blue

Hot Sugar Reveals Unique Beatmaking Process

Dame Dash’s Creative Control recently caught up with producer Nick Koenig, a.k.a. Hot Sugar, to document his unique process of making beats and capture his charmingly awkward sense of humor.  If you haven’t checked out the premiere over at Prefix, click HERE to watch Koenig in action (and note that all the sounds used in this video were recorded live at this session.)  Hot Sugar is also releasing a new free mp3 for the song “F**kable” (Feat. Baghdaddy) off his forthcoming EP, Muscle Milk.  Stream or download it HERE and feel free to post and share both.

For the past several decades numerous musicians have created recordings using found audio.  It is usually done in a manner that highlights the unusual nature of the source. Koenig, on the other hand, manipulates his samples until they’re tweaked beyond recognition.  For example, if one of his kick drums sounds like it came from a drum set, it’s more likely to be the sound of a car running over a juicebox, if not a fire cracker pitched down and chopped up, etc.

Having mastered this experimental technique, Koenig has a nearly unlimited palette of sounds to work with and his beats cover a massive array of genres.  New track “F**kable” is a slice of oddball digital funk featuring the blue-eyed soul, come-hither vocals of Baghdaddy.  If you haven’t heard Hot Sugar’s previously released mp3’s, “The Seagull” is a whimsical indie-pop nugget anchored by a music box melody and “Color Wars” pairs a mellow, head-nodding groove with the gritty crooning of The Roots/RJD2 collaborator Aaron Livingston.

All three tracks will appear on the Muscle Milk EP, which will be released for free online later this year.  Hot Sugar’s debut full-length will be out next year and will feature some top secret surprise guests.  Stay tuned for more info!

Brandon Adams & Jimmy Dasher Team Up for National Tour

Music fans will get a taste of exciting sounds to come on CD when Melodic Undertone recording artists Brandon Adams & The Sad Bastards and Jimmy Dasher hit the cross-country road this fall as a special two-for-one package. Rather than wait for Adams’ self-titled album and Dasher’s THE WAITING GAME to hit record stores, radio and the Internet in January, this proactive pairing will spark and build a buzz from the grassroots of the live music stage to launch the discs with momentum already behind them.

The tour offers a chance for listeners to get acquainted with two seasoned live performers, superior singers and songwriters and budding recording artists sharing the stage at venues across the nation. Adams and Dasher will play shows in the Southwest and through Colorado and Nevada to the Midwest and Southeast, returning to play Texas in November

Brandon Adams & The Sad Bastards are a burgeoning West Texas new country phenomenon already winning a loyal following in dancehalls, honky-tonks and clubs across the region. Putting a modernist spin on firmly rooted Lone Star State style C&W, Adams takes his songwriting cues from acts he grew up on like Ray Price, Johnny Bush and George Strait as well as the progressive rocking Americana of Ryan Adams. Add to that his diverse tastes that enjoy the full stylistic spectrum of today’s popular music, and lyrical and singing skills that cut to the bone with both honesty and smarts, Adams and his band make music that goes straight to the hearts of real country fans while charming listeners that enjoy a range of musical flavors.

Jimmy Dasher displays a dazzling diversity that he melds into his own sound on THE WAITING GAME, all of it fired by the skills that won him the Best Guitarist title in his hometown of San Antonio while still in his mid-teens. As a high school student he honed his chops in Austin and San Antonio clubs, and later released two albums and an EP and also did two national tours in the fully independent acoustic duo Window. He also played and recorded with recording artist Levi Smith as he developed his own music, which came to fruition during a solitary stay at an old Texas Panhandle small town farmhouse where he later cut THE WAITING GAME.

Both Adams and Dasher are ready and determined to bring rich musicality, excitement and their engaging new sounds to the stage. “I love playing so much, and will do it anytime, anywhere for anyone who wants to listen,” says Adams.

Dasher is equally fired to bring his music to the stages of America’s clubs. For as he says, “There’s nothing I’d rather do than play live.”

Melodic Undertone Production Group is a music production collective and record label made up of highly talented artists and entrepreneurs who produce and engineer, write songs and theatrical scores, generate beats, do live sound engineering and more. They have united their gifts and skills to work on projects that span across and combine country, rock, R&B, hip-hop more. Melodic Undertone’s unity of creative, technical and music industry artistry is devoted to doing what they do and love: The Music.

Upcoming Tour Dates Include:

September 21, Low Spirits, Albuquerque
September 23, Rogue Bar, Phoenix
September 24, Hotel Monte Vista, Flagstaff
September 25, Yayo’s Tacos, Las Vegas
September 27, The Music Barn, Parowan/Cedar City
September 28, Quixote’s True Blue, Denver
September 29, Rock n Soul Café, Boulder
September 30, Rocket Room, Colorado Springs
October 3, Reggie’s Music Joint, Chicago (Jimmy Dasher show)
October 4, The Horseshoe, Chicago (Brandon Adams show)
October 5, Doc’s Music Hall, Muncie
October 6, Cicero’s, St. Louis
October 7, One Eyed Jacks, Fairborn, Ohio
October 9, Old Glory, Canton, Ohio
October 11, Slim’s, Raleigh
October 12, The Cave Tavern, Chapel Hill
October 13, Caledonia Lounge, Athens
October 14, Brewster’s Pub, Jacksonville
October 15, The Backstage Lounge, Gainesville
October 17, Smith’s Olde Bar, Atlanta
October 19, Elliott’s Revue, Winston Salem, N.C.
October 20, Canyons of the Blue Ridge, Boone, N.C.
October 21, The Boiler Room, Asheville
October 22, Ultimate Basement, Sunny View, N.C.
October 23, French Quarter Café, Nashville
October 26, P&H Café, Memphis
October 28, Vino’s Brew Pub, Little Rock, Ark.
October 30, The Celtic, Pascagoula, Miss.
October 31, St. Roch Tavern, New Orleans
November 4, Poor David’s Pub, Dallas
November 5, Woody's Tavern, Fort Worth
November 6, Basil Whippet’s, College Station
November 10, Momo’s, Austin
November 11, Jack’s Patio, San Antonio
November 12, The Blue Light, Lubbock
November 18, Schotzi’s, College Station

Leftover Salmon October 30th Halloween at the Fillmore!

Leftover Salmon is excited to announce their return to the Fillmore Auditorium in Denver to celebrate Halloween! Zombie Jamboree will be Salmon’s 5th time decking out the Fillmore in Halloween fashion. Costumes and Halloween has always been a big part of Leftover Salmon. This October 30th we will continue that tradition with special guest Todd Snider back by Great American Taxi to open the show. A limited amount of tickets will be sold through our fan ticketing today Wednesday September 8th at 10am MST. Buy Tickets here.

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Leftover Salmon has released a new DVD "Twice in a Blue Moon" filmed on their 20th celebration at the Boulder Theater on 12/30&31 2010!

View the trailer of the DVD here and go to http://leftoversalmonbluemoon.com to purchase.

Amelia's Mechanics Flies West: Colorado Tour Dates Announced

Amelia's Mechanics embarked on an extensive, inaugural spring tour performing from Florida to West Virginia immediately following the release of their debut album North, South. After taking a short break from touring in June, the band is excited to be back performing for fans this July and working on a new studio project this August.
Amelia's Mechanics debut album North, South is available for purchase on iTunes and Amazon
Starting July 1st, Amelia's Mechanics will appear live on the 98.7 FM Simon morning show, the Fox 8 morning news, and the Fun Fourth Festival in the Triad area of North Carolina before flying west to Colorado to perform an extra string of tour dates in support of their debut album North, South produced by Jim Avett (father to the Avett Brothers.)
While in Colorado, the band will perform a special July 4th show at Quixote's True Blue in Denver, CO with regional favorite Oakhurst; will headline the D-Note in Arvada, CO on July 6th as part of the Colorado Music Business Association showcase; will perform with internationally touring bluegrass artist Steep Canyon Rangers (whose Deep in the Shade just moved back in to the Top 10 on Billboard's Bluegrass Album Charts) at Quixote's True Blue in Denver, CO on July 8th; and will be honored to perform as support to the legendary Nitty Gritty Dirt Band at the Boulder Theater in Boulder, CO on July 9.
Now using the Radio Submit digital delivery system for presentation to disc jockeys and internet radio: Download Songs for Radio Here

Upon returning east in mid-July, Amelia's Mechanics will perform with  Brooklyn-based Americana group Yarn at the Charleston Pour House on July 13th in Charleston, SC; will join JJ Grey & Mofro at the Pour House Music Hall on July 18th in Raleigh, NC; and Molly McGinn and Molly Miller (of Amelia's Mechanics) will perform a special acoustic set to headline a songwriter's showcase at the Old Social Club in Winston-Salem, NC on July 15. The band closes out July with a bang during "An Evening with Amelia's Mechanics" at the Founders Lawn of Guilford College on July 25th in Greensboro, NC as part of the Eastern Music Festival's Fringe Series.
This August, Amelia's Mechanics will head back in the studio with 3-time Grammy winner Steven Heller (producer of Doc Watson's Legacy and David Holt's Stellaluna) and Laurelyn Dossett (most notably the songwriter of "Anna Lee" which Levon Helm recorded on his Grammy-winning DirtFarmer album,) who was hired to assist the female songwriters with song cultivation and development. Pre-production work on the new studio project began about two months ago and a release date for this material  has not been announced.
AMELIA'S MECHANICS 2010: SUMMER TOUR DATES

SHOW DATE  -  VENUE  -  SHOW INFORMATION  -  CITY/ STATE  -  BUY TICKETS          
July 3 - Fun for the Fourth - 98.7 FM Simon Stage - Greensboro, NC - TICKETS
July 4 - Quixote's True Blue - with Oakhurst - Denver, CO - TICKETS
July 6 - D-Note - Colorado Music Business Showcase - Arvada, CO - TICKETS
July 8 - Quixote's True Blue - with Steep Canyon Rangers - Denver, CO -
TICKETS
July 9 - Boulder Theater - with Nitty Gritty Dirt Band - Boulder, CO - TICKETS
July 13 - Charleston Pour House - with Yarn - Charleston, SC - TICKETS
July 15 - Old Social Club - Songwriter's Showcase - Winston-Salem, NC - TICKETS
July 18 - Pour House Music Hall - with JJ Grey & Mofro - Raleigh, NC - TICKETS
July 25 - Eastern Music Festival - Guilford College Lawn - Greensboro, NC - TICKETS
Aug 14 - Swing Into Wyndham Championship - Festival - Jamestown, NC - TICKETS
Aug 28 - Jack of the Wood - An Evening With AMC - Asheville, NC - TICKETS

National Jazz Museum in Harlem 2010 July Schedule

The July 2010 National Jazz Museum in Harlem schedule puts particular focus on the visual side of the jazz genre, as we feature classic films in our Jazz for Curious Listeners series (inaugurating a new collaboration with The Maysles Institute), interview one of the premier jazz photographers in the nation, Frank Stewart, for our flagship Harlem Speaks public program, and screen a rare film of “The High Priestess of Soul,” Nina Simone.

Since jazz is music for the soul, we feed your ears too, as the NJMH All-Stars will perform at Marcus Garvey Park before the airing of the Nina Simone film as well as at the Studio Museum in Harlem (our new programmatic partners) for the first Jazz at the Studio event, where the shades of blue and the blues will be pursued in sound and aesthetic fury.

We’ll also play the music of pianist Mal Waldron at our monthly Saturday Panel, spend an evening with the genius of Duke Ellington, and have a conversation with legendary jazz record producer Michael Cuscuna for the second of two monthly Harlem Speaks events.

Every single event this month is FREE, so since money is no object, take the time to join our swinging festivities!

Monday, July 5, 2010

Jazz for Curious Readers
An Evening With Duke Ellington
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Known as a composer/arranger/bandleader, duke Ellington was also a gifted author, and his autobiography, Music Is My Mistress, affords as much of an insight into his personality as his music does. Join us as we read and discuss Ellington the author.

Tuesday, July 6, 2010
Jazz for Curious Listeners

Jazz on Film: The Sound of Jazz
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Perhaps the most iconic jazz film ever made, The Sound of Jazz brought together 32 leading musicians from the swing era, including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones, and Coleman Hawkins; the Chicago style players of the same era, such as Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger "modernist" musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow," one of the most poignant moments of jazz ever caught on film. The song brought back together Lester Young and Holiday; Young's blues solo is transcendent in its painful beauty and sophisticated simplicity.

Thursday, July 8, 2010

Harlem Speaks
Frank Stewart, Photographer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Frank Stewart is a photographer whose image-making work rises to the level of fine art.

He was born in Nashville, Tennessee in 1949, and grew up in Memphis and Chicago. He attended the Art Institute of Chicago and received a BFA in photography from Cooper Union in New York. Stewart has had numerous solo and group shows at Cooper Union Gallery, Washington Project for the Arts, Studio Museum in Harlem, Schomburg Center for Research in Black Culture, the International Center of Photography, Museum of Contemporary Art in Los Angeles, and Corcoran Gallery in Washington, D.C.

Stewart was a member of the first team of North American journalists invited by the government of Cuba to photograph the Island in 1977; he was also invited by the Los Angeles Committee to photograph the 1984 Olympics. He has been granted two photographic fellowships from the National Endowment for the Arts, a New York Creative Artist Public Service Award, and a 2002 NFFA fellowship. He was honored as Artist-in-Residence at the Studio Museum in Harlem in 1975, at Kenkeleba House in 1987, and at the Light Work Gallery at Syracuse University in 1989. His photographs were published in Sweet Swing Blues on the Road (text by Wynton Marsalis; published by WW Norton) and Smokestack Lightning: Adventures in Barbecue Country. Most recently, his work was featured in Romare Bearden: Photographs by Frank Stewart (published by Pomegranate) and The Sweet Breath of Life: A Poetic Narrative of the African-American Family (Frank Stewart, ed., with text by Ntozake Shange and photographs by Kamoinge Inc.; published by Simon & Schuster).

Stewart currently serves as Senior Staff Photographer for Jazz at Lincoln Center. He is a member of Kamoinge, a New York-based collective of African-American photographers. In addition to showing examples of his excellent jazz photography, Stewart will share anecdotes about his world travels with Wynton Marsalis, as well as accounts of times spent with Romare Bearden and Albert Murray as a driver.

Tuesday, July 13, 2010
Jazz for Curious Listeners

Jazz on Film: The Last of the Blue Devils
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Kansas City in the 1930s was a wild, wide-open place. Under political boss Tom Pendergast, the booze flowed freely, prostitution and gambling flourished, and the Depression pretty much passed the city by, making it an ideal spawning ground for some great music. Pianist-bandleader Count Basie, saxophone immortals Lester Young and Charlie Parker, and blues belters Big Joe Turner and Jimmy Rushing were all working there, along with a host of lesser-known but nonetheless formidable musicians, and they all played the blues, Kansas City style.


Director Bruce Ricker's 90-minute The Last of the Blue Devils chronicles the 1979 reunion of many of these legendary players, combining interviews, vintage film footage, photos, and some inimitably swinging performances by Basie, Turner, pianist Jay McShann, and many others to create an intimate, good-natured portrait of what one old-timer calls the "cool, relaxed sound" of the city. The camaraderie among these men, all of whom are colorful raconteurs, is palpable. But it's the music, surely, that's the main attraction; performances include some familiar tunes, like Turner's "Shake, Rattle & Roll" and a Basie big band version of "Night Train" (featuring tenor saxophonist Jimmy Forrest, the tune's composer) that's as greasy as the local barbecue. The Last of the Blue Devils is an absolute delight not to be missed!

Wednesday, July 14, 2010
Special Event
Film: Nina Simone Great Performances: College Concerts and Interviews
(Andy Stroud, USA, 60 mins.)
Music: The National Jazz Museum All-Stars
7:30-9:30pm
Location: Marcus Garvey Park (Lawn A located on the Madison Avenue side of the park between 122nd and 124th Streets)

A rare film of a radical artist in performance and in interviews, where she shares her views on race relations, and the role artists play in culture and society.
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist. Although she disliked being categorized, Simone is arguably most associated with her performance of jazz music. Simone originally aspired to become a classical pianist, but her work covers an eclectic variety of musical styles that include classical music, jazz, the blues, soul, folk, R&B, gospel, and pop music. Her vocal style is characterized by intense passion, a loose vibrato, and a slightly androgynous timbre, in part due to her unusually low vocal range which veered between the alto and tenor ranges (occasionally even reaching baritone lows). Also known as The High Priestess of Soul, she paid great attention to the musical expression of emotions. Within one album or concert she could fluctuate between exuberant happiness and tragic melancholy.

Nina Simone recorded over 40 live and studio albums, the greatest body of her work being released between 1958 (when she made her debut with Little Girl Blue and 1974. Songs she is best known for include "My Baby Just Cares for Me", "I Put a Spell on You", "Four Women", "I Loves You Porgy", "Feeling Good", "Don't Let Me Be Misunderstood", "Sinnerman", "To Be Young, Gifted and Black", "Mississippi Goddam", "Ain't Got No, I Got Life" and "I Want a Little Sugar in My Bowl". Many of her songs are featured on motion picture soundtracks, as well as in video games, commercials and TV series.

This event is brought to you by the Maysles Cinema, Target ® and The National Jazz Museum of Harlem
Sunday, July 18, 2010

Jazz at The Studio
BLUE: A Shade of Difference
2:00 – 4:00pm
Location: The Studio Museum in Harlem
(144 West 125th Street)
FREE | For more information: 212-348-8300

Season Opener/Target Arts & Wonder Weekend Celebration

In this the kick-off performance of a new series, The NJMH All-Stars contemplate the color, the mood and art works that deal with the concept of blue and the blues. Blues, of course, are fundamental to jazz. But blues is way more than a simple, folk musical form. Many think the blues symbolize sadness and melancholy only; but blues music encompasses a full range of human emotion as a counter to what writer Albert Murray called “the blues as such.” Experiencing the variety of feelings evoked by Miles Davis’s recording, Kind of Blue, the best-selling jazz recording of all time, demonstrates this effect . . . as will today’s concert at the Studio Museum in Harlem.

Tuesday, July 20, 2010

Jazz for Curious Listeners
Jazz on Film: Sound—John Cage and Rahsaan Roland Kirk PLUS!
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave (Between 127th and 128th Streets))
FREE | For more information: 212-348-8300
Tuesday, July 27, 2010

*Note tonight's special location.

If you have never seen Dick Fontaine’s groundbreaking film paring John Cage and Rahsaan Roland Kirk, run, don’t walk, to this screening. In addtionl, we’ll be showing examples of experimental film and experimental jazz including shorts by Shirley Clark and Rudy Burckhardt and a reception with Manny Kircheimer's Stations of the Elevated playing.

Tuesday, July 27, 2010

Jazz for Curious Listeners
Jazz on Film—Thelonious Monk: Straight No Chaser
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave [between 127th and 128th Streets])
FREE | For more information: 212-348-8300

*Note tonight's special location.

Filmmaker Bruce Ricker couldn't believe his luck: Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk, including the only footage of the very private Monk off stage, turned out to be in excellent condition. The reels were, in Ricker's words, "just sitting there like the Dead Sea Scrolls of jazz." Ricker, as co-producer, joins director and fellow producer Charlotte Zwerin, executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews, archival photos and more to create a landmark aural and visual treat released 20 years after the original footage was shot.

Here are the tunes you’ll hear tonight, in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well, You Needn't; Bright Mississippi; Blue Monk; Trinkle, Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy, Don't Blame Me; Ruby, My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; and Round Midnight.

Need we say more? See you at the Maysles Institute!


Thursday, July 29, 2010

Harlem Speaks
Michael Cuscuna, Record Producer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Michael Cuscuna is a discographer, writer and record producer par excellence.
He played drums, saxophone and flute during his teenage years, but wasn’t professional material. So, instead, he turned his attention to radio and recordings. He had a jazz show on WXPN and worked for ESP-Disk in the late 1960s, while also writing for Jazz & Pop Magazine, Rolling Stone and Down Beat. After stints at WMMR in Philadelphia and WABC-FM (now WPLJ) in New York as a progressive rock DJ, he took a position as a producer with Atlantic Records in the 1970s, recording Buddy Guy, Dave Brubeck and the Art Ensemble of Chicago. He also produced albums by Bonnie Raitt (Give It Up), Martin Mull, Luther Allison and Chris Smither. He also produced for ABC (doing reissues of Impulse! albums), Arista, Muse, Freedom, Elektra and Novus. From 1975 to 1981 he went through the Blue Note archives and recovered many unissued sessions which are now prized.

Along with Charlie Lourie, he founded Mosaic Records in 1983 specializing in jazz reissue box sets, with almost 200 releases as of 2009. Artists surveyed include highly visible masters like Thelonious Monk, Miles Davis, and Nat “King” Cole, and lesser known artists such as Tina Brooks and Ike Quebec. Cuscuna has won three Grammy Awards for his releases. Since 1984, Cuscuna has been a special consultant, producer, and reissue director of Blue Note Records.

Saturday, July 31, 2010

Saturday Panels The World of Mal Waldron 12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing was flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording debut), Big Nick Nicholas, and a variety of R&B-ish groups. Waldron frequently worked with Charles Mingus from 1954-1956 and was Billie Holiday's regular accompanist during her last two years (1957-1959). Often hired by Prestige to supervise recording sessions, Waldron contributed many originals (including "Soul Eyes," which became a standard) and basic arrangements that prevented spontaneous dates from becoming overly loose jam sessions.

He mostly led his own groups after Holiday's death, although he was part of the Eric Dolphy-Booker Little Quintet that was recorded extensively at the Five Spot in 1961, and also worked with Abbey Lincoln for a short stint. He wrote three film scores before moving permanently to Europe in 1965, settling in Munich in 1967. Waldron, who occasionally returned to the U.S. for visits, was a major force in the European jazz world. His album Free at Last was the first released by ECM, and his Black Glory was the fourth Enja album. Waldron, who frequently teamed up with Steve Lacy (often as a duet), kept quite busy up through the '90s, featuring a style that evolved but was certainly traceable to his earliest record dates. Among the many labels that have documented his music have been Prestige, New Jazz, Bethlehem, Impulse, Musica, Affinity, ECM, Futura, Nippon Phonogram, Enja, Freedom, Black Lion, Horo, Teichiku, Hat Art, Palo Alto, Eastwind, Baybridge, Paddle Wheel, Muse, Free Lance, Soul Note, Plainisphere, and Timeless. In September of 2002, Waldron was diagnosed with cancer. Remaining optimistic, he continued to tour until he passed away on December 2 in Brussels, Belgium at the age of 76.

Roots Singer/Guitarist Sid Selvidge Returns with I SHOULD BE BLUE

For decades, Sid Selvidge has been one of the most singular voices in American roots music. His unique and seamless fusion of hill country blues picking and languid folk-styled storytelling has allowed Selvidge to carve out a niche that has separated him from other traditional and contemporary southern songwriters. Now, five years after his acclaimed CD/DVD Live at Otherlands, Sid returns with the gracefully melodic I Should Be Blue. Available in stores and online June 8, Selvidge'’s 8th solo album and 3rd from Memphis-based Archer Records sees him crafting material that recalls the warmth of sound and spirit present in classic 70s era folk-tinged pop LPs.

From his early days playing with Furry Lewis and Mississippi Fred McDowell at The Bitter Lemon Club in Memphis, to his and friend Jim Dickinson’s elusive Mudboy and the Neutrons (Bob Dylan dubbed them “the great band that nobody could find”), to his storied solo career with Enterprise (Stax), Nonesuch (Elektra), and his own Peabody label, Selvidge has always been able to stand alone in his ability to integrate classic methods into fresh vocal and strumming approaches. Former New York Times critic John Rockwell probably said it best: “Sid Selvidge, who comes from Mississippi by way of Memphis, is neither country nor rock. He’s pretty much everything musically in the whole Southeast.” David Fricke of Rolling Stone is also a known admirer, having declared emphatically, “Sid Selvidge is a precious treasure”, in his glowing review of Sid’s previous studio effort, A Little Bit of Rain (Archer Records, 2003).

While his past work has garnered him the praise of national critics, I Should Be Blue palpably displays his versatile appeal to fans as both an original artist as well as an interpreter. Selvidge adjusted his formula for I Should Be Blue, working for the first time with renowned producer/musician/songwriter Don Dixon (Joe Cocker, The Smithereens, REM, Counting Crows), as well as inviting up-and-coming vocalist Amy Speace to join him on several tracks. These duets including Sid’'s sweet and dreamy “Dimestore Angel”, Speace'’s original gem, “Two”, as well as warm, wistful nods to favorites like Townes Van Zandt’'s “I’ll Be Here In The Morning” and Donovan'’s “Catch The Wind”. Selvidge, along with the US and European press took quickly to Speace, with Paste Magazine calling her latest release, 2009’s The Killer In Me, a “resolutely hopeful take on heartache and loss...beautiful lyrics are spun with a soulful, husky voice that lilts like a country sweetheart but mourns like Leonard Cohen

In addition to combining new elements to Selvidge’'s sound in Dixon’s production techniques and bass playing and Speace’'s rich vocals, I Should Be Blue will also feature some more familiar players. Among them are Sid'’s son, Steve (The Hold Steady) who plays acoustic and electric guitars, Paul Taylor (Chuck Prophet) on drums and washtub bass, and fellow Archer artist Amy LaVere on upright bass. The outcome is a tender portrait of love and longing amidst loss, flowing with an effortless grace and natural beauty distinctly its own.

I Should Be Blue will be available in stores June 8, to coincide with tour dates for a Sid Selvidge and Amy Speace joint U.S. tour. | For more information, please visit www.Archer-Records.com or www.SidSelvidge.com.

Summer 2010 Tour:

June 7 - New York, NY - The Living Room
June 8 - Pittsburgh, PA - Club Cafe
June 10 - Raleigh, NC - Six String Cafe and Music Hall
June 11 - Maryville, TN - Brakins Blues Club
June 12 - Nashville, TN - The Basement
June 13 - Memphis, TN - Levitt Shell @ Overton Park
June 21 - Delaware Water Gap, PA - Sycamore Grille
June 22 - Winston-Salem, NC - The Garage
June 23 - Charlotte, NC - Evening Muse
June 27 - Decatur, GA - Eddie's Attic
July 8 - Seattle, WA - Empty Sea Studios
July 9 - Bellingham, WA - Green Frog Cafe
July 10 - Portland, OR - Alberta Rose Theatre
July 11 - Hood River, OR - Blackburn House Concert
July 12 - Bend, Oregon - Windance House Concert
July 23 - Portland, MD - TBA
August 6 - Dallas, TX - Uncle Calvin's
August 7 - Oklahoma City, OK - Blue Door

More dates to come!

The Everyone Orchestra Performs in Colorado

The Everyone Orchestra embarks on a run of Colorado shows at the end of May including a stop in Fort Collins and three performances in Denver from May 20th – May 23rd. This rendition of the project features a stellar line up of nationally renowned talent including Steve Kimock (SKB, Zero), Kyle Hollingsworth (SCI), Jennifer Hartswick (Trey Anastasio Band), Dave Watts (The Motet), Jamie Janover (Zilla), Garrett Sayers (The Motet), Jamie Masefield (Jazz Mandolin Project) and YOU.

How do you fit into the Everyone Orchestra? The fully improvised performance is the brainchild of founder Matt Butler, who incorporates the skill set of the assembled all-star line up with the voices and sounds of the audience for a unique and fun musical experience.

Literally an orchestra where everyone in the room takes part, the Everyone Orchestra brings together a form of musical improvisation that is rarely accomplished to this degree. While the band actually only consists of one key player – conductor Matt Butler – each show features a rotating cast of up to a dozen players on any given night. Drawing on the wealth of talent local to the area he visits, or those performing at a festival, the concept lures local and national players who are often performing for the first time together and the audience of course, is performing right along.

The four-night traveling event will kick off at Hodi’s Half Note in Fort Collins on May 20th and will continue to Quixotes True Blue (formerly Owsleys) on Saturday May 21 and Sunday May 22nd. The Sunday, May 23rd performance is billed as a happy hour show featuring an acoustic set (minus Hollingsworth), and with other special guests yet to be announced.

The locally based organization, Conscious Alliance, will also be hosting a food drive, benefiting the Pine Ridge Reservation in South Dakota. All patrons that donate 10 non-perishable food items will receive a free limited- edition Everyone Orchestra 2010 Colorado Tour poster created by the very special artist, Ryan Karrigant. Donations can be made with Conscious Alliance representatives at the front entrance of each venue.

Advance tickets for the Denver performance are on sale now at www.quixotes.com and for more information about the event and line up check out Everyone Orchestra.

ON TOUR:

Thursday, May 20 - Hodi’s Half Note, Ft. Collins, CO with opening act Acorn Project

Friday, May 21 - Quixotes True Blue, Denver with opening act Acorn Project

Saturday, May 22 - Quixtoes True Blue, Denver Euforquestra

Sunday, May 23 - Quixotes True Blue, Denver (acoustic, happy hour set)

Umphrey's McGee & Galactic Present: Red Rocks & Blue July 4th Weekend

Celebrate Independence Day Weekend with Umphrey's McGee and Galactic’s Red Rocks & Blue extravaganza on Saturday, July 3rd in Colorado. We'll join forces atRed Rocks Amphitheatre for a long night of music with a heavy dose of reggae classics from the The Wailers. Galactic will be joined special guest Cyril Neville (of the Neville Brothers Band). Look for more exciting info in the coming weeks in addition to the many surprises planned for the show. In addition to the Red Rocks & Blue main course, both bands will perform intimate shows at theGothic Theatre, with Galactic on Friday, July 2nd and Umphrey’s McGee on Sunday, July 4th.

Umphrey's McGee & Galactic want you to celebrate your freedom of choice. Here's your chance to vote for a song that BOTH bands will play together at their July 3rd Red Rocks show. That's right, both Umphrey's McGee and Galactic will collaborate to play the winning song from the choices below. So exercise your rights, vote today, and join us in Colorado July 2-4 for Red Rocks & Blue! Forward this on to anyone you know who loves freedom and live music.

This will be a 4th of July weekend that is really a reason to celebrate your freedom. This is the first time that Umphrey's McGee will close the show under the stars at Red Rocks. We have a chance to be a part of history, so let's sell out Red Rocks! Pre-sale packages for the Red Rocks/Gothic Theatre shows will begin this Saturday, March 20th at NOON MT via UM TIcketing. Pre-sale includes discounted 2 and 3 day packages, and VIP tickets. Public on-sale begins Saturday, March 27th at 10 AM MT. Stay tuned for more exciting additions and announcements surrounding Red Rocks & Blue. We hope to see you in Colorado.Go here for more info!

Melissa Nadel Appearing At The Blue Note

An angelic voice and impressive talent, singer/songwriter Melissa Nadel, will be returning to the Blue Note Jazz Club to perform on Friday night, December 25th at 12am.  Melissa is a young, exciting artist who infuses Jazz and Pop to create a genuinely refreshing and original sound.  Her style is versatile and tasteful, and her live performances are engaging and filled with emotion.  She truly brings her own flavor to each song she sings.  Her debut CD, WHAT MATTERS, co-produced by Charles Fambrough and herself, is available at CDBaby.com, iTunes, and Amazon.com, etc.  It is also being distributed in Japan through Vivid Sound Corporation and receiving great reviews.

FRIDAY NIGHT, DECEMBER 25 @ MIDNIGHT

BLUE NOTE JAZZ CLUB

131 W. 3rd Street
(between MacDougal & 6th Ave.)
New York, NY
Reservations Recommended
212.475.8592

Melissa Nadel - vocals/piano
Daniel Mintseris - piano
Chris Biesterfeldt - guitar
Brian Killeen - bass
Jared Schonig – drums

Beat Kaestli @ The BLUE NOTE, NYC | 12/13/09

Vocalist & Bandleader Beat Kaestli will be performing with his group at The Blue Note in New York City on December13th, 2009 in celebration of his newest release "Far From Home - A Tribute to European Song" - Brunch sets at 12:30 PM & 2:30 PM.

"Soulful, sensitive singing. I am impressed by Beat Kaestli's CD and I look forward to hearing more!" -Legendary Vocalist Jon Hendricks

Beat Kaestli, voice
Aria Hendricks, voice
Victor Prieto, accordion
Ben Stivers, piano
Matt Wigton, bass
Fred Kennedy, drums

Vocalist Beat Kaestli
December 13th, 2009 - The Blue Note
131 W. 3rd St_New York, NY 10012_
For More Information Call: (212-475-8592)
Tickets are $24.50 -Set Times: 12:30 PM & 2:30 PM

About Beat Kaestli:

Beat Kaestli
is a vocalist, songwriter and producer residing in New York City. After establishing himself in the Swiss music scene, he moved to New York to broaden his musical horizon, leaving a promising career in his homeland behind. He was awarded a scholarship to the Manhattan School of Music (BM) and received the Ella Fitzgerald Foundation scholarship to graduate in 2008 with a Masters Degree from the Aaron Copland School of Music (MA). While honing his craft alongside noteworthy Jazz performers, such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan's fiercely competitive music scene, emerging as a seasoned performer. He now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone and Sweet Rhythm, performing with Jazz greats, like Esperanza Spalding, Jon Hendricks, Clarence Penn, Gregoire Maret, Joel Frahm, Billy Drummond, Magos Herrera and Victor Prieto. In 2005, Beat was the chosen vocalist for the Glenn Miller Orchestra, thrilling audiences in concert halls across the USA. Kaestli is touring the world extensively with his own projects, showcasing his music in renowned clubs and at festivals across the US, Europe, Mexico and Canada. His new release "Far From Home - A Tribute to European Song" is scheduled to be released fall 2009.

For More information on Beat Kaestli go to: www.beatkaestli.com