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Wayne Mills Band Releases New Single

Alabama-based Wayne Mills Band will release their first single, "She Knows the Words to Every Song," to radio August 16. Mills co-wrote the track to be featured on his new album, Long Hard Road, which will mark the first project for new Nashville record label Diesel Records.  "She Knows the Words to Every Song" will also be available on Itunes and www.waynemillsband.com August 16. Seasoned producer, Denny Diante, produced the track for the label's flagship artist.

"This song is a reflection of the emotions anyone, who works out of a suitcase, may go through while they are away from the one they love," says Mills. "My wife has been my biggest support system through the years and I wanted to express to her what she means to me and how I can't wait for us to just getaway with 'She Knows the Words to Every Song.'"

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Wayne Mills Band

Wayne Mills will soon release his 7th studio album, Long Hard Road, where he worked with powerhouse producer Denny Diante under new Nashville record label, Diesel Records. Mills, a native of Arab, AL, showcases his versatility as a singer/songwriter with tracks including “I Need the Country, Whiskey Bent and Jail Bound” and the title track “Long Hard Road” which tells the lonesome tale of a man making bad decisions and working through the consequences. With more than fifteen years of touring experience under his belt, Wayne has proved himself the consummate performer with a huge following in the Southeast while gaining influence in other markets.  This outlaw's traditional country style blended with an edgy rock sound will please new and old country music fans alike with Long Hard Road. His music is the soundtrack to his life: leaving no stone unturned when it comes to lyrics and his life.

THE DEAD KENNY Gs To Tour With PRIMUS

Straight from a three week tour with Garage A Trois, saxophonist Skerik and percussionist/vibraphonist Mike Dillon rejoin bassist Brad Houser in their other primary band, The Dead Kenny Gs, for ten dates supporting Primus in the Southeast at the end of May. The trio will also headline a handful of its own shows during the run. The Dead Kenny Gs are touring behind their critically-acclaimed new album, Operation Long Leash, out now on Royal Potato Family.

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Upcoming tour dates are:

May 27 | Arkansas Music Pavilion | Fayetteville, AR (w/ Primus)
May 27 | George’s | Fayetteville, AR
May 28 | Downtown Benson Street | Omaha, NE (w/ Primus)
May 29 | Pageant | St. Louis, MO (w/ Primus)
May 31 | Memorial Auditorium | Raleigh, NC (w/ Primus)
June 1 | The Fillmore | Charlotte, NC (w/ Primus)
June 3 | Hard Rock Live | Orlando, FL (w/ Primus)
June 4 | The Fillmore | Miami, FL (w/ Primus)
June 5 | Hurricane Bar & Lounge | Delray Beach, FL
June 7 | Ruth Eckard Hall | Clearwater, FL (w/ Primus)
June 8 | Florida Theater | Jacksonville, FL (w/ Primus)
June 9 | North Charleston Performing Arts Center | Charleston, SC (w/ Primus)
June 9 | Charleston Pour House | Charleston, SC (Primus After Party)

Digitalism To Headline HARD Tour In North America This Summer!

First came the news of Digitalism’s first full-length album in four years, and now the band has is thrilled to announce that they’ll be bringing their live show to the U.S. this summer, where the band will be headlining the HARD Summer Tour! Also joining the bill for the touring festival will be Caspa, Destructo, Jack Beats, and Gesaffelstein.

This year’s HARD Summer Tour will be the second annual installment of the traveling festival, which brings together some of the biggest names in electronic music. The tour will hit fourteen markets across North America, including a stop at the World Electronic Music Festival in Toronto.

HARD continues to push the envelope as it reaches new heights in 2011.  With the new HARD Cruise on the horizon and the success of previous years' events such as HARD Haunted Mansion, HARD Summer Music Festival, HARD NYE, and nationwide tours with Rusko, Crystal Castles, M.I.A., Sinden and more, it’s no doubt that this year’s tour will reach more fans of bass-heavy, heart pounding electronic music than ever before.

For more information and to purchase tickets, please visit www.hardfest.com

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Download the First Album Track “2 Hearts” HERE!

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HARD Summer Tour Dates

8/3 - SEATTLE, WA - Showbox
8/4 - PORTLAND, OR - Roseland
8/5 - SAN FRANCISCO, CA – Fox Theater
8/6 - LOS ANGELES, CA - Hard Fest
8/9 - DALLAS, TX - Granada
8/10 - AUSTIN, TX - Stubb's
8/12 - CHICAGO, IL – Congress Theater
8/13 - TORONTO, ON - World Electronic Music Festival
8/14 - MONTREAL, PQ - Metropolis
8/16 - BOSTON, MA - House of Blues
8/17 - BALTIMORE, MD - Bourbon Street
8/18 - WASHINGTON, DC - Fur Nightclub
8/19 - PHILADELPHIA, PA - Electric Factory
8/20 - NEW YORK, NY - Terminal 5

Paul Brady's 'Hooba Dooba' Streets 5/24

The career of Paul Brady — whose 12th solo album, the exuberantly titled Hooba Dooba, gets its U.S. release on May 24, 2011 via Proper American — is not that of your usual singer/songwriter. And the new record is the most wildly eclectic this man for all seasons has yet recorded. “I’m a marketing department’s nightmare,” he jokes, before discussing the confusion that has surrounded him for so long.

“I don’t really fit any of the recognized models for artists,” he acknowledges. “That has to do with my musical background, the variety of my tastes and the fact that I’ve jumped from place to place in my career. But at the same time, I’ve never found a compelling reason to narrow my perspective on the music I love by making a record that is only a small bit of what I am. I love big, romantic ballads, screamin’ blues songs, folk songs, country tunes. All these things have been hard to put into one box and say what it is, and I suppose I’ve suffered from that to a degree. But that’s what I am, and my fans are into me because of that — they’re the kind of people who resist marketing strategies, who like to discover things themselves. They respond to the sound of a voice, which says something to them on a subliminal level emotionally, rather than falling for some image.”
In 1963, five years after picking up his first guitar at age 11 and playing along with Shadows and Ventures records, the young Irishman snagged his first paying gig tinkling the ivories in a Donegal hotel, marking the beginning of 48 uninterrupted years of making music — all kinds of music. Like so many of his contemporaries on that side of the pond, he spent a chunk of the ’60s cranking up the volume in R&B bands before making a radical shift into Irish folk music, working with the Johnstons and Planxty, in collaboration with Andy Irvine and on his own, interpreting traditional songs. In the late ’70s, now married and with two kids on the way, he dedicated himself to writing his own material, inspired in part by the music of Gerry Rafferty, another folk artist who’d remade himself as an eloquent singer/songwriter. Hard Station, Brady’s 1981 solo debut album, containing the first fruit of his labors, returned him to the realm of rock and pop, and he scored his first big cover a year later when Hard Station’s “Night Hunting Time” wound up on Santana’s million-selling Shango, to its author’s surprise and delight.
Brady spent the next two decades leading a double life as a recording artist making a sustained effort to get on the radar and a much-covered songwriter, a number of his songs made famous by singers far better known than himself. These included such high-profile covers as Bonnie Raitt’s memorable, multiple-Grammy-winning rendition of “Luck of the Draw” (1991) and Brooks & Dunn’s chart-topping country single “The Long Goodbye” (2001). Around the turn of the century, the multitalented veteran once again reinvented himself, this time as a self-contained, truly independent artist. Since this latest metamorphosis, he’s been touring constantly in small-group settings on both sides of the Atlantic and making records whenever he felt inspired to do so. Which brings us back full circle to Hooba Dooba, its multiple facets glinting like an uncut diamond nestled in a field of shamrocks.
Brady describes “The Winners’ Ball,” propelled by a springy, soulful groove, as “a tongue-and-cheek look at the excesses of the modern end of music,” while “Rainbow” is a lush, widescreen ballad that begs for a country cover, though Brady insists that it’s closer to Memphis than Nashville. “The Price of Fame” builds to a string-laden crescendo in the grand manner of vintage Elton John, and the following “One More Today” sounds like some just-discovered Tin Pan Alley standard.
The album’s most dramatic segue takes the listener from the earthy, rollicking “Follow That Star” to the heart-wrenching “Mother and Son.” “I do like slapping people in the face, figuratively, with an emotional change,” Brady explains. “‘Follow That Star’ comes out of a genre that I have always loved, raw, acoustic blues — anything from Lead Belly to Mississippi John Hurt to ’60s British blues of Winwood, Beck and Clapton. ‘Mother and Son’ is a song about my relationship with my mother. It’s a song that I was trying to write for many years, but only managed to finish it after she passed on.”
The album also contains his first-ever recording of “Luck of the Draw,” the only song here not of recent vintage — apart, that is, from its lone non-original, a sublime, irresistible rendering of “You Won’t See Me” from Rubber Soul. “I wrote ‘Luck of the Draw’ when I was making the Trick or Treat album in L.A. back in 1990, and that’s when Bonnie Raitt picked up on it. I’d always wanted to record it because I had a very different take from the way Bonnie did it, but I decided to leave it alone for a respectable amount of time after hers was current. That was a long time ago, obviously, and it seemed like the right time to do it.” Good move — Brady’s take is so unlike Raitt’s familiar one as to be virtually unrecognizable, providing the song with an edgy, vital second life.
When asked why he decided to title the album Hooba Dooba, Brady replies, “It’s a phrase I’ve used many times in situations when something takes me by surprise that’s pleasurable. In this case, I was in the art department with the designer who was working on the cover looking through various ideas, and when he showed me the image that eventually became the cover, I looked at it and went, “Hooba dooba.” He said, ‘Is that the album title?’ and when I told him no, he said, ‘Well it should be.’ And I decided he was right. Nothing more profound than that.”
Given Brady’s back story, it’s hard to say whether Hooba Dooba — which features guests Jerry Douglas on lap steel and Sarah Siskind on backing vocals — will clear up the confusion about just who this multifaceted guy is or add to it, but one thing’s for sure: this record is a dead-honest picture of a one-of-a-kind artist who has always been absolutely true to himself.

“I’ve been in this business over 40 years, and I’m a survivor,” says Brady with unconcealed pride. “I’ve been through plenty of ups and downs, and I know what the business is. I have a broad enough base in terms of my activities to have survived for this long and to still be enjoying what I’m doing. Anything above and beyond that is icing on the cake.” He pauses for a moment, his face lighting up in a smile. “And the cake is okay.”

The Mynabirds Play With/Open For Bright Eyes

While front woman Laura Burhenn has been touring as a member of Bright Eyes, the Mynabirds have been anything but quiet. Last month they opened a string of shows for Bright Eyes, adding Richard Swift, producer of their 2010 release What We Lose in the Fire We Gain in the Flood, to the band's line-up. Photographer/filmmaker Shervin Lainez was on hand to capture some great behind-the-scenes footage of the tour and set it to WWLITFWGITF's "LA Rain". Mini tour documentary, music video -- call it what you like. You can watch it in all its black and white glory HERE.

If you're itching for some new Mynabirds material, keep your eyes and ears open. Laura's hard at work on new songs, even in the midst of the busy Bright Eyes touring schedule. This September, the Mynabirds will meet up with Richard Swift again in Oregon to record their second album. And they couldn't be happier.

Til the Mynabirds next release is fleshed out and pressed, enjoy that mini tour doc/"LA Rain" video. And say "Hi" to Laura if you make it to any of the Bright Eyes shows this year!

Ice Cube @ The Boulder Theatre | 2/26/11

As his popularity continues to grow through movies and television, Ice Cube remains committed to the foundation of his career: Hip-Hop music. Quick to emphasize that he is and always will be a B-Boy, dedicated to writing vivid rhymes, delivering stellar stage performances and making dope hip-hop records. I Am The West is poised to be another high point in that mission. Very few can make as bold a statement as I Am The West and even fewer can dispute Ice Cube's right to stake the claim. His hall of fame resume alone would be enough to own the title, but this album is an opportunity to raise the bar even higher.

The hallmark of Ice Cube's best known work is ever present on I Am The West: Lyrics from a realistic perspective, giving voice to those usually ignored or shunned by the power base, rhymes that make you think and songs that set the party off. All supported with outstanding production that makes your head nod. And Ice Cube accomplishes this while thoroughly representing his unwavering commitment to the west coast hip-hop movement that he helped to start over twenty years ago. I Am The West is a celebration of summertime on the west coast. So it's only right to introduce the album with the first single "I Rep That West." A song on which Ice Cube makes it very clear where he stands in hip-hop. An up tempo record, that's hard enough for the hard core, "I Rep That West" boasts an infectious hook that knows no geographic or demographic boundaries, saturating everyone from the club and radio DJ to those of us singing along in the car. "I Rep That west" is one of several songs on the album that will gain the attention of music fans around the globe. And maybe that's why Ice Cube says he's "too west coast for the west coast."

More Info / Buy Tickets

The White Buffalo New CD + Tour Dates

The White Buffalo represents an authentic homage to the times of hard touring, hard drinking artists who truly lived what they sang about. Seamlessly moving from heartfelt ballads to raucous bar songs, The White Buffalo sings with honesty and thoughtful reflection as he wanders the road, sharing his music.  Everything about him is big, from his imposing physical size to his amazing vocal range.  From his whiskey-drenched, growling lows to heart-stopping highs, The White Buffalo paints a touching picture, whether he stands alone or performs with his energetic, charismatic band.

After vigorously road testing his new material, The White Buffalo is releasing his latest EP, Prepare for Black & Blue on Ruff Shod Records, State Radio's imprint label through Nettwerk, this fall. Produced by Jimmy Messer, this collection of songs showcases The White Buffalo's stripped down unmistakable sound.

To catch a glimpse of the live White Buffalo experience, watch this live video of EP track "Into the Sun."

The White Buffalo Tour Dates:

Dec 10 - House of Blues - Boston, MA **
Dec 14 - Detroit Bar - Costa Mesa, CA
Dec 15 - The Mint - LA, CA
Dec 16 - Casbah - San Diego, CA
Dec 17 - Crepe Place - Santa Cruz, CA
Dec 18 - Hotel Utah - San Francisco, CA
Dec 19 - Hop Monk Tavern - Sebastopol, CA
** Calling All Crows w/ Chad Stokes & Friends

More winter tour dates to be announced soon

The White Buffalo Announces Tour Dates

The White Buffalo announces even more US and Canadian Tour Dates - including shows opening for Mishka, Angus and Julia Stone and full band dates - supporting his newest EP Prepare for Black & Blue out this fall via Ruff Shod/Nettwerk Records.
After years spent touring the Nation with acts from Gomez to Donavon Frankenreiter to State Radio and with two releases under his belt that have sold over 20,000 combined physical records, The White Buffalo emerges with an EP of tirelessly road tested new material showcasing his stripped down, unmistakable sound.
To catch a glimpse the live White Buffalo experience, watch this live video of EP track "Into the Sun." Listen for White Buffalo's "The Matador" in the season finale of Sons of Anarchy.
The White Buffalo Tour Dates
Oct 21 - The Independent - San Francisco, CA *
Oct 22 - the Catalyst - Santa Cruz, CA *
Oct 24 - St Rocke - Hermosa Beach, CA
Oct 25 - Belly Up - Solana Beach, CA *
Oct 28 - Opera House - Toronto, ON &
Oct 29 - Le National - Montreal, QC &
Oct 30 - Le Cercle - Quebec City, QC &
Nov 8 - Club Congress - Tucson, AZ #
Nov 10 - Lambert's - Austin, TX #
Nov 11 - Chelsea's - Baton Rouge, LA #
Nov 12 - The Shed - Lafayette, LA #
Nov 13 - The Shed - Mobile, AL #
Nov 15 - House of Blues - Dallas, TX #
Nov 16 - the Hydrant - Denton, TX #
Nov 20 - Zooeys - Ventura, CA #
* w/ Mishka
& w/ Angus and Julia Stone
# w/ full band
More fall tour dates to be announced soon

Who is The White Buffalo:
The White Buffalo represents an authentic homage to the times of hard touring, hard drinking artists who truly lived what they sang about. Seamlessly moving from heartfelt ballads to raucous bar songs, The White Buffalo sings with honesty and thoughtful reflection as he wanders the road, sharing his music.  Everything about him is big, from his imposing physical size to his amazing vocal range.  From his whiskey-drenched, growling lows to heart-stopping highs, The White Buffalo paints a touching picture, whether he stands alone or performs with his energetic, charismatic band.
After vigorously road testing his new material, The White Buffalo is releasing his latest EP, Prepare for Black & Blue on Ruff Shod Records, State Radio's imprint label through Nettwerk, this fall. Produced by Jimmy Messer, this collection of songs showcases The White Buffalo's stripped down unmistakable sound.

Ana Sia at the Mishawaka Ampitheatre

Cervantes Masterpiece presents Ana Sia at the Mishawaka Amphitheatre on Friday, August 20th, 2010.  She has toured through clubs and forests all festival season long with serious stacks in the middle of nowhere.  The Electric Canyon show will feature Ana Sia leading crew including Octopus Nebula, Eskmo, and The Passage Project.

I was lucky enough to see her set at Summer camp that made arms sway, heads bob, and the same forced rush of an indoor thump to an outdoor amphitheatre.  Watching the crowd come alive is almost as enlightening as the musical experience itself.  I’ve said it before and I’ll say it again; if you aren’t dancing half as hard as she is on stage then step back.  There will be plenty rushing forward to dance with her.

The Mishawaka Amphitheatre is like a swing set of sound, the electric canyon crew will no doubt light it up.  Ana Sia has been warming up after parties enough.  Her worldly excursions are put to sturdy declarations of bass with treble dancing over the top.  It’s as if she embodies the Virgo through her music.  It’s time for the first lady of euphoric rhythm to lead the pack.  Her response to the crowd is always posed, graceful, and delicate with prayer hands in peaceful association.

Ana Sia co-creates her show with the audience.  The word puppeteer has a negative connotation, yet such a familiar feel at an Ana Sia show.  It’s not negative when you see how she handles the power of the beat.  Its fun like a puppet show, her music is beckoning you, “let me pull your strings.”  As hard as your feet will push you, the beat controls the strings that makes souls sing.

The Warner Brothers Studio Albums + Dead.net exclusive

What a long, strange trip it's been! In celebration of the 40th Anniversary of Workingman's Dead and American Beauty, we proudly present THE WARNER BROS. STUDIO ALBUMS, a five-LP boxed set commemorating those tremendous and transformative early years. Due September 21st, the collection contains The Grateful Dead (1967), Workingman's Dead, and American Beauty (1970), plus the original mixes for Anthem Of The Sun (1968) and Aoxomoxoa (1969), available on vinyl for the first time in nearly 40 years!

This stunning set also features detailed replicas of the original albums housed in a hard-shell case with an accompanying 12" x 12" book containing unpublished photos and new liner notes by our friend Blair Jackson. And as always, we've ensured the highest degree of quality - these albums were pressed on 180-gram vinyl at RTI using lacquers cut from the original analog masters. Now all you've got to do is gently place the needle on the record and slip into auditory bliss!

Order from Dead.net and receive an exclusive reproduction of a rare 1968 7" single (in a picture sleeve) that features the studio version of "Dark Star" (b/w "Born Cross-Eyed"), clocking in at a concise 2:38. You'll also receive a reproduction of a rare 1967 promotional poster from the Warner Bros. Records archive. The 7" and poster are yours only when you place your order at Dead.net.