2/24

The Forms Premiere New Music feat Matt Berninger of The National

New York duo The Forms have premiered the debut track off their forthcoming Derealization EP out February 15th on Ernest Jenning / Threespheres (as well as the band's double LP version coupled with the Steve Albini produced album, Icarus, courtesy of Triple Down Records / Threespheres). The new song, entitled "Fire To The Ground," features frontman Matt Berninger of celebrated indie rock band The National, and is the second full track to surface from the new release.

The band has also announced full US tour dates taking the band to this year's SXSW marathon. Included in the dates are headlining performances, as well as one off shows supporting renown Washington, DC band The Dismemberment Plan. Full tour dates below.

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The Forms Live!

1/28 Boston, MA @ Paradise w/ Dismemberment Plan

2/12 Brooklyn, NY @ Rock Shop - Record Release Party

2/17 Pittsburgh, PA @ Lava Lounge

2/19 Cincinnati, OH @ Southgate House

2/20 Chicago, IL @ Metro w/ Dismemberment Plan

2/21 Chicago, IL @ Empty Bottle

2/22 Ann Arbor, MI @ Arbor Vitae

2/23 Milwaukee, WI @ Mad Planet

2/24 Daytrotter Session

2/24 Madison, WI @ Project Lodge

2/26 Omaha, NE @ Barley Street

2/28 Kansas City, MO @ Record Bar

3/2 Nashville, TN @ The End

3/4 Chapel Hill, NC @nightlight

3/12-13 New Orleans, LA @ Foburg Music Festival

3/16-19 Austin, TX @ SXSW

The Fader's 'Here We Go Magic' Streets 2/24 + Preview Track

The Fader''s

To date, Luke Temple has been unconfined by genre. His full-length debut Hold a Match for a Gasoline World presented heartfelt folk tunes and expansive pop numbers filtered through a unique outsider perspective. Last year's follow-up Snowbeast was an avant statement full of interwoven light and dark imagery recorded entirely in his Brooklyn bedroom. 

Developed over a two-month period of stream-of-consciousness recording in Greenpoint, Brooklyn, Luke's self-titled debut under his new moniker Here We Go Magic is a remarkable departure from his signature singer-songwriter material.  Luke recorded the album at home using analog synths, a cassette 4-track, and his trusty SM-57 mic, coloring the sound with warmth and creating textures you want to wrap yourself in.

The album opens with the trance-inducing polyrhythm's and gorgeous multi-layered vocals of "Only Pieces."  What follows is an album oozing with sounds maternal and subconscious...like floating in amniotic fluid, ripe, hiccup-y and desperate to emerge. Many of the songs pulse with infectious afro-beat and kraut-rock influenced grooves, calling to mind classic albums like Remain in Light and Graceland.  In contrast, the instrumental tracks conjure mystical introspective landscapes reminiscent of Popol Vuh's unforgettable ambience.

Despite the album's murky aquatic underpinnings it's hard to resist shakin what you got to ebullient blissed-out tracks like "Fangala" and "Tunnelvision." The album closes with "Everything's Big", a bleak commentary on weakness and fear birthed of opulence and gluttony.  Luke's fragile tenor delivers this absurd carnival waltz with the fervor and abandon of a teetotaler under the influence, never breaking the spell of the album's mood of rejuvenation and release. 

Luke is joined by fellow Brooklynites Baptiste Ibar (bass) and Peter Hale (drums) for Here We Go Magic's psychoactive live incarnation.