song

The Mynabirds Toast the Holidays with X-Mas Single

Today the Mynabirds release a limited edition 7" on Saddle Creek that features "All I Want is Truth (for Christmas)", an original (anti-) Christmas song, and a cover of the Zombies' "This Will Be Our Year" on the B-side. The first 200 copies from Saddle Creek's online store will be offered on white vinyl. A black vinyl version of the 7" is available at retail outlets, and all records include a free digital download. The songs are also available at all digital outlets. If you haven’t checked it out at Brightest Young Things, a free mp3 of "All I Want is Truth (for Christmas)" is available now via Saddle Creek by clicking HERE.

With charming chords descending the wurltizer keys like falling snow, the Mynabirds' "All I Want" starts out like a typical Christmas song. But by the second line, it's clear that this is singer-songwriter Laura Burhenn's cry for anything but another ordinary holiday. "All I Want" navigates global warming, messy politics, endless wars, and American consumerism, and brushes it all away to remind us of the snow-white core of the holidays: love. "Have yourself a happy little New Year," Burhenn sings, "'Cause the politicians will be at their same old arguments: Should we start another war or should we raise another tax?" Burhenn declares that she's opting out of society's endless back and forth to "sit down with [her] love and…remember what it means to celebrate without a single store-bought thing." Like a mug of hot cocoa served with a dash of John Lennon's "Gimme Some Truth", "All I Want" goes down like an old standard in a whole new era.

"This Will Be Our Year" is the perfect song to close out a year of haunts and minor catastrophes to look to something new. The slide of J. Tom Hnatow's pedal steel colors the Mynabirds' version of this Zombies' classic as a sweet, country-tinged take on the original. Both "All I Want" and "Our Year" were recorded to tape in a single day at Inner Ear in Arlington, Virginia with producers Chad Clark and TJ Lipple at the helm. A host of DC friends joined in, including the Roofwalkers' Elmer Sharp (drums), Ben Licciardi (backing vocals), and Raj Gadhia (bass and vocals); These United States' J. Tom Hnatow (pedal steel); and Winston Yu (strings).

What We Gained in the Fire - Video

Also out now is a new video for "What We Gained in the Fire", the opening track from the Mynabirds' debut album. The video premiered on Friday at AOL Spinner. Director Rob Walters layers new Super 8 footage of singer-songwriter Laura Burhenn traversing a snowy landscape with vintage footage of her own family's home movies that span three generations. Stretching from the 1940's to present day, the viewer gets a window into a family story, watching clips of young love blossom, of babies growing into men, piecing together what might really be going on behind the nuclear family facade.

Ladysmith Black Mambazo Keep the Music of their Childhood Alive

The centuries-old story of their country and culture has been the foundation of the a cappella singing group Ladysmith Black Mambazo since its beginnings, almost fifty years ago. On 'Songs From A Zulu Farm,' out January 25, 2011 (Listen 2 Entertainment Group), the nine-man group returns to their origins in the open fields of Zulu country to recreate the idyllic world in which they once lived by singing traditional folk tunes sung by mothers and fathers to children throughout the generations.

"These are songs from the earliest time in our lives," says Ladysmith Black Mambazo founder and frontman Joseph Shabalala. "When we sing these songs, we're singing from our personal history. It is such a joy for us to put these stories and songs together for our fans to enjoy too."

'Songs From A Zulu Farm' speaks to the universal joys of childhood. "Whether you are in Ladysmith, Virginia, or Ladysmith, South Africa, children are hearing songs they will carry with them for the rest of their lives and share with their own children," Shabalala says. "We hope that these songs sung to South African children can be enjoyed by families in many other places in the world."

Among the 16 tracks on 'Songs From A Zulu Farm' is "Old McDonald… Zulu Style," the classic children's song reworked in ways never before imagined as it's piped through the language and culture of the Zulu people.

Listen to "Old MacDonald" here.

Shabalala professes his love and longing for the times and places of his youth in “Thalaza,” a song he composed to encourage Zulus – and people of every nation and culture – to reconnect to the innocence of their younger years. “Your roots are who you are,” says Shabalala, who revisits the farmland of his youth every month. “I go home to see the sights I’ve known since I was a baby. When I see a field there, I see my father and mother standing with me as a little boy. I love going home because it is just that…home.”

Check out some Grateful Web coverage of Ladysmith Black Mambazo.

DAVID AMRAM The First 80 Years! A Musical Celebration

DAVID AMRAM: The First 80 Years Jazz, a spectacular, historic celebration of a true American original whom the Washington Post has described as “one of the most versatile and skilled musicians America has ever produced,” will be presented by Jazz Forum Arts on Thursday, November 11, 2010 at 7:30 PM at Peter Norton Symphony Space, 2537 Broadway at 95th Street, in Manhattan, it was announced by Mark Morganelli, Executive Director of the presenting organization. A portion of the proceeds will benefit Clearwater, the organization founded by Pete Seeger, as well as the Woody Guthrie Foundation

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The historic concert will feature:

· The New York premiere of Amram’s “Symphonic Variations on a Song by Woody Guthrie” performed in memory of Odetta by the 60-piece Queens College Orchestra, conducted by Maurice Peress. The work will be introduced by Nora Guthrie, who commissioned it with support from the Guthrie Foundation, based on her father’s song “This Land is Your Land.”  

·The New York premiere screening of the finale of the recent production of Amram’s 1968 comic opera “Twelfth Night” with a libretto by the late Joe Papp, which will be introduced by Bernard Gersten, Executive Producer of the Lincoln Center Theater and former co-producer with Joe Papp of the New York Shakespeare Festival.

·The first ever concert performance of excerpts from Amram’s classic film scores, “Splendor in the Grass” (1960), and “The Manchurian Candidate” (1962), performed by the Brooklyn Conservatory Jazz Ensemble, directed by Earl McIntyre, and The Jazz & Gospel Choirs, directed by Renee Manning.

· “En memoria de Chano Pozo” for Latin/jazz group and symphony orchestra, performed in memory of  Dizzy Gillespie by the Queens College Orchestra, conducted by David Amram, with guest soloists Candido (congas) and Bobby Sanabria (timbales) with Amram himself on piano, pennywhistles and percussion.  

·“One Heart, Many Voices,” performed by Amram’s Middle Eastern Trio with Avram Pengas (guitar and Bazookie) and Israeli singer/songwriter David Broza.

·Malachy McCourt will introduce Amram’s  “The Fox Hunt From Cork Meets The Blues From New York,” performed by Larry Kirwan (Black 47), John McEuen (Nitty Gritty Dirt Band), Amram’s Latin/Jazz Ensemble and dancers from the Stella Adler School of Acting.

·Actor John Ventimiglia (The Sopranos) will read excerpts from Jack Kerouac’s “On The Road” followed by performance Kerouac/Ginsburg/Cassady title song from the 1959 Best Documentary Film “Pull My Daisy.

The star-studded salute will also include filmed 80th birthday wishes from Pete Seeger, Arlo Guthrie, Willie Nelson, members of the N.Y. Philharmonic, and friends and colleagues from around the country. There will also be appearances and performances by Amram’s friends from the world of theatre, film and music, including actor Keir Dullea (2001: A Space Odyssey), Josh White Jr., Patience Higgins,  the Amram Family Band and current members and alumni of Amram's quartets from the past 40 years, as well as other surprise guests.  

The entire concert will be filmed by Lawrence Kraman for his documentary film “David Amram: The First 80 Years,” segments of which will be shown for the first time at this concert. To see links for the trailer, visit here and for the poster.

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During his illustrious career, David Amram has composed more than 100 orchestral and chamber music works; numerous scores for Broadway theater and film; two operas, and the score for the landmark 1959 documentary Pull My Daisy, narrated by novelist Jack Kerouac.  He is also the author of three books, published by Paradigm Publishers.  A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries, in addition to being a renowned improvisational lyricist.  Amram has collaborated with Langston Hughes, Dizzy Gillespie, Dustin Hoffman, Johnny Depp, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Arthur Miller, Charles Mingus, Lionel Hampton, Tito Puente and Leonard Bernstein, who chose him as The New York Philharmonic's first composer-in-residence in 1966.  One of Amram's most recent works, Giants of the Night, a flute concerto, was commissioned and premiered by Sir James Galway.  Today, as he has for over 50 years, Amram continues to compose music while traveling the world as a conductor, soloist, bandleader, visiting scholar, and narrator in five languages.  He celebrates his 80th birthday on November 17th.  Additional information is available at http://www.davidamram.com/

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Tickets for DAVID AMRAM: The First 80 Years are: $75, $55 and $35 (members, students, seniors: $70, $50 and $30; children: $65, $45 and $25) and can be purchased at the Symphony Space Box Office, 212.864.5400, or at http://www.symphonyspace.org.  For information about Jazz Forum Arts, call 888.99.BEBOP, or visit http://www.jazzforumarts.org/.

Keller Williams' first ever kids album, Kids, hits streets today

Today, Keller Williams releases his sixteenth album — and first-ever album for kids and families — appropriately titled Kids. With Kids, Keller once again breaks new ground, staking out his next conquest: the absolute adoration of the under-10 crowd and their parents, caregivers, and relatives.

Kids has already been warmly embraced by such kids’ music tastemakers as Stefan Shepherd (Zooglobble), Amber Bobnar (Boston Children’s Music), Pamela Brill (Rockabye Baby Music), and syndicated columnist Lee Littlewood (Kids Home Library). Stefan Shepherd wrote that Kids “immediately shoots to near the top of my most-anticipated albums list.” Declared Amber Bobnar, “It almost sounds like something from Stomp or Blue Man Group that just builds and builds on itself. It’s really a trip!” Lee Littlewood included Kids in an “Incredible New Music for Kids” column, writing, “Williams' high musical standards make Kids a superb CD for all ages.” Enthused Pamela Brill, “This CD blends Williams’ love of bluegrass and rock to create a unique sound that will resonate with listeners of all ages. What we like is that his music really gets it … he knows how to capture his listeners’ attention—and how to hold on to it.”

When Keller Williams addresses kids in song or words, it’s with extreme sincerity, respect, and more than a dash of his famous quirky, tongue-in-cheek sense of humor. Every song on Kids clicks into a kid’s world, from the bouncy, two-beat “Taking a Bath” to the compellingly hip speak-singing of “Horseback Rider” and “Grandma’s Feather Bed” to the catchy, rhythmic, danceable “Keep It on the Paper.” Keller’s infectious good humor and the compelling joyfulness of his songs invite young listeners to freely sing, dance, and play along, becoming true partners with his legendary creativity.

In conjunction with the release of Kids, Keller Williams is releasing his first children's book, Because I Said So. Based on Keller’s song by the same name (included on Kids), the story is told through the eyes of “L’il Keller,” who learns that you can’t always get what you want, and there isn’t always a good reason why! Enhanced by the cleverly drawn illustrations of Fredericksburg, Virginia artist Bill Harris, Because I Said So is humorous, colorful, and wise. Included with the book is a CD containing the song "Because I Said So.” Because I Said So is available at www.kellerwilliamskids.net.

Also this fall, Keller expands his touring horizons to include kids and families, joining the Yo Gabba Gabba Tour as a “Super Music Friend” at select shows in the Pacific Northwest and California. Keller is one of many acclaimed artists joining Yo Gabba Gabba’s fall tour; also confirmed are Pretty Lights, Steel Train, Kid Koala, Big Head Todd and The Monsters, The Saltines, and others. Keller’s list of Yo Gabba Gabba tour dates is included below.

Keller Williams' current list of tour dates is as follows:

Friday, November 5 Rick's Cafe Starkville MS

Saturday, November 6 Rock For Hunger Orlando FL

Wednesday, November 10 WOW Hall Eugene OR

Thursday, November 11 Wild Buffalo Bellingham WA

Friday, November 12 INB Performing Arts Center Spokane WA Yo Gabba Gabba! Live

Friday, November 12 Knitting Factory Concert House Spokane WA Keller Solo

Saturday, November 13 Tacoma Dome Tacoma WA Yo Gabba Gabba! Live

Saturday, November 13 Neumo's Crystal Ball Reading Room Seattle WA Keller Solo

Sunday, November 14 Memorial Coliseum Portland OR Yo Gabba Gabba! Live

Sunday, November 14 Aladdin Theatre Portland OR Keller Solo

Monday, November 15 Hult Center for the Performing Arts Eugene OR Yo Gabba Gabba! Live

Wednesday, November 17 Humboldt Brews Arcata CA Keller Solo

Thursday, November 18 Memorial Sacramento CA Yo Gabba Gabba! Live

Thursday, November 18 Harlow's Sacramento CA Keller Solo

Friday, November 19 Blu Nightclub - Montbleu Resort Lake Tahoe NV

Saturday, November 20 Great American Music Hall San Francisco CA

Sunday, November 21 Bill Graham Civic Auditorium San Francisco CA Yo Gabba Gabba! Live

Saturday, November 27 State Theater Falls Church VA

Thursday, December 2 Avalon Theatre Easton MD Keller Williams Kids Show

Saturday, December 4 Stage One Fairfield CT

Sunday, December 26 Fredericksburg Field House Fredericksburg VA SPCA Benefit

Wednesday, December 29 The Norva Norfolk VA

Thursday, December 30 The National Richmond VA

Friday, December 31 Neighborhood Theatre Charlotte NC

Phish | Broomfield, Colorado | 10/10/2010

Phish is back in Colorado... just a mere two months earlier we were all out in Telluride to catch Phish at one of the most stellar locales in America.  1st Bank Arena, in Broomfield, Colorado might be in the middle of cookie-cutter American looking architecture -- but the promoters did get it right after renovating 1st Bank back in 2008>2009.  The place was a complete disaster when it first opened in 2006.  The place was riddled with parking problems, crummy acoustics and a real lack of interest from bands, special events, etc.   I guess the Colorado GOP had their little shindig there, which should give you an indication right away how lame this place was…

Now it’s still the same building in the same cookie-cutter location, but what has changed has made all the difference! This place sounds good! Really good…it’s small too, nearing about 6500 at full capacity.  You're not going to catch Phish in a smaller venue in 2010.  Sure us lucky folk who started seeing Phish in the early 90's will still boast seeing the band in a venue holding less than 500 (for me that was Liberty Hall in Lawrence, KS on 4/1/92 -- still my favorite Phish show.. get it!).  However, catching Phish in this relatively intimate venue is pretty cool considering the alternative…Pepsi Center or gag…Fiddler's Green (or whatever they're calling the schwaggy place nowadays).

Trey sounds great.  They really tore the roof off the place last night.  Highlights for me:  Julius was a rager – Golgi is always a lot of fun to hear.  Mike’s Song > Simple > Ghost > Weekapaug Groove had a little bit of everything.   Trey introduced a new song last night titled: “My problem Right There” – Sure Senior Ernesto is one of the most prolific song writers out there… I will confess on average, however, I am probably fond of only 1/3 new songs Trey has brought forth over the past decade or so – But this song I liked right away. Most songs take a least a few listens before I know the song well-enough to gauge if I truly dig it – but this song is catchy, bluesy and I enjoyed it from the get-go.

The band is hot. They sound great.  Check out Grateful Web’s videos from the shows – We’ll have more up on Tuesday as well as photos and phan interviews.

Filling Joe’s Pub with More than Music

After a somewhat painful opener by Me in the Zoo, Kelli Scarr took the stage on Thursday night and filled NYC’s Joe’s Pub with her giant whispery voice. She is on tour now showcasing her newest album, “Piece,” which was released on August 10 by the indie-start-up label, "Silence Breaks."

Bob Marley's Wailers Continue His Legacy With New Single To "Keep Them Belly Full"

On a trip to Colombia at the end of last year, legendary reggae group The Wailers gave out hundreds of pairs of shoes to under-privileged children from the money they had raised from foregoing their daily riders.  During their extensive travels that followed, they were often confronted with one of the worst plights, yet one of the easiest problems to solve – hunger.
The Wailers’ leader and musical director Aston “Familyman” Barrett decided to collaborate with the World Food program and the United Stations because he felt that he wanted to make a contribution to help put an end to hunger around the world.  The result of their efforts culminated in a new track called “A Step for Mankind,” which is their first studio song in 16 years.   The song was recorded specifically for Oniric Records’ compilation CD Solution for Dreamers: Season 3 and is available at iTunes with ALL proceeds from the song going towards the United Nations’ World Food Programme (WFP). The Wailers are now asking for your help.
“A Step for Mankind,” written by Wailers’ vocalist Duane Stephenson, is a call for world unity and strength to support the ongoing struggle against world hunger. The band is joined on the track by new lead singer Koolant, a fresh talent from the heart of St. Thomas known for blazing a positive future for reggae music with his work. The track also introduces Dr Dre protégé Bishop Lamont, an up-and-coming rapper, contributes an unforgettable flow in the track’s breakdown.  Graced by the Wailers’ undeniably distinctive groove., “A Step for Mankind” is a small taste of more music forthcoming from the Wailers, who recently entered the studio in Jamaica to begin work on an album of all-new material.
The World Food Programme is the world’s largest humanitarian organization fighting hunger worldwide. A United Nations institution, the WFP is committed to getting food where it is needed, saving the lives of victims of war, civil conflict and natural disasters. Each year, on average, WFP feeds more than 90 million people in 70 countries.
According to the World Food Programme website:
  • Every 6 seconds a child will die from hunger
  • Each day 25,000 people will die from a lack of food
  • 1.02 billion people will go to sleep hungry tonight, this is 15 percent of the estimated world population
For 25 cents you can help save a person’s life today by going to iTunes and purchasing The Wailers “A Step for Mankind” here.
And be sure to check out The Wailers new video here.

Dark Star Orchestra confirms '10 New Year’s Eve

Closing in on the 1900 show mark, Dark Star Orchestra has confirmed plans to ring in 2011 with a New Year’s Run including Penn’s Peak in Northeast PA December 28, and celebrating New Year’s Eve with a pair of shows December 30, 31 at The Klein in Bridgeport, CT. Tickets go on sale today, September 29, through DSO Fan Club and will go on sale to the public on October 3.  There will also be a limited number of VIP tickets available which include reserved seating, access to a private bar, an exclusive show poster, party favors, and a champagne toast.  More information, NYE tickets and hotel packages are available here.

For the final tour of 2010, Dark Star Orchestra will offer a new twist on their Grateful Dead setlist concept. The ‘City Near You’ Tour features DSO recreating Grateful Dead setlists taken from the town or region where the show is taking place. The tour starts November 26, the day after Thanksgiving, with a pair of shows at San Francisco’s Regency Ballroom; where for instance, DSO will recreate a show that originally took place in or near the Bay Area, and so on, throughout the rest of the tour that winds mostly down the West Coast and ends in Denver at the Fillmore December 11.

Additionally, the members of Dark Star Orchestra are thrilled to announce the recording and release of an original song co-written with Grateful Dead lyricist Robert Hunter called “Run Mary.”  The upbeat song features combined vocals from Rob Barraco, Lisa Mackey and Rob Eaton.  Available shortly on iTunes, “Run Mary” can be heard streaming online. A free download of “Run Mary” is available when purchasing DSO tickets through its Fan Club Ticketing. As always, DSO continues to play Grateful Dead show recreations and elective setlists as its main focus.

Check out a past Grateful Web webcast of DSO in Boulder, CO

Dark Star Orchestra: www.darkstarorchestra.net

Dark Star Orchestra Ticketing: http://dso.inticketing.com

Singer-Songwriter Bobby Long Signs With ATO Records

British singer-songwriter-guitarist Bobby Long has signed a recording agreement with New York-based independent label ATO Records.  Long's debut is set for release on February 1, 2011. The album, entitled A WINTER TALE, is a collection of 11 original songs from a repertoire deeply rooted in American folk, blues and country music.  The recording is produced by Liam Watson, Grammy® winner for his engineering work on Elephant by The White Stripes, at his analog Toe Rag Studios in London.

Since he began performing in North America in April of 2009, Long has logged more than 150 shows (including sold-out appearances in major U.S. cities, Canada and Europe), winning over audiences with his gritty, passionate performances.  His haunting vocals, intricately woven lyrics and intriguing guitar work, not to mention his charming tall tales, have helped to cultivate a devoted fan base that has filled rooms night after night.  This year's tour schedule has also included several high-profile festival appearances, among them the Mile High Festival in Denver and the XPoNential Festival sponsored by Philadelphia's WXPN Radio, an early champion of Long's moving, personal songs.  As one critic wrote on blogcritics.com:   "With raw vocal power and smart, evocative lyrics, Long is a folksinger with a spirited intensity that puts him outside and above the masses of singer-songwriters roaming our cities, towns, and social networks."

Bobby Long's studio debut recording, entitled A WINTER TALE, is a collection of 11 original songs from a repertoire deeply rooted in American folk, blues and country music.  Long, who is an accomplished guitarist, is backed by an eclectic complement of studio musicians on slide guitar, stand-up bass, drums and keyboards.

The selection of songs on A WINTER TALE poignantly touch on a variety of themes, some of them dark, sung with Long's deep signature rasp.  His distinct finger-picking style on guitar is also prominently in evidence while he is backed by an eclectic complement of studio musicians on standup bass, pedal-steel guitar, vibraphones, drums, piano and keyboards.

Included on the CD are several songs that have become associated with him over the endless months of touring, among them the guitar-driven "The Bounty of Mary Jane," the haunting imagery of "Being a Mockingbird,"  the anthemic "Dead and Done" ("I've already had the neighbors here, Johnny Cash came 'round and we split a beer" ") and the defiant "Penance Fire Blues" contrasted with the spare, plaintive "Who Have You Been Loving," which was embraced in its simplest acoustic form-lifted from the homemade self-released recording, DIRTY POND SONGS, that was only available at his shows.

Other songs on the record include "In the Frost," which paints word pictures of scenes from Long's native England, and "A Passing Tale" and "Sick Man Blues," which are throwbacks to the traditional folk era of the 1960's. "A Stranger Song," the closer, brings to mind the wordplay of one of Long's major influences: Leonard Cohen. "Two Years Old," a finely crafted story song about the ravages of war, conjures images reminiscent of the battle scenes in the film Atonement, and the title cut, "A Winter Tale," is a driving, memorable opus that demands repeat plays.

Long, who moved to London from Wiltshire in the southwest of England to attend college, became part of the burgeoning open mic circuit to expose his music.  He met actor and fellow musician Robert Pattinson, who would go on to sing "Let Me Sign" (co-written by Long and friend Marcus Foster) over a crucial dramatic scene in the blockbuster film Twilight.  The inclusion of the song in the film's soundtrack gave Long a head start on a legion of fans.  Although A WINTER TALE is the 24-year-old's first foray into the formal recording process, "Left to Lie," his first single from the DIRTY POND SONGS collection, reached #1 on the iTunes "Unsigned" chart and #8 on the Folk chart.  Pollstar wrote: "Long's emergence as an up-and-coming artist is the stuff Hollywood loves to make movies about.  He continues to amaze audiences with a bare-bones sound reminiscent of early Bob Dylan."

Long is currently on a short string of dates in Europe before hitting the road in the U.S. in earnest with his band this fall.  A limited edition 10" vinyl EP containing songs from forthcoming record (including two bonus tracks) will become available at that time to build further anticipation for the release of the album and to coincide with his fall tour schedule.

The following fall dates are in support of Michael Franti:

October 18-Buster's, Lexington, KY; 19-Newport Music Hall, Columbus, Ohio; 20-Bluebird Nightclub, Bloomington, IN; 22-Madison Theatre, Covington, KY; 23-Carnegie Music Hall of Homestead, Pittsburgh; 24-The Town Ballroom, Buffalo, NY; 25-Northern Lights, Albany, NY; 28-Terminal 5, New York City; 29-Wellmont Theatre, Montclair, NJ; 30-Electric Factory, Philadelphia.

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November 1 & 2-Calvin Theatre, Northampton, MA; 3-State Theatre, Ithaca, NY; 5-Lupo's Heartbreak Hotel, Providence, RI; 6-State Theatre, Portland, ME; 7-Capitol Center, Concord, NH; 9-Toad's Place, New Haven, CT; 10-Metropolis, Montreal, Quebec; 12--Kool Haus, Toronto, ON; 13-House Of Blues, Cleveland, OH; and14-Crofoot Ballroom, Pontiac, MI.  Additional tour dates will be added shortly.

Girl In A Coma's "As The World Falls Down"

The San Antonio-based trio, Girl In A Coma, were chosen by Joan Jett herself for her Blackheart Records label and have toured extensively with Morrissey, at the personal invitation of the man who penned the song that inspired their name.  After successfully releasing a series of three Adventures in Coverland EPs on 7-inch vinyl this April, Girl in a Coma will release these tracks as a full-length CD along with three brand new tracks October 19th on Blackheart Records.

Girl In A Coma is thrilled to share a new video, directed by Robert Rodriguez for their cover of David Bowie’sAs The World Falls Down”.  Check out the video on SPIN.com where it premiered or here.

With Adventures in Coverland, Girl in a Coma delve further into the band’s collective musical history, recording their own versions of classic songs that helped shape the sonic core of Trio B.C., a record which prompted Alternative Press Magazine to rave that the band had “really hit their stride” and Billboard to enthuse that the ladies were “full of swagger and in fine form.”

The new songs on the record include a vibrant update of Buffalo Springfield’s ‘60s protest anthem “For What It’s Worth,” an acoustic version of their song “BB” and a new original Girl in a Coma song, “Yo Oigo,” which was written to be featured in Robert Rodriguez’s new movie “Machete.” The band displays their reverence for Selena’s music with their amped-up reworking of “Si Una Vez,” a stunning highlight of the record, and were honored to perform the song  at the 2010 Tejano Music Awards.

Having toured in the past with Morrissey, Sia, Pogues, Cyndi Lauper and more, Girl In A Coma hit the road this Fall wrapping up the tour with several performances with the Dresden Dolls.  Be sure to catch the band taking over the stage live in a city near you.

Girl In A Coma Tour Dates

09/23: El Paso, TX @ House of Rock
09/24: Marfa, TX @ El Cosmico Gathering
09/29: Atlanta, GA @ The Masquerade
09/30: Charlotte, NC @ The Casbah @ Tremont Hall
10/02: Brooklyn, NY @ Music Hall of Williamsburg
10/03: Washington, DC @ Black Cat
10/04: Newark, DE  @ Mojo Main
10/05: Providence, RI @ Club Hell
10/08: Toledo, OH @ Frankie's
10/09: Newport, KY @ Southgate House
10/11: Hot Springs, AR @ Maxine’s
10/23: Helotes, TX @ Josabi's
10/30: Houston, TX @ Tom Bass Park Amphitheatre
11/05: Asbury Park, NJ @ The Wonder Bar
11/19: Dallas, TX @ Granada Theater (w/ The Dresden Dolls)
11/20: Houston, TX @ Fitzgerald's (w/ The Dresden Dolls)
11/21: Austin, TX @ La Zona Rosa (w/ The Dresden Dolls)

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Track List

“Si Una Vez” (orig. by Selena)
“While My Guitar Gently Weeps” (orig. by The Beatles)
“Transmission” (orig. by Joy Division)
“As The World Falls Down” (orig. by David Bowie)
“Come On, Let's Go” (orig. by Ritchie Valens)
“Walkin’ After Midnight” (orig. by Patsy Cline)
“Femme Fatale” (orig. by The Velvet Underground)

PLUS THREE BRAND NEW TRACKS
“For What It’s Worth” (orig. by Buffalo Springfield)
“Yo Oigo”
“BB” (acoustic version)