anderson

Colin Stetson Named In NPR's Best Of 2011

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.
New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.
New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.

Ian Anderson's Out Of This World Concert

When worldwide fame and notoriety have been achieved, taking your music into outer space is the only place left to go.

On April 12th Jethro Tull’s Ian Anderson will be taking part in a duet with US astronaut Colonel Catherine Coleman to celebrate the 50th anniversary of Russian astronaut Yuri Gagarin’s first manned space flight in 1961.

However, this duet is no ordinary collaboration. Whilst Anderson will be live on stage in Perm, Russia, Coleman will be in orbit in the International Space Station as she contributes to Ian’s truly out of this world concert.

Coleman’s part of the performance will be screened by video link to the audience in Perm from somewhere in the galaxy as part of this gravity defying gig.

The pair will be playing an excerpt from Bouree from Tull's STAND UP album.

Coleman has been practicing her Ian Anderson trade mark of playing the flute whilst standing (or in her case floating) on one leg. For 3 months, Anderson's flute accompanied Cady Coleman and her own flute in orbit allowing her to perfect her Anderson stance ahead of the duet

Colin Stetson Releases Live Video On Pitchfork

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.
New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.

New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.

JETHRO TULL Celebrates AQUALUNG's 40th Anniversary w/ North American Tour

In celebration of the park bench, dribbly-nosed voyeur's 40th Anniversary, Ian Anderson returns to the USA with his band Jethro Tull, starting June 8 in Denver, CO and ending on the 27 in Chicago, IL.

The group features longtime members Ian Anderson (flute, vocals, acoustic guitar) and Martin Barre (guitars), Doane Perry (drums), as well as David Goodier (bass) and pianist John O'Hara.  The latter two joined in 2006 after working with Ian on some of his solo projects.

The group will be performing the Aqualung album in its entirety plus a range of their other favorites from the lat 42 years.  Critics dubbed AQUALUNG “a concept album,” particularly for Ian's critical, skeptical views of organized religion, mostly on side B ("My God," "Hymn 43"). Anderson has disputed - almost resented - the assessment seeing the record as "just a bunch of songs." This led the band to give the critics a full-blown concept album with the following studio release THICK AS A BRICK which topped the Billboard charts in 1972.

On AQUALUNG, the group explores the struggles of the less fortunate in our society (e.g., "Aqualung," "Cross-Eyed Mary," "Up to Me"). Teenage angst and formal education difficulties (e.g., "Wind Up") are explored, and Ian returns to his parental themes with "Cheap Day Return," a tune encompassing Anderson's feelings while traveling North on the train to visit his sick father. "Locomotive Breath" touches on the issues of globalization, population expansion and runaway economics. Sound familiar?

Formed in 1968, Jethro Tull released its first album THIS WAS late in that year and followed up in 1969 with STAND UP.  In the 1970s, the group was one of the most successful live performing acts on the world stage, rivaling Zeppelin, Elton John and even the Rolling Stones. Surprising, really, for a group whose more sophisticated and evolved stylistic extravagance was far from the Pop and Rock norm of that era.

With now some 30-odd albums to their credit and sales totaling more than 50 million, the apparently un-commercial Tull continues to perform over a 100 concerts per year with its rich variety and depth of expression, wherever fans, young and old, want to hear Rock, Folk, Jazz and Classical-inspired music. Music for boys in long trousers and girls with brains.

In 2011, Tull will tour in Australia, Ireland, and Germany.  And Ian will perform solo shows in Germany, Spain, Cyprus, Turkey, Brazil, Argentina, Chile, Venezuela, Panama, Mexico, Czech Republic, the UK, Sweden, Denmark and Finland finishing with his customary charity Christmas concerts at three UK cathedrals.

In 2006, Ian was awarded a Doctorate in Literature from Heriot-Watt University in Edinburgh, the Ivor Novello Award for International Achievement in Music and, in the New Years Honours List 2008, an MBE for services to music. In 2012, he expects to be awarded the Smithsonian Medal of Honor for smelling OK for someone his age and having ears still in proportion to the rest of his head. His bladder remains elastic and his prostate the size of a pinhead.

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Jethro Tull Tour Dates:

June 8: Red Rock Amphitheater, Morrison, CO
June 10: Comerica Theatre, Phoenix, AZ
June 11: The Greek Theatre, Los Angeles, CA
June 12: TBA, Valley Center, CA
June 13: The Grove, Anaheim, CA
June 14: TBA, Saratoga, CA
June 16: Cuthbert Amphitheater, Eugene, OR
June 17: McMenamins Edgefield Concerts On The Lawn, Troutdale, OR
June 18: TBA, Woodinville, WA
June 19: Centre for the Performing Arts, Vancouver, BC
June 21: Northern Alberta Jubilee Auditorium, Edmonton, AB
June 22: Southern Alberta Jubilee Auditorium, Calgary, AB
June 23: Casino Regina, Regina, SK
June 25: Orpheum Theatre, Minneapolis, MN
June 26: Chicago Theatre, Chicago, IL
June 27: Rosemont Theatre, Rosemont, IL

Jethro Tull Returns to Red Rocks!

Jethro Tull and Kansas will be performing at Red Rocks Amphitheatre, 18300 West Alameda Parkways, in Morrison, CO on June 8.  The show starts at 7:30 PM.  Tickets are $49.50 and $84.50, plus applicable service fees.  The venue phone is 800-745-3000, and the website.

In celebration of the park bench, dribbly-nosed voyeur's 40th Anniversary, Ian Anderson returns to the USA with his band Jethro Tull, starting June 8 in Denver, CO and ending on the 26 in Chicago, IL.

The group features longtime members Ian Anderson (flute, vocals, acoustic guitar) and Martin Barre (guitars), Doane Perry (drums), as well as David Goodier (bass) and pianist John O'Hara.  The latter two joined in 2006 after working with Ian on some of his solo projects.

The group will be performing the Aqualung album in its entirety plus a range of their other favorites from the lat 42 years.  Critics dubbed AQUALUNG “a concept album,” particularly for Ian's critical, skeptical views of organized religion, mostly on side B ("My God," "Hymn 43"). Anderson has disputed - almost resented - the assessment seeing the record as "just a bunch of songs." This led the band to give the critics a full-blown concept album with the following studio release THICK AS A BRICK which topped the Billboard charts in 1972.

On AQUALUNG, the group explores the struggles of the less fortunate in our society (e.g., "Aqualung," "Cross-Eyed Mary," "Up to Me"). Teenage angst and formal education difficulties (e.g., "Wind Up") are explored, and Ian returns to his parental themes with "Cheap Day Return," a tune encompassing Anderson's feelings while traveling North on the train to visit his sick father. "Locomotive Breath" touches on the issues of globalization, population expansion and runaway economics. Sound familiar?

Formed in 1968, Jethro Tull released its first album THIS WAS late in that year and followed up in 1969 with STAND UP.  In the 1970s, the group was one of the most successful live performing acts on the world stage, rivaling Zeppelin, Elton John and even the Rolling Stones. Surprising, really, for a group whose more sophisticated and evolved stylistic extravagance was far from the Pop and Rock norm of that era.

With now some 30-odd albums to their credit and sales totaling more than 50 million, the apparently un-commercial Tull continues to perform over a 100 concerts per year with its rich variety and depth of expression, wherever fans, young and old, want to hear Rock, Folk, Jazz and Classical-inspired music. Music for boys in long trousers and girls with brains.

In 2011, Tull will tour in Australia, Ireland, and Germany.  And Ian will perform solo shows in Germany, Spain, Cyprus, Turkey, Brazil, Argentina, Chile, Venezuela, Panama, Mexico, Czech Republic, the UK, Sweden, Denmark and Finland finishing with his customary charity Christmas concerts at three UK cathedrals.

In 2006, Ian was awarded a Doctorate in Literature from Heriot-Watt University in Edinburgh, the Ivor Novello Award for International Achievement in Music and, in the New Years Honours List 2008, an MBE for services to music. In 2012, he expects to be awarded the Smithsonian Medal of Honor for smelling OK for someone his age and having ears still in proportion to the rest of his head. His bladder remains elastic and his prostate the size of a pinhead.

Read Grateful Web's interview with Ian Anderson.

Colin Stetson Premieres "Stars In His Head"

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.

New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.

New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.
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North American Tour Dates:
2/03 - The Stone - New York NY
2/5 - Le Cercle - Quebec, QC w/Tim Hecker
2/10 - La Sala Rossa - Montreal, QC w/Tim Hecker
2/17 - The New Musuem - New York, NY

Colin Stetson To Release "New History Warfare Vol. 2: Judges"

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity.  He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, conveying a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the playing of Jimi Hendrix, Peter Brotzman and Albert Ayler.

New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or at jazz and new music festivals like Moers and London Jazz Fest.  His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, Antibalas and Bon Iver.  His live solo performances are absolutely stunning and uncategorisable and he conveys a commensurate intensity and iconoclasm on this new studio album of original material.

New History Warfare Vol. 2: Judges was recorded entirely live in the studio at Montréal's Hotel2Tango, with no overdubs or looping pedals, using over 20 mics positioned close and far throughout the live room.  Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn suite ("All The Days I've Missed You") that was multi-tracked by Colin.

Stetson is able to weave an uninterrupted flow of arpeggiated swirls and chordal progressions while simultaneously singing yearning melodic lines through the reed of his horn - a technically powerful combination, exponentially intensified by Colin's innate sense of pace, phrasing and trajectory.  Stetson approaches his solo work with one foot firmly rooted in a pop sensibility, harmonically and in terms of overall song structure - a sensibility on fine display in longer pieces like "Judges", "The Stars In His Head (Dark Lights Remix)" , "Clothed In The Skin Of The Dead" and "Fear Of The Unknown And The Blazing Sun".  He can paint short, ecstatic spirals of rapid-fire ostinati that move through the entire range of the instrument, full of subtle rhythmic shifts and filigree, as with "The Righteous Wrath Of An Honourable Man", "From No Part Of Me Could I Summon A Voice" and "A Dream Of Water", all of which clock in at the 2-3 minute range (and the last of which features a spoken word vocal by Laurie Anderson).  Colin can also shred, especially when rallying the full force of the bass saxophone, whether in the foghorn blasts that open the album or the gasping syncopated pulse of "Red Horse (Judges II)".  The seamless, steamy, multi-timbral drone that underpins Shara Worden's guest vocal on "Lord I Just Can't Keep From Crying Sometimes" demonstrates another side of Colin's mastery and sensibility.

The sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse Studios in Reykjavik and mixed by Ben Frost, the critically acclaimed experimental electronic/ambient composer and producer whose shared influences of minimalism, noise and black metal made him the perfect choice for a bold and unconventional approach to the raw material.  Frost pushes and pans different mic signals to the fore from song to song (and within songs), eliciting a cornucopia of details and extremes in Colin's playing and highlighting the complexity of sounds generated by a single horn in Stetson's hands.  Rhythms are formed by clicking keys, minute textures are brought forward by running ambient mics extremely hot, and low end is at times pushed fully into the red to devastating effect.  Mastering by Mell Dettmer provides the final touch.

The result is a highly original, experimental and thrilling record that fires on all levels: as a document of an astoundingly strong and gifted player, as a compositional tour-de-force, and as a studio production bursting with intensity and inventiveness: a challenging work that resists classification but remains accessible to music lovers of many stripes.

Rusty Anderson: Born On Earth out August 3rd

Los Angeles-based Rusty Anderson, lead guitarist for the Paul McCartney Band, will release his sophomore album, Born On Earth, late this summer, having recently inked a distribution deal with Megaforce. Anderson's album will hit stores on August 3, 2010.

Born On Earth is a loosely conceptual album that looks at modern life, contemplating what it's like, as individuals and in communities, to be alive in this era and on our planet. Musically, the album ranges from the howling, guitar-heavy title-track opener to the dreamy, power-pop of "Timed Exposure;" from the jaunty, folk-y "Where Would We Go?" to the evocative, cascading, hammer dulcimer-accented yearnings of "Baggage Claim;" and from the grand modern rock of "New Beginning" to the driving, spacey build of "Under A White Star." Throughout the album, Anderson's free, expressive guitar playing anchors the songs, whether gentle, acoustic picking or crushing riffs or a searing solo. Recognized and counted on for his virtuosic skills, it's his innate understanding of a song's needs and his use of restraint in playing that sets him apart.

This hard-wired, understated skill has made Anderson an invaluable player for a stellar laundry list of top artists that includes: Elton John, Willie Nelson, Joe Cocker, Stevie Nicks, Neil Diamond, Gwen Stefani, Regina Spektor, Nelly Furtado, Cat Stevens, Jewel, and Matthew Sweet. And, of course: Sir Paul McCartney, with whom he has toured and recorded since McCartney's 2001 album, Driving Rain. In the past nine years, Anderson has played countless shows across the world as an integral part of the Paul McCartney Band - Rolling Stone has written, "McCartney's four-piece band handled the broad range of his music seamlessly, with fiery guitar work from Rusty Anderson" - as well as on McCartney's albums Chaos and Creation in the Backyard (2005) and Memory Almost Full (2007). He also appears on four of McCartney's live DVDs.

Born and raised in La Habra, CA, Anderson first picked up the guitar at age 8 and is largely self-taught, inspired by the music of Jimi Hendrix, The Beatles, Genesis, The Mothers of Invention, and Mick Ronson. He formed his first band, Eulogy, at age 13 and soon was opening for bands like The Police, The Runaways, Van Halen, and Quiet Riot in southern California. Since then - in addition to lending his ample artistry to other musicians in the studio - Anderson has played in a number of bands, notably Animal Logic (with The Police's Stewart Copeland and legendary bassist Stanley Clarke) and '90s alternative rockers Ednaswap, who released four major label albums and wrote the hit single "Torn" (later covered by Natalie Imbruglia).

Anderson's debut solo album, Undressing Underwater, was released in 2005.

Track listing for Born On Earth:

  1. Born On Earth
  2. Timed Exposure
  3. Baggage Claim
  4. Private Moon Flower
  5. Julia Roberts
  6. Under A White Star
  7. Where Would We Go?
  8. New Beginning
  9. These Are The Days
  10. Funky Birthday Cake
  11. Intro

Clifton Anderson Quintet Returns to NYC with Iridium Gig

Trombonist/Composer Clifton Anderson brings his Quintet into the Iridium on Tuesday, August 4th in support of his new Doxy Records release, Decade.   A February gig at Dizzy’s Coca Cola introduced the CD and debuted his new group, which features Eric Wyatt on tenor, Stephen Scott on piano, Russel Blake on bass, and Steve Williams on drums, in addition to Anderson’s vibrant trombone.

clifford-andersonUpcoming for the Bronx native is a September 29 date at Birdland, and two nights at the new East Harlem hotspot, Creole, on October 9 and 10.

Reaction to Decade has been positive with encouraging reviews and considerable airplay.  In his celebrated blog, jazzwax, Marc Myers wrote: “…Anderson demonstrates a new level of maturity and offers a warm, round and purposeful sound…his compositions are all strong and fresh, and they avoid being derivative. Best of all, they are tailor made to show off the trombonist's lyricism and powerful chops...Decade is a solid work by Anderson, who clearly has a rich musical voice, a creative vision and a comprehensive grasp of the instrument's tender purpose."

Clifton Anderson's newly revised website includes lead sheets and solo transcriptions for Decade and his debut recording as a leader, Landmarks, as well as a video overview of Decade and some performance video.

For more on Clifton Anderson, please visit here. For more info on the Clifton Anderson Quintet at The Iridium Jazz Club, and to purchase tickets, please click here.

Ian Anderson on Tour this Fall

Ian Anderson, known throughout the world of rock music as the flute and voice behind the legendary Jethro Tull will be touring this October and November in the United States. Ian is inviting a number of guests from the jazz, classical, rock, and world music world to share the stage for this eclectic acoustic tour.

Widely recognized as the man who introduced the flute to rock music, Ian Anderson remains the crowned exponent of the popular and rock genres of flute playing. In addition to classical flute, he also plays ethnic flutes and whistles together with acoustic guitar and the mandolin family of instruments, providing the acoustic textures, which are an integral part of most of the Jethro Tull repertoire.

When not touring with Jethro Tull, Ian Anderson appears more and more frequently in solo concerts with a variety of line-ups from the music world, including orchestral.

For the 2009 Ian Anderson Plays The Acoustic Jethro Tull, his band includes jazz artists: bassist David Goodier (Jethro Tull) and Mark Mondasir (John McLaughlin). Classical musician John O'Hara, who also plays keyboards and accordion with Jethro Tull will be joining the line up, as will German Rock and Flamenco guitarist Florian Opahle.  Ian will have a range of other guests on this tour. 

As a solo artist, Ian Anderson has recorded four diverse solo albums in his career: Walk into Light (1983), the flute instrumental Divinities (1995) which reached number one on the Billboard Classical chart, and the more recently recorded acoustic collections of songs, The Secret Language of Birds (2000), and Rupi’s Dance (2003).

In 2006, he was awarded a Doctorate in Literature from Heriot Watt University in Edinburgh, the Ivor Award for International Achievement in Music and, in the New Years Honours List 2008, an MBE for services to music. In 2008 he celebrated 40 years as a recording and performing musician.

OCT
6      Milwaukee      Pabst Theater 
7      Chicago           Vic Theatre 
9      Schenectady, NY      Proctor's Theatre 
10      Worcester, MA      Hanover Theatre for the Performing Arts  11      Ledyard, CT      Foxwoods Resort - MGM Grand 
13      New York      Beacon Theatre
15      Baltimore, MD      Lyric Opera House 
16      Glenside, PA      Keswick Theater
17      Red Bank, NJ      Count Basie Theatre
18      Wallingford, CT      Chevrolet Theatre

NOV            
3      Phoenix, AZ      Dodge Theatre 
5      Anaheim, CA      The Grove of Anaheim 
6      Los Angeles      The Wiltern 
9      San Francisco      The Warfield Theatre 
13      Portland, OR      Arlene Schnitzer Concert Hall -
14      Seattle, WA      Moore Theatre 

http://www.jethrotull.com