future

“Dear Nola: A Concert for New Orleans”

New Orleans brass-fueled sensations Bonerama team up with Cody ChesnuTT, DJ Spooky/That Subliminal Kid, Grammy Nominated Helen Bruner + Terry Jones, Jenny Toomey & Kristin Thomson of Tsunami, M1 of Dead Prez, Mirah, Sage Francis, Shawn King of Devotchka, Sunpie Barnes and Zach Rogue to celebrate New Orleans, her community and its musical ambassadors for “Dear NOLA: a Concert for New Orleans,” at Blue Nile (532 Frenchmen Street) on Thursday, February 17th.

Doors are at 9:00 pm and admission is $10 in advance and can be purchased online at the Blue Nile website; $15 at the door.

Proceeds from the concert — the seventh since Hurricane Katrina — benefit Sweet Home New Orleans and Gulf Restoration Network, two New Orleans-based nonprofits working to support and sustain the region’s unique musical and cultural traditions and to protect and restore vital environment and community resources for future generations. The show serves as the celebratory finale of the seventh three-day activist retreat hosted by Air Traffic Control and Future of Music Coalition.

Over the years, these shows have become a tradition and bring visiting musicians together with local musicians to present these talented artists both on their own and in unique combinations. Past shows have included performances with J. Tillman and Nicole Atkins backing Will Oldham, R.E.M.’s Mike Mills and Bonerama joining Corin Tucker on a Depeche Mode cover, and Wayne Kramer and Saul Williams partnering to perform “Kick Out The Jams.” The camaraderie established continues well after participants have left the city, as evidenced by the critically-acclaimed compilation, Dear New Orleans. The album was produced by Air Traffic Control to mark the 5-year anniversary of the floods and features 31 New Orleans-inspired tracks from retreat alumni. The compilation can be purchased at http://www.dearno.la.

Air Traffic Control and Future of Music Coalition have been co-hosting a series of artist activism retreats in New Orleans since 2006. Artists are given the rare opportunity to connect directly with the people of New Orleans, the tradition bearers and community leaders who are on the frontlines of rebuilding and sustaining this vital city. After the three-day retreat, artists leave feeling that their lives have been changed by what they have experienced in New Orleans and with a sense of empowerment for what they can accomplish through their music and activism.

“New Orleans is one of the most unique cities on the planet and a place where I have had the good fortune to spend time both as a musician and an activist. The artist-activist retreat provided valuable perspective and insight into a post-Katrina New Orleans. My experiences with local musicians and the people working for the recovery and betterment of the city have been some of the most important experiences of my career." -- Tom Morello.

Past retreat and concert participants include Steve Earle, Tom Morello, Mike Mills (R.E.M.), Boots Riley (The Coup) Nicole Atkins, Damian Kulash (OK Go), Erin McKeown, Nick Harmer (Death Cab for Cutie), Wayne Kramer (MC5), Martín Perna (Antibalas, Ocote Soul Sounds), Jim James and Patrick Hallahan (My Morning Jacket), Jon Langford (Mekons, Waco Brothers), Vijay Iyer, and many, many more.

The efforts of many groups and individuals — including Sweet Home New Orleans, Future of Music Coalition and Air Traffic Control — have had a major impact on Big Easy musicians like Mardis Gras legend Al “Carnival Time” Johnson. Funds raised by retreat participants helped Al buy a new Habitat for Humanity home after having lost his property and belongings in Hurricane Katrina. The concerts and the retreats are part of an ongoing commitment to helping musicians like Al get back to their communities where they will help sustain New Orleans music and culture for generations to come.

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About Sweet Home New Orleans

Sweet Home New Orleans is a nonprofit agency that offers social services and financial assistance to the city’s musicians, Mardi Gras Indians, and Social Aid and Pleasure Club members.

About Gulf Restoration Network

Gulf Restoration Network is a 16 year-old environmental group committed to uniting and empowering people to protect and restore the natural resources of the Gulf of Mexico. Since the storms of 2005, they have worked for a national commitment to the restoration of the coastal wetlands of Louisiana, the region’s natural storm protection, which are disappearing at the rate of an acre an hour. The BP drilling disaster has greatly increased threats to this ecosystem, and GRN has provided independent monitoring and advocacy since the first days of the disaster.

About Future of Music Coalition

Future of Music Coalition is a national non-profit education, research and advocacy organization that seeks a bright future for creators and listeners. FMC works towards this goal through continuous interaction with its primary constituency — musicians — and in collaboration with other creator/public interest groups.

About Air Traffic Control

Air Traffic Control (ATC) exists to help musicians play an effective, unique and vital role in the promotion of social justice. Musicians and managers established ATC five years ago to assemble an experienced and trusted team of leaders, resources and tools that would help them to create more effective social change collaborations with each other and with social justice organizations. As a result, ATC became an artists’ air traffic control—one that develops capacity, efficiency, and coordination to produce stronger and more creative social change partnerships.

The Radiators Farewell Tour at the Fox Theatre

One of rock n’ rolls longest and New Orleans’ finest traveling road shows will come to an end after 33 years when The Radiators play their final two shows at Tipitina’s in New Orleans on June 10th & 11th. Lucky fans in the Boulder area can catch the band one last time at The Fox Theatre on February 10th.

Formed out of a jam session in 1978 The Radiators still feature the same 5 original members, Ed Volker (Lead Vocals, Keyboards) Dave Malone (Lead Vocals, Lead Guitar), Camile Baudoin ( Lead Guitar, Bkgrnd Vocals), Reggie Scanlan (Bass) & Frank Bua, Jr. (Drums). The Rads achieved significant commercial success in the late 80’s with the release of the classic albums Law Of The Fish and Total Evaporation. They have also released over 10 albums on independent labels and currently have 6 CDs available including Wild & Free a 2008 2 CD retrospective on their own Radz Records.  The band has played over 4500 shows and kept up a consistent tour schedule, still playing close to 150 dates a year. Additionally, they have held down the closing slot at the prestigious New Orleans Jazz & Heritage Festival for over 25 years.

Volker, who handles the majority of the songwriting as well as splitting lead vocals with Malone informed his band mates a couple of weeks ago that he no longer wanted to endure the day to day struggles of life on the road and was exhausted from the constant touring. The other band members have yet to announce their future plans and have not ruled out the possibility of working together in the future, but the departure of Volker (affectionately known to fans as “Zeke Fish Head”) brings to an end the original version of a treasured rock n’ roll institution.

Tickets are on sale at Fox Theatre Box Office. Call (303) 443-3399 for tickets by phone.

Tickets are also available through our website @ www.foxtheatre.com.

$25 adv / $30 dos

Tickets On Sale NOW!

The Crystal Method EP 'Sine Language'/Tour Dates

America’s top electronic act THE CRYSTAL METHOD has announced the release of their latest project: the SINE LANGUAGE EP out November 16 via the duo’s own imprint Tiny E Records.  The duo—Ken Jordan and Scott Kirkland—will also make a few DJ appearances this month including the Hollywood club night Control at Avalon in Los Angeles on Friday, November 19.

“Sine Language” is the third single off of THE CRYSTAL METHOD’s Grammy-nominated album Divided By Night (2009). This time out, the platinum-selling act is joined by LMFAO, another rowdy twosome. LMFAO’s party-starting raps are accompanied by a single edit and seven brand new remixes, including reworked versions by Richard Vission, Future Funk Squad, Moonbeam, Datsik, Metasyn, Omega and Von Ukuf.

LMFAO burst on to the scene with the ubiquitous party anthem of summer 2009, “I’m in Miami Bitch.” That successful single was followed by two others that also cracked the Billboard 100 and a debut album that quickly cemented the duo’s fun-loving reputation. Collaborations with David Guetta, Fergie, Chuckie, and Lil Jon--plus remixes for Black Eyed Peas, Lady Gaga, Kanye West and Katy Perry, among others-- have served to keep LMFAO in the spotlight.

Grammy-nominated producer Richard Vission possesses more Billboard #1 dance hits than even he can keep track of. Currently riding high with the worldwide smash hit “I Like That,” he’s cracking the U.S. Top 40 and going double platinum in Australia. All in a day’s work for the man who counts performing onstage alongside Madonna as just one of his many career highlights.  Here he turns in yet another future classic club banger with his re-working of “Sine Language.”

Other highlights on the EP include Datsik’s remix.  A producer who has been taking the dubstep scene by storm, Datsik is blowing up dance floors around the globe with his original style of hip-hop future-tech bangers. In 2009 alone, Datsik had over seven number one releases on Beatport.  Other remix credits to his name include works for the Freestylers, Bassnectar, Noisia, Diplo, the Wu-tang Clan and Apex from the critically acclaimed Lifted Music label.  THE CRYSTAL METHOD fans will also get a taste of production from Metasyn, DJ Rap’s new drum n’ bass project.

The Crystal Method’s Divided By Night world tour has seen them command stages at festivals from Coachella and Bonnaroo to Ultra Music and Voodoo Experience. They’ve played to wildly dancing crowds from Austin and Kansas City to further flung locales like Grand Canary Islands and Dubai. In support of “Sine Language,” other confirmed DJ gigs for the remainder of 2010 include clubs in Reno, Missoula, Halifax, Jackson, Detroit and NYC.

Tracklisting for SINE LANGUAGE EP:

1.      Sine Language (Single Edit)

2.      Sine Language (Richard Vission Solmatic Remix)

3.      Sine Language (Future Funk Squad Remix)

4.      Sine Language (Moonbeam Remix)

5.      Sine Language (Datsik Remix)

6.      Sine Language (Metasyn Remix)

7.      Sine Language (Omega Remix)

8.      Sine Language (Von Ukuf’s JALV Party Remix)

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Tour Dates: (DJ Sets)

DATE                                      CITY                                       VENUE


Fri        11/12                           Reno, NV                                Knitting Factory

Sat       11/13                           Missoula, MT                           Wilma Theater

Fri        11/19                           Los Angeles, CA                     Avalon

Sat       11/20                           Jackson, MS                           Fire

Fri        12/3                             Halifax, NS                              Paragon Theater

Sat       12/4                             Detroit, MI                                Vain

Wed    12/29                           New York, NY                          Terminal 5 (with Disco Biscuits)

Jazz Museum in Harlem Featured on BBC

A feature piece on the NJMH’s acquisition of and programming around the BILL SAVORY collection with be broadcast Wednesday, September 29th on the  7 p.m. broadcast (most local times) on both BBC AMERICA and BBC WORLD.

The National Jazz Museum in Harlem, a Smithsonian Affiliate, is dedicated to preserving and perpetuating jazz as a living entity that stretches as far into the future as it does into the past. NJMH programs currently attract several thousand visitors a year. This event is the Museum’s largest and most important annual fundraising effort. Proceeds from the gala will support the Museum’s mission.

As you may have seen in the August 17th New York Times cover story, the National Jazz Museum in Harlem made a acquisition of a historic collection of never-before-heard recordings, including live performances of great American jazz icons from 1935-1941.  The collection of 975 aluminum and vinyl discs, encompassing over 100 hours of material, was created by William Savory, a recording engineer and Harvard-educated physicist who worked at a radio transcription service in New York and used the equipment his job afforded him to record hundreds of hours of material directly off the radio. The collection includes performances by jazz icons such as Count Basie, Louis Armstrong, Billie Holiday, Lester Young, Lionel Hampton, Fats Waller, Artie Shaw, Benny Goodman, and more, as well as classical broadcasts including Toscanini, Ormandy, and Kirsten Flagstad. The quality of the discs is extraordinary for the time, as most jazz enthusiasts in the 1930s did not have the access to the professional equipment that Savory enjoyed. You can sample some these newly discovered treasures at the Museum’s website.

The search for, and cultivation of, this collection is an exemplary example of the Museum’s commitment to preserve the history of jazz, while nurturing its evolution for future generations.  It also comes at a fortuitous time in the Museum’s development as we are currently preparing to build a permanent home at Mart 125 – a historic landmark in Upper Manhattan which stands directly across from the famed Apollo Theatre on Harlem’s 125th Street.

NATIONWIDE BENEFIT CONCERTS for the Fishermen & Wildlife affected by the Gulf Coast Oil Spill

On July 1st, 2010, a nationwide effort on behalf of independent club's will take place to benefit those directly affected by the Gulf Coast Oil Spill. We are all aware of the severity of this tragedy to the region and the global ecosystem.  What many are unaware of, as the oil continues to gush, the  Gulf Coast communities are quickly being devastated. The local and global economy will suffer irreparable damage that will last for many years to come. The ramifications will be that many families will not be able to survive financially in the very near future (http://www.dirtycajuns.com) : (http://tinyurl.com/2g487xj).

In addition to the dire situation facing the wetlands we have many people in our own back yard needing assistance.In the spirit of Independence Day, indie venues across the US are donating a % of of door revenues or ticket sales to the fishermen of the Gulf Coast and the clean up efforts. Many of our fellow Americans in the foreseeable  future will have no livelihood, are preparing to leave their homes, and are now lining up for food handouts. With hurricane season on the horizon there is reason for great concern. We've learned how essential it is to be prepared for the worst.

The funds will dispersed directly to the people in need through charity organizations directly aiding fishermen & their families, as well as those associated with wildlife relief efforts.

In conjunction with the events of July 1st, Coast to Coast will also be unifying a collective social media outreach campaign, which will be lead by Sloane Berrent (http://answerwithaction.com)

This is an opportunity for us to save lives and make a difference in an unnatural disaster of epic proportions where many want to get involved but don't know how. This is the way the music industry can help. No agenda other than working together for a common cause to raise monies and directly help the communities and support the efforts to save the wetlands and native species of the Gulf Coast.

The following venues will be participating:

The Roxy (Los Angeles, CA)

Viper Room (Los Angeles, CA)

Spaceland (Los Angeles, CA)

The Echo (Los Angeles, CA)

The Mint (Los Angeles, CA)

Fais Do Do (Los Angeles, CA)

The Comedy Store (Los Angeles, CA)

Saint Rocke (Hermosa Beach, CA)

Winston's (San Diego, CA)

Downtown Brewing Co. (San Luis Obispo, CA)

Mojito (San Francisco, CA)

Fox Theatre (Boulder, CO) - Euforquestra & Ocote Soul Sounds - Bands donating a % of all merchandise sales

Boulder Theater (Boulder CO)  -  Zane Lamprey "Drinking Made Easy" Comedy Tour

Triple Door (Seattle, WA)

Tipitina's (New Orleans, LA)

The Blue Nile (New Orleans, LA)

The Shed BBQ & Blues Joints (Lafayette, LA)

George's Majestic (Fayetteville, AR)

Neumeier's Rib Room (Fort Smith, AR)

The Shed BBQ & Blues Joints (Ocean Springs, MS)

The Shed BBQ & Blues Joints (Gulfport, MS)

Soul Kitchen (Mobile, AL)

The Shed BBQ & Blues Joints (Mobile, AL)

The Shed BBQ & Blues Joints (Destin, FL)

The Press Room (Portsmouth, NH)

Cochemea Gastelum | The Electric Sound of Johnny Arrow

Cochemea Gastelum is one of New York City's most in-demand horn players, a touring member of Sharon Jones & The Dap-Kings and a recurring saxophonist in the original band for the Broadway musical, Fela! The Brooklyn-based multi-reedist has performed and/or recorded with a diverse group of artists, including Paul Simon, The Budos Band, The Roots, Public Enemy and Amy Winehouse. Now, at long last, this key figure of New York City's underground Afro-beat and new soul community will release his highly anticipated debut album, The Electric Sound Of Johnny Arrow. The ten-track effort, co-produced by Adam Dorn (aka Mocean Worker), is a collection of instrumentals that span the global rhythmic horizon from afro-centric jazz to keyed down low rider jams over which Gastelum peels back the layers of his story through his horn.

Gastelum calls upon a myriad of influences--ranging from the effects laden excursions of Eddie Harris' electric saxophone to the percussion-driven orchestrations of War to the winding horn dimensions of Mulatu Astatke--allowing them to inspire, but never overshadow, his work. He writes concisely, creating songs that leap from the speakers, while sounding at once past, present and future on key tracks like "Carlito," "Arrow’s Theme" and "Impala ‘73."

"The Electric Sound of Johnny Arrow is about the end of one journey and the beginning of another," explains Gastelum. "It's about staying true to the inner voice, respecting the ancestors and those who pioneered before us."

The idea for Johnny Arrow first came to Gastelum in a dream he had that related back to his Native American roots. It was upon this vision that the complete concept for the album was formed. With that as a guide, Gastelum not only paid tribute to his elders, but also embraced the very pioneering spirit with which they fearlessly forged new trails.

With the release of The Electric Sound Of Johnny Arrow (available July 20 via MOWO! Inc.), Cochemea Gastelum steps out front and center, reaching from the past into to the future, while remaining in the ever present now.

BROTHERS PAST ANNOUNCES SUMMER DATES

Indie-electronic act BROTHERS PAST has announced a round of summer tour dates, which includes a hometown show at the Electric Factory on Saturday, June 26. The band will also be performing at several festivals along the East Coast, including a high-profile slot at Camp Bisco.

Since returning from a one-year hiatus in early 2009, the band has spent the majority of its time working in the studio, crafting a follow-up to the 2005 release This Feeling’s Called Goodbye (SCI Fidelity Records.) “We’ve recorded a bunch of old songs and a bunch of new songs that Tommy Hamilton and I have written together.” keyboardist Tom McKee said. “All of it will eventually get released one way or another, but some of it probably won’t fit with the record. We’re definitely making progress though, and once we get it out there you’ll be seeing more of us on the road.”

Upon releasing This Feeling’s Called Goodbye, BROTHERS PAST received national attention from fans and critics alike. Morgan Wells of Urb Magazine described it as "...a glimpse into the future of pop music... Brothers Past offers a smooth and believable blend of electronica, rock and pop just original enough to place [This Feeling's Called Goodbye] at the top of a growing pile of genre-bending releases." Steven Rosen in HARP echoed the praise: "There's a future in this kind of music." The record’s catchy rock anthems, captivating arrangements and inspired lyrics received numerous "Top Ten" mentions and was nominated by the Jammy Awards for "Album of the Year." The release has established Brothers Past as innovative songwriters with a progressive vision towards future.

UPCOMING TOUR DATES:
06/18/10 THE WAREHOUSE, HARTFORD, CT
06/19/10 PUTNAM DEN, SARATOGA SPRINGS
06/25/10 BIG F’ing BOAT, NEW YORK, NY
06/26/10 THE ELECTRIC FACTORY, PHILADELPHIA, PA  (with the New Deal)
07/04/10 THE STONE PONY, ASBURY PARK (with Moe)
07/16/10 CAMP BISCO, MARIAHVILLE, NY
08/20/10 LIBERATE MUSIC & YOGA FESTIVAL, SHELDON, VT
08/21/10 BELLATERRA MUSIC & ARTS FESTIVAL, STEPHENTOWN, NY
09/10/10 DANKFEST, MINOT, ME
09/11/10 CATSKILL CHILL, HANCOCK, NY

The Yardbirds on tour this Spring

The Yardbirds will be playing east coast and Ohio dates this May.  A true institution, in the brief period from 1963 to 1968, The Yardbirds made an indelible mark on the music and culture of the time, and then on future generations.

To the casual music fan, The Yardbirds are best known as the band that honed the skills of future “guitar gods” Eric Clapton, Jeff Beck and Jimmy Page; and for their slew of chart hits, including “For Your Love,” “Heart Full of Soul,” "Shapes of Things,"  “I'm A Man,” and “Over Under Sideways Down.” However, led by core members and songwriters Jim McCarty (drums), Chris Dreja (rhythm guitar/bass) and the late Keith Relf (vocals/harmonica), the band's experimental explorations also provided the crucial link between British R&B, Psychedelic Rock, and Heavy Metal, while pioneering the use of innovations like fuzz tone, feedback and distortion.  Even their 1968 break-up set the stage for Rock 'n' Roll's future…leading Jimmy Page to form the New Yardbirds, later re-christened Led Zeppelin.

Reuniting decades later, McCarty and Dreja with a new generations of talented players including the raw talents of young lead guitarist Ben King, bassist Dave Smale, and vocalist/harmonica player Andy Mitchell, the group has been steadily touring and making new music.

The Yardbirds' 2003 CD, BIRDLAND on Steve Vai's Favored Nations label featured guest appearances from Vai, and friends Brian May, Joe Satriani, and Slash.

In 2007 Favored Nations released the YARDBIRDS: LIVE AT BB KINGS, again showing the power of the band, and its legacy of great songs.

This season, The Yardbirds return to the States under the leadership purposeful and insightful Dreja and McCarty and the future music superstars: King, Smale and Mitchell.

May 21          Parilla Center                                Rockville, MD
May 22          Chesapeake Blues Fest                  Annapolis, MD
May 23          Tangiers                                      Akron, OH             
May 25          Sellersville Theatre                        Sellersville, PA
May 26          BB Kings                                      New York, NY
May 27          Boulton Center                             Bay Shore, NY          
May 28          Showcase Live                              Foxborough, MA       
May 30          Remember The Music/Heroes         Virginia Beach, VA

Idan Raichel Project @ Boulder Theater

The Idan Raichel Project burst onto Israel's music scene in 2002, changing the face of Israeli popular music and offering a message of love and tolerance that resonated strongly in a region of the world where headlines are too often dominated by conflict. With an enchanting blend of African, Latin American, Caribbean and Middle Eastern sounds coupled with sophisticated production techniques and a spectacular live show, the Idan Raichel Project has become one of the most unexpected success stories in Israeli music history.
Known around the world, especially in circles of Jewish, Ethiopian and Israeli communities, the Idan Raichel Project regularly sells out concerts in large performance venues. Since the international release, The Idan Raichel Project has headlined at New York's prestigious Central Park SummerStage, the Kodak Theater in Los Angeles, the Sydney Opera House and performed across Europe as well as in Mexico City, Sydney, Hong Kong, New Delhi, Singapore, and Mumbai. Future touring plans include South Africa and South America. Wherever they perform, The Project unifies the audience in a celebration of that which is unique about the cultures of the world, as well as that in which we are all alike.
Saturday May 15, 2010
IDAN RAICHEL PROJECT
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On Sale April 10
All Ages / General Admission: $36.00 / Reserved Tickets: $46.00 / Gold Circle: $56.00
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com
Phone: During box office hours 303-786-7030

Hot Hot Heat Announce Brooklyn Residency in May

Hot Hot Heat’s highly anticipated new album, Future Breeds (Dangerbird Records), hits stores on June 8th but fans in New York can get an early taste when the band begins its May residency at Brooklyn’s Public Assembly.  The band opted to do the shows at the venue because of its intimate setting and its close ties to Brooklyn’s thriving indie music scene – a connection that the band feels to be particularly relevant with their forthcoming album.

Future Breeds is filled with the addictive, candy-coated melodies that Hot Hot Heat are famous for, but it also includes some of the band’s most experimental moments yet.  Charged with sonic detail, the collection of songs is packed with unconventional rhythms and quirky arrangements.  From the dark, carnival-esque feel of “Times a Thousand” to the frenzy of “What is Rational,” Future Breeds balances danceable, pop melodies with an unfettered and musically adventurous spirit.

Hot Hot Heat Residency Dates:

05/05:  Brooklyn, NY @ Public Assembly

05/12:  Brooklyn, NY @ Public Assembly

05/19:  Brooklyn, NY @ Public Assembly

05/26:  Brooklyn, NY @ Public Assembly