26th

The New Deal announce very special show this Saturday June 26!

Due to circumstances beyond our control, The Electric Factory must postpone theNEWDEAL show this Saturday, June 26th, 2010. The show has been rescheduled at the E-Factory for Friday, September 24th, 2010 and all tickets will be honored.

theNEWDEAL are firm believers that the show must always go on. This Saturday, June 26th, the band will perform a rare intimate show at The Note in West Chester, PA for their beloved Philly fans. This special performance will feature 4+ hrs of music, including DJ Sets by all three members of tND, fan-requested covers, band giveaways, and for the first time - Live Vocals. Do not miss this opportunity to see this no holds barred, Philadelphia-style throwdown.

All tickets Purchased for the E-Factory show will be honored for the special 6/26 performance at The Note --OR-- the rescheduled E-Factory show (Friday, Sept 24th, 2010). If you are a ticket holder for the postponed show, please stop by the Merchandise booth at The Note for a complementary gift from tND.

"An Evening with theNEWDEAL"
$20 Online and Day of Show
http://www.thenote.tickets.musictoday.com/TheNote/calendar.aspx

Arrive early, this show will sell out.
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BAMcafe Live: Beat Kaestli - "Far From Home - A Tribute to European Song"

Beat Kaestli is a vocalist, songwriter and producer residing in New York City. After establishing himself in the Swiss music scene, he moved to New York to broaden his musical horizon, leaving behind a promising career in his homeland. He was awarded a scholarship to the Manhattan School of Music (BM) and received the Ella Fitzgerald Foundation scholarship to graduate in 2008 with a Masters Degree from the Aaron Copland School of Music (MA). While honing his craft alongside noteworthy Jazz performers, such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan's fiercely competitive music scene, emerging as a seasoned performer. He now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone aCd Sweet Rhythm, performing with Jazz greats, like Esperanza Spalding, Jon Hendricks, Clarence Penn, Gregoire Maret, Joel Frahm , Billy Drummond, Magos Herrera and Victor Prieto. In 2005, Beat was the chosen vocalist for the Glenn Miller Orchestra, thrilling audiences in concert halls across the USA. Kaestli is touring the world extensively with his own projects, showcasing his music in renowned clubs and at festivals across the US, Europe, Mexico and Canada. His new release "Far From Home - A Tribute to European Song" is scheduled to be released fall 2009.

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"A compelling re-imagining of European popular song, refracted through the polyvalent experiences of an expat in New York."

Friday, February 26th, 9:30 PM (one set only!)
30 Lafayette Avenue, Brooklyn, NY 11217
718.636.4100
http://www.bam.org/view.aspx?pid=1923
FREE

Transportation: 2, 3, 4, 5, B, Q to Atlantic Avenue

featuring:

Beat Kaestli - voice

Ben Stivers - piano

Matt Wigton - bass

Fred Kennedy – drums

Victor Prieto - accordion

and special guest Magos Herrera - voice

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Upcoming shows in USA/Europe/Mexico:

Jan 30th/31st - RBB Live Concert Broadcast, Berlin, Germany
Feb 26th - BAM Cafe, Brooklyn, NYC
March 5th - Jazz Club Bamberg, Germany
March 8th - RBB Radio "The Voice", Berlin, Germay http://www.kulturradio.de/frequenzen/index.html
March 8th - "Shared Night Vocal Duos", B-Flat, Berlin, Germany
March 9th - Kulturzentrum Reberhaus Keller, Bolligen, Switzerland
March 10th - Ludwigs w/Jan Eschke, Munich, Germany
March 11th - Cafe Lido w/ Christian Elsaesser, Munich Germany
March 19th - Jazzclub Uster, Switzerland
March 20th - Thalwil w/ Eliane Amherd, Switzerland
March 26th - JazzTone, Loerrach, Germany
March 31st - Bix Jazz Club, Stuttgart, Germany
April 8th - Brooklyn Library, NYC
April 19th - Bar Next Door, NYC
May 16th - Talent and Voices at CENART, Mexico City
Oct 2nd-5th - Generations Festival Frauenfeld, Switzerland
Oct 11th - "Shared Night" w/ Alexa Rodrian & Elisabeth Rodrian, B-Flat, Berlin (tbc)
Oct 13th - Le Pirate, Rosenheim, Germany
Oct 15th - Birdland, Ettlingen w/Elisabeth Lohninger, Germany
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For More information on Beat Kaestli go to: www.beatkaestli.com

Black Moth Super Rainbow's 'Eating Us' Streets May 26th

Eating Us- for the Grateful Web

After a year of eerie, stilted silence, the sun shines and the shadows reappear. Black Moth Super Rainbow has crept from the forests and cities to make Eating Us, their dark bubblegum freakout for 2009.  The first fully hi-fi BMSR record, Eating Us, adds space and dimension to the band's sticky, off-kilter melodies. This isn't an album about witches and woods, and this time around the band isn't letting on to what it all might mean. Because to them, it's just better that way.  

The modern musical unit known as Black Moth Super Rainbow first emerged from an obscure Pennsylvania forest glen in 2003 to relay a somewhat confounding sound with Falling Through a Field. Over the next few years, that peculiar sound developed, and the cult of BMSR began. With the release of their naturally-sweetened, candy-coated, and acclaimed 2007 treat, Dandelion Gum, a number of curious listeners bent their ears and adjusted their listening habits to incorporate Black Moth Super Rainbow's oddly creepy and off-beat sweet audio plyings. With support slots opening for Flaming Lips and Aesop Rock, the oft-camera shy outfit was soon positioned in front of thousands of brand new sonically adventurous music enthusiasts who weren't necessarily prepared for the eccentric visuals of BMSR's surreal live show, but would hopefully emerge changed, and be better off for it.

Their new full length presentation for 2009, Eating Us, promises to up the ante on the fidelity and melodies that BMSR have become known for. Here, the merry cryptic band has added some new flavors to their already well-established rainbow of sounds, with even more dense layers of lushly complex orchestration, intensely rhythmic drumming from a live, human drummer, vocoder vocals that are anything but robotic, and thick, undulating bass tones. Recorded at Tarbox Road Studios, Eating Us marks the first time BMSR has ventured into a modern recording studio. Production and partial tracking were handled by Dave Fridmann (The Flaming Lips, MGMT, Weezer) whose hands and ears were the only ones trusted to keep the freaked out wiggles and hairy candies fully in-tact, while also expanding them in a more realistic space.  

Now a six piece, BMSR could come or go at any time, however 2009 promises a return to touring.  

Eating Us will be released May 26, 2009 on Graveface. The full deluxe CD version features a 16 page art booklet and hairy summer jewel case jacket.

Tracklisting:
01 Born On A Day The Sun Didn't Rise
02 Dark Bubbles
03 Twin Of Myself
04 Gold Splatter
05 Iron Lemonade
06 Tooth Decay
07 Fields Are Breathing
08 Smile The Day After Today
09 The Sticky
10 Bubblegum Animals
11 American Face Dust

The Walkmen Play Conan O'Brien This Monday Jan. 26th

The Walkmen- for the Grateful Web

The Walkmen play Conan O'Brien this Monday January 26th.  The Walkmen make 25 top year end lists including NPR & Pitchfork Media. The Walkmen are currently on a west coast tour.  And their new album, Now/You and Me is out now on Gigantic Music.

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Pitchfork: #19 Album Of The Year
Pitchfork track of the year: #26 (In the New Year)
Pitchfork.Tv performance: Best of '08 (along with others)
Pitchfork readers poll: #13
Pitchfork readers poll, songs: #15 (In The New Year)
Gorilla vs Bear Chris: #8
Gorilla vs Bear David: #3
Gorilla vs Bear Chris (In the New Year, song): #4
Gorilla vs. Bear David (Donde esta la playa, song): #1
Hype Machine [Zeitgeist] best albums: #16
MTV (James Montgomery's top 25 list): #22
Myspace feature: one of the 50 best albums of 08
NPR World Cafe: #9
The Onion AV Club: #3
The Orchard: #8
Popmatters.com: #22
Stereogum (gummy awards): #10
Time Out NY (Colin St. John, Music Writer's personal list): #1
Tiny Mix Tapes: #18
Tripwire: #12
Treble Zine: #6
Under the Radar: #36
Underrated Magazine: #36
Venus Magazine: #3 (Best Rock Albums)
WOXY: #15 

The Gabe Dixon Band's New Album Streets August 26th, 2008

Gabe Dixon- for the Grateful Web

The Gabe Dixon Band's new self-titled album, due out on Fantasy Records on August 26, is in fact the group's third release, following the 2002 album On a Rolling Ball and the 2005 EP Live at World Café. But there's good reason Dixon, the band's writer/singer/pianist, considers it the GDB's debut.

Formed nine years ago by Dixon — then a classical piano major — and his two college roommates, bassist Winston Harrison and drummer Jano Rix, the group added a sax player and spent several years specializing in jazz-inflected, heavily improvised excursions, showcasing the virtuosity of the players. Dixon's elevated piano chops subsequently led to performances with Alison Krauss, O.A.R. and no less than Paul McCartney who tapped Dixon to play keyboards on his Driving Rain album and back McCartney and others on the internationally broadcast 9/11 tribute "Concert For New York City."

Offered the keyboard slot for McCartney's world tour, Dixon respectfully declined to focus on his own band and its then-yet-to-be-released debut album. But after a bout of cutbacks and regime changes at Warner Bros., the band's original label, the band reinvented itself as a three-piece song-based unit. The band's rededicated attention to arrangement, classic song-craft, and performance can be heard on the band's eponymous new album, The Gabe Dixon Band.

The trio cut the album live off the floor during ten days at Nashville's renowned Blackbird Studios with co-producer/engineer mixer Neal Cappellino (Alison Krauss, Mindy Smith, Jonny Lang) and with bassist Harrison doubling on "mandotar," a modified guitar he created whose sound somewhat resembles that of an electric mandolin. The album embeds vividly detailed, intensely personal and universally relatable songs in elegant yet muscular settings that draw, unabashedly and expertly, on classic rock.

The Tennessean, the newspaper in the band's hometown of Nashville, called it early when it stated in 2005 that the young artist "deserves to join the ranks of Jackson Browne and early Elton John in the pop pantheon." The piano-driven band has also rated favorable comparisons with the Ben Folds 5 and Bruce Hornsby.

Both the material and the supple arrangements result from "the music we heard growing up, listening to our parents' record collections," Dixon points out. "Mostly '70s LPs by Elton John, Jackson Browne, Paul Simon, Stevie Wonder, Ray Charles, Joni Mitchell, Bob Dylan, Carole King and James Taylor. It was a magical era, the pinnacle of pop, rock and folk in terms of songwriting and musicianship." Dixon and his bandmates have not only assimilated those influences but brought them back into the present tense, resulting in music that is instantly familiar both musically and thematically, yet still provocative and in the moment.

Given the band's innate feel for rock's glory days, it was fitting that the legendary Henry Diltz, whose unforgettable photos of The Doors and Crosby, Stills & Nash have become an indelible part of rock history, shot the album cover images.

While Dixon wrote all the album's songs, three were co-written by onetime Trip Shakespeare and Semisonic frontman Dan Wilson, whose co-write of "Not Ready To Make Nice" with the Dixie Chicks earned him a Grammy. Two songs were co-written with gifted Nashville songsmith Tia Sellers, who won a Grammy of her own for Lee Ann Womack's "I Hope You Dance." For the ballad "Further the Sky," Dixon duets with Mindy Smith, herself a Grammy nominee, at her most inspired.

Of the newfound song focus of his onetime jam band, Dixon says, "We love great songs and real musicianship, and we take time as a band to come up with something that isn't typical, because the arrangement and performance can be just as impactful as the song itself. We've become more refined, and to the point, making the impact direct and immediate. The idea is pretty simple, really: We're dedicated to playing music people like that we like too."

From this immensely promising vantage point, it's been quite a journey for a guy who a decade ago was playing Tootsie's Orchid Lounge in downtown Nashville every afternoon from 1 to 5 for tips. The bridge of the song "All Will Be Well" could serve as the credo for Dixon and his bandmates: "You've got to keep it up and don't give up and chase your dreams," he sings, "and you will find, all in time."