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Dead Man Winter @ The Fox Theater | 8/19/11

On August 19th at the Fox Theater in Boulder, CO, Dave Simonett, Erik Kokinen, and some of their friends from Trampled by Turtles gave us an early taste of their new project, Dead Man Winter.  Having been a huge

iClips to Live Stream STS9 from Red Rocks

The time of year has come again for STS9’s annual stop at the famed Red Rocks Amphitheatre. Since their first performance in 2003, the band has made Red Rocks a home away from home having played the venue over 10 times now with a total supporting cast of nearly 30 cutting edge acts in their prime sharing the stage with them through the years. In that time, they’ve been joined at Red Rocks by a plethora of music legends from Thievery Corporation, Jurassic 5, Pretty Lights, Bassnectar, Talib Kweli, The Glitch Mob, Ghostland Observatory and more. Every show at Red Rocks with STS9 is an event, full of surprises, musically and visually.

This year sees the band kicking off their Fall Tour in classic style at Red Rocks Amphitheater on September 9th & 10th with a great line-up including Snoop Dogg, Up Until Now, Savoy and LTJ Bukem. This year's opening acts will continue the tradition of diversifying the lineup by bringing in Hip-Hop legend Snoop Dogg and Drum n’ Bass legend LTJ Bukem to anchor the nights.

iClips is extremely excited to be there to bring you all the action once again LIVE, and in HD, from Red Rocks. Stay tuned for more details coming soon including price and show times.

For more information on the live broadcast visit www.iclips.net/livefaq

Paper Bird w/ Dovekins at the Boulder Theater

97.3 KBCO & Westword are proud to present Paper Bird with Dovekins at the Boulder Theater on Thursday, September 8th, 2011.  Tickets go on sale Friday, June 24th for $14 General Admission tickets.

Paper Bird’s backbone is their songwriting, musicianship and a general allergy to all limitations and trends. With seven members and no leader, this band is pulled in every direction imaginable, but thanks to their unique instrumentation they are able to merge their spontaneous creativity into one, solid sound.

The members of the band- Sarah Anderson, vocals and trumpet; sisters Esmé and Genny Patterson, vocals; Tyler Archuletta, trombone; Paul DeHaven, guitar; Caleb Summeril, banjo; Macon Terry, upright bass – bring a Folk, Americana sound that pays homage to the American Bandstand of the 1950’s, with a hint of Roaring 20’s flare. But don’t be thrown off by their old-timey sound, Paper Bird maintains the Indie rock image and resonance of the current age with a progressive and complex style that keeps them on the forefront of the music scene. The band’s inception came a few years ago in Breckenridge, Colorado where they met for the first time. The members were busking in the streets where they earned a couple hundred dollars, bought some beers and dinner and decided to form a band. Shortly after they went into the studio and recorded their first self-released album Anything Nameless and Joymaking (2007), which has been a top selling record in local retail stores since its release.

The seven-piece Americana Folk band is boasted by three female lead singers and backed by outstandingly talented musicians, continually capture the hearts of new and old listeners. They were recently featured on NPR’s All Things Considered due their rare and beautiful approach to music. They were voted in the Top 10 Best Underground Bands by Denver Post two years in a row. In the last year they have played Red Rocks Amphitheater to over 8000 people and have shared the stage with Devotchka, These United States, Grace Potter & the Nocturnals, Brett Dennen, and Big Head Todd & the Monsters. Their haunting and authentic sound is a refreshing and breath taking experience.

The female vocals create a soulful, dynamic harmony that accentuates each singer, while giving the illusion of a single voice. The trombone, banjo, and guitar elevate the music to a higher level while the skilled notes of the bass reflect the harmonies. Each style bounces off the other, while each note appreciates the other. They make audiences feel love, excitement, and passion. A show not to be missed, a band that must be heard: Paper Bird is one of a kind.

Also, appearing is Dovekins who is made up of six goonish characters that are fun-loving and appreciate a good time.  Their shows have a range of instruments including stand-up bass, accordion, clarinet, piano, mandolin, trombone, banjo, tuba, spoons and washboard.  A psychedelic hoe-down may ensue.

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Paper Bird w/ Dovekins

& Spirits Of The Red City and The Claptet

Boulder Theater

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Thursday, September 8th, 2011

Doors:  7:00 pm

Show Time:  7:30 pm

Zoë Keating @ Boulder Theater | 6/11/11

Zoë Keating is a one-woman orchestra. She uses a cello and a foot-controlled laptop to record layer upon layer of cello, creating intricate, haunting and compelling music. Increasingly considered a role model for DIY artists, Zoë's self-released albums have sold over 35,000 copies and she has amassed an incredible 1.3 million Twitter followers. Born in Canada and classically trained from the age of eight, Zoë spent her 20's dabbling in computer software while moonlighting as a cellist in rock bands. Inevitably, she combined the two and developed her now signature style while improvising for late night crowds at her San Francisco warehouse. She makes an effort to reach audiences wherever they are and has performed on National Public Radio, television, webcasts, outdoors in the Nevada desert, in churches, concert halls, universities, museums, technology conferences, executive brainstorming sessions, house concerts, bars and rock clubs across North America and Europe.

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More Info / Buy Tickets

EOTO Releases 39 Track Live Album

The cyber-kinetic bass juggernaut EOTO will release their third annual tour compilation K-Turns and U-Turns for download today, May 17th.  Featuring 39 hand-selected live tracks, spanning four consecutive hours of music, the album captures the best performances of the year with crystal clear soundboard quality. The collection features songs from every genre, style, and tempo from their grueling non-stop 2010 tour highlighting the live evolution of a band that has put their unique stamp on the electronic music world. The album, which has been edited to flow from one song to the next, mirrors the feeling of a live EOTO show creating the perfect environment for on-the-fly living room dance parties and sci-fi soundtracks alike.

Since 2008, Michael Travis and Jason Hann of EOTO have taken on a brutal tour schedule packing in nearly 150 national shows a year. Armed with thousands of performance hours, it is no surprise the duo has become masters of a skill very few have yet to imagine. By incorporating real instruments alongside high-tech computer programming and the tools of a traditional DJ, the band has made major headway in a very short time.

Each twist and turn of their national 2010 tour saw the project adding new gadgets and techniques to their performance style, paving the way for the project to literally evolve before the eyes of the fans. And, with each turn of the tour, the record button was on, marking each and every move they made. In turn, the band has selected their favorite moments for their annual K-Turns and U-Turns release. This year, the band has chosen 39 tracks from over 125 recorded and released shows in 2010. The album highlights the absolute best diversity in their growing catalog of music.

Along with the release, fans who purchase the latest rendition will also receive a FREE download of the coveted Portage Theater performance from May 6th 2011.

To download a copy of K-Turns and U-Turns album check out ___________ or scan through their entire archive of recorded shows at HERE. For more information on the upcoming EOTO summer festival schedule, visit www.eotomusic.com

Time, NYT Laud Jake Shimabukuro

It's been a banner year thus far for Jake Shimabukuro. His new album 'Peace Love Ukulele' (HITCHHIKE RECORDS) debuted at #1 on the Billboard World Album chart, and has brought the Hawaii native national acclaim from NPR, YouTube and others. Time Magazine and the New York Times can now be added to the list in praise of Shimabukuro's virtuosic ukulele playing.

Nate Chinen of the New York Times said of a recent performance Shimabukuro at Brooklyn Bowl:

"Shimabukuro… comes by his fame with buoyant musicianship and brisk proficiency. The innovation in his style stems from an embrace of restrictions: the ukulele has only four strings and a limited range. He compensates with an adaptable combination of rhythmic strumming, classical-style finger-picking and fredboard tapping."

Read the entire review here.

Shimabukuro and his ukulele are also featured in a Time Magazine article by Tim Morrison about the instrument and its sudden surge in popularity. Morrison notes that a quick Google search of ukulele "won't be some grainy clip of Tiny Tim or George Formby but a performance by a hair-gelled 34-year-old Hawaiian named Jake Shimabukuro."

Read the Time Magazine piece here.

Read Grateful Web coverage of Jake here.

Kraddy's 2011 Labyrinth Tour w/ Archnemesis @ the Fox

The Los Angeles-based electronic-music Don known as Kraddy has always brought the undiluted sound of the underground to new audiences. From his work as a founding member of the infamous Glitch Mob to his groundbreaking solo work, Kraddy (born Matthew Kratz) has always been known for shattering genre conventions while moving crowds everywhere from Red Rocks to L.A.’s famed Low End Theory club. From his breakthrough 2008 hit “Android Porn” to the innovative bangers comprising his latest e.p. Labyrinth (Alpha Pup), Kraddy continues to hybridize hip-hop, dubstep and dancehall with face-melting panache and rock and roll bravado. But the man himself was as surprised as anyone when the mainstream crossed over to him.

With its epic melody, dramatic builds, and speaker-shuddering bass drops, “Android Porn” was hailed as the anthem of the decidedly maverick “glitch hop” movement, getting remixed by everyone from Mochipet to breakbeat icon Si Begg. Soon, however, the song started appearing beyond the sweaty, crowded dancefloors that are Kraddy’s mainstay, getting licensed for TV shows like “America’s Best Dance Crew” and “America’s Got Talent”; a Hungarian dance troupe’s outrageous performance to the track quickly became a YouTube sensation. Having a format-obliterating viral smash made it easier when it became clear his alliance with West Coast electronic-music legends the Glitch Mob was ending. “It was an amicable split—we all agreed I’m more of a solo artist,” Kraddy recalls. “With the Mob, it was hard to have a clear voice; I was restrained—it grew apparent that I had a different vision then they did. ‘Android Porn’ kicked a door open in my mind, and I saw a whole host of new possibilities.”

Indeed, those fresh avenues are explored to the fullest on Kraddy’s latest e.p. Labyrinth, overflowing with grandiose symphonics, soulful emotion, pounding rhythm and crunching low end. “My new material had to cause blunt force trauma,” he explains. “These songs are as heartfelt as it gets, but chug like a locomotive. I just love hotwiring thick analog grunge with those unexpected digital tweaks.” Labyrinth also represents Kraddy’s new association with the revered Alpha Pup label, home to future-music geniuses like Nosaj Thing and Free The Robots. “I really wanted to work with Alpha Pup,” Kraddy says. “[Label founder] Daddy Kev is a visionary: he always has a vista of what’s going to happen next with music, and I wanted to be a part of that.”

Labyrinth signifies the pinnacle of a musical evolution that began when Kraddy moved from his native New York to San Francisco. He soon became a mainstay of that city’s beat scene: changing the game with his 2003 debut album, Truth Has No Path, Kraddy continued to gain notoriety with a series of unorthodox releases, from “Faux Show” (a raw remix of Ol’ Dirty Bastard’s “Shimmy Shimmy Ya”) to his second full-length, The Illegal Album, which fused Kraddy’s radical production chops with classic hip-hop/dancehall a capellas. Moving to L.A while releasing notable remixes for the Infesticons and Mochipet and a series of coveted bootleg mashups and mixtapes all built to Kraddy’s latest evolution, which has moved beyond pure electronics: his live shows will soon feature a live drummer, taking Kraddy even closer to a style he calls “Led Zeppelin 3000.” “It’s full and epic and shameless, but Kraddy-style,” he laughs. “That’s what I’ve always want to do, and now I’m doing it.”

Tickets are on sale at Fox Theatre Box Office. Call (303) 443-3399 for tickets by phone.

Tickets are also available through our website @ www.foxtheatre.com.

$12 adv/ $15 dos

Tickets Are On Sale NOW!!

The Hal Galper Trio plays Birdland

Disbanding his trio in 2000 after ten years of touring internationally, Grammy winning jazz pianist Hal Galper spent the following six years “in the shed” studying, practicing and developing his uniquely original style of playing. The Trio features cutting edge Rubato style group improvisation that emphasizes spontaneity, texture and interaction. With over 90 recordings to his credit, 30 of which as leader, Hal Galper is best known for his work with Chet Baker, Cannonball Adderley, The Brecker Brothers, John Scofield and the Phil Woods Quintet.

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THE HAL GALPER TRIO PLAYS BIRDLAND

TUESDAY, FEBRUARY 23RD, 2 SETS @ 8:30 & 11:00 PM
315 West 44th Street  New York, NY 10036
between 8th and 9th Avenues
Information (212) 581-3080
http://www.birdlandjazz.com/