health

HAAM Benefit Day 2010 The Best Ever

The 5th Annual HAAM Benefit Day, held on Tuesday, September 21, brought in the largest amount of funds ever raised for Health Alliance for Austin Musicians, its member-musicians and the healthcare service programs they participate in: $195,000, the organization reported today.

It was a record-breaking day all around, with the largest number of Austin area businesses making a donation or pledging a portion of the day’s proceeds — more than 200 — and the most musical performances (more than 140) heard on any HAAM Benefit Day.

“We at HAAM are incredibly pleased with the response to the fifth HAAM Benefit Day,” said Keith Carmichael, HAAM Benefit Day 2010 Committee chairman. “The number of businesses and the number of entertainers participating — not to mention the amount of funds raised, the largest ever — shows us how much this city and the people in it appreciate live music and what this organization is doing to make sure it flourishes.”

In addition to acknowledging Whole Foods Market for its generosity in serving for five consecutive years as HAAM Benefit Day presenting sponsor, Health Alliance for Austin Musicians is grateful for the tens of thousands of dollars donated not only by Whole Foods Market but also by C3 Presents and South by Southwest® over the years of HAAM Benefit Day.
It also recognizes Texas Heritage Songwriters Association for its donation that matched the contribution of the Austin community on September 21 as residents ate out, shopped and donated on behalf of their favorite music-makers.
Health Alliance for Austin Musicians also announced today the date for the 6th Annual HAAM Benefit Day: Tuesday, Oct. 4, 2011, when business, the music community and residents will again unite to keep music alive and well in Austin.
Health Alliance for Austin Musicians provides access to affordable healthcare services to Austin’s low-income, uninsured working musicians with a focus on prevention and wellness. Since HAAM’s 2005 start, more than 2,200 of the city’s battalion of hard-working musicians have joined and gained access to regular, cost-effective healthcare services. Medical, dental, mental, hearing and vision health services are provided by Seton Family of Hospitals, St. David’s Foundation, The SIMS Foundation, Estes Audiology and Prevent Blindness Texas. HAAM’s annual Corporate Battle of the Bands and HAAM Benefit Day have become signature events behind a great cause: maintaining the health of the musicians who help make Austin such an enviable place to live and work. For more information, to join or to make a donation, visit www.myHAAM.org.

Harlem Shakes To Release Debut LP 'Technicolor Health'

Technicolor Health- for the Grateful Web

Harlem Shakes as we know it were born in 2006, after an earlier incarnation of the band went to college and went nuts. Lexy still sings lead, and Brent still plays the drums (and drum machine), but now Kendrick plays keyboards, Jose plays bass, and Todd plays guitar. Everyone sings.  Harlem Shakes have toured with Deerhoof, Vampire Weekend, and Beirut, and opened for Wire, Clap Your Hands Say Yeah, Arctic Monkeys, and various other famous bands with animal names. Burning Birthdays, the band's self-released debut EP, came out in 2007 to wide acclaim, earning generous praise from Pitchfork, Rolling Stone, SPIN, AllMusic, Stylus, The Village Voice, and the blogs. Pitchfork complimented their "frenetic clip of hooks," and sometime Magnetic Field-er LD Beghtol of The Voice called them "lethally charming" and one of "the Best of New York." The band is sure that all this good luck must come at some kind of lurking, damning cost.

After extensive touring and a bit of schooling, the band got back together with Chris Zane (Les Savy Fav, The Walkmen, Passion Pit, White Rabbits) to record their first full-length album, Technicolor Health. The result is one of the most quietly ambitious pop albums in ages. Much like Blur fused English pop traditions and contemporary sonics to forge Brit Pop, Harlem Shakes meld the Great American Songbook with unmistakably contemporary textures, creating what one might call "Am Pop." Influences as disparate as the Band, Randy Newman, Carlos Santana and Spank Rock inform the soundscapes, but the vibe is too coherent to be called eclectic. Technicolor Health invokes the synthesized Latin percussion that plays outside the band's apartments every night as they're trying to fall asleep, and the classic rock radio they listen to with hilarious regularity. These are social songs: instruments meander, trade off lines, and counter each other's rhythms and melodies, but ultimately they come together again on the chorus, or in an ecstatic outro or bridge, for a singalong family dinner. Harlem Shakes also have an unapologetically literary lilt; writers like Leonard Michaels, Wislawa Szymborska, and David Berman echo in Lexy's lyrics.

Technicolor Health was made after and during some tough times (involving serious sickness) for the band. The record captures the weary, hopeful, and sometimes triumphal vibe of that period in their lives. Above all, the album is about surviving abject shittiness. But it's also about what new-wave bands and new-wave revival bands call, "modern life," as lived by five thoughtful men in their early and mid-twenties during a weird, sometimes miserable, mostly thrilling historical moment. Harlem Shakes have been obsessed by pop music their whole lives, and after all the reiterations, they still have great faith in its power to make you and them feel a little better about things, and to say something vital, and God willing, maybe even enduring.