beats

Hot Sugar Reveals Unique Beatmaking Process

Dame Dash’s Creative Control recently caught up with producer Nick Koenig, a.k.a. Hot Sugar, to document his unique process of making beats and capture his charmingly awkward sense of humor.  If you haven’t checked out the premiere over at Prefix, click HERE to watch Koenig in action (and note that all the sounds used in this video were recorded live at this session.)  Hot Sugar is also releasing a new free mp3 for the song “F**kable” (Feat. Baghdaddy) off his forthcoming EP, Muscle Milk.  Stream or download it HERE and feel free to post and share both.

For the past several decades numerous musicians have created recordings using found audio.  It is usually done in a manner that highlights the unusual nature of the source. Koenig, on the other hand, manipulates his samples until they’re tweaked beyond recognition.  For example, if one of his kick drums sounds like it came from a drum set, it’s more likely to be the sound of a car running over a juicebox, if not a fire cracker pitched down and chopped up, etc.

Having mastered this experimental technique, Koenig has a nearly unlimited palette of sounds to work with and his beats cover a massive array of genres.  New track “F**kable” is a slice of oddball digital funk featuring the blue-eyed soul, come-hither vocals of Baghdaddy.  If you haven’t heard Hot Sugar’s previously released mp3’s, “The Seagull” is a whimsical indie-pop nugget anchored by a music box melody and “Color Wars” pairs a mellow, head-nodding groove with the gritty crooning of The Roots/RJD2 collaborator Aaron Livingston.

All three tracks will appear on the Muscle Milk EP, which will be released for free online later this year.  Hot Sugar’s debut full-length will be out next year and will feature some top secret surprise guests.  Stay tuned for more info!

Cas Haley at the Fox Theater on 12/1/2010

Cas Haley is breaking out on his own terms.

Connection, his Easy Star Records debut, is aptly named. It’s all about those deep-running connections that make him what he is—those unbreakable links between artist and audience, between styles of music, between art and life, and most of all, between all people. As Cas points out, reggae’s core message is, after all, "one love."

His crystalline voice and funky, easygoing beats earned Cas a second-place finish on America’s Got Talent, which in turn netted him a measure of fame and a following. But the contest also locked the Texan singer/songwriter/guitarist into a major label deal that didn’t feel right. So, not wanting to be turned into a manufactured product, he struck out on his own. The superb result: Connection, a collection of songs basking in the philosophical and musical maturity that comes from staying true to his artistic vision.

Raised by musician parents, Cas grew up surrounded by the sounds of blues and 60s-70s rock. He got serious about the guitar at age 12 and was "taught by the tribe" of musicians passing through the house. "The kitchen would be turned into the practice room or for jam sessions, so I was pretty much born into that lifestyle," he says. And from the very beginning he was more inclined to create his own music than to slavishly learn covers.

Also prominent at home were the Bob Marley records his mother would play, which made a profound impression. After a period of heavy immersion in the sounds of the ska/punk/skateboard culture, Cas was blown away by the classic reggae-pop of bands like UB40 and Sublime, and his mature style began to take shape.

Those pop-inflected island grooves and his joyful, versatile voice helped bring Cas to the brink of stardom on America’s Got Talent and sell 30,000 copies of a debut album with virtually no promotion. And they’re fundamental to the soul of his music—what he calls the "relaxing, effortless playing where everything fits together." Elements of soul, blues, and pop swirl through Cas’s strong reggae beats. Just like disparate musical styles, "we’re way more connected than we think," Cas says. "We separate ourselves in so many different ways, but the whole theme of the album is that we’re all connected."

"Every color," he sings in the title track, "is created from the same light."

Easy Star, the leading U.S.-based independent reggae label, is the ideal home for Connection. The label has been stretching beyond its strictly roots-reggae format, signing progressive bands and artists like John Brown’s Body, Tommy T, and The Black Seeds. “Cas’s sound is unique, accessible, and a great way to keep expanding the Easy Star audience," says CEO Eric Smith. "And it’s not often we come across a singer-songwriter this talented, regardless of genre, so we had to work with Cas.”

Mixed by Danny Kalb (Ben Harper, Beck), Connection bristles with chill grooves, rocking guitars, and funky horns, all fueling Cas’s irresistible melodies. Meanwhile his lyrics effortlessly balance simple, spiritual truths with thoughtful reflection. Cas’s songs recognize the complexities of life—love, family, worldly troubles and uncertainties—but always come back to the central message of connection.

It’s the journey that matters; Cas is aiming for success on his own terms. "If I’m not doing it authentically then I don’t want it," he says. His only goal: "To authentically express myself and help others do the same. Because it’s a sweet life to be able to do that."

Catch Cas Haley at the Fox Theater in Boulder on December 1st, 2010.

Beats Antique Debuts At #2 On Electronic iTunes Charts

Exotic electropop/fusion/gypsy hip-hop act Beats Antique, a band with roots in bellydance, performance art and electronic music, celebrates its new release with a live concert webcast.

The webcast concert for Blind Threshold’s iTunes release is Tuesday, Sept. 14 at 7 p.m. PT/10 p.m. ET, broadcast from the campus of Ex'pression College for Digital Arts in Emeryville, CA. Hosted by CreativeAllies.com, an online design community that lets anyone submit art in official contests for artists like M.I.A., OK Go, Amanda Palmer, Jack Johnson and Thievery Corporation, the webcast is free and open to the public.

Beats Antique has performed at Lollapalooza, the Austin City Limits festival and Outside Lands, and has toured with Bassnectar and Les Claypool of Primus. The new release, Blind Threshold, contains violins, laser-guided harmonica from Blues Traveler frontman John Popper, and vocal tracks ranging from restless pop from singer-songwriter LYNX to the Eastern European folk melodies of Eva Salina.

Blind Threshhold is released in CD form on Antique Records on October 12.

--

US Tour:

9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion

11/14 - Winnipeg, MB - Crescent Wood United Church

Beats Antique Play DENVER At Ogden Theatre

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2 major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised

US TOUR:

8/21 - Stephentown, NY - Bella Terra Music Festival
8/28 - Eugene, OR - McDonald Theatre
9/10 - Clarks Grove, MN - Harvestfest - Harmony Park
9/11 - Minot, ME - 1st Annual Dankfest
9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion

Beats Antique To Release New LP Blind Threshold

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francsico’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.

US TOUR

8/18 - Las Vegas, NV - Wasted Space
8/20 - Sheldon, VT - Liberate Music And Arts Festival
8/21 - Stephentown, NY - Bella Terra Music Festival
8/28 - Eugene, OR - McDonald Theatre
9/10 - Clarks Grove, MN - Harvestfest - Harmony Park
9/11 - Minot, ME - 1st Annual Dankfest
9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion 11/14 - Winnipeg, MB - Crescent Wood United Church

EOTO, MiMOSA and MartyParty Unite for 11 Day Tour

The west coast is about to experience its first bass driven earthquake as three of the nation's top live electro, dubstep and glitch and producers join together for their first combined tour. The 11-day circuit will kick off this September in San Diego and will make its way up the coast featuring electronica artists EOTO, MiMOSA and MartyParty. Listeners can expect to be transported into another space and time with the sound and fury of the most respected dance music produced live on the scene today.

Electronica music does not have humble roots. Since its inception, the driving beats have moved bodies with a tribal-like abandon; inspiring colorful dance parties with almost a trance-like effect. New technologies have given birth to entire genres of musical sub-cultures - though none have seen such significant growth as the DubStep and Glitch categories are experiencing today. Built on unusual time signatures, clipped segments of samples and occasional vocals the genre favors dark, experimental themes laced with break beats and heavy bass.

Embracing cutting edge techniques combined with live on the spot looping, EOTO is pioneering a whole new approach to this emerging genre of dance music. The duo creates samples in real time by playing; cutting and mixing every sound live before the audience. Using nothing pre-recorded they blend an array of live instruments including vocals, keyboards, bass, guitar, hand drums and a full drum kit as they twist and loop each sound into music that would easily suit a soundtrack for a sci-fi movie. With leagues of sold-out theater performances in 2009 and a seemingly endless tour, EOTO fine-tunes their approach and skill with each and every show, leaving the next performance more unique then the last.

Mimosa has made a distinct mark on the west coast sound in the past two years and has become one of the top west coast exports. This young producer's energy whilst performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, Pretty Lights, Bassnectar and Flying Lotus, playing shows across the US and festivals like Coachella, Symbiosis Gathering, Burning Man and Decibel Festival. Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and ecstasy.

Since 2007 MartyParty has produced sets of original music that range from melodic instrumental hip hop to bassline oriented dubstep. MartyParty has started a movement back towards the power of the melody and the harmony in electronic composition. Song writing has always been Marty's passion instead of the typical beat style dj production. The music is a hybrid of electronic music and hip hop that together form a totally new flavor of urban beat with the hypnotic elements of electronic music and hard-hitting bass. The MartyParty live performance is an intense journey that pulls together the MartyParty songs overlaid with urban samples triggered live. The result is a true "crunky" and "hyphy" experience like no other.

Together the artists will bring earth shattering bass and driving beats to select west coast venues this fall. For more information about the artists check out: EOTO, MiMOSA and MartyParty

For more information about EOTO check out the MySpace

ON TOUR NOW

Sep 21 Moe's Alley - Santa Cruz, CA Find Tickets
Sep 22 Belly Up Tavern - Solana Beach, CA
Sep 23 Music Box - Los Angeles, CA
Sep 24 103 Harriet - San Francisco, CA
Sep 25 Wurk - Reno, NV
Sep 26 Blu Nightclub - South Lake Tahoe, NV
Sep 28 McNear's Mystic Theatre - Petaluma, CA
Sep 29 Arcata Theatre - Arcata, CA
Sep 30 Wow Hall - Eugene, OR
Oct 1 Wonder Ballroom - Portland, Oregon
Oct 2 Neumos Crystal Ball Reading Room - Seattle, WA

Bop Skizzum's New EP "Push" Now Available

Looking for a new album that inspires you to get up and get down? The 2010 Bop Skizzum release Push is now available on-line and ready for mass consumption. This short and sweet EP is pumping with ballsy rock adrenaline, singable hooks and danceable beats. It's a tasty cocktail of musical mojo that somehow manages to be both squeaky clean and grimy, laced with an addictive honey-pop sensibility that will cause it to linger in your rotation and make you crave more of what this delicious funk trio is dishing out.

Since it's founding more than ten years ago Bop Skizzum has always taken pleasure in concocting songs that enable you to blow off some steam by getting on the floor and burning it up. Screaming horn lines, block-rocking beats, and lyrics squarely stamped with Marvin Gaye's "Sexual Healing" seal of approval all point to one thing: Bop Skizzum's mission is to make you dance.

Comprised of Andy "ROK" Guerrero, Serafin Sanchez, Erin Jo Harris, and a rotating cast of the best musicians known to science, Bop Skizzum is all about making booty-shaking music in accordance with the founding fathers and mothers of funk. From the sweat-inducing grooves of James Brown and Sly and the Family Stone, the visionary jazz-soaked R&B of Stevie Wonder, the explosive pop of Prince and Michael Jackson, to the modern retro soul of Sharon Jones & The Dap Kings and Janelle Monáe. Bop Skizzum is following in these big footsteps to get your motor running any and every way it knows how.

Bop Skizzum was formed in 2000 by funk-lovers Andy "ROK", best known as the founding member and guitarist from the socio-political hip-hop rock group Flobots, and his friend, saxophone wielding sex symbol Serafin Sanchez who graduated from The University of Colorado at Boulder with a master's degree in Jazz music. NYU-trained soul-singing bombshell Erin Jo Harris was invited by ROK and Sanchez to join the duo in late 2009, and the freshly-minted trio started churning out songs like hot cakes. They enlisted the most bad-ass rhythm and brass sections available: tone master Chris Harris on bass and beat savant Tohbias Juniel on drums, along with two-man trumpet power punch Joe Ferrone and John Lake, and all headed deep into the studio to unearth their new signature sound.

Push emerged at the famed Blasting Room Studios in northern Colorado under the supervision of award-winning master engineers Jason Livermore and Andrew Berlin, best known for their work with gold-record-selling rock bands like Rise Against and cult favorite bands like NOFX and Alkaline Trio, to name a few. The final result is a meaty slab of party-starting funk & roll sliced and diced in the tradition of the original founders of funk, served up with a colossal helping of cojones grandes. The five-song Push EP was released to a score of hungry fans in May 2010, garnering good reviews and grabbing the attention of the Denver music scene like never before.

From the roaring guitar and blaring brass of "Prove It To You" to the soaring, soul-crushing vocals of their sole ballad, "What I Wanna Hear", to the heart-thumping bass and bone-breaking beats of the title track, Push is guaranteed to get anyone with an ounce of soul and a pulse shaking their tail feathers and banging their heads.

The new album is now available for download on iTunes, Amazon, emusic and all other on-line outlets as well as on www.bopskizzum.com. Be on the lookout for updates on the band including concert appearances along with the band's video segments outlining their mission to save the funk at www.savethefunk.org.

Select Concert Dates:
Friday, June 11, 2010
Gothic Theatre (EP Release)

3263 South Broadway
Englewood, CO
All Ages $5/$8 9pm

Saturday June 19, 2010
Westword Music Showcase @ Opal

100 East 9th Avenue
Denver, CO
All Ages $15 1pm

Friday, July 23, 2010
Skyline Park Summer Concerts

16th Street Mall & Arapahoe
Denver, CO
All Ages Free 12pm

Tuesday, July 27
Red Rocks Amphitheatre

Film on the Rocks
Morrison, Colorado
All Ages $10 7pm

August 4th
Elway's Summer Concert Series

6:30pm
Denver, CO
All Ages
Free

Sunny Ade & His African Beats @ Boulder Theater

King Sunny Ade, sometimes also called the Minister of Enjoyment, was born in Oshogbo, Nigeria in 1946, the son of a Methodist minister. He began his musical career when, after dropping out of grammer school, he drifted to Lagos and joined a highlife band. Inspired by the music of I.K. Dairo, he joined the Rhythm Dandies, led by Moses Olaiya (later known as Baba Sala, Nigeria's preeminent funny man and a prolific film maker). King Sunny was influenced by the legendary Tunde Nightingale (early Juju pioneer extraordinare) and borrowed stylistic elements from Nightingale's 'So wa mbe' style of juju.

In 1966 he formed his own band, the Green Spots. After a long eight years in which they recorded 12 LPs for the Nigeria-Africa Song label, in 1974 he entered into increasingly annoying contract hassles and a public court case. This experience prompted him into forming his own recording company linked to Decca Records. At this time he changed the name of his band to the African Beats.

King Sunny Ade and The African Beats tour with the typically large African line-up of 20-30 members. They play a spacey, jamming sort of Juju, characterized by tight vocal harmonies, intricate guitar work, backed by traditional talking drums, percussion instruments, and even adding the unusual pedal steel guitar and accordian.

Sunny Ade & His African Beats will play the Boulder Theater on April 30th, 2010.   Click here for more information or to purchase tickets.

NOTE: This show has been cancelled.

Beats Antique New EP: Contraption Vol. 1

Growing like wildfire under the canopy of live electonica and world roots music comes Beats Antique, a masterful merge of modern technology, live instrumentation and seductive performance. After only 2 and half years performing as a cohesive force, the group has just self released their third album, Contraption, Vol.1 which marks the first in a two-part EP series.

beats-antiqueThe seven-track EP is dance-floor ready, infused with orchestral textures and a worldly flare that has fans clamoring for more. Using only word-of-mouth marketing, Beats Antique’s new tracks have over 700 paid downloads and 20,000 plays on the EP in the first week of their self-release. There is no doubt that the merge of old world instruments and live producing is on the rise and Beats Antique is leading the way.

Beats Antique combines the sounds of the Middle East with the styles of hip-hop, brass band, downtempo, glitch and dubstep in a new collage of music that is mixed and broken down with clever breakbeats for an adept international flair. Beats Antique is producing an un-charted style of music by adding live horns, accordion, glockenspiel, viola, string quartets, kalimba, clarinet and various unusual instruments to their big beat arrangements.

Born of Oakland, CA, the musical trio consists of producers, David Satori, Sidecar Tommy and world-renowned belly dance performer/producer Zoe Jakes, who helped inspire the thematic Middle East tempo of the band.

Coming off a landmark tour in the US and UK in support of their previous release, "Collide" on CIA (Miles Copeland’s new label, previous manager/producer of The Police, REM, etc.) "Collide" has reached the Top 10 list of most downloaded artists under Middle East and World Dance and the Top 20 most downloaded electronica albums on Amazon.com. Beats Antique returned to the states with an imagination full of new material ready to be released around the world. Their latest EP, Contraption Vol. 1 available for download only features an array of styles including a free track and collaboration with famed hammered dulcimer player Jamie Janover and hip-hop, beat boxer vocalist mastermind LYNX.

For more information on live performances and to see updated dates, please check out MySpace or Website

July 31 – Faerie Worlds – Eugene, Oregon
Aug. 15 – Beloved Festival – Tidewater, Oregon
Aug. 31 – Burning Man – Blackrock City, Nevada
Sept. 12 – Monolith Festival – Red Rocks, CO
Sept. 19 – Symbiosis Gathering – Yosemite National Park, CA