Dale Earnhardt Jr. Jr. Releases Second Installment of Their My Love Is Easy Remixes

Detroit duo Dale Earnhardt Jr. Jr. have announced their forthcoming remix EP, My Love Is Easy: Remixes Pt. 2, the follow up to My Love Is Easy: Remixes Pt. 1. Featuring remixes by Memory Tapes, Tiger & Woods, Pictureplane and more, My Love Is Easy: Remixes Pt. 2 includes original tracks from their acclaimed debut LP, It's A Corporate World noted by Pitchfork as "so well-engineered and aerodynamic" and is set for a November 15 release.

Kelli Scarr Announces US Fall Tour / To Play The Woodstock Farm Animal Sanctuary Benefit

Kelli Scarr's interest in music and recording started early, at the age of three with her Nana using a handheld cassette recorder to record her singing. Growing up amongst the soundtrack of her parent’s records and singing in the Lutheran church of her hometown, music quickly became an important part of Kelli Scarr’s life.

After high school she moved to Boston, Massachusetts to study voice at Berklee, and she soon joined the band Moonraker.  Following college, Kelli, along with Moonraker, moved to Brooklyn, NY where they were thrown head first into the ever-expanding indie scene, opening for bands like the Arcade Fire and Broken Social Scene.

After several years of touring and three albums, the band dissolved in 2005 and Kelli started to shift her musical focus more towards film scoring, composing the score for Matthew Nourse’s full-length feature, “The Pacific and Eddy” and Jeremiah Zagar’s documentary, “In a Dream” (HBO).  Kelli soon found herself nominated for best original score for, “In A Dream” by the Cinema Eye Honors alongside fellow nominees Nick Cave and Danny Elfman. It was also during this time that Kelli joined Brooklyn-based alt indie group, Salt and Samovar.

During an almost accidental bill sharing, Kelli was noticed by local NYC musician, Moby. After striking up a friendship, Kelli and Moby were soon working on music together with Kelli singing the title track of Moby’s haunting and introspective 2009 release, “Wait For Me” (Mute). Kelli also quickly joined Moby’s touring band for a world tour to support the critically acclaimed album. On top of singing and playing keyboards within Moby’s band, Kelli was also asked to open the shows, playing her own music in supporting slots for Moby and winning over crowds all over the world.

Amidst all of the transitions and touring, Kelli had begun recording songs on her own. She began simply by recording quiet piano songs at home in between working her hospital day job and in brief moments to herself during her three year old son’s naps. From what began as a simple process Kelli quickly found herself with a collection of recordings that spanned the world, two and a half years and included a diverse cast of musicians, engineers and producers.

The themes and inspiration for her music ranged from the once small gold rush town of Folsom, CA, now turned suburban sprawl, to the raising of a child and the wishes of a parent. For a majority of the record the songs acted as a therapeutic release and moment of reflection for the relationships in her life and the struggle to find peace within them. Along with these moments of self-release, her songs captured the images of her childhood and reflected everything from scenes of driving through California to the memories of her favorite childhood movies like Alice in Wonderland and The Wizard of Oz.

After a long and exhausting two and a half year process Kelli had a record of mainly home recordings, which she named, “Piece”; a name she adopted early on with the advice of friend and filmmaker Matthew Nourse, to help her visualize the album as a “snapshot in time” within an otherwise hectic time.

In the end “Piece” reflected a large portion of Kelli’s life and those around her. From the sounds of her creaky upright piano and midnight acoustic recordings to the whimpers of her son waking up from a nap in the next room, “Piece” captured an extremely personal journey, providing a photo album's worth of lush images. “Piece” will be released on August 10th, 2010 as the debut for indie start-up label, Silence breaks.

California '66 Revue tour brings Electric Prunes, Love & Moby Grape

Three premiere bands of the Los Angeles psychedelic era of the late ’60s will join forces August 4-18, 2009 for the California ’66 Revue tour. The Electric Prunes, Love and, for the April 12-18 dates, Jerry Miller from Moby Grape will bring the spirit of Sunset Strip and San Francisco in the late ’60s up the East Coast and into Canada and the Midwest.

Miller joined the tour when Sky “Sunlight” Saxon of The Seeds, originally booked, passed away unexpectedly on June 25. The tour will continue in Saxon’s memory.

According to promoter Patrick Hand, “A major reason I'm promoting this tour is that the Electric Prunes are the best rock band in the world right now. Just listen to 'Feedback.' They sound like 20-year-olds. The Electric Prunes are the only band from the 1960s who are putting out better music now than then.  And the music they put out then was pretty damn good.”

The current incarnation of Love is led by Johnny Echols, lead guitarist in the classic 1966-68 lineup, and will be backed by Baby Lemonade, the latter-day psychedelic L.A. band that accompanied Love founding member Arthur Lee from 1993 until his 2005 death. Jerry Miller will perform songs from his tenure with Moby Grape as well as other eras of his 50-year recording career.

The tour begins in August 4 at Johnny Brenda’s in Philadelphia and ends on August 18 at the Birchmere outside Washington, D.C. Other tour cities include New York, Chicago, Toronto, Montreal, Cleveland, Detroit, Philadelphia and Pittsburgh.

love“We wanted to do a few shows in intimate venues to see if there is still interest in this genre, and we’ve already passed that test,” adds Hand. “If the public is as enthusiastic in attending the shows as the clubs have been in booking, then I have no doubt we’ll be back on the road again, in the West Coast and the U.K.”

About the artists:

The Electric Prunes: In 1966, a sonic blast of feedback, tremolo and fuzz emerged from the confines of a Los Angeles garage. The Electric Prunes’ electrifying single “I Had Too Much To Dream (Last Night),” widely recognized as one of the first psychedelic hit records, heralded a transition period in popular music. Their combination of psychedelia and bluesy grit offered a unique auditory experience that was a far cry from the pop music popular at the time. A cut from the band’s Mass in F Minor concept album was selected for the soundtrack of the classic road movie Easy Rider. Unlike many of their contemporaries, the Electric Prunes were capable of reproducing their distinctive recording sounds in live performances. They continue to perform across the world, stewarded by founding members Mike Tulin and James Lowe.
• Love: Led by the late singer/songwriter/guitarist Arthur Lee, this interracial Los Angeles band was among the most influential and original of its era. Love’s creative impact on other artists from the mid-’60s right up to this very day outweighs the commercial success of their brief but highly productive heyday. The 1967 epic Forever Changes, a suite of songs using acoustic guitars, strings and horns recorded while the band was falling apart as the result of various abuses, is widely cited as one of rock’s all-time greatest albums. Since Arthur Lee’s death in 2005, the legacy of Love has been carried forward by its founding guitarist/songwriter Johnny Echols along with Baby Lemonade.
Jerry Miller, who Eric Clapton is reported to have called the “best guitar player in the world,” is best known as the lead guitarist in late ‘60s San Francisco three-guitarist band Moby Grape, which signed to Columbia and recorded four albums between 1966-69. He co-wrote with member Don Stevenson the classics “Hey Grandma” (covered by the Move) and “Murder in My Heart for the Judge” (covered by Three Dog Night and Lee Michaels.) Earlier in his career, Miller played with Bobby Fuller in his predecessor band to the Bobby Fuller Four. Following the Grape’s 1970 dissolution, Miller joined two Grape bandmates in the Rhythm Dukes, and later shared the stage with Jimi Hendrix, The Doors, Eric Clapton, Taj Mahal and Robert Plant. Originally from the Pacific Northwest, Miller is once again based in his hometown of Tacoma.

Tuesday, August 4 PHILADELPHIA, PA Johnny Brenda’s
Wednesday, August 5 HOBOKEN, NJ  Maxwell’s
Thursday, August 6 FAIRFIELD,CT Quick Center; benefit for WPKN-FM radio (with guests the Blues Magoos)
Friday, August 7  CAMBRIDGE, MA  Middle East
Saturday, August 8 MONTREAL, QU  Theater Plaza; affiliated with the “Teenbeat Takeover Woolly Weekend.”
Sunday, August 9 NEW YORK, NY  B.B. King’s
Monday, August 10  FOXBORO, MA  Patriot’s Place
Wednesday, August 12 CHICAGO, IL  Double Door*
Thursday, August 13 MILWAUKEE, WI Shank Hall*
Friday, August 14 TORONTO, ON  Lee’s Palace*
Saturday, August 15 DETROIT, MI  The Magic Bag*
Sunday, August 16 CLEVELAND, OH  Beachland Ballroom*
Monday, August 17 PITTSBURGH, PA  Hard Rock Café*
Tuesday, August 18 ALEXANDRIA, VA (DC AREA)  Birchmere*

* denotes dates with Jerry Miller from Moby Grape on bill.