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Lady Antebellum Takes "Just A Kiss" to #1!

Reigning CMA and ACM Vocal Group of the Year Lady Antebellum celebrate their career fifth No. one song this week as the lead single “Just A Kiss” tops the Billboard Country Singles chart. The track simultaneously earns PLATINUM certification and spends a third week at No. one on the Billboard Canada Country chart. “Just A Kiss” is setting the pace for the multi-platinum group's upcoming third album OWN THE NIGHT due out Sept. 13.

“Seeing country radio and the fans embrace the first single off our new album like this has been amazing and also a little relieving,” said Lady A’s Charles Kelley. “There are definitely some nerves and anxiousness involved when you are introducing new music, and this reaction has been beyond what we hoped for.  It just makes us even more excited for Sept. 13 to get here."

“Just A Kiss” resonated with fans immediately, debuting at No. seven on Billboard’s Hot 100 Chart to become the highest debut by a country group in the chart’s 52-year history. OWN THE NIGHT follows the band’s GRAMMY winning second disc NEED YOU NOW. Since its release in Jan. 2010, the album has sold over five million copies across the globe, spawned three multi-week No. one hits (“Need You Now,” “American Honey,” “Our Kind of Love”), taken home five GRAMMY Awards (a career total of six) and scored over a dozen other award show trophies.

For updates on OWN THE NIGHT, visit www.ladyantebellum.com.

Lady Antebellum Reveals New Album Details!

Multi-PLATINUM country music group Lady Antebellum is sharing new details today on their forthcoming third Capitol Nashville studio album OWN THE NIGHT, in stores Sept. 13.

After sweeping the 2011 GRAMMY Awards earlier this year, the singer/songwriters returned to Nashville to focus on writing and recording the follow up to their top selling NEED YOU NOW.  The trio penned 10 of the new disc’s 12 tracks, including their fastest rising and current Top 10 single “Just A Kiss.”  Collaborating again with veteran producer Paul Worley, Lady Antebellum’s Dave Haywood, Charles Kelley and Hillary Scott also return as co-producers.

"We're definitely more in tune with each other musically and personally than ever," said Haywood. "It's an exciting place to be. This album was created from the ground up—we are writing these songs, playing these instruments and creating these arrangements.  With OWN THE NIGHT, more than ever before, I think we share a real feeling of accomplishment both as a band and as friends.”

"Our only hope and expectation for this record is that it will build on the first two," adds Charles Kelley.  "At the end of the day, we just want our fans to be able to say that we continue to give them solid albums with solid songs they can enjoy from start to finish."

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OWN THE NIGHT Track List:

1. We Owned The Night

2. Just A Kiss

3. Dancin’ Away With My Heart

4. Friday Night

5. When You Were Mine

6. Cold As Stone

7. Singing Me Home

8. Wanted You More

9. As You Turn Away

10. The Love I’ve Found In You

11. Somewhere Love Remains

12. The Heart Of The World

Pop sensation Nadine Coyle makes her move on America

Nadine Coyle is most famously known for being the lead singer of the Guinness World Records acclaimed pop group, Girls Aloud. Together the group achieved a string of twenty consecutive top ten singles (including four number ones) and two number one albums in the United Kingdom. All of their albums have been certified platinum, with their albums The Sound of Girls Aloud, and Out of Control both selling over one million copies. They have been nominated for five BRIT Awards, winning the 2009 Best Single for "The Promise."

In 2010, Nadine released her debut solo album Insatiable and its title track through Black Pen Records in the United Kingdom. The lead single caught fans' attention and in early 2011 was voted as a "Best Single" behind Kylie Minogue's "All the Lovers," Lady Gaga & Beyonce's collaboration "Telephone," and Robbie Williams + Gary Barlow's "Shame" at The Virgin Media Music Awards.

Click here to listen to Insatiable now!

For the latest news, follow Nadine on Twitter and Facebook!

FRANK SINATRA: BEST OF VEGAS

In the span of a few years, Las Vegas refueled Frank Sinatra’s career and Sinatra in turn became the lead figure in the city’s ascendance. It was a synergistic relationship that has since become legendary in the annals of 20th century entertainment.

Some of the finest moments in that legendary symbiosis are captured in Frank Sinatra: Best of Vegas, a series of live recordings set for release on Concord Records on February 15, 2011. The 14-song set, under license from Frank Sinatra Enterprises (FSE), captures Sinatra in concert at the Sands, Caesars Palace and the Golden Nugget in Las Vegas between 1961 and 1987. The collection is a distillation of highlights from Sinatra: Vegas, the five-disc boxed set (4 CD/1 DVD) of live recordings released by Reprise Records in 2006.

“From his debut at the Desert Inn in September 1951, no entertainer was ever more synonymous with the city of Las Vegas than Frank Sinatra,” says Charles Pignone, author of The Sinatra Treasures, in his comprehensive liner notes to the Best of Vegas CD. “It has been said that next to legalized gambling, nothing has been more beneficial and profitable to Las Vegas than Frank Sinatra.”

All the Sinatra classics are here, performed live before adoring crowds at some of the most prestigious venues in the history of Vegas. “The Lady Is a Tramp” (The Sands, 1961); “I’ve Got You Under My Skin” (The Sands, 1966); “All or Nothing at All” (Caesars Palace, 1982); “Pennies From Heaven” (The Golden Nugget, 1987); and of course, the “Theme From New York, New York” (Caesars Palace, 1982) are just some of the gems in the Best of Vegas collection.

“If you were in Las Vegas at the same time as Sinatra, there was nothing else that could compare,” says Pignone. “Even when the entertainment in town was changing from headliners to magic and production shows, Sinatra was still the ‘main event.’”

Or in the words of Las Vegas Mayor Oscar B. Goodman, Sinatra was “the destination’s most enduring icon, an inimitable original who was influential in shaping Las Vegas’ image and entertainment scene.”

Sinatra returned to Vegas in December with the opening of Sinatra Dance With Me, at the Wynn Las Vegas. Conceived, choreographed and directed by Twyla Tharp, Sinatra Dance With Me features original recorded masters of Frank Sinatra with a big band and 14 of the world’s finest dancers.


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TRACK LIST
Introduction
The One I Love Belongs to Somebody Else
Moonlight in Vermont
The Lady Is a Tramp
I’ve Got You Under My Skin
Street Of Dreams
Fly Me to the Moon (In Other Words)
Monologue
Luck Be a Lady
I Can’t Get Started
Without a Song
All or Nothing at All
Witchcraft
Pennies From Heaven
Angel Eyes
Theme From New York, New York
Bows

Ana Sia at the Mishawaka Ampitheatre

Cervantes Masterpiece presents Ana Sia at the Mishawaka Amphitheatre on Friday, August 20th, 2010.  She has toured through clubs and forests all festival season long with serious stacks in the middle of nowhere.  The Electric Canyon show will feature Ana Sia leading crew including Octopus Nebula, Eskmo, and The Passage Project.

I was lucky enough to see her set at Summer camp that made arms sway, heads bob, and the same forced rush of an indoor thump to an outdoor amphitheatre.  Watching the crowd come alive is almost as enlightening as the musical experience itself.  I’ve said it before and I’ll say it again; if you aren’t dancing half as hard as she is on stage then step back.  There will be plenty rushing forward to dance with her.

The Mishawaka Amphitheatre is like a swing set of sound, the electric canyon crew will no doubt light it up.  Ana Sia has been warming up after parties enough.  Her worldly excursions are put to sturdy declarations of bass with treble dancing over the top.  It’s as if she embodies the Virgo through her music.  It’s time for the first lady of euphoric rhythm to lead the pack.  Her response to the crowd is always posed, graceful, and delicate with prayer hands in peaceful association.

Ana Sia co-creates her show with the audience.  The word puppeteer has a negative connotation, yet such a familiar feel at an Ana Sia show.  It’s not negative when you see how she handles the power of the beat.  Its fun like a puppet show, her music is beckoning you, “let me pull your strings.”  As hard as your feet will push you, the beat controls the strings that makes souls sing.

Gene Bertoncini | May 2nd | Our Lady Of Peace Church

geneOver decades, Gene Bertoncini has firmly established himself as one of the most eloquent and versatile masters of the guitar. With elegance and ease, he bridges jazz, classical, pop, and bossa nova styles, integrating his own spontaneous and tasteful improvisations along the way. He has earned highest critical acclaim for his artistry on both the classical and electric guitar.

Bertoncini’s musical roots go back to his early years in the Bronx where he grew up in a house filled with music. His love affair with the guitar began when he was seven, and by the time he was sixteen, he was appearing on New York television.

His career took an unusual turn when he decided to fulfill another long-standing interest, and took a degree in architecture at Notre Dame. He was quickly swept into the musical scene at the university, and the first thing he did after picking up his degree was to work opposite Carmen McRae in Chicago. He returned to New York to work with vibraphonist Mike Manieri, and then with a quintet led by drummer Buddy Rich.

He describes his architectural experience as something which gives his music its finely-wrought form and style. He wins continual praise for the superb structure of his arrangements and improvisations which serve as a vehicle for his virtuosic technique.

Gene Bertoncini has worked with the Metropolitan Opera orchestra, the Benny Goodman Sextet; singers Tony Bennett, Morgana King, Lena Horne, Vic Damone and Edye Gorme; jazzmen Buddy Rich, Wayne Shorter, Hubert Laws, Clark Terry, Paul Desmond, and Paul Winter; and arranger/composers Burt Bacharach, Lalo Schifrin and Michel LeGrand, among others. He performed regularly on the Merve Griffin and Johnny Carson shows, and has been one of the most prolific and popular studio musicians in New York City. For the past eight years Bertoncini has performed with bassist Michael Moore in a duo which The New York Times describes as “...one of the finest pairings of jazz strings....”

Mr. Bertoncini’s teaching credits include the Eastman School of Music where he regularly performs and conducts summer workshops for jazz guitarists, the New England Conservatory, New York University, and the Banff School of Fine Arts. He has been a highly sought-after guest clinician in colleges and universities throughout the country.