joey

The Milk Carton Kids On Tour Now!

Their songs disguise the youth of the members of the band. Befittingly, so do the old guitars they play and old clothing they wear. But to be sure, The Milk Carton Kids have something new to present: harmonies & minimalist instrumentation which are a clear reference to times passed, but with an eye intently on the future; a perspective on coming-of-age in the eye of a present-day storm; and the chronicling of an American struggle for simplicity, at least musically. To present it they use two guitars and two voices, they labor over the arrangements, they record themselves live, and they release their music on their own label, and for free.

A performance by The Milk Carton Kids is a quiet and intricate affair. Kenneth Pattengale & Joey Ryan have enjoyed intently listening audiences across the country and abroad in their respective solo careers, but an even greater sense of urgency and demand of attention is palpable now that they’ve come together as The Milk Carton Kids. Their songs are written together, but you won’t know there is more than one author.  Their history together spans only one short year, but you won’t know that either. They stand close together when they play, facing each other and using microphones instead of plugging their guitars in. And if they looked more alike, they’d fool you that they were brothers.

As solo artists they have 10 releases between them. As a band their career is off to an auspicious start. Starting from a highly regarded position among their peers, they’ve opened for the art-piano-pop critical darling Vienna Teng, Grammy nominated friend and fan Sara Bareilles, and now will take to the entire U.S. and Canada this summer supporting one of the consummate songwriters of their generation, Joe Purdy. Despite the decision to stick to acoustic guitars in their own show, both Ryan and Pattengale are multi-instrumentalists and will also comprise Purdy’s backing band, joining him on bass, pedal steel guitar, piano, and harmonies.

Their first collaborative release, RETROSPECT, is a live album due out March 15th, 2011, that represents the culmination of the past year of live performance. A collection of songs from each of their solo careers, written separately but reinterpreted and performed as the duo now called The Milk Carton Kids, RETROSPECT will be released under the name “Kenneth Pattengale & Joey Ryan”.

The first official release of The Milk Carton Kids, entitled PROLOGUE, is comprised of original songs written by the duo for this project. It is slated for release later in 2011, on their own Milk Carton Records.

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Tour Dates:

May 5 – Doug Fir – Portland, OR
May 6 – Crocodile Cafe – Seattle, WA
May 7 – The Rio Theater – Vancouver, BC
May 9 – Neurolux - Boise, ID
May  10 – State Room – Salt Lake City, UT
May 12 – Bluebird Theater – Denver, CO
May 14 – Bottleneck – Lawrence, KS
May 15 – Vaudeville Mews – Des Moines, IA
May 16 – Varsity Theater – Minneapolis, MN
May 17 – Turner Hall - Milwaukee, WI
May 18 – Lincoln Hall – Chicago, IL
May 19 – Off Broadway – St. Louis, MO
June 8 – Mercy Lounge – Nashville, TN
June 9 – WorkPlay – Birmingham, AL
June 10 – The Loft – Atlanta, GA
June 11 – Grey Edge – Asheville, NC
June 12 – Cat’s Cradle – Carborro,  NC
June 14 – Ram’s Head – Annapolis, MD
June 15 – World Cafe Live – Philadelphia, PA
June 16 – Highline Ballroom – New York City, NY
June 17 – Stage One – Fairfield, CT
June 20 – Iron Horse – Northampton, MA
June 21 – Brighton Music Hall – Allston, MA
June 22 – Narrows Center for the Arts – Fall River, MA
June 23 – Higher Ground – Burlington, VT
June 25 – Petit Campus – Montreal, QC
June 26 - Horseshoe Tavern – Toronto, ONT
June 27 – Rex Theater – Pittsburg, PA
June 28 – Beachland Ballroom – Cleveland, OH
June 30 – Westscott Theater – Syracuse, NY

On tour with Joe Purdy

The Henry Clay People To Release "Somewhere On The Golden Coast"

We know what you’re thinking: The Henry Clay People aren’t really from L.A., right? After all, their TBD debut, Somewhere on the Golden Coast, sounds like the riff-slinging byproduct of playing hard—and drinking even harder—in Midwestern bars that keep their jukeboxes stocked with old Pavement and Replacements records or whatever Robert Pollard released that week.

“While we don’t quite fit in with L.A.’s noise scene or the singer-songwriter crew that hangs out at the Hotel Cafe,” says vocalist/guitarist Joey Siara, “we've found a nice little niche for bands like us in L.A—just a bunch of friendly people who prefer to hang out, drink cheap beer, and listen to Big Star records on a Saturday night.”  Joey and his 23-year-old little brother Andy—also a singer/guitarist—formed The Henry Clay People in 2005.  Since then the band has developed a reputation for spreading their unpretentious slacker guitar rock though out greater Los Angeles and beyond.  "I think we played close to 200 shows in 2007-2008 and most of those were just local to southern California. 2009 was nice though because we really got to hit the road for most of the year and see if the tunes held up outside our little bubble."


Somewhere on the Golden Coast bottles that boundless live energy in 11 airtight tracks and 34 filler-free minutes. Listening closely, it’s easy to see how all of this started, how a revolving door of “crappy punk bands” led the Siara brothers to form The Henry Clay People in the first place.  Two buzz-building albums (2006’s Blacklist the Kid With the Red Moustache and 2008’s For Cheap or For Free) and several lineup shifts later, they’re still keeping things simple.  Recorded mostly at The Ship Studios in Eagle Rock, CA by Earlimart frontman Aaron Espinoza, he encouraged the band to ditch the headphones, take it easy on overdubs, drink more beer, and record live in the same room to tape.  The idea was to get as close as possible to the essence of the live show.

Golden Coast pushes and pulls between the two brother's influences.  Joey's zeal for jagged distorted guitars ("Nobody Taught us to Quit), gets smoothed out by Andy's laid back "drive into the sunset" love of The Byrds, Jackson Browne, and Grandaddy. The influence of the latter—along with their dad’s considerable classic rock collection—creeps into a couple Golden Coast cuts, lending a nostalgic from-dusk-’til-dawn feel to “A Temporary Fix” and the album’s melancholic curtain-closer, “Two Lives At the End of the Night.” Both of which provide a nice contrast to such certified piano-spiked jams as “Working Part Time,” “Your Famous Friends,” and “End of an Empire.” And since this particular long player barely eclipses the 30-minute mark, you better believe The Henry Clay People never wear out their welcome. In fact, they may just leave you wanting more.

“We want our music to be accessible, but still mean something,” says Joey. “That’s the spirit of this band—nothing we’re doing is rocket science, but we’re playing the music we love. And if some people recognize that, great. Rock ’n’ roll is rock ’n’ roll.”

May Tour With Drive By Truckers:

May 5th Rialto Theatre Tucson, AZ
May 6th House Of Blues San Diego, CA
May 7th Avalon Ballroom LA, CA
May 8th Fillmore Theater San Fran, CA
May 12th In The Venue Salt Lake City, Utah
May 13th Boulder Theater Boulder, CO
May 14th Aggie Theater Ft. Collins, CO
May 15th Belly Up Aspen, CO

THE CORE:

JOEY- Voice and Guitar
ANDY- Voice and Guitar
MIKE- Drummer Boy
JONATHAN- Voice and Bass JORDAN- Piano and Voice

Joey DeFrancesco w/ special guest Larry Coryell @ the Iridium

Joey DeFrancesco- for the Grateful Web

Joey DeFrancesco has come a long way from his recording debut as a leader made in 1989 as a fresh-faced 17-year-old. From the get-go, the Philadelphia native established his credentials with virtuoso technique and an innate soulfulness that he brought to bear on the hulking Hammond B-3 organ which belied his young age but spoke of his deep Philly roots under the tutelage of his father, Papa John DeFrancesco, a B-3 burner in his own right. Through the 90s, DeFrancesco was widely recognized as spearheading a renewed interested in the Hammond organ, an instrument that had fallen out of favor among musicians and the public since its golden period during the 60s and 70s.

Very special guest Larry Coryell will be appearing Friday, Saturday and Sunday.

LARRY CORYELL is one of the world's acknowledged guitar masters. He has recorded more than 75 albums over the past 40 years as a bandleader, soloist and 'featured accompanist'. Hailed by his legion of fans as one of "the guitar gods" in the late 1970s and as a "truly Renaissance musician who excels at all styles of playing", he has also been christened as "a true pioneer of rock-jazz fusion" by the New York Times, and dubbed "the Godfather of Fusion" by Dan Ouellette of Down Beat Magazine.

IRIDIUM JAZZ CLUB

1650 BROADWAY (Corner of 51st)

NEW YORK, NY 10023

RESERVATIONS: 212-582-2121

Sets At 8:30 & 10:30PM