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Frank Sinatra/Count Basie Reprise recordings coming from Concord

By the early 1960s, Frank Sinatra and Count Basie had already cemented their respective reputations as two of the most versatile and enduring entertainers of the 20th century. When these two titans united in the studio for recordings on Reprise — Sinatra’s own label, which he’d launched at the start of the decade — the results were historic. The first album was simply titled Sinatra-Basie: An Historical Musical First, a 1963 release that climbed to the top five on Billboard’s pop album charts over the course of a 42-week run. A year later, It Might As Well Be Swing rose to #13 during a 31-week stretch on the same charts.

On September 6, 2011, Concord Records will reissue both of these recordings in a single collection, Frank Sinatra & Count Basie: The Complete Reprise Studio Recordings. Under license from Frank Sinatra Enterprises (FSE), the 20-song compilation is enhanced via digital restoration and remastering, and includes brand new liner notes from music journalist and historian Bill Dahl that provide historical context for these pivotal recordings. Also included are original anecdotes from Quincy Jones, who produced It Might As Well Be Swing.

“It’s virtually impossible to imagine a more swinging combination than Frank Sinatra — the premier pop vocalist of an adoring generation — and the mighty orchestra of Count Basie,” says Dahl in his liner notes. “Such a scintillating summit meeting actually unfolded not once but twice in the studio. This collection brings together both of these historic album-length collaborations, first out on the label Sinatra founded, Reprise. It’s a thoroughly satisfying soiree.”

Dahl provides background information about the history of Basie’s orchestra in the decades leading up to the two recordings. He also discusses Sinatra’s transition from Capitol to Reprise and the artistic freedom that came with it, as well as Neal Hefti’s arrangements for both albums, Quincy Jones’ production of the latter, and brief annotations of every song in the collection.

“Another memorable collection between the Chairman and the Count would soon be recorded for posterity by Reprise, [with Jones] arranging and conducting 1966’s Sinatra at the Sands,” says Dahl. “But even performing for those hip high rollers in Vegas couldn’t top what Sinatra and Basie accomplished during these two studio collaborations. This was musical history in the making, as fabulously fresh and frisky now as it was back then. Let the swinging commence.”
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TRACK LIST
Pennies from Heaven
Please Be Kind
(Love Is) The Tender Trap
Looking at the World Thru Rose Colored Glasses
My Kind of Girl
I Only Have Eyes for You
Nice Work If You Can Get It
Learnin’ the Blues
I’m Gonna Sit Right Down and Write Myself a Letter
I Won’t Dance
Fly Me to the Moon (In Other Words)
I Wish You Love
I Believe in You
More [Theme from Mondo Cane]
I Can’t Stop Loving You
Hello, Dolly! (from Hello, Dolly!)
I Wanna Be Around
The Best Is Yet To Come
The Good Life
Wives and Lovers

Reggae Band Tribal Seeds Announces National Fall 2011 Tour

San Diego based, award-winning reggae band Tribal Seeds announced today the dates for their upcoming fall 2011 tour.  The shows will span over 25 dates in two months, kicking off in Tucson, Arizona at The Rock on October 12, 2011.  Tribal Seeds have become known for their spiritually driven, refreshing rock vibe, that they have intertwined with the roots style of reggae music.

Of the tour, the band shares, “We look forward to bringing a new show with songs from our latest EP ‘Soundwaves’ and new twists to some of our older fan favorite songs. Fans might get sneak peak of some brand new unreleased stuff as well! Have to come out and see for yourself!”

On July 19, 2011, Tribal Seeds gave listeners a brand new EP entitled “Soundwaves,” which peaked at number 2 on the Billboard Reggae Charts. Their previous efforts,  their debut, self titled album, “Tribal Seeds” was released in 2008, and their second album “The Harvest” was released in June of 2009. iTunes named both albums the “Best Of” in the Reggae genre, for their respected years. Their debut album helped garner them the “Best World Music” title at the San Diego Music Awards in 2008, and “The Harvest,” which contained fourteen new and original songs, debuted at the number 5 spot on the Billboard Reggae Charts.

Tribal Seeds have toured throughout the United States, and have also performed in Mexico, Guam, Aruba, and Hawaii. They have shared the stage with artists such as Matisyahu, MGMT, Cee Lo Green, Jason Mraz, Sublime with Rome, Taking Back Sunday, O.A.R., Pretty Lights, Pepper, Collie Buddz, The Wailers, Stephen Marley, Gregory Isaacs, SOJA, Rebelution, and many more.

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TRIBAL SEEDS FALL 2011 TOUR DATES
OCTOBER 12 - THE ROCK - TUCSON, ARIZONA
OCTOBER 13 - MARQUEE THEATER - TEMPE, ARIZONA
OCTOBER 14 - SANTA FE SOL - SANTA FE, NEW MEXICO
OCTOBER 15 - THE CONSERVATORY - OKLAHOMA CITY, OKLAHOMA
OCTOBER 16 - JACK’S - SAN ANTONIO, TEXAS
OCTOBER 18 - THE PARISH AT HOUSE OF BLUES - NEW ORLEANS, LOUISIANA
OCTOBER 19 - ENGINE ROOM - TALLAHASSEE, FLORIDA
OCTOBER 20 - THE LOCAL - ST. PETERSBURG, FLORIDA
OCTOBER 21 - BEACHAM - ORLANDO, FLORIDA
OCTOBER 22 - CULTURE ROOM - FORT LAUDERDALE, FLORIDA
OCTOBER 23 - FREEBIRD LIVE - JACKSONVILLE, FLORIDA
OCTOBER 26 - VISULITE THEATRE - CHARLOTTE, NORTH CAROLINA
OCTOBER 27 - JEWISH MOTHER - VIRGINIA BEACH, VIRGINIA
OCTOBER 28 - CANAL CLUB - RICHMOND, VIRGINIA
OCTOBER 29 - SULLIVAN HALL - NEW YORK, NEW YORK
OCTOBER 30 - HIGHER GROUND - SOUTH BURLINGTON, VERMONT’
NOVEMBER 2 - THE NOTE - WESTCHESTER, PENNSYLVANIA
NOVEMBER 3 - 8x10 - BALTIMORE, MARYLAND
NOVEMBER 4 - BEACHLAND BALLROOM - CLEVELAND, OHIO
NOVEMBER 5 - REGGIES - CHICAGO, ILLINOIS
NOVEMBER 6 - THE FREQUENCY - MADISON, WISCONSIN
NOVEMBER 8 - THE BOTTLENECK - LAWRENCE, KANSAS
NOVEMBER 9 - WAITING ROOM - OMAHA, NEBRASKA
NOVEMBER 11 - AGGIE THEATRE - FORT COLLINS, COLORADO
NOVEMBER 12 - IN THE VENUE - SALT LAKE CITY, UTAH
NOVEMBER 18 - HARD ROCK - LAS VEGAS, NEVADA
NOVEMBER 19 - HOUSE OF BLUES - WEST HOLLYWOOD, CA

STS9's New Album Charts at Billboard and iTUNES

photos by Phil Emma- for the Grateful Web

This Week, STS9 finds their brand-new, highly anticipated studio album, Peaceblaster, charting: #10 on Billboard's Electronic Chart, #27 on Billboard's Heatseeker Chart, and #2 on iTUNES Electronic Chart.  Peaceblaster was released on the band's self-owned record label, 1320 Records, on July 8th -just in time for their summer tour.

This month STS9 teams up with touring heavyweights Umphrey's McGee for one of the hardest-hitting tours of the summer, and stops in Midwest and east coast cities throughout July.  The tour is already off to an incredible start, averaging nearly 3,000 tickets per show - including a record breaking walk-up at Chicago's Charter One Pavilion that resulted in a crowd of over 5,000 tickets sold.  STS9 continues their tour tonight at a sold out Roseland Ballroom in New York City. In August, STS9 heads west for a run of high profile headlining shows. A complete list of STS9's U.S. summer appearances follows.

STS9 and Umphrey's McGee stop in the following cities:
July 24 Roseland Ballroom New York NY
July 24 Blender at Gramercy New York NY (STS9 AFTER PARTY)
July 25 Festival Pier at Penn's Landing Philadelphia PA
July 25 Fillmore at TLA Philadelphia PA (UMPHREY'S AFTER PARTY)
July 26 Bank of America Pavilion Boston MA
July 27 Pier 6 Concert Pavilion Baltimore MD
July 30 House of Blues Myrtle Beach SC
July 31 Koka Booth Amphitheatre Cary NC
July 31 Lincoln Square Theatre Raleigh NC (UMPHREY'S AFTER PARTY)
August 01 Masquerade Music Park Atlanta GA
August 02 Masquerade Music Park Atlanta GA

With STS9 western U.S. headlining shows including:
August 15 The Independent San Francisco, CA (SOLD OUT)
August 16 The Greek Theatre Berkeley, CA with Bassnectar and special guest TBA  
August 22 McMenamin's Edgefield Portland, OR with special guests Blackalicious
August 23 Marymoor Amphitheatre Seattle, WA with special guests Blackalicious
September 04 Boulder Theatre Boulder, CO (SOLD OUT)
September 05 Red Rocks Amphitheatre Morrison, CO with special guests Talib Kweli and Flying Lotus
September 06 Red Rocks Amphitheatre Morrison, CO with special guests Ghostland Observatory and Bassnectar
September 20 San Diego Street Scene San Diego CA

All shows on-sale now at www.sts9.com and on-sale locally through Ticketmaster at www.ticketmaster.com.

Consider the title of the California-based outfit's long-awaited fourth album: Peaceblaster. The two words rub against each other to create an image that is simultaneously utopian and violent, fraught with the very contradiction that permeates America circa now. The result is a tour-de-force of gut-punching rhythms and textured, shimmering tones. The songs don't seem to have been written so much as plucked from the sky. It's as if the beats and melodies have always existed, just waiting for STS9 to channel them.  STS9 already has a tremendous fan base, but Peaceblaster is perhaps more accessible than the band's previous efforts. Peaceblaster is, of course, dense with the Eno-esque layering of live and electronic instruments that STS9 is known for-the chords and samples swirling atop the pulsing bass and drums. But between the beats there is a distinctly human element absent from past records. 

STS9's Peaceblaster comes nearly three years after their acclaimed 2005 releases, Artifact & Artifact: Perspectives, both of which were named in iTunes list of top albums of the year.  After a flurry of industry attention, STS9 retreated from the limelight to do what they love most: play music. On the touring front, STS9 reached number 29 on Pollstar Magazine's "PULSE Charts" of the country's top touring artists. The band has shared the stage with a diverse range of acts including James Brown, Jurassic 5, Tortoise, Digable Planets, RJD2, De La Soul, The Brazilian Girls, Prefuse 73, Blackalicious, Saul Williams, Soulive, Cut Chemist, and many others, and has played such festivals as Austin City Limits Festival, Lollapalooza, Bonnaroo, Winter Music Conference, and Vegoose Festival.  Recently, the band sold out a 4 night headlining run at Atlanta's Tabernacle, and a 2 night run at Denver's Fillmore Auditorium.