deep

Orgone at Fox Theatre | 10.25.11

Z2 Entertainment is proud to present Orgone at the Fox Theatre on Tuesday, October 25th.  Tickets will go on sale Friday, August 19th for $10.00 in advance and $12.00 day of show.

Los Angeles based band Orgone is many souls with a cosmic connection, a natural creative force and musicians who have played together for years. They are self schooled and continue to shape their musical voice as a solid unit of guys who hang, spin records and jam out their shared inspirations. With a rooted sense of funk, soul, afrobeat, deep rhythms and an intimate understanding of dj culture as well as each others’ individual talents, Orgone seamlessly slides through multiple styles and dynamic performances. The group continuously injects whatever they play with a heavy brand of raw funk power.

The band’s reputation amongst the funk, soul, and hip hop fraternity is further backed-up by an impressive and ever growing resume that expands their reach. This includes a spot in an Adidas campaign, a tour with and backing band for Bun B (from UGK), Pharoahe Monch, Plantlife (including a BBC performance for Jools Holland), Little Brother, Nice and Smooth, Black Sheep and New Orleans funk legend Eddie Bo at a Hurricane Katrina benefit. Members of Orgone also have featured in the make-up of Ubiquity acts the Lions, Connie Price and the Keystones, Breakestra, and have performed with the Pharcyde, De La Soul, Too Short, Macy Gray among many others. To top it off, most of the group can be heard on recent major recordings by Alicia Keys, CeeLo, Estelle, Anthony Hamilton, Jennifer Hudson, Solange Knowles and many other R&B/Soul artists.

Orgone continues to tour, impressing audiences and winning new fans at festivals & clubs nationally and overseas. 2009 saw the release of their second fully independent CD “bacano”, a collection of all original cold-blooded funk gems representing what’s always been going down in Orgone’s funky, sweaty home-grown recording spot. It’s a recorded history of the band and its musical family throwing down: check the lethal neck-busting bass intro of founding member Tim Glum on “You Already Doin It”, the Detroit thump of bassist Dale Jennings on the deep hypnotic funk soundscape of “Vibromeyer”, the dance floor soul of singer Gino Garafalo on the undeniably hip-shaking “Come Around” and the sub-atomic gut punch of Orgone bassist Ethan Phillips on the heavy psychedelic groove of “Hott Karl”.

Orgone live and recorded is 100% organic heart and soul an aesthetic and an attitude born out of half a lifetime of playing together.

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Orgone

Fox Theatre

Tuesday, October 25th

Doors:  8:00 pm

Show Time:  9:00 pm

The Rapture Announces U.S. Tour Dates

The Rapture recently shared “How Deep Is Your Love?,” the first album track from In The Grace Of Your Love, along with Emperor Machine’s remix of the track via Adult Swim (downloads for both below!). Now, we’re excited to share the news of The Rapture’s first full U.S. tour in support of the album, which will see them on the road from late September through October!

The band has set the bar high with the first track, but this is just the beginning.  Produced by Philippe Zdar (Phoenix, Beastie Boys, Chromeo), the writing and recording process for In The Grace Of Your Love connected the band back to why they started playing music in the first place. Drummer Vito Roccoforte explains that they “focused on the process more than the results. We approached the album in a fearless manner, with nothing to lose.” By recapturing the fun and love for the process, the results were definitely a win.

Download “How Deep Is Your Love?” HERE or The Emperor Machine Remix via Adult Swim HERE

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Upcoming U.S. Tour Dates:

8/20 - New York, NY – Music Hall of Williamsburg

9/22 – Boston, MA – Royale

9/23 – New York, NY – Webster Hall

9/24 – Baltimore, MD – Sonar

9/25 – Washington, DC – U Street Music Hall

9/27 – Columbus, OH - TBD

9/28 – Chicago, IL – Metro

9/29 – Minneapolis, MN – The Varsity

10/1 – Denver, CO – Marquis Theater

10/3 – Scottsdale, AZ – Martini Ranch

10/4 – San Diego, CA – Belly Up

10/6 – Los Angeles, CA – The Music Box

10/7 – Pomona, CA – Glasshouse

10/8 – San Francisco, CA – The Sound Factory

10/10 – El Paso, TX – Club 101

10/11 – Dallas, TX – Granada Theater

10/12 – Austin, TX – La Zona Rosa

10/13 – Houston, TX – Warehouse Live

10/17 – Miami, FL – Grand Central

10/18 – Orlando, FL – The Beacham Theatre

10/19 – Atlanta, GA – Masquerade

10/21 – Philadelphia, PA – Making Time @ Voyeur

The Deep Dark Woods to Release The Place I Left Behind

The Deep Dark Woods wake the ghosts of Appalachia with their prairie gothic pyre-side tales. On their new record, The Place I Left Behind, the band finds continuity in themes of temporal and geographic alienation, neglected inward trails, and the scars of abandoned intimacies.

Buoyed by the success of working with mastermind recording engineer Darren Van Niekerk, on their self produced CBC Songquest single “Charlie's (is Coming Down)” the band decided to approach their new album the same way. Recorded in Halifax with Van Niekerk behind the board once again, The Deep Dark Woods’ first self produced album allowed them to experiment in the studio as never before. Toying with numerous reverbs, vintage amps, instruments and mellotron, they also tried some never before played versions and arrangements of some of the album's songs. While more physically and mentally exhausting than previous albums, it turned out exactly the way the band wanted it to and the reward is their most realized album to date.

The record opens with a song about Saskatoon’s rougher edges. “West Side Street” is a study in contrasts – finespun vocals and a gently rolling melody cushion the gloomy story. “The Place I Left Behind” is loosely based on an old folk standard. Gorgeously morose, the title track confirms that The Deep Dark Woods capture lonesome yearning at its loveliest. “Sugar Mama” is a sweet and lively invitation to tap toes and shake off the blues; a seeming coming-of-age story is treated with playful banjo and an airy gait.

A rainstorm over the desert of modern music, The Place I Left Behind offers murder ballads alongside scrappy rockers, lovesick hymnals and slow-dance waltzes. The album illuminates folk traditions without stripping the shadows of roots music history. The Place I Left Behind echoes with traces of time and space that are never fully abandoned or forgotten.

The Place I Left Behind will be released on Six Shooter Records in Canada on August 2nd and Sugar Hill Records in the US and worldwide on October 18th.

AgesandAges | Bluebird Theater | 7/20/11

AgesandAges have been described as “big tent revivalists.” Some lump them into the cult category, alongside Edward Sharpe and the Magnetic Zeros, as they have a sev

Jim Lauderdale's Reason and Rhyme: Out TODAY

Can there be too much of a good thing?  If the question’s about collaboration between American roots music hero Jim Lauderdale and legendary lyricist Robert Hunter, the answer’s an emphatic “no!”  Marking the former’s debut on the respected Sugar Hill records label, Reason And Rhyme makes a compelling case for the continued vitality of the Lauderdale—Hunter partnership—and for Lauderdale’s unique and deeply satisfying approach to bluegrass.

“This one’s back to total bluegrass,” Lauderdale says of the collaborative follow-up to 2010’s electric Patchwork River, and so it’s no surprise that it features many of the musicians involved in previous bluegrass efforts like Could We Get Any Closer (2009) and 2007’s Grammy-winning The Bluegrass Diaries.  The close-knit crew, headed up by producer and resonator guitarist Randy Kohrs, is perfectly in tune with Lauderdale’s ‘grass-with-a-twist sensibilities, and whether it’s a return buddy like bassist Jay Weaver or new colleague Mike Compton (mandolin), each player delivers mightily with the genre’s characteristic virtuosity and emotional fire.

“We started on this one last August,” Lauderdale notes, “right after I finished touring with Elvis Costello.  Robert and I have worked just about every way you can think of—writing in the same room, adding lyrics to music and music to lyrics—but whichever way we go, he’s the lyrics guy and I’m the music guy.  This time around, we wanted to keep the momentum from Patchwork River going; I started sending him melodies, and ten days later we had 18 songs to choose from.”
The collaboration began over a decade ago, when Lauderdale was preparing for his first joint project with bluegrass patriarch Ralph Stanley, and quickly bore fruit, with more than 30 songs written before the first all-collaborative album, Headed For The Hills (2004).  “I’m not surprised, but I’m always blown away how creative he is lyrically,” says the singer/songwriter, who’s busy enough that finding time to record has always been among his greatest challenges.
With 11 fresh takes on the bluegrass sound that he’s loved since he was a teenager, this latest effort presents Jim Lauderdale at his most relaxed and rooted—and with the help of one of American music’s greatest lyricists, it’s a set that offers not only deep musicality, but deep meaning and vision.  Reason And Rhyme—it’s just the right name for just the right music.
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Jim Lauderdale 2011 Tour Dates

2011-06-22           Nashville, TN - Music City Roots
2011-06-24           Nashville, TN - Station Inn
2011-06-27           New York, NY - The Living Room
2011-07-22           Trumansburg, NY - Grassroots Festival
2011-07-24           Washington, DC - Hill Country
2011-07-26           Abindgon, VA - Virginia Highlands Community College
2011-08-06           Casper, WY - Beartrap Summer Festival
2011-08-08           Helena, MT - Myrna Loy Center
2011-08-10           Boise, ID - Alive After Five
2011-08-11           Snowmass Village, CO - Jazz Aspen Snowmass Summer Series
2011-08-13           Alta, WY - Targhee Music Festival
2011-09-06           The Woodlands, TX - Real Life - Real Music @ Dosey Doe
2011-09-17           Bristol, TN - Bristol's Rhythm and Roots Reunion
2011-10-06           Richmond, VA - Lewis Ginter Botanical Garden
2011-10-07           Asheville, NC - The Orange Peel - with the Blind Boys of Alabama
2011-10-13           Nashville, TN - Americana Music Conference

2011-10-21           North Bethesda, MD - Strathmore

Town Mountain at the Top of the Mountain

Town Mountain almost rocked the building strait off  the mountain side when they played at the Gold Hill Inn last night.  Before the show started I spoke t

Hurricane Bells: Live At The House Of Blues Boston

A second Hurricane Bells' live album, Hurricane Bells Live At House Of Blues Boston, was released digitally yesterday via Live Nation. Recorded at the Boston stop of the band's tour supporting KT Tunstall this past November, the album features live performances of five tracks from Hurricane Bells' debut album Tonight Is The Ghost, plus B-side "Monsters" from The Twilight Saga: New Moon soundtrack, and new songs "Let's Go" and "The Ghost Of Her." Hurricane Bells Live At House Of Blues Boston is now available via iTunes. The band's first live album, Hurricane Bells Live At House Of Blues San Diego, was released in late March.

The brainchild of Steve Schiltz, longtime front man of Longwave, Hurricane Bells has released one EP, Down Comes The Rain, in addition to the one full-length album (and its deluxe edition) via Schiltz's own label Invisible Brigades. Schiltz wrote, recorded, played, and produced both releases entirely himself. On Monday night, Down Comes The Rain track "The Deep End" was featured on The CW's hit show Gossip Girl. Hurricane Bells' debut Daytrotter session is now online as well.

Schiltz is currently finishing mixing and mastering Hurricane Bells' sophomore full-length album, which will be released this summer.

Hurricane Bells Live At House Of Blues Boston track listing:

  1. This Is A Test
  2. Darkness Is So Deep
  3. The Ghost Of Her
  4. Freezing Rain
  5. Tonight I'm Going To Be Like A Shooting Star
  6. Let's Go
  7. Monsters
  8. The Cold Has Killed Us

Hurricane Bells touring line-up is: Steve Schiltz (vocals, guitar), Ashen Keilyn (vocals), Christian Bongers (bass), and Colin Brooks (drums).

Jim Lauderdale to Release Reason & Rhyme

Can there be too much of a good thing?  If the question’s about collaboration between American roots music hero Jim Lauderdale and legendary lyricist Robert Hunter, the answer’s an emphatic “no!”  Marking the former’s debut on the respected Sugar Hill records label, Reason And Rhyme makes a compelling case for the continued vitality of the Lauderdale—Hunter partnership—and for Lauderdale’s unique and deeply satisfying approach to bluegrass.

“This one’s back to total bluegrass,” Lauderdale says of the collaborative follow-up to 2010’s electric Patchwork River, and so it’s no surprise that it features many of the musicians involved in previous bluegrass efforts like Could We Get Any Closer (2009) and 2007’s Grammy-winning The Bluegrass Diaries.  The close-knit crew, headed up by producer and resonator guitarist Randy Kohrs, is perfectly in tune with Lauderdale’s ‘grass-with-a-twist' sensibilities, and whether it’s a return buddy like bassist Jay Weaver or new colleague Mike Compton (mandolin), each player delivers mightily with the genre’s characteristic virtuosity and emotional fire.

“We started on this one last August,” Lauderdale notes, “right after I finished touring with Elvis Costello.  Robert and I have worked just about every way you can think of—writing in the same room, adding lyrics to music and music to lyrics—but whichever way we go, he’s the lyrics guy and I’m the music guy.  This time around, we wanted to keep the momentum from Patchwork River going; I started sending him melodies, and ten days later we had 18 songs to choose from.”
The collaboration began over a decade ago, when Lauderdale was preparing for his first joint project with bluegrass patriarch Ralph Stanley, and quickly bore fruit, with more than 30 songs written before the first all-collaborative album, Headed For The Hills (2004).  “I’m not surprised, but I’m always blown away how creative he is lyrically,” says the singer/songwriter, who’s busy enough that finding time to record has always been among his greatest challenges.
With 11 fresh takes on the bluegrass sound that he’s loved since he was a teenager, this latest effort presents Jim Lauderdale at his most relaxed and rooted—and with the help of one of American music’s greatest lyricists, it’s a set that offers not only deep musicality, but deep meaning and vision.  Reason And Rhyme—it’s just the right name for just the right music.

Paper Diamond Drops Kanye Remix

Earlier this year, we dropped the news of Pretty Lights’ new business venture, in the form of his digital record label, Pretty Lights Music, which recently began releasing his musical contemporaries’ music as free downloads. Alex B (aka Paper Diamond himself), is one of the first artists to sign on with the label, and his debut EP Levitate sees a digital release this Tuesday, January 25th.

To celebrate, we have a special treat to share with you today, in the form of a Paper Diamond remix of Kanye West’s track “Power,” from his critically-acclaimed new album. Driving beats and heavy bass grab on tight, while deep, spacey synthesizers give the track a proper reworking.

Levitate finds the Colorado-based producer moving into previously unheard territory. The Paper Diamond sound has raw energy and the kind of dramatic anticipation only a seasoned producer can incite.

Download Paper Diamond’s Remix of Kanye West’s “Power” Here!

BRAIDS "Native Speaker" LP Streaming Now

BRAIDS was formed by four best friends in their last year of High School in Calgary, Alberta. Convincing one another to skip university, they stayed in the garage all year and practiced obsessively, even while their fingers froze during the cold prairie winters. Then, at only 18 years old, they took the bold step of moving across the country together to Montreal, where they began crafting their self recorded/self produced debut album Native Speaker.

Oscillating between density and spaciousness, BRAIDS' sound is not easy to define. The four members construct music which is ample and rolling, perhaps alluding to the landscapes of their youth, but filled with radical texture and startling immediacy, an influence of their more recent surroundings. Delicate layering gives their experimental pop epics just enough breath to playfully explore the depth of ambient melody. Though BRAIDS dives into moments of deep obscurity and sonic experimentation, there remains embedded within the music the hypnosis of an unforgettable pop tune.

Native Speaker, is the accumulation of months of meticulous craft-work to properly capture the band's entrancing live performance. The albums' songs were tested and shaped through numerous performances and lyrical massages, resulting in work that is brilliant in detail and structure. Averaging over 6 minutes and never coming in under 4, the tracks on Native Speaker maintain a deep seeded focus.


BRAIDS has an unusually collaborative dynamic, generating all of their sweeping sounds live in a synergistic maelstrom. Even their name, BRAIDS, evokes a feeling of something continuous and progressive, yet lush and intertwining. It implies the interweaving of all four members' musical ideas, favoring collective and equal input.

On January 18, 2011 BRAIDS is putting forth their debut album Native Speaker, a reflection of coming of age for the four intricately linked musicians. It captures a period of innocence and a period of change, yet comes off as strikingly mature beyond their years. Most importantly, it displays a yearning and striving to break through, an ambitious debut for a young band just getting started.

Click Here To Listen To "Native Speaker" on Hype Machine

BRAIDS NORTH AMERICAN TOUR DATES:

01-20 Montreal QC - La Sala Rossa RECORD RELEASE PARTY
01-21 Ottawa, ON - Mavericks
01-22 Quebec, QC - Le Cercle
01-27 Laval, QC - Studio Theatre Maison Des Arts
01-28 Kingston, ON - The Grad Club
01-30 Cincinnati, OH - MOTR Pub
01-31 Louisville, KY - Zanzabar
02-01 St. Louis, MO - The Old Rock House
02-02 Norman, OK - Opolis
02-04 Dallas, TX - Club Dada *$
02-05 Austin, TX - The Mohawk *$
02-07 Atlanta, GA - The Masquerade *$
02-08 Tallahassee, FL - Club Downunder *$
02-09 West Columbia, SC - New Brookland Tavern *$
02-11 Washington, DC - Rock and Roll Hotel *$
02-12 Brooklyn, NY - Knitting Factory *$
02-13 Philadelphia, PA - Kung Fu Necktie *$
02-16 New York, NY - Mercury Lounge *$
02-17 Allston, MA - Brighton Music Hall *$
02-18 Montreal, Quebec - Il Motore *$
02-19 Toronto, ON - El Mocambo *$
02-21 Columbus, OH - Skully's Music Diner *$
02-22 Urbana, IL - Canopy Club *$
02-23 Iowa City, IA - Gabe's *$
02-24 Minneapolis, MN - 7th Street Entry *$
02-25 Madison, WI - Der Rathskellar (University of Wisconsin) *$
02-26 Chicago, IL - Subterranean *$
03-01 Seattle, WA - Chop Suey *
03-02 Portland, OR - Holocene *
03-03 Arcata, CA - Jambalaya *$
03-04 San Francisco, CA - Rickshaw Stop *
03-05 Los Angeles, CA - Troubadour *
03-10 Costa Mesa, CA - Detroit Bar %
03-11 San Diego, CA - Casbah %
03-12 Las Vegas, NV - Neon Reverb Festival %
03-14 Santa Fe, NM - Corazon %
03-21 Tempe, AZ - Sail Inn !~
03-26 Kennewick, WA - The Red Room !~
03-28 Vancouver, BC - Biltmore Cabaret !
04-06 Bloomington, IN - The Bishop !
04-13 Baltimore, MD - Talking Head !

* Baths
$ Star Slinger
% Asobi Seksu
! Toro Y Moi ~ Cloud Nothings