marley

Ziggy Marley at Fox Theatre | 10.09.11

Z2 Entertainment is proud to present Ziggy Marley at the Fox Theatre on Sunday, October 9th.  Tickets will go on sale to the public on Friday, August 19th for $31.00 in advance and $33.50 day of show.

“This album is from my heart,” says Ziggy Marley of his second solo album, Love is My Religion (Tuff Gong Worldwide).  Embracing both the spiritual and emotional side of life, Ziggy has definitively come into his own as an artist.  The twelve-track album, released early July, showcases Ziggy’s tightly rolled talents as a songwriter (writing all cuts), musician (playing most of the instruments) and producer (shepherding all dozen tracks, with three co-produced by Grammy winner Ross Hogarth).  The only thing more joyful than making it, says Ziggy, is the anticipation of the global tour he expects to kick off this summer.

Written “all over the world,” Love Is My Religion expands upon the personal, social and political themes explored in Ziggy’s debut CD, Dragonfly. Its musical center is clearly reggae, peppered by African percussion and other flavors.  Opening with the subversively danceable “Into the Groove,” Ziggy delves into an upbeat meditation on finding one’s self.  On the title track, “Love is My Religion,” his message is one that “people need to hear,” a unifying devotion to love that “needs to be preached in churches and mosque and synagogues.”  The notion of overcoming stereotypes and superstition informs the slinky “Black Cat,” while the romantic “Make Some Music” finds a partner in the mid-tempo “A Lifetime.”

Friendship is one of the album’s recurring themes, whether as the core of monogamous love or the connective tissue of global brotherhood.  “Friend” and “On the Beach in Hawaii” each offer an ode to love.  In “Keep on Dreamin’,” Ziggy extends the idea into the spiritual world, reconnecting with his father through dreams.  The album’s most political song, “Be Free,” implores the listener to reject the manipulating power of fear.  Slavery and its continuing effects are explored on “Still the Storms,” which laments the crises in nations like Sudan, Rwanda and Sierra Leone by analogizing the path of hurricanes with the path of slave ships.  The album closes with the simple and the complex: an acoustic guitar version of “Love Is My Religion” and a bass-heavy, trip-hop mix of “Be Free.”

After two decades as the driving creative force behind The Melody Makers – a triple Grammy winning act, Ziggy released his debut solo album in 2003, Dragonfly, which featured such guest artists as Flea and John Frusciante (Red Hot Chili Peppers), Mike Einziger and DJ Kilmore (Incubus).  He has contributed to a variety of soundtracks including 50 First Dates and Shark’s Tale, in which he delved into acting for the first time, playing the character of Bernie, the Jamaican jellyfish.

In addition to his musical skills, Ziggy founded U.R.G.E. (Unlimited Resources Giving Enlightenment), a non-profit organization that benefits a wide range of charitable children’s causes in Jamaica, Ethiopia and other developing nations.  More recently he has thrown his support behind the Youth AIDS campaign.

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Ziggy Marley

Fox Theatre

Sunday, October 9th

Doors: 7:00 pm

Show Time: 8:00 pm

Umphrey's McGee Collaborates with Patagonia for Environment

Patagonia Inc., the environmentally minded apparel company, and some of music’s most talented artists, including Umphrey’s McGee have come together to form the Patagonia Music Collective. The Patagonia Music Collective will launch Tuesday, March 1, 2011 at www.patagonia.com/music.

The collective brings together musicians, fans and grassroots environmental groups to raise funds for environmental causes. Artists, such as Umphrey’s McGee, have donated unreleased tracks that will be sold for $.99 with net proceeds going directly to the artist’s favorite environmental group. Visit www.patagonia.com/music for details.

Umphrey’s McGee has donated, “Hajimemashite”, a previously unreleased track, to benefit Climate Cycle.

“Patagonia is honored to have Umphrey’s McGee as a part of the Patagonia Music Collective,” notes Rob BonDurant, Patagonia’s VP of Marketing, “We’ve been stunned at the graciousness of artists like Umphrey’s McGee who so readily jumped at the chance to introduce their fans to an enviro cause they support. We’re so hopeful that fans will not only purchase this track, but learn about the work Climate Cycle is doing.”

The tracks will be available at www.patagonia.com/music, through a dedicated iPhone® app and a web widget player on participating artist’s websites. Fulfillment will be handled by iTunes®.

Patagonia views the “collective” as a new model for green giving, as well as a way to engage a non-Patagonia demographic in environmental activism. The Patagonia Music Collective will launch with 24 tracks with additional tracks released each subsequent week from established acts and emerging artists. Exclusive compilation records and more will be available at varying intervals at Patagonia stores worldwide.

Other musicians on board thus far include Jack Johnson, Pearl Jam, Bonnie Raitt and Jon Cleary, Maroon 5, Philip Glass, Zac Brown Band, moe., the Bad Plus, Blitzen Trapper, Mason Jennings, John Scofield, Piers Faccini, Switchfoot, Brett Dennen, Ky-Mani Marley, Sun Kil Moon, Ben Solee, Ra Ra Riot, Spoek Mathambo, Taj Mahal, Toad the Wet Sprocket, the Drive-By Truckers, Bobby Long, The String Cheese Incident, Ki: Theory, Moondoggies, Vusi Mahlesela, Disco Biscuits, O.A.R., Ziggy Marley, Los Lobos, Dawes, Abigail Washburn, Big Head Todd & The Monsters, Brandi Carlile and many more.

The Patagonia MusicTM Collective is not a record label. Artists are simply donating tracks for a sustainable music initiative that benefits the environment. Patagonia is providing a platform for artists to participate in a larger effort to increase awareness of both the enviro groups and causes artists would like to support and the music/artists associated with Patagonia Music.

Groundation's 10th Annual Bob Marley Tribute Tour

Groundation began their annual Bob Marley Tribute Tour in 2000 as a means of celebrating the life and material of a true musical prophet. Marley's impact is hard to overstate. No other musician of the 20th Century is more well known across all parts of the globe than Marley.

His music united people of all classes and creeds through its easily relatable parables of overcoming social injustices by ways of unity and love. And though his music is often associated with the downtrodden and dispossessed, for surely those were who his music was made, mainstream media outlets served notice too; Time magazine famously listed Marley's Legend as the best album of the last 100 years.

But Groundation does not simply rest on the well known hits from Marley's hugely successful 'best-of' albums. Their tribute tour differs than other bands' similar outings by exposing those people familiar with Marley's music and message to the lesser known material of his catalog. While true that the inescapable sing-alongs do occur at these tribute shows, more often than not even the most seasoned Marley aficionado will hear songs they have yet to see performed live.



Groundation has drawn international recognition through their musicianship, which is unrivaled in the genre. A nine-piece band featuring swirling horns and keyboards, multiple percussionists, thundering b3 organ and bass, and a trio of lead and harmony vocalists, Groundation covers all bases with their wide ranging sound. Their live shows are renowned for over the top improvisational energy and positivity and their progressive sound is catching on, having played in 35+ countries on four continents in just the last few years, including headlining slots at major multi-genre festivals the world over.

These are not lame imitators attempting to replicate Bob's music. Groundation uses the template of Marley's music and liberally adds their own colors of the sonic palate creating altogether new and unique versions of timeless tracks. Groundation is the biggest, most respected American Reggae band in the world today and their tribute to the King of Reggae music is unlike any others. Come join us and find out why...

More Info / Buy Tickets

Groundation's Bob Marley Tribute Tour @ Boulder Theater

Groundation began their annual Bob Marley Tribute Tour in 2000 as a means of celebrating the life and material of a true musical prophet. Marley's impact is hard to overstate. No other musician of the 20th Century is more well known across all parts of the globe than Marley.

Groundation does not simply rest on the well known hits from Marley's hugely successful “best-of” albums. Their tribute tour differs than other bands' similar outings by exposing those people familiar with Marley's music and message to the lesser known material of his catalog. While true that the inescapable sing-alongs do occur at these tribute shows, more often than not even the most seasoned Marley aficionado will hear songs they have yet to see performed live.

Groundation has drawn international recognition through their musicianship, which is unrivaled in the genre. A nine-piece band featuring swirling horns and keyboards, multiple percussionists, thundering b3 organ and bass, and a trio of lead and harmony vocalists, Groundation covers all bases with their wide ranging sound. Their live shows are renowned for over the top improvisational energy and positivity and their progressive sound is catching on, having played in 35+ countries on four continents in just the last few years, including headlining slots at major multi-genre festivals the world over.

These are not lame imitators attempting to replicate Bob's music. Groundation uses the template of Marley's music and liberally adds their own colors of the sonic palate creating altogether new and unique versions of timeless tracks. Groundation is the biggest, most respected American Reggae band in the world today and their tribute to the King of Reggae music is unlike any others. Come join us and find out why...

GROUNDATION'S 10TH ANNUAL BOB MARLEY TRIBUTE TOUR
w/ DJ Uplifter
February 20th, 2010

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Boulder Theater
2032 14th Street
Boulder, CO 80302
303.786.7030
www.bouldertheater.com

Marley's Ghost taps Cowboy Jack Clement for new CD, 'Ghost Town'

Marley’s Ghost, cited by Paste magazine as “(having) earned cult-band status over 20 years of spirited musicianship, multi-part harmonies and irreverent humor,” will return from a three-year absence from recording with a new album, Ghost Town, due out February 23, 2010 on Sage Arts Records. The new album was produced by Cowboy Jack Clement, in whose Nashville home studio it was recorded. The cover was painted by acclaimed American watercolorist William Matthews.

The album follows Marley’s Ghost’s 2006 album Spooked, which was produced by Van Dyke Parks and featured a cover by R. Crumb. Of Spooked, Clement remarked, “The band’s eighth full-length in 20 years glides with deadpan sincerity through sea chanteys, perverted mountain gospel, country-rock, vintage pre-WWII pop, Jazz Age vamps, Dylan, western campfire songs, and a rib-tickling salute to ‘the French Elvis,’ Johnny Hallyday. Brilliantly sung and played, Spooked is a heady, subversive treat.”

The latest development in the band’s recording career may prove to be the crucial link for Marley’s Ghost. Clement, the country music cornerstone whose career entwined with those of Jerry Lee Lewis, Patsy Cline, Johnny Cash, Waylon Jennings and so many others, is the beloved dean of Nashville producers, and the presence of Marley’s Ghost in his studio earned the band its first Music Row buzz.

“Working with Jack is standing in the front door looking out into the world with the whole house of rock ’n’ roll and country music behind you,” says Marley’s Ghost bassist and singer Dan Wheetman. “Jack is steeped in the Sun Records ideals of music. The technical side is important but takes a backseat to the ‘bang,’ the performance with heart and energy.”

“It’s easy to think of Jack as the guy who wrote hits for Cash at Sun Records and recorded Charley Pride in the ’70s, but you know, he has a platinum album with U2,” he adds, referring to a portion of Rattle and Hum that Clement oversaw.

“Marley’s Ghost is very experienced, versatile and best of all, open-minded, and a fun bunch of guys,” says Clement. “I prefer to play with a great band rather than a bunch of great session players. And they are a great band. They understand that we are all in the fun business and if we’re not having fun, we’re not doing our jobs. And they can play just about anything they want to. Even polkas. I ain’t got ’em to do one yet, but I will.”

After more than 20 years of making music together— recording nine albums and performing thousands of shows around the country — Marley’s Ghost remains one of the best-kept secrets in the music world, an untapped natural resource waiting to be discovered.

“Our criteria,” says the band’s guitarist, Mike Phelan, “has always been: bring it, let’s run it. It’s not about genre or style.” This is one band that knows all the songs from both The Harder They Come soundtrack and Ralph Stanley’s Cry From the Cross. Or as Paste puts it, "a decidedly unusual band, as capable of reanimating Appalachian folk songs as they are traditional Celtic fare, honky tonk and reggae.”

The most important ingredients in the Marley’s Ghost musical brew are the characters in the band. The five multi-instrumentalists boast distinctive musical personalities that couldn’t be less alike.

Dan Wheetman is a veteran of the ’60s Simi Valley, Calif. teen rock group the Humane Society, and, as a member of ’70s country-rockers Liberty, toured for years with John Denver and Steve Martin. Jon Wilcox, mandolinist and vocalist, used to trudge around the country as a solo artist. Mike Phelan, like Wheetman and Wilcox a prolific songwriter, can tear your heart out with a soul tune, put a romantic lilt into an Irish folk tune or blast molten lead guitar licks through the heart of a blues. Innovative pedal steel guitarist Ed Littlefield, Jr., spent years performing C&W in rugged roadhouses for loggers across the Pacific Northwest, and plays a fierce fiddle and bagpipes. And Jerry Fletcher, the band’s secret weapon and unofficial fifth Ghost, became “certified” in 2006, bringing his eclectic music skills (drums, keys, accordion and vocal arranging) to bear full-time.

Together they are a unique amalgam of their respective backgrounds, personal proclivities and musical abilities — a blend honed to a seamless collaboration over the many miles they have traveled together down the road.

“I call it ’bang,’” says Clement in summation. “It’s got bang. The band’s got some bang to it.”

Ziggy Marley "Family Time" @ Boulder Theater

Ziggy Marley presents "Family Time" performing songs from his children's album.

In the wake of his 2006 album Love Is My Religion, which earned his fourth Grammy Award, Ziggy Marley shares his musical love with families - his own and the extended human family. Marley's third solo release, Family Time, is produced with old friend Don Was and will be released this May on Marley's independent Tuff Gong Worldwide label.

An easygoing journey of original tunes and a few covers, the album offers a full collection of family-oriented songs for those already familiar with Marley's beloved work in the genre, and may serve to introduce today's youngest generation to reggae. Highly listenable many times around, a quality that parents will appreciate, Family Time resonates with themes of love, responsibility, unity, freedom and fun (not to mention generosity - proceeds from the sale of Family Time will benefit Chepstowe Basic School in Port Antonio, Jamaica).

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ZIGGY MARLEY presents "FAMILY TIME" Friday, June 12 doors: 10:00am, show 11:00am - GA / 12 & over=$23.50, Under 12=$16.50 On Sale Now!

Boulder Theater
2032 14th Street
Boulder, CO 80302
303.786.7030
www.bouldertheater.com

New Years Eve Party, Ky-mani Marley, TOK, Turblence, & Pressure

New Years Reggae in San Fran- for the Grateful Web

Son of the legendary Bob Marley, Ky-Mani Marley continues his father's legacy in a different, but difficult world after thirty years, delivering the pop-reggae sound in which his family's been known for, while adding his unique mixture of classical reggae beats and contemporary hip hop. Stepping into his Jamaican roots, Marley independently released his debut 'The Journey' in 1998, which developed a huge following on the reggae charts as well as some dedication from fans of Bob Marley. The following year, 'The Journey' was eventually re-released in the United States. His latest, "Radio", is Ky-Mani Marley's first release since his Grammy nominated album, 'Many More Roads', five years ago. The album features several key singles including 'One Time' and 'The March and Conversation', and features contemporary hip hop.

What: New Years Eve Party
 
Where: 2b1 Multimedia Inc. 3075 17th Street, San Francisco
 
When: 12/31/08 New Years Eve Party. 8pm to 4am
 
Featuring: Ky-mani Marley, TOK, Turbulence,  Pressure  and Winstrong
 
Tickets: going.com/365newyears
 
For you Reggae heads This party is off the hook.