catherine

Catherine Russell CD Release Party Monday April 12 at Dizzy's Club

World Village/harmonia mundi proudly announces the release of vocalist Catherine Russell’s Inside This Heart Of Mine on April 13, 2010. Her third album for the label, Inside This Heart Of Mine is a collection of 13 songs -- tied together by the special place these songs hold inside the heart of Catherine Russell.

It's a heart that's warm and effusive, bluesy and erudite, bold yet vulnerable, passionate yet ethereal. Just listen to Cat's masterful reading of “Troubled Waters”, a seldom heard tune scored by the Duke Ellington Orchestra for both Ivey Anderson and Mae West, performed here as a sultry meditation. Then there's “We The People”, a never before covered Fats Waller tune from an originally unreleased recording, a tongue-in-cheek populist manifesto from the previous Great Depression, which implores legislators to provide “syncopation” as the surest way to “please the people.” The Spencer Williams languid blues melody, "Slow As Molasses", was originally recorded as an instrumental by Luis Russell in 1929 with his band The Jungle Town Stompers. Wordsmith Rachelle Garniez added lyrics just for these sessions, allowing Cat’s evocative vocal spin on the new creation, some 80 years following her Dad’s original version.

This decades spanning collection of songs, originally performed by the likes of Louis Armstrong, Duke Ellington, Peggy Lee, Maxine Sullivan, Howlin’ Wolf, Wynonie Harris, Fats Waller, and Catherine’s father, Luis Russell, draws from Vaudeville wit, Tin Pan Alley tune craft, New Orleans swagger, Swing Era sock, the European Cafe, Jump Blues jive, modal Delta Blues, and Django-esque swing, with an immediacy and a timeless quality that’s refreshingly oblivious to current “trends”. Here in you’ll find works by Hall of Fame Songwriters, like Andy Razaf, Harold Arlen, Ted Koehler, Alec Wilder, and Willie Dixon, as well as being introduced to newer Contemporary songs with an old-time vibe by Rachelle Garniez and producer, Paul Kahn.

For the sessions, Musical Director/Arranger/Guitarist/Banjoist, Matt Munisteri (Holly Cole, Little Jimmy Scott, Brock Mumford), assembled the cream of New York City based players, including trumpet great Jon-Erik Kellso, who contributes arrangements, trombonist John Allred, and saxophone/clarinetist Dan Block. The rhythm section includes players from Catherine Russell’s road tested band, including stride and swing connoisseur Mark Shane on piano, Lee Hudson on bass, and Brian Grice on drums (Count Basie Orchestra, Eartha Kitt). Additional players on the album include legendary hipster Howard Johnson on tuba, Rachelle Garniez on accordion, Sara Caswell on violin, Neal Miner on bass, and Rob Garcia on drums.

Catherine Russell is a New Yorker, born into musical royalty. Her father, the late Luis Russell, was a native of Panama who moved to New Orleans and then New York City, becoming a pioneering pianist/composer/bandleader, and Louis Armstrong's long-time musical director. Her mother, Carline Ray, an outstanding bassist and vocalist, has performed with Mary Lou Williams and International Sweethearts of Rhythm. Considering her roots and family pedigree, it’s no surprise that Catherine Russell is a one-of-a-kind singer and musician. Cat is in demand as a backing singer and multi- instrumentalist, having performed and recorded with artists including Steely Dan, Levon Helm, David Bowie, Cyndi Lauper, Paul Simon, Jackson Browne, Michael Feinstein, Carrie Smith, and Rosanne Cash.

Of her debut album "Cat", (World Village/Harmonia Mundi), she made critic and Sinatra biographer, Will Friedwald's top 10 list who stated "She is a fresh and original voice. The most exciting debut album I've heard in a long time."    "It's a delight to hear the real thing in Catherine Russell", wrote the dean of jazz writers, Nat Hentoff, in The Wall Street Journal.


Catherine Russell's second album on World Village, "Sentimental Streak", was released in 2008 to universal acclaim, hitting the Billboard and I-Tunes Jazz Charts, and JazzWeek and Living Blues Radio Charts. Cat was a guest on "Late Night with Conan O'Brien" and NPR's "Fresh Air". She won the prestigious German Record Critics' Award in the Jazz category and Living Blues magazine's 2008 critics' poll as "Artist Deserving More Attention." L'Acadamie du Jazz in France chose "Sentimental Streak" as finaliste for Prix du Jazz Vocal 2008, while Grammy Award winning writer and jazz critic Francis Davis picked "Sentimental Streak" as Vocal Album of the Year in the 2008 Village Voice Jazz Critics Poll.

Since the release of her albums, Catherine Russell has performed on three continents. She's been the surprise hit at major events including the Chicago Blues Festival, Montreal Jazz Festival, Bern Jazz Festival, Rochester International Jazz Festival, Tanglewood Jazz Festival, Lotus World Music Festival, I Love Jazz Festival in Brazil, Panama Jazz Festival, and at premier venues like The Kennedy Center in Washington, D.C., Scullers Jazz Club in Boston, The Dakota in Minneapolis, and Yoshi's in San Francisco. All Music Guide says, "Russell emerged as a retro old school vocalist for the ages."

Catherine Russell's "Inside This Heart of Mine" is a personal selection of gems from the 1920s through the Present; vital interpretations, bursting with soul and humor. Deepening the approach of her previous recordings -- an off-the-beaten-path song selection, sparkling small group acoustic swing, and a stunning vocal approach -- with "Inside This Heart Of Mine", vocalist Catherine Russell joins the ranks of the greatest interpreters and performers of American Popular Song.

Catherine Russell CD Release Party
Monday April 12
at Dizzy's Club Coca-Cola
at Jazz at Lincoln Center, Broadway at 60th Street,
(33 West 60th Street)
NY, NY 10023
(212)258-9595

Dreyfus Jazz Presents European Modernists

Jazz, once a singularly American invention and one of the United States’ greatest exports, has become a truly international phenomenon, with important players from all over the world making valuable contributions to the music’s evolution.  Europe, previously home to many of the most devoted connoisseurs of the art form, is now also the producer of some of the most innovative voices in jazz. With the inauguration of its European Modernists series Dreyfus Jazz is proud to bring U.S. audiences some of the best creative music being made on the continent today.  The first releases in the collection showcase musicians from Belgium, France and Italy, spotlighting two long respected veterans and a pair of important younger voices.  Taken together, Belgian guitarist Philip Catherine, French pianist Jean-Michel Pilc and Italians, drummer Aldo Romano and saxophonist Rosario Giuliani, these artists represent the continuing trend of noteworthy original music emanating from European environs.

Born in Belluno, Italy on Jan 16, 1941, Aldo Romano is the most senior of the four leaders, well known to audiences worldwide since his earliest recordings as a member of Don Cherry’s internationalist quintet featuring Argentinean saxophonist Gato Barbieri, German vibraphonist Karl Berger and French bassist Jean Francois Jenny Clark.  A resident of France since a young age, he’s played swinging drums with visiting American giants like Jackie McLean, Bud Powell, Lucky Thompson, J.J. Johnson, Johnny Griffin and Woody Shaw and avant garde explorations with Steve Lacy, Charlie Mariano, Frank Wright, Bobby Few and Bill Dixon through the years, giving his far reaching music a distinctively freewheeling flavor. His associations with fellow Europeans Michel Petrucciani, Rolf and Joachim Kühn, Enrico Rava and Michel Portal make him a particularly representative artist for this series.

Origine, Romano’s fourth effort for Dreyfus, finds the versatile artist returning to a romantic setting similar to that of his debut effort for the label, Chante, leading an expanded ensemble that displays his considerable capabilities as a composer.  Augmenting his jazz sextet featuring saxophonist/flutist Lionel Belmondo (who arranged all of the disc’s thirteen compositions) and trumpeter/flugelhornist Stéphane Belmondo (the date’s primary soloist), altoist Géraldine Laurent, pianist Eric Legnini and bassist Thomas Bramerie with a classical wind ensemble of clarinet, flute, English horn, bassoon, French horn and tuba, plus percussionist Xavier Desandre-Navarre.  The music is lush and beautiful, a decidedly successful melding of American and European sensibilities reflecting Romano’s wide ranging talents, which also include (like one of his influences, Bill Higgins) playing guitar and singing, the latter of which is heard to great effect on the final track, his “Jazz Messengers” with French lyrics by Yves Simon.

Guitarist Philip Catherine, born in London in 1942 to a Belgian father and British mother, was raised in Brussels’s where he began playing professionally while still a teenager.  Dubbed the "young Django" while still a youth, by the great Charles Mingus (on whose Three or Four Shades of Blues the guitarist recorded), Catherine came into his own voice playing in variety of settings, from bebop to fusion, including work with American expatriates Dexter Gordon and Chet Baker and European violin maestros Jean Luc Ponty and Stephane Grappelli. Since gaining recognition with American audiences for his two guitar work Larry Coryell, he has gone on to become one of the most highly respected artists on his instrument in both the U.S. and Europe.

Catherine, who has recorded over twenty albums under his own name since his 1974 Warner Brothers debut Stream (produced by the legendary French guitarist-vocalist Sacha Distel, who worked with Lionel Hampton, Dizzy Gillespie and John Lewis) and dozens more as a valued sideman, makes his sixth appearance as a leader on Dreyfus with Concert In Capbreton.  The live recording, featuring the guitarist’s working band with his longtime collaborator, Dutch bassist Hein Van De Geyn, Italian piano maestro Enrico Pieranunzi and former Bill Evans drummer Joe La Barbera, is a swinging affair documenting the group’s 2009 appearance in the charming seaside resort town in southwestern France.  The group stretches out on four standards from the Great American Songbook – “My Funny Valentine”, “My Foolish Heart”, “You’ve Changed” and “Speak Low”, along with two modern jazz classics, Sam Rivers’ “Beatrice” and Richie Beirach’s “Broken Wings” and a beautiful Van de Geyn solo bass piece “Change.”

Since moving to New York in 1995, virtuoso pianist/composer Jean-Michel Pilc has steadily earned a reputation one the city’s finest musical imports, working and recording regularly in many of the most important venues in the jazz capital of the world, including Sweet Basil, Small’s, Iridium and the Jazz Gallery, both as a leader and with the likes of Roy Haynes, Michael Brecker, Kenny Garrett and Richard Bona.  Born in Paris in 1960, where he taught himself piano, Pilc truly came into his own after moving to the United States and forming his longstanding trio featuring fellow Frenchman, bassist François Moutin (with whom he recorded his debut album, Funambule, in Paris in 1989) and the flexible Philadelphian drummer, Ari Hoenig.  An innovator with a deeply personal style of his own, Pilc has been called “musical genius’” by the Washington Post, while the New York Time’s Ben Ratliff astutely described him as “a splashy stunner who also has a Rubik's-cube mind for chord substitutions."

True Story, Pilc’s sixth album as a leader for Dreyfus since he began recording for the label back in 2001 with his Welcome Home, introduces the pianist’s remarkable new trio featuring veteran drummer Billy Hart and the great Russian born Mingus Dynasty bassist Boris Kozlov.  The program, predominantly composed by the leader himself, including the five part title track suite, continues on the idiosyncratic path blazed on his previous dates, with music that is both dazzling and unpredictable.  In addition to his other compositions, which include the classically tinged tribute “Mornings With Franz”, he also performs an original arrangement of Schubert’s “Relic” and typically unconventional interpretations of Cole Porter’s “My Heart Belongs To Daddy” and Tom Jones’ pop hit “Try To Remember”, with the former reimagined as a tango and latter serving as an Evanescent impressionistic journey.

Perhaps the least known artist presented in the European Modernist series, Rosario Giuliani is nonetheless an important new voice on the international music scene.  Born in Terracina, Italy in the saxophonist achieved deserved recognition when voted the best new talent in the 2000 critics poll Top Jazz conducted by Musica Jazz magazine. Since then he has gone on to garner attention for his work with artists like Gonzalo Rubalcaba, Cedar Walton, Marc Johnson, Charlie Haden, Phil Woods, Mark Turner and Jeff "Tain" Watts, as well as many of Europe’s best players.  Possessing a virtuosic technique reflecting a range of influences from Charlie Parker and Lee Konitz to John Coltrane and Wayne Shorter, Giuliani has proven himself to be a significant addition to the lineage of jazz saxophonists, capable of contributing valuably in a variety of situations.

Lennie’s Pennies, Giuliani’s tenth album as a leader and his fifth for Dreyfus, may well be the saxophonist’s best effort to date. Leading a quartet featuring Paris born Pierre de Bethmann on piano and Fender Rhodes, with expatriate Philadelphian Darryl Hall on bass and Joe La Barbera on drums, Giuliani proves himself to be a first rate on alto saxophone (which he plays exclusively on the date, eschewing the soprano sax that he has doubled on excellently on previous cd’s).  Opening with a blistering tempoed reading of Lennie Tristano’s title track, the leader leaves no doubt whatsoever concerning his powerful voice and technique. Elsewhere he expresses both a dreamy sensitivity, as well as a willingness to stretch boundaries when appropriate.  The program, which includes four originals penned by the leader and two from de Bethmann, as well as a couple of standards, Heyman and Young’s “Love Letters” and Irving Berlin’s “How Deep Is The Ocean” and a pair of modern jazz classics, Joe Zawinul’s “74 Miles Away” and Jimmy Rowles’ “The Peacocks” is one that should satisfy forward looking fans of straight ahead jazz.

Ironically, as modern technology and the internet makes the planet seem smaller and smaller, the jazz world continues to expand exponentially with creative artists from all over contributing their individual voices and homegrown influences to the music’s ever growing canon. The four artists featured on the Dreyfus European Modernist series, Aldo Romano, Philip Catherine, Jean-Michel Pilc and Rosario Giuliani, are each important voices in this once all-American music, reflecting the new wide world of contemporary jazz.

Catherine Russell at The Metropolitan Room, NYC - 1/11/09

Photos by Anthony Pepitone- for the Grateful Web

Catherine Russell is a native New Yorker, born with an enviable musical pedigree. Her father, the late Luis Russell, was born in Panama and moved to New Orleans and then New York City, becoming a pioneering pianist/bandleader, and Louis Armstrong's long-time musical director.  Her mother, Carline Ray, is an outstanding bassist and vocalist and holder of advanced degrees from Juilliard and Manhattan School of Music, who has performed with Mary Lou Williams and Wynton Marsalis. Not surprisingly considering her roots, Catherine Russell is a one of a kind vocalist.  She has toured the world, performing and recording with a wide array of trend setting artists, including Paul Simon, David Bowie, Steely Dan, Cyndi Lauper, Jackson Browne, Michael Feinstein, and Rosanne Cash.

Since the 2006 release of her debut album, Cat, on Harmonia Mundi's World Village label, Catherine Russell has been making fans and friends and grabbing listeners by the ear. "She is a fresh and original voice. The most exciting debut album I've heard in a long time" writes New York Sun critic and Sinatra biographer, Will Friedwald, who picked Cat among his top 10 cds of the year. "It's a delight to hear the real thing in Catherine Russell.", writes Nat Hentoff in The Wall Street Journal.

Ms. Russell has been a hit on major events like Rochester Int'l Jazz Festival, Montreal Jazz Festival, Bern International Jazz Festival, JVC-New York Jazz Festival, Detroit International Jazz Festival, Tanglewood Jazz Festival, Lotus Festival, and at premier venues like The Kennedy Center in Washington, D.C., Sculler's in Boston, The Dakota in Minneapolis, The Skirball Cultural Center in Los Angeles, and Yoshi's in San Francisco. She has appeared on the nationally syndicated shows Mountain Stage, JazzSet on NPR, Studio 360, and The Tavis Smiley Show on PBS-TV. Reviews and profiles have appeared in The Wall Street Journal, San Francisco Chronicle, Boston Phoenix, Living Blues, Blues Review, Downbeat, Goldmine, No Depression, Boston Herald, Newark Star Ledger, JazzTimes, Chicago Sun Times, and many more.

Cat spent weeks on JazzWeek magazine's chart for national airplay, while 'Back O Town Blues' was a top 10 download on I-Tunes Jazz Chart. National Public Radio's top 5 jazz cd's of 2006 included Cat, as chosen by WBGO dj's.

Catherine Russell's 2nd album on World Village, Sentimental Streak, hit the streets on February 12, 2008, to universal acclaim, becoming a world-wide favorite of critics and fans alike. Catherine appeared on Late Night with Conan O'Brien on NBC-TV, Fresh Air with Terry Gross on NPR, Beale Street Caravan, and in concert on CBC-Radio in Canada. Her 2nd cd reached the #3 position on I-Tunes Jazz Chart, while also charting on Billboard's Jazz Chart, JazzWeek, and Living Blues Radio Chart. She recently won a prestigious German Record Critics' Award in the Jazz category and Living Blues magazine's 2008 critics' poll as "Artist Deserving More Attention."

The Metropolitan Room

34 West 22nd Street between 5th & 6th Ave

New York, NY

reservations 212-206-0440

purchase tickets online