ticket" entitling the bearer to receive an original signed print by the band and Clinch.

Like the album as a whole, "Circuital" was laid down almost entirely live as the honest spirit and human spontaneity are felt throughout the listening experience.  The song Circuital, while a seven minute epic, is but a taste of what to expect – the collection of songs is truly eclectic and entrancing from beginning to end.

--

My Morning Jacket Tour Dates:

04/17:  Lexington, KY @ Memorial Coliseum

05/20:  Gulf Shores, AL @ Hangout Festival

06/02-06/05:  Ozark, AR @Wakarusa Festival

06/05:  Hunter, NY @ Mountain Jam

06/09-06/12:  Manchester, TN @ Bonnaroo Festival
06/17:  Chicago, IL @ Auditorium Theatre
06/22:  Los Angeles, CA @ Pantages Theatre
06/24: Oakland, CA @ Fox Theatre
06/26:  Seattle, WA @ Paramount Theatre
06/28:  Portland, OR @ Edgefield
06/29:  Vancouver, BC @ Orpheum
06/30-07/03:  Quincy, CA @ High Sierra Music Festival
07/11:  Toronto, ON @ Kool Haus
07/12:  Montreal, QC @ Metropolis
07/16: Southwold  @ Latitude Festival
07/17: London  @ Somerset House
08/04:  Denver, CO @ Red Rocks Amphitheatre

Patrolled by Radar signs to Knitting Factory Records, readies 'Be Happy'

Patrolled by Radar’s Be Happy is an album of original songs penned by singer-songwriter Jay Souza. The ten tracks on Be Happy tell stories that could have taken place at any point during the last two centuries, as sung by troubadours such as Bob Dylan, Kris Kristofferson, Ray Davies or Townes Van Zandt. Be Happy is the band’s debut CD on Knitting Factory Records through RED Distribution, set for worldwide release on June 7, 2011.

Souza has been carrying around these songs inside his heart since he was a kid. His inspiration came from his mom, who sent him three cassettes that he played incessantly as a child — Johnny Cash, Neil Diamond and the Carpenters. Years later, his attention to craft can be heard throughout Be Happy, which will be released under the name Patrolled by Radar because Souza got tired of his band 50 Cent Haircut getting confused with rapper 50 Cent.

Knitting Factory CEO Morgan Margolis was so impressed with the band’s yearlong residency at the Hollywood club that he offered to both manage them and release the album on his label. It’s a story that could have come straight from one of Souza’s own songs, based on real life.

“The whole record was meant to be like that,” says Souza. “I wanted it to be rich in melody, dynamism and nuance. I’ll rewrite the words over and over until the allusion is just right. I try to make it less literal and more poetic. There’s always a better way to say something.”

The Boston-born singer-songwriter — whose great-great-grandfather was first cousin to Irish poet William Butler Yeats — has lived in L.A. since 1990. He continues to exhibit the qualities of his mentors in his music, first in his band 50 Cent Haircut, and now alongside the same musicians in Patrolled by Radar (guitarists Bosco Sheff and Bryan “BC” Coulter and bassist Bryan “Reno” Stone), with a timeless, narrative style that takes its cue from classic Americana roots: equal parts folk, rock, country, blues and soul.

The band’s music is featured as the closing song in two of the three MGM/Sony Walking Tall movies. Two of the tracks on Be Happy can be heard on the TNT show Men of a Certain Age, where they were placed by GO Music Services supervisor Gary Calamar who noted of Be Happy, “Wowza for Jay Souza. [Patrolled by Radar] is a great band with terrific songs. Bang and twang!”

Be Happy is a rather ironic title, given some of the grim stories Souza recounts in “Dressed for the Drought,” “Coat of Disappointment,” and “Fast Life Slow Death.” His honesty and sincerity is self-evident on the album’s “Carried Away,” written from the point of view of a soldier serving in the Middle East:

“I know it’s all the same to you/Everybody’s lookin’ for the thing they were meant to do/I’ll sit and sing a lonesome song.”

Elsewhere, Souza and Patrolled by Radar show themselves equally capable of creating the lush pop choruses of the Beatlesque title track, the slinky sexual double entendre rockabilly blues in “Walking” (“The first verse is about Adolf Hitler and the second, Johnny Cash,” he explains), the whimsical psychedelic folk of the Babar the Elephant-inspired “Pachyderm,” or even full-throttle rock ’n’ roll, which comes across loud and clear in the anthemic (and aptly named) “New Fight Song.”

“I see people having a hard time. It’s a strange time we’re in. The haves and have-nots are being drawn together in a way that’s weird,” Souza clarifies, though he’s finally seeing light at the end of the tunnel.

--

Be Happy track listing

1.    Widow Next Door
2.    New Fight Song
3.    Dressed for the Drought
4.    Pachyderm
5.    Coat of Disappointment
6.    Fast Life, Slow Death
7.    Haywire
8.    Carried Away
9.    Be Happy
10.   Walking

--

PATROLLED BY RADAR on tour

Wed., Apr. 13   LOS ANGELES, CA The Mint w/ The Band Of Heathens
Sat., Apr. 23   LOS ANGELES, CA Farmers Market Ranch Party
Sat., Apr. 30   CULVER CITY, CA Cinema Bar
Fri., May 6   BROOKLYN, NY Knitting Factory (Brooklyn) w/ Holly Golightly & The Brokeoffs
Sun., May 15   LOS ANGELES, CA Satellite (Silver Lake)
Fri., May 20   LOS ANGELES, CA Villains Tavern
Sun., Jun 12   LOS ANGELES, CA The Echo - Grand Ole Echo

They Might Be Giants MP3 Premiered on Pitchfork

They Might Be Giants new album, Join Us, is the recordings that their fans have been waiting 20 years for!  Impossibly catchy, sometimes strange and always original the album is a stunning return to form. As the band turns away from the family oriented projects that dominated their output in recent years (and garnered them two GRAMMY nominations and a win) on Join Us we find the band has returned to their singular sensibility that made them an instant phenomenon in the world of alternative rock.  Join Us is an electrifying mix of clever, maddeningly catchy songwriting and studio mastery.  The album was created in the brand new private studio of their long-time collaborator Patrick Dillett (David Byrne, Mary J. Blige, Tegan and Sara, Doveman). The advance tracks will be released digitally April 26 on iTunes through their “Complete My Album” program on April 26th, with the full album arriving in all digital and physical outlets later this year through Idlewild/Rounder Records.

The advance track offering opens with “Can’t Keep Johnny Down” --a summer-perfect pop single that will get instantly stuck in your head and make you want to roll down the windows. The electronic ballad “Never Knew Love” puts a new and simple twist on the love song.  The pure folk-pop of “Old Pine Box” showcases the band's signature harmonies, handclaps and the always popular, never anticipated vocoder.

Check out the new “Can’t Keep Johnny Down” MP3 where it premiered on Pitchfork or HERE.

They Might Be Giants unlikely success story started nearly three decades ago with their Dial-A-Song service. High energy, low budget videos broke them into heavy rotation on MTV and the rest would soon become alternative rock history.  Along the way the band has become the recipients of two GRAMMYs and a platinum record (1990’s Flood). They recorded numerous themes including The Daily Show with Jon Stewart, their GRAMMY-winning theme Malcolm In the Middle and many more. John Flansburgh is currently produced Jonathan Coulton’s upcoming studio release "Artificial Heart" which also features TMBG”s Marty Beller on drums.

Notorious for their energized live show, They Might Be Giants will launch the first  international tour in over a decade this Fall, hitting 6 countries and over 50 US cities.  Stay tuned for details!

Damon & Naomi Announce Coast-to-Coast Tour

Damon & Naomi embark on a coast-to-coast US tour behind their new album, False Beats and True Hearts (out May 17th on 20/20/20), with a live show featuring lead guitarist Michio Kurihara (Boris, Ghost) on the East Coast and Midwest, and saxophonist/arranger Bhob Rainey (nmperign) on the West Coast. The tour is a co-headline with Amor de Dias, the duo of Alasdair MacLean (The Clientele) and Lupe Núñez-Fernández (Pipas) -- although these shows mark Amor De Dias's US debut, the two duos have already played together several times in the UK, so expect collaborations between these friends throughout.

Damon Krukowski says of their live show:

"When we play live, we prefer to strip most everything away but the emotional core for us of the lyrics, and our voices. It's a more folky approach, trying to communicate the emotions in the songs as fully as we can in a live setting. For that reason we also love to bring lead players with us who respond and add to that kind of direct emotional approach."

To celebrate this tour of duos, Damon & Naomi are releasing a new track off their forthcoming record. Listen to “Shadow Boxing,” a song Damon describes as their “Richard and Linda Thompson-inspired number, a duet/conversation/argument in song."

--

Listen to/download “Shadow Boxing” here.

Listen to/download “Walking Backwards” here.

Check out Chris Marker's "video" for Damon & Naomi's "And You Are There" here.

--

DAMON & NAOMI TOUR DATES:

Mon. May 9 - Glasgow, UK @ Captain's Rest @*

Wed. May 11 - London, UK @ Cafe Oto @*

Fri. May 13 - Cornwall, UK @ The Kings Arms Penryn @*

Sat. May 14 - Bristol, UK @ Cube Cinema @*

Wed. May 18 - Washington, DC @ Red Palace @%

Thu. May 19 - Carrboro, NC @ The ArtCenter @%

Fri. May 20 - Baltimore, MD @ Metro Gallery @%

Sat. May 21 - Philadelphia, PA @ 1st Unitarian Church Chapel @%

Sun. May 22 - Brooklyn, NY @ Knitting Factory @%

Mon. May 23 - Boston, MA @ Great Scott @%

Wed. May 25 - Toronto, ONT @ Horseshoe @%

Thu. May 26 - Pontiac, MI @ Pike Room @%

Fri. May 27 - Chicago, IL @ Lincoln Hall @%

Sat. May 28 - Minneapolis, MN @ Triple Rock @%

Tue. May 31 - Seattle, WA @ Tractor Tavern #%

Wed. June 1 - Portland, OR @ Bunk Bar #%

Fri. June 3 - San Francisco, CA @ Bottom of the Hill #%

Sat. June 4 - Los Angeles, CA @ The Satellite #%

Sun. June 5 - San Diego, CA @ Soda Bar#%

* w/ Richard Youngs

% w/ Amor de Dias

@ performing w/ Michio Kurihara (guitar)

# performing w/ Bhob Rainey (saxophone)

Woodcock Group Debuts 'Water Stories'

Woodcock Group's trio gives jazz listeners a piece of music works that evoke a great characteristic of eloquence impressive for an artist that has not even released its debut CD to stores, until now with Sunset Jazz. This Serbian jazz trio also composes and arranges its music and every song on this ten (10) song full length CD. Woodcock Group’s new debut album, Water Stories (Sunset Jazz Recordings) gives jazz aficionados great evidence there are new music artists in jazz that can carry a wide-ranged music of original songs taken as a conceptual, the album is now available to pre order at Amazon. The Jazz label is continuing to set up the full length CD for the May 3rd street day, with its' Sunset Classics & Jazz (SC&J) division, Sunset Distribution Company and then via Republic Universal for digital distribution into stores.

Woodcock Group is a band that is no doubt aware of its mixing modern jazz with traditional jazz music influenced by, among others, Thelonious Monk, McCoy Tyner, Dizzy Gillespie, Bill Evans and Art Blakey. Born and raised in Belgrade, Serbia, in the spring of 2009 pianist and composer Aleksandar Jovanovic founded the "Woodcock Group." What is now a trio with (Aleksandar) Jovanovic, Marko Fabry is on the bass while Aleksandar Cvetkovic does the drum work on the ten (10) song CD. Their first performance was at the "Umbria Jazz Balcanic Windows" Music Festival 2009 in Belgrade, which they won in a competition winning over 28 bands from the south-eastern Europe regions. Not to mention, they were listed in the top six as best young jazz band in Eastern Europe this year. "I not only plan on using this album to springboard a new sense of direction at Sunset Jazz (Recordings)", says label head, Don Lichterman, "we are also in hope of using Alex's (Aleksandar Jovanovic) A&R chops to gain more jazz acts for the label."

The debut album being released at Sunset (Jazz) is inspired by "water" as in a state of a "form" and (Don) Lichterman says that he, "loves the concept" of it. He (Lichterman) goes on to say that he also "loves the deep traditional style of this band (Woodcock Group)." Woodcock Group's debut recording entitled, Water Stories, has already gained international radio play with "Vrelo," the first song being worked to radio this year. And the CD has received great critical acclaim after the label released its initial press to blogs and social networks. Look for the CD to be available in stores everywhere that sells cds along with being made available at every retailer that sells downloads, ringtones and streams, on May 3rd this year!