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15th Annual West Coast Jazz Party Sept. 3-6, 2009

4 Nights and 3 Non-Stop Days of America’s Best Mainstream Jazz Party featuring: Three Big Bands, Nightly Ballroom Concerts, Outdoor Pool Sessions, a Saturday Night Dance and a unique Newport Harbor Jazz Brunch Cruise!   Helping celebrate 15 swingin’ years will be the Four Freshmen, Terry Gibbs, Jack Sheldon, Ken Peplowski, Ernie Andrews, Houston Person, Marilyn Maye, Paul Smith, Peter Erskine, Frank Capp Juggernaut plus special tributes by Debby Boone, Charlie Shoemake and Byron Stripling with his All-Star Orchestra featuring Butch Miles on drums!

 

west-coast-jazzWith Orange County’s wonderful weather in September, this year’s party will feature Pool Sessions on Friday and Saturday, both days  from 12 noon until 3:15pm including on Friday the JazzAmerica Big Band directed by Richard Simon and the Dave Tull Quartet plus a special act to be announced. On Saturday- two sets with the celebrated Frank Capp Juggernaut Orchestra featuring Ernie Andrews plus Guitar Summit with Mundell Lowe, Mimi Fox & Ron Eschete  supported by Jon Mayer, Hassan Wiggins and Harold Jones.

 

The Sunday Jazz Brunch Cruise on Hornblower Yacht’s Entertainer will again be a highlight of the 3 day event.   Attendees and the artists will transition from the Marriott to Newport Harbor, where 3 decks of  specially designed “jam sessions” with over 20 All-Stars, including Terry Gibbs, Marilyn Maye, Guitar Summit and the Peter Erskine Trio will be featured during the champagne brunch cruise which will take place from 11:00am until 2:00pm.

September 3-6, 2009 is the weekend for the West Coast Jazz Party & Brunch Cruise, to again be held over Labor Day Weekend at the Irvine Marriott Hotel and Hornblower Yacht’s Entertainer.

 

The party will center on a large stage nightly at 7:00pm (8:00pm on Thursday night only) with reserved seating, and conclude each night with an “up close & personal” acoustic lobby bar session, wrapping up well after midnight.   Late afternoon lobby sessions will also feature artists in an acoustic setting.

 

*Kicking off this 15h year will be the Grand Opening Sessions on Thursday evening featuring two sets with the Four Freshmen, including 5 Trombones and the Ken Peplowski All-Stars!
 
*Featured on Friday evening will be legendary vibist Terry Gibbs and his quartet with Ken Peplowski, the Grant Stewart Quartet, Byron Stripling Quintet and closing the night- Ernie Andrews & Houston Person-Together Again!
 
*
Saturday evening will feature the Paul Smith Trio, Ken Peplowski, Houston Person, Byron Stripling, Harold Jones followed by Marilyn Maye and her trio featuring Tedd Firth plus the Jack Sheldon California Cool Quartet.
  
*Sunday night’s closing sessions will include the Ken Peplowski Quartet, a Tribute to Rosemary Clooney by Debby Boone with Musical Director- John Oddo, Charlie Shoemake’s Tribute to George Shearing with Terry Trotter, Luther Hughes, Colin Bailey & Ron Anthony plus BIG BAND MEETS BROADWAY with Byron Stripling’s All-Star Orchestra featuring Butch Miles on drums!

 

Also featured  during this Labor Day Weekend jazz Celebration will be Dan Barrett, Chuck Berghofer and his Midnight Jazz Band,  Jim DeJulio, Matt Finders, Gary Foster, Paul Kreibich, Andy Martin, Jon Mayer Trio, Roy McCurdy, Ira Nepus, Tom Ranier, Bob Summers, Terry Trotter, and Scott Whitfield!

 

Tickets are now available for the complete four night, three-day package (Over 33 hours of jazz!) including the Sunday Jazz Brunch Cruise. Prices are $335/375. Individual reserved seats are priced at $60/$75 for evening performances and $40/50 for the Grand Opening Sessions,  $30 each  for “Friday & Saturday By the Pool” and $79 for the Jazz Brunch Cruise (space available). For tickets to the West Coast Jazz Party & Brunch Cruise, call the Jazzline at 949.759.5003 or for complete artist appearance times and an order form  visit our website at: http://westcoastjazzparty.com/ . Those wishing to have a weekend getaway may also enjoy the Irvine Marriott’s special rate of $135 per night and $165 for concierge.  For hotel reservations call the Irvine Marriott Hotel at 949.553.0100 and ask for the WCJP rate.   The Irvine Marriott is located at 18000 Von Karman Ave., five minutes from the John Wayne/Orange County Airport, with free shuttle service.  Free self-parking will also be available for attendees.   

15th Annual West Coast Jazz Party Sept. 3-6

4 Nights and 3 Non-Stop Days of America’s Best Mainstream Jazz Party featuring Three Big Bands, Nightly Ballroom Concerts, Outdoor Pool Sessions, a Saturday Night Dance and a unique Newport Harbor Jazz Brunch Cruise!   Helping celebrate 15 swingin’ years will be the Four Freshmen, Terry Gibbs, Jack Sheldon, Ken Peplowski, Ernie Andrews, Houston Person, Marilyn Maye, Paul Smith, Peter Erskine, Frank Capp Juggernaut plus special tributes by Debby Boone, Charlie Shoemake and Byron Stripling with his All-Star Orchestra featuring Butch Miles on drums!

With Orange County’s wonderful weather in September, this year’s party will feature Pool Sessions on Friday and Saturday, both days  from 12 noon until 3:15pm including on Friday the JazzAmerica Big Band directed by Richard Simon and the Dave Tull Quartet plus a special act to be announced. On Saturday- two sets with the celebrated Frank Capp Juggernaut Orchestra featuring Ernie Andrews plus Guitar Summit with Mundell Lowe, Mimi Fox & Ron Eschete supported by Jon Mayer, Hassan Wiggins and Harold Jones.                   

The Sunday Jazz Brunch Cruise on Hornblower Yacht’s Entertainer will again be a highlight of the 3 day event.   Attendees and the artists will transition from the Marriott to Newport Harbor, where 3 decks of  specially designed “jam sessions” with over 20 All-Stars, including Terry Gibbs, Marilyn Maye, Guitar Summit and the Peter Erskine Trio will be featured during the champagne brunch cruise which will take place from 11:00am until 2:00pm.

September 3-6, 2009 is the weekend for the West Coast Jazz Party & Brunch Cruise, to again be held over Labor Day Weekend at the Irvine Marriott Hotel and Hornblower Yacht’s Entertainer.

The party will center on a large stage nightly at 7:00pm (8:00pm on Thursday night only) with reserved seating, and conclude each night with an “up close & personal” acoustic lobby bar session, wrapping up well after midnight.   Late afternoon lobby sessions will also feature artists in an acoustic setting.

*Kicking off this 15h year will be the Grand Opening Sessions on Thursday evening featuring two sets with the Four Freshmen, including 5 Trombones and the Ken Peplowski All-Stars!

*Featured on Friday evening will be legendary vibist Terry Gibbs and his quartet with Ken Peplowski, the Grant Stewart Quartet, Byron Stripling Quintet and closing the night- Ernie Andrews & Houston Person-Together Again!

*Saturday evening will feature the Paul Smith Trio, Ken Peplowski, Houston Person, Byron Stripling, Harold Jones followed by Marilyn Maye and her trio featuring Tedd Firth plus the Jack Sheldon California Cool Quartet.

*Sunday night’s closing sessions will include the Ken Peplowski Quartet, a Tribute to Rosemary Clooney by Debby Boone with Musical Director- John Oddo, Charlie Shoemake’s Tribute to George Shearing with Terry Trotter, Luther Hughes, Colin Bailey & Ron Anthony plus BIG BAND MEETS BROADWAY with Byron Stripling’s All-Star Orchestra featuring Butch Miles on drums!

Also featured  during this Labor Day Weekend jazz Celebration will be Dan Barrett, Chuck Berghofer and his Midnight Jazz Band,  Jim DeJulio, Matt Finders, Gary Foster, Paul Kreibich, Andy Martin, Jon Mayer Trio, Roy McCurdy, Ira Nepus, Tom Ranier, Bob Summers, Terry Trotter, and Scott Whitfield!

Tickets are now available for the complete four night, three-day package (Over 33 hours of jazz!) including the Sunday Jazz Brunch Cruise. Prices are $335/375. Individual reserved seats are priced at $60/$75 for evening performances and $40/50 for the Grand Opening Sessions,  $30 each  for “Friday & Saturday By the Pool” and $79 for the Jazz Brunch Cruise (space available). For tickets to the West Coast Jazz Party & Brunch Cruise, call the Jazzline at 949.759.5003 or for complete artist appearance times and an order form  visit our website at: http://westcoastjazzparty.com/ . Those wishing to have a weekend getaway may also enjoy the Irvine Marriott’s special rate of $135 per night and $165 for concierge.  For hotel reservations call the Irvine Marriott Hotel at 949.553.0100 and ask for the WCJP rate.   The Irvine Marriott is located at 18000 Von Karman Ave., five minutes from the John Wayne/Orange County Airport, with free shuttle service.  Free self-parking will also be available for attendees.

Jazz Museum Events: Sept. 23-26, 2008

Chico Hamilton- for the Grateful Web

The season change, summer becoming fall, doesn't apply to the programming of the National Jazz Museum in Harlem since you can depend on something hot and fresh each week.
 
Take our Tuesday Jazz for Curious Listeners class for instance. Wynton Marsalis's Blue Interlude recording was the first long composition by the most influential jazz musician of his generation. Come discover what makes Marsalis a special composer of the jazz idiom and how this recording foreshadowed his future works.
 
Two elder statesman of the music will parlay a discussion on Thursday for Harlem Speaks: Dr. Billy Taylor, of whom the museum just spent a month of classes, will come back to the Visitor's Center to interview Chico Hamilton, still going strong after 60 years at the trap drums.
 
Then for a unique twist on jazz music, see David Ornette Cherry's Ensemble for Improvisers at the Rubin Museum of Art on Friday for Harlem in the Himalayas. Come be a part of history in the making.

Tuesday, September 23, 2008
Jazz for Curious Listeners
What Makes it Tick? Five Classic Albums
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300 or register online

Wynton Marsalis: Blue Interlude
"Blue Interlude" is an ambitious work centered on two mythic lovers, and it beautifully executes Wynton Marsalis' stated fundamentals of jazz: a communal conception of improvising, vocal effects on instruments, swinging rhythms, blues, and a sense of mystery and even melancholy. There are echoes of Duke Ellington and Charles Mingus, yet on this, his first extended composition on record, he establishes his own compositional stamp.

If you've listened to this recording before, or even if you haven't at all, rest assured that you'll hear Marsalis' "mastery of making four horns sound as full and as varied in timbre as a big band," says Loren Schoenberg in The NPR Curious Listener's Guide to Jazz.

Thursday, September 25, 2008
Harlem Speaks
Chico Hamilton, Drummer; Interviewer: Dr. Billy Taylor
6:30 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300

Legendary jazz drummer and bandleader Chico Hamilton, born September 21st, 1921 in Los Angeles, had a fast track musical education in a band with his schoolmates Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnett, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and six years with Lena Horne established this young West Coast prodigy as a jazz drummer on the rise, before striking out on his own as a bandleader in 1955.

Chico's impact upon jazz includes the introduction of two unique and distinct sounds: first in 1955 with his Original Quintet which combined the sounds of his drums, the bass of Carson Smith, the guitar of Jim Hall, the cello of Fred Katz, and the flute of Buddy Collette; and the second in 1962 with his own drums, the bass of Albert Stinson, the guitar of Gabor Szabo, the tenor sax of Charles Lloyd, and the trombone of George Bohanon.

In 1997, Chico received the New School University Jazz & Contemporary Music Programs Beacons in Jazz Award in recognition for his "significant contribution to the evolution of Jazz". In 2002, Chico was awarded the WLIU-FM Radio Lifetime Achievement Award. At the IAJE in NYC January 2004, Hamilton was awarded a NEA Jazz Master Fellowship, presented to him by Roy Haynes. In December 2006, Congress confirmed the President's nomination of Chico to the Presidents Council on the Arts. And in 2007, Chico received a Living Legacy Jazz Award as part of The Kennedy Centers Jazz in Our Time Festival, as well as receiving a Doctor of Fine Arts from The New School.

Dynamic as ever at the age of 86, Chico Hamilton has a resume that includes scores for film, original compositions, commercial jingles, 50 + albums as a leader, and countless international tours.

Friday, September 26, 2008
Harlem in the Himalayas
David Ornette Cherry with The Ensemble for Improvisors
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212.620.5000 ext. 344

David Ornette Cherry grew up in Watts, California. This Watts young man, son of Don Cherry, later won the 2003 ASCAP- Chamber Music America Award for adventurous Programming of Contemporary Music. He is inspired by themes of silence and nature versus technology.

The pulses and melodies that arise from his jazz, classical, African, world music background, and from playing with some of the great jazz artists of our times, speak about our human experiences through the language of sound. He listens with an open heart and fresh mind to his collaborators and the world around him in a way that makes his compositions not only music, but a way of life a positive form of energy, and a way to connect. His current group is titled Ensemble for Improvisors, the latest iteration of which you can hear tonight.

David Ornette Cherry studied music composition at Bishop College in Dallas and began concentrating on "world music" at California Institute of the Arts. He spent challenging summers attending the Creative Music Studio at Woodstock, New York. These summer experiences gave him the space to compose and create music with Trilok Gurtu, Olatunji, Jai Deva, and Foday Musa Suso and to explore the relationship of jazz and music from other cultures. While jazz remains both the root and sustenance of his sound, he often incorporates the sounds of the world in what he calls "multi-kulti" music. Acoustic piano, electronic keyboards, melodica, wood flute and douss'n gouni are his instruments.

He sees himself crossing borders drawing from the past - building a passageway to jazz of the future. David states, "The music never stopped. Jazz is dynamic. It is a continuum that expands and takes from the players and composers so they can add their little something to the art. It's not about JUST referencing the past. It's about keeping the momentum going like a ball that keeps rolling along."

David Ornette Cherry's future plans include: "Creating a musical intensity which invigorates and sets trends in jazz of the future, passing the torch to take the music beyond...to become another color in the ever-expanding sound spectrum."

Jazz Museum Events: Sept. 15-19, 2008

Benny Goodman- for the Grateful Web

The National Jazz Museum in Harlem takes pride in presenting free discussions and educational classes, plus live performances, all which so clearly demonstrate the vibrant legacy of jazz not just in America's past, but in contemporary society. And we're proud to honor Harlem's own on Monday: Jazz for Curious Readers features a talk with local jazz journalist Ron Scott, who pens a weekly jazz column in the Amsterdam News.

On Tuesday, the museum's executive director Loren Schoenberg will elucidate the lasting value of Benny Goodman's 1938 concert at Carnegie Hall for Jazz for Curious Listeners. And not only does Schoenberg know this recording through deep study and countless listening sessions; as a young man, Schoenberg worked with Goodman directly, so expect insights that only he can bring.

And for those to whom talk is not quite enough to satisfy artistic hunger, come feast at Harlem in the Himalayas hosted at the Rubin Museum of Art and, as the drummer Cindy Blackman fronts a fiery quartet on Friday.

Monday, September 15, 2008

Jazz for Curious Readers

Ron Scott, Jazz Journalist

6:30 – 8:00pm

Location: NJMIH Visitors Center

(104 E. 126th Street, Suite 2C)

Reservations: 212-348-8300 or register online

Ron Scott currently writes a weekly column "Jazz Notes" for the Amsterdam News, and is a regular contributor of reviews and features for the monthly publications Jazz Improv and Network Journal.  He also wrote monthly reviews for the Jazz Heritage Society Catalogues, and contributes pieces to the online publication jazzhouse.org

He is the senior editor for the book Forever Harlem, (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit "Harlem is… Music," exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York  

As a freelance writer Scott's byline has appeared in a variety of publications including the New York Times, Vogue, the NY Daily News, Time Out New York, Johnson Publications and ABC Radio. Scott also spent time as a theater and restaurant critic.

He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), and National Writers Union Local 1981. He is a graduate of Florida A&M University, and New York University's Graduate School of Social Work.

He's served as a publicity consultant on feature films and television specials working with such celebrities as Bill Cosby, Richard Pryor Harry Belafonte and two-time Grammy winner and jazz legend Roy Haynes. On the hip-hop tip Ron has worked on projects with Ice T., Chuck D. and Ice Cube. He's coordinated press conferences for Reverend Jesse Jackson, and R&B Grammy winner Al Green and Patti LaBelle.

Scott has received numerous awards including the D. Parke Gibson Award for distinguished achievement in Public Relations. He has lectured at the City University of New York, Howard University and shared his expertise on music and journalism panels throughout the United States.

Tuesday, September 16, 2008

Jazz for Curious Listeners

What Makes it Tick? Five Classic Albums

7:00 – 8:30pm

Location: NJMIH Visitors Center

(104 E. 126th Street, Suite 2C)

FREE | Reservations: 212-348-8300 or register online

Benny Goodman: 1938 Carnegie Hall Concert

Amongst celebrated dates that exist in popular or fine art music, January 16, 1938 denotes the day the Benny Goodman Orchestra played the rarified environs of New York's Carnegie Hall - previously designated as the dignified home of classical music. Initially conceived as a publicity stunt to enhance Goodman's increasing popularity, this was the very first time a jazz ensemble had ever played this venue and despite initial coolness towards the event, the sell-out performance left no doubt that swing dance bands provided the latest craze which could no longer be ignored.

"As an ensemble, the players brought a new kind of perfection and swing to their interpretations of the classic arrangements by Fletcher Henderson, Edgar Sampson, and Jimmy Mundy," wrote tonight's instructor and National Jazz Museum in Harlem Executive Director Loren Schoenberg in his book, The NPR Curious Listener's Guide to Jazz.

You'll hear the truth of these words by way of a crystal-clear recording of this date so crucial not only to jazz, but to American social history too.

Friday, September 19, 2008

Harlem in the Himalayas

Cindy Blackman, Drummer

7:00pm

Location: Rubin Museum of Art

(150 West 17th Street)

$18 in advance | $20 at door |

Box Office: 212.620.5000 ext. 344

JD Allen, tenor sax

Carlton Holmes, piano

George Mitchell, bass

Cindy Blackman, drums

Born in Ohio and raised in Connecticut, Cindy began her musical career as a New York street performer. She spent three semesters at Berklee College of Music in Boston, Massachusetts and also studied with legendary teacher Alan Dawson.

Cindy moved to New York City in the 80's and since that time, she has been seen and heard by millions of people all over the world performing with her own group and during her 11 year stint with retro funk rocker Lenny Kravitz, since 1993.

In 1998, Cindy released her first drumming instructional video entitled, Multiplicity. Cindy was touted as "one of the hottest drummers in the business, by the Star-Gazette and is regarded as one of the top drummers in the world. She is a solid, dependable drummer who can easily move from straight-ahead jazz to rock to funk and back again.

She's upheld the backbeat and created texture for artists as varied as: Jackie McLean, Joe Henderson, Don Pullen, Hugh Masekela, Pharaoh Sanders, Sam Rivers, Cassandra Wilson, Angela Bofill, Bill Laswell, Buckethead. In early 2000, Cindy released her acclaimed solo album Works on Canvas, and yet another solo album, Someday, in 2004.

Hot Buttered Rum is Coming to Eugene - Sept 28

photos by Sanjay Suchak- for the Grateful Web

In the Fall of 2006, itching to release their first live album, Hot Buttered Rum announced that it would be recording a handful of shows for official release.  Live in the Northeast (released May 2007) beautifully reveals the true core of live Butter: music that is forceful without being flashy, serious without being stuffy, intricate without being inaccessible, and diverse without being distracting.  The performances were professionally multi-tracked and later carefully mixed by Butter's long-time sound engineer, Josh Osmond. The result is striking, presenting the unique energy and improvisational spirit of a Hot Buttered Rum live performance in studio-quality sound.

Often described as a rock band playing bluegrass instruments, no prior Butter recording has so perfectly displayed the band's bolder and heavier side.  Their full sound permeates Live in the Northeast - from the reggae-tinged "Return Someday" and psychedelica of "Desert Rat" through definitive covers of the Grateful Dead's "Cumberland Blues" and Leo Sayer's "Feel Like Dancin'" - winding the listener through a robust and intense set of acoustic rock.

Hailing from the San Francisco Bay area, the guys of Hot Buttered Rum grew up on the trails, in the mountains, and on the slopes.  Their ties with nature have only grown and as a group, the band has dedicated much time and energy to reducing their carbon footprint and promoting alternative fuel sources.  As a heavily touring band, Hot Buttered Rum had to face the tough reality of how a national tour can affect the environment and counter it with a positive change.  In response, the band helped to promote the biofuel renaissance, touring the country on recycled vegetable oil and biodiesel as early as 2003.  Band members have participated in numerous Renewable Energy and Biofuel conferences, as well as sitting on discussion panels at such renowned music festivals as Bonnaroo and High Sierra.  Highlighted in the November/December 2005 issue of E: Environmental Magazine, Hot Buttered Rum is commended for trying to "leave an impact on its fans, and not solely on the road that passes beneath its bus tires as it travels from coast to coast".  For more information on Hot Buttered Rum and their greening efforts, visit the band's website, www.hotbutteredrum.net.

The band's current list of confirmed tour dates is as follows:

August 13 Live from Mt. Crested Butte Crested Butte CO
August 14 Oriental Theatre Denver CO
August 17 Yarmony Grass Copper Mountain CO
August 23 Mountain Sage Groveland CA
September 07 Rancho Nicasio Nicasio CA
September 13 Mulberry Mountain Music Festival Ozark AR
September 25 Domino Room Bend OR
September 26 Wonder Ballroom Portland OR
September 27 Triple Door Seattle WA Two Shows!
September 28 W.O.W. Hall Eugene OR
October 30-31 Las Tortugas at Evergreen Lodge Groveland CA
November 21 Lowell Auditorium Lowell MA supporting Dark Star Orchestra
January 24 Munson-Williams-Proctor Institute Utica NY
February 20-21 Wintergrass Tacoma WA

More dates to be announced. 

The widespread appeal of Hot Buttered Rum's music stems not only from the band's musical versatility and prolific songwriting, but also from the magnetic chemistry the group creates onstage together.  It is this chemistry that is propelling the band to ever greater success. The band has performed at festivals as diverse as the Newport Folk Festival, Bonnaroo, Grey Fox, High Sierra and the Telluride Bluegrass Festival, and has shared the stage with such artists as Phil Lesh, Bela Fleck, Ben Harper, Chris Thile, Mike Marshall and Peter Rowan, the last two of whom worked with the band on its critically-acclaimed studio release, Well-Oiled Machine.

Railroad Earth is Coming to Boulder - Sept 19 & 20

photos by Sanjay Suchak- for the Grateful Web

Anticipation has been building for a new release and for the first time in 4 years, Railroad Earth found themselves back in the studio recording all new material.  It's definitely a home-grown project, much like the band itself.  Railroad Earth's new studio release, Amen Corner, was written and recorded at singer Todd Sheaffer's empty, 300 year-old house in New Jersey's rural countryside. What happened inside the building was the experience of a lifetime for the band's members, resulting in an early creative pinnacle of a gifted young band, and an album that is an instant Americana classic. Amen Corner is a collection of crisp and crafted roots, bluegrass, and acoustic sides that resonates in all the right places. The tunes breathe both on and between the notes. They hit you immediately, but then linger like a good buzz.  Amen Corner hit stores June 10, 2008 on SCI Fidelity Records.

Railroad Earth is currently on tour.  Current confirmed tour dates include:
August 13-14 YarmonyGrass Festival Copper Mountain CO
September 04 9:30 Club Washington DC
September 05 The Fillmore at the Theatre of Living Arts Philadelphia PA
September 06 The Fillmore NY at Irving Plaza New York NY
September 11 Traverse City Opera House Traverse City MI
September 12 House of Blues Chicago IL
September 13 Barrymore Theatre Madison WI
September 14 Miramar Theater Milwaukee WI
September 16 The Cabooze Minneapolis MN
September 17 The Englert Theater Iowa City IA
September 19-20 Fox Theater Boulder CO
September 22 Orpheum Theatre Flagstaff AZ
September 23 Belly Up Tavern Solana Beach CA
September 25 Roxy Theatre West Hollywood CA
September 26-27 The Fillmore San Francisco CA
October 18 Paradise Rock Club Boston MA

Creedence Clearwater LPs Reissued on Sept 30th, 2008

Creedence Clearwater- for the Grateful Web

The first six albums by Rock 'n' Roll Hall of Fame inductees Creedence Clearwater Revival will be reissued by Fantasy Records (a unit of Concord Music Group) on September 30, 2008 as six individual expanded-edition CDs. The set marks the legendary band's 40th anniversary. The albums — Creedence Clearwater Revival, Bayou Country, Green River, Willy & the Poor Boys, Cosmo's Factory and Pendulum, all originally released from 1968-70 —have been digitally remastered and contain an array of rarities: B-sides, unreleased studio and live material, even a summit between the band and Booker T & the MGs. The reissues will be presented in Digi-Paks that faithfully recreate each original album package in meticulous detail. All feature liner notes by world-class rock music journalists such as Robert Christgau, Ben Fong-Torres, Dave Marsh, Joel Selvin and Ed Ward.
 
These albums feature the original band from El Cerrito, California: John Fogerty (chief songwriter, vocalist and guitarist), Tom Fogerty (guitar), Stu Cook (bass) and Doug Clifford (drums). The four cut their teeth as a Tommy Fogerty & the Blue Velvets and later as the Golliwogs. Then, in 1967, after John's stint in the military, they reunited as Creedence Clearwater Revival and found their own groove, inspired by the music of their youth. "Although they sounded like no other band," Fong-Torres notes, "They redefined rock and roll. They showed, in the most entertaining way possible, how the music could embrace — and was, in fact, founded on — elements of R&B and the blues, country, folk, and jazz, as well as a world of other musical forms. Creedence were pioneers in the fusion of rock and country. They were roots before 'roots' took hold as a music genre."

A quick look at the individual reissues:
 
Creedence Clearwater Revival [Expanded Reissue]: This album included CCR's first smash hit, the Dale Hawkins song "Suzie Q," plus the classic cover of Screaming Jay Hawkins' "I Put a Spell on You." The reissue contains four bonus tracks: "Call it Pretending" (the B-side of the band's first single), the band's first recording of a cover of Bo Diddley's "Before You Accuse Me" (later re-recorded for Cosmo's Factory), a live version of "Ninety-Nine and a Half" recorded at the Fillmore Auditorium in 1969, and a full-length live version of "Suzie Q." Almost famous former Rolling Stone editor Ben Fong-Torres wrote the notes.
 
Bayou Country [Expanded Reissue]: Creedence Clearwater's second album was chock full of hits and much-played album tracks: "Proud Mary," "Born on the Bayou," the Little Richard cover "Good Golly Miss Molly," the seven-minute "Graveyard Train" and the eight-minute "Keep on Choogling." The reissue also contains a longer alternate take of the album track "Bootleg," live versions of "Born on the Bayou" and "Proud Mary," and a psychedelic blues jam recorded live by San Francisco's seminal KSAN-FM called "Crazy Otto." Annotator was San Francisco Chronicle pop music editor Joel Selvin.
 
Green River [Expanded Reissue]: Green River contained the hits and notable album tracks "Green River," "Bad Moon Rising" and "Lodi" plus a cover of Ray Charles' blues standard "Night Time is the Right Time." Bonus material includes "Broken Spoke Shuffle," the instrumental track to a song John Fogerty never finished, another unfinished track called "Glory Be," plus three live tracks: "Bad Moon Rising" from the 1971 Berlin concert, "Green River/Suzie Q" from the 1971 Stockholm show, and "Lodi," recorded in Hamburg. Liner notes by the esteemed critic Dave Marsh.
 
Willy & the Poor Boys [Expanded Reissue]: Willy came out in 1969, when, as annotator Ed Ward writes, "a period when Creedence, surely the most anomalous band in the San Francisco explosion of the late '60s, was also proving its most commercial seller of them all." The album contains the anthemic "Fortunate Son" along with "Down on the Corner" and a cover of the traditional folk song "The Midnight Special." Bonus tracks include live versions of "Fortunate Son" and "It Came Out of the Sky," plus an unreleased studio version of "Down on the Corner" recorded with Booker T & the MGs for a TV special at the band's Berkeley rehearsal hall. The song features John Fogerty trading licks with guitar hero Steve Cropper.
 
Cosmo's Factory [Expanded Reissue]: Cosmo's Factory was the fourth and biggest of the string of five Top 10 albums Creedence Clearwater Revival released in 1969 and 1970. Included were "Travelin' Band," "Lookin' Out My Back Door," "Who'll Stop the Rain," "Run Through the Jungle" and covers from Marvin Gaye (CCR's signature take on "I Heard it Through the Grapevine"), Bo Diddley, Roy Orbison and Arthur "Big Boy" Crudup. Bonus material includes a bare bones, horns-free remake of "Travelin' Band," a live version of "Up Around the Bend" from the 1971 European tour, plus an unreleased version of "Born on the Bayou" emanating from the CCR/Booker T & the MGs summit which took place in 1970 at Cosmo's Factory studio. Notes were penned by Robert Christgau.
 
Pendulum [Expanded Reissue]: Creedence by this time was the top-selling rock band in the world, coming off seven consecutive Top 10 hits. The album contained the hits "Have You Ever Seen the Rain," "Hey Tonight" and "Molina." Bonus tracks include a live "Hey Tonight" plus "45 Revolutions Per Minute (Parts 1 & 2), the rarest of CCR collectibles, which was packaged in a plain white sleeve alluding to the Beatles' White Album.  Produced under the spell of the Fab Four's "Revolution No. 9," the tape montage tries to impart the elusive Creedence humor with the help of Bay Area DJ Tom Campbell. Joel Selvin wrote the liner notes.