indie

Parlovr Unveil Cover Art & Tracklisting / East Coast Tour To Be Announced Soon

Meet Parlovr (pretend the V is a U when you say it). Over the last few years, these three Montrealers have been bringing their manic melee of indie pop to the musically-curious masses. They’ve already amassed plenty of attention from tasters and tastemakers alike via their blissfully bizarre tracks and seizure-inducing live shows; however, after recently signing onto the Dine Alone Records roster, the band is ready to make some serious noise in the new decade – in more ways than one…
Initially formed in a Mile-End loft during the winter of 2006 by guitarist/vocalist Louis David Jackson and keyboardist/vocalist Alex Cooper, the current incarnation of Parlovr came about in 2007 when drummer Jeremy MacCuish entered the fold – a catalyst to the fusion of the foiling songwriting styles of the original two. Since, the band has taken off on its own sonic tangent, appropriately dubbed “sloppy pop” in the past; stripped down but salacious and spastic.
The music is about as diverse as the city that spawned it – an interweaving of styles that takes on a shape and shimmer of its own. Raw and reverb-soaked, their independently-released, self-titled debut dropped in late 2008, recorded and produced by Martin Horn at Digital Bird Studios.
The songs found therein are rooted in dramatic dynamics not unlike those that exist between Cooper and Jackson’s foiling songwriting styles – quiet and loud; screams and whispers; sing-alongs and spacey instrumentals; warm low-end and crisp, shimmering leads; short pop jabs and extended epics. You get the idea, right? It’s quirky, it’s catchy, and while it’s full of familiar throwbacks to ‘60s pop, ‘80s post-punk, and ‘90s garage, it’s also refreshing.
Since its release, the album has garnered some great ink in pretty much every well-respected left-of-centre publication here in Canada – Hero Hill, Chartattack, and Hour among them. Even some from the south are taking notice, with Spin magazine calling the band one of the “5 to watch” out of Montreal (it’s pretty much the new Seattle) and The New York Times sharing kind words about their live show. It’s obvious the bandwagon is starting to fill up, and everybody on it is dancing.
Parlovr has spent time bringing their melodies on the road, having toured extensively throughout Canada, New York, France and Europe alongside indie pop peers like Arctic Monkeys and Franz Ferdinand.
With all of the pieces in place, Parlovr seems set to bring their melodic mayhem to a widespread populace for the new decade.
It’s 2010, and it’s finally cool to say you listen to Parlovr music.

Here We Go Magic Play BOULDER At Fox Theater

It's been a big year for Here We Go Magic following the release of their much celebrated self-titled debut (Western Vinyl), and now they have their sights firmly set on 2010 with a new album, a new record label, and an ever expanding sound. Having just signed to Secretly Canadian, the band is targeting Spring of 2010 to release their highly anticipated follow-up to 2009's breakthrough record.

The band have spent much of the year on the road touring with indie giants including Grizzly Bear and are currently supporting The Walkmen before playing Austin City Limits.

Here We Go Magic are also hard at work recording the self-produced sophomore album in a house they've commandeered in upstate New York, and while the first record was the result of Luke Temple getting creative in his bedroom, this release is a fully fledged team effort.

With an eye towards 2010 the band is looking forward to expanding their audience as their unique sound continues to permeate throughout the indie world.

US Tour Dates:

3/13: Rock N Roll Hotel, Washington D.C

3/14: Local 506, Carrboro, NC
4/05: Jefferson Theater, Charlottesville, VA
4/06: Grey Eagle, Asheville, NC 
4/09: The Social, Orlando, FL
4/10: Jax Live, Jacksonville, FL
4/11: Club Downunder,  Tallahassee, FL
4/13: Walters on Washington, Houston, TX
4/14: The Independent, Austin, TX
4/16: The Clubhouse, Phoenix, AZ
4/20: Urban Lounge, Salt Lake
4/21: Fox Theater, Boulder
4/24: High Noon Saloon, Madison, WI
4/25: Metro, Chicago, IL
4/26: Radio Radio, Indianapolis, IN
4/27: Lee's Palace, Toronto, ON
4/28: Petit Campus. Montreal
5/01: Paradise Rock Club, Boston, MA

Phil and the Osophers Debut Three New Vids

Phil and the Osophers unveil three distinctive videos to titillate the senses.  Members of the International Found Footage Society, the band used newsreels from the 1920s-1940s to create the video for Propeller Jet, which narrates the thrill of America's burgeoning love with the golden age of aviation.  Avant-garde Czech films were spliced together to create the breathtaking Well Being video, the last three minutes being a visual and auditory world unto itself.  Phil and the Osophers own travel footage is showcased in the video for Wandering Soul, where cities and climates and time blur together.


Phil and the Osophers have added a new member!  C. Lizbeth Marquez, a Spaniard by birth, has been added to play keyboard, percussion and background vocals.  Come see the expanded lineup at Brooklyn's Bruar Falls on February 15, in a show curated by Pop Jew, also known as Worst Cooks In America winner Rachel Coleman.  The band will also be doing a short tour in March, more dates are TBA.


Phil and the Osophers made their sixth full length album, Parallelo, available on CD and digitally this summer on Factual Fabrications, Phil’s own sustainable label.  The album finds the Brooklyn 3 piece developing into a jingly and jangly artistic indie rock while retaining carefully crafted and philosophical lyrics.  The band has a catalog of over 100 songs, and this new album is their most impressive work to date.
THE SONGS
The 11 song cycle of Parallelo explores parallels and coincidences in our understanding of meaning.  Phil has an interesting explanation for all of these songs- “Uses Of A Man deals with equal rights for all lovers”, Creators “is a thesis on God in the time of slavery”, Propeller Jet is “about suiting up with Amelia Earhart on her last flight” “Cheap Livin is an tribute to the rich folks who lost it all”  …Tie it together with an avant-garde indie pop sound and you have Parallelo.  It is this sort of innovation that makes Phil and the Osophers such a one-of-a-kind act.
The Brooklyn 3-piece have been on a tear recently: playing SXSW and the Northside Festival in Brooklyn, as well as playing shows with Art Brut, Passion Pit, Les Savy Fav, Le Loup, the Ruby Suns, and the Dodos.
In addition, all 3 members have written and published books of poetry and non-fiction through their own publishing house called ILOANBooks. Bass player Gus has published NINE books, Drummer Kevin has published two (including a new edition entitled "Winter Doesn't Care What Your Name Is"), and Phil has written his one book of poetry entitled "SHAKE! and other rattlers".  These books are usually free at shows and otherwise available upon request.

Indie Folk-Rock Singer-Songwriter Collin Herring To Release New Album OCHO Today

Fort Worth-born singer-songwriter-guitarist Collin Herring will release today, Tuesday, November 17, his fourth distinctive album of originals that defy easy categorization, the sophisticated and haunting OCHO: eight songs with essences of rock, folk-rock and country in both the lyrics and instrumentation and subtle surprises in each.

Herring and band play a series of shows to introduce the album to longtime fans and new listeners, starting with an in-store performance at Austin’s Waterloo Records & Video on the day of release.

From the first track to the last — including “Young Ones,” “Seemed to Be,” “Little Aches” and “Nothing’s Wrong” — Herring engages audience attention with the twang of his vocals, the mix of contemporary and traditional in electric and steel guitars, lyrics that lament love with modern insight rather than tears, and wry twists that add texture and mystery.

“I wanted it to sound like I’m just sitting in my living room,” says Herring about OCHO. “I wanted something haunting and organic. It’s not country. It’s not rock ’n’ roll. It’s just Collin Herring. It’s music the way I wrote it.”

On the album with Herring, who moved to Austin a year ago, are Centro-matic’s Will Johnson (backup vocals, guitar), Monahans members Roberto Sanchez (percussion) and Britton Beisenherz (bass), and Keith Hanna (bass) — and, as he’s done on his son’s previous three records, Herring’s father, Ben Roi Herring, contributed pedal steel, keyboards and harmony vocals. It was tracked at Beisenherz’s Ramble Creek Studio in Austin and produced by Johnson.

Herring’s first three albums — AVOIDING THE CIRCUS (2002), THE OTHER SIDE OF KINDNESS (2005) and PAST LIFE CRASHING (2008) — earned awards and comparison to a number of other indie genre-benders including Alejandro Escovedo and Drive-By Truckers.

Upcoming shows include:

November 17, Waterloo Records & Video, Austin
November 26, The Moon Bar, Fort Worth
November 28, The Ghost Room, Austin
December 12, Jake’s Back Room, Lubbock
December 16, Mohawk, Austin