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Newport Folk Fest Returns to Fort Adams State Park | JULY 30 - 31

An exciting mix of folk music's founding voices and modern favorites highlights the 52nd edition of the Newport Folk Festival ® when it returns to Newport's Fort Adams State Park July 30-31, it was announced today by the Newport Festivals Foundation, the recently-formed 501 (c)(3) non-profit organization which produces the event.

Tickets go on sale worldwide on Thursday, March 31, at 10:00 am at www.newportfolkfest.net.

The Newport Folk Festival welcomes Alex and Ani, a celebrated eco-friendly jewelry and lifestyle brand, as sponsor of the Harbor Stage.  Located at its new world headquarters, Chapel View, in Cranston, RI, with its flagship store at Newport’s Bowen’s Wharf, Alex and Ani also will create limited edition charms that will be introduced and available exclusively at the 2011 Newport Folk Festival and Newport Jazz Festival.

The Newport Festivals Foundation continues to build on the festival’s historic past by featuring emerging young artists alongside some of folk music’s most venerable names. This year’s festival features: The Decemberists, Emmylou Harris, Elvis Costello, Gillian Welch, Amos Lee, Earl Scruggs, Ramblin' Jack Elliot, Gogol Bordello, M. Ward, Wanda Jackson, Mavis Staples, Tegan & Sara, The Felice Brothers, Carolina Chocolate Drops, Justin Townes Earle, Delta Spirit, Middle Brother, The Wailin' Jennys, Freelance Whales, The Secret Sisters, Trampled by Turtles, The Civil Wars, The Head & The Heart, Pokey LaFarge & The South City Three, The Cave Singers, What Cheer? Brigade, Mountain Man, David Wax Museum, Devil Makes Three, Song Circle with Dar Williams Ellis Paul John Gorka & Liz Queler, Typhoon, The Seeger Clogging All-Stars, The Ebony Hillbillies, BrownBird, River City Extension and PS 22. A Friday night event is under consideration and more artists will be announced at a later date.

Often likened to “coming home” to the very roots of the folk-music tradition, the Newport Folk Festival is an annual favorite of fans and musicians alike. The laid back, at home feel has been known to inspire artists' spontaneous, on-stage sit-ins as well as unforgettable, once-in-a-lifetime, impromptu performances throughout the festival grounds.

“In an age when it's increasingly common to see tour buses roll on to the next gig as soon as sets end, artists linger at this festival, sometimes for the whole weekend, just to hang out or sit in,  creating an annual, defacto Folk summit by the sea,” said Jay Sweet, Folk Festival co-producer.  “The goal, as always, is to serve the Festival's musical heritage, which to me is paying respect to older groundbreakers while championing young chance takers. This is Newport's blueprint, written by George Wein and Bob Jones, who along with co-founder Pete Seeger, often remind me that folk music is, and will always be, a living tradition, constantly evolving.  As long as we stay true to this simple credo, we'll be around another half century and beyond.”

George Wein, President of the Newport Festivals Foundation and Producer of the Newport Folk and Jazz Festivals, added, ”One of the best elements to a festival is the mingling of musicians, sounds and spirits, and this year’s edition of Newport Folk strongly builds upon the tradition that Pete and I first set into motion in 1959. The Festival touches people around the world, but I couldn’t be prouder of our new relationship with Rhode Island’s own Alex and Ani as well as the exciting artists who have Rhode Island roots such as What Cheer? Brigade, David Wax Museum and Brownbird.”

Wein has found Newport to be a scenic and hospitable venue for presenting the very best of this country’s blues, roots, gospel, country, bluegrass, Cajun and traditional folk music. This year's edition once again pays tribute to the great performers who wrote the proud history of this festival, including Ramblin’ Jack Elliot, Mavis Staples and Emmylou Harris.

As in recent years, the festival continues to welcome the next wave of folk voices, including The Decemberists, Gillian Welch, The Head & The Heart, Middle Brother, and last year's festival darlings, David Wax Museum. After winning a fan contest to claim a spot in last year's Newport Folk Festival, David Wax Museum went on to increased national exposure and a Boston Music Award for Americana Artist of the Year. The Decemberists return after performing at the Festival's 2009 edition, this time backed by their 2011 studio release, The King is Dead. Elvis Costello, the prolific English singer-songwriter with an almost cult-like following, makes his sophomore trip to the Newport Folk Festival.

TICKETS & OTHER INFORMATION

Tickets for the Newport Folk Festival go on sale Thursday, March 31, at 10:00 am on-line, by phone and by mail. General admission tickets (single-day passes only) also can be purchased in person at the Newport Visitor Information Center, located at 23 America’s Cup Avenue.  There will be a festival office in the Newport area where tickets can be purchased in person at a later date.  For general information, craft vendor information or to leave a message for festival staff, call the festival hotline at (401) 848-5055.  For more information, log on to www.newportfolkfest.net.

The 2011 Newport Folk Festival line-up features:

SATURDAY, JULY 30 ~ 11:30 am – 7:00 pm

Fort Adams State Park, Harrison Avenue

The Decemberists

Gillian Welch

Earl Scruggs

Gogol Bordello

Ramblin’ Jack Elliott

Tegan & Sara

Mavis Staples

The Felice Brothers

Delta Spirit

Freelance Whales

Pokey LaFarge & The South City Three

What Cheer? Brigade

The Devil Makes Three

Song Circle with Dar Williams, Ellis Paul, John Gorka & Liz Queler

The Wailin’ Jennys

Typhoon

The Ebony Hillbillies

River City Extension

PS22 Chorus

SUNDAY, JULY 31 ~ 11:30 am – 7:00 pm

Fort Adams State Park, Harrison Avenue

Emmylou Harris

Elvis Costello (Solo Acoustic)

Amos Lee

M. Ward

Wanda Jackson

Carolina Chocolate Drops

Middle Brother

Justin Townes Earle

The Secret Sisters

Trampled by Turtles

The Civil Wars

The Head and The Heart

The Cave Singers

David Wax Museum

Mountain Man

The Seeger Clogging All-Stars

BrownBird

National Jazz Museum in Harlem Events, April 2011

The National Jazz Museum in Harlem cordially invites you to our April public programs, which we promise will warm your hearts as much as the weather of spring brings miles of smiles to your face.

Our bi-weekly discussion series first features flutist/saxophonist James Spaulding and then composer Maria Schneider, who will be premiering a large-scale works at Carnegie Hall in May. We continue in the spirit of celebration for our once-a-month Jazz for Curious Readers session, focusing on drummer Art Taylor's classic book of interviews, Notes and Tones.

For live performances, we direct you to The Rubin Museum's cherrywood-lined acoustic performance space, where Fred Hersch will play solo piano, and Scott Robinson will lead a quartet the likes of which you've never seen -  before for Harlem in the Himalayas. The Players Club is yet another beautiful setting for jazz players, which is why we point to this month's show by the National Jazz Museum in Harlem All Stars!

On the West Coast, at Stanford University, Executive Director Loren Schoenberg will lead a special class of Charles Mingus on film. And right here, at the Visitor's Center of the museum, we feature classes on the role of the rhythm section in jazz, from the 1930's to the 60's, in four Jazz for Curious Listeners sessions as well as our Saturday Panel, in which the Jonathan Batiste Trio will swing for you, and explain it at the same time.

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Friday, April 1, 2011

Harlem in the Himalayas

Fred Hersch, solo piano

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Pianist and composer Fred Hersch has been called "one of the small handful of brilliant musicians of his generation" by Downbeat and has earned a place among the foremost jazz artists in the world today. From the late 70's onward as a sideman to jazz legends including Joe Henderson, Art Farmer and Stan Getz, he has solidified a reputation as a versatile master of jazz piano, as well as a relentlessly probing composer and conceptualist. His career as a performer has been greatly enhanced by his composing activities, a vital part of nearly all of his live concerts and recordings May of 2011 will see the premiere of My Coma Dreams for actor/singer, animation/multimedia and mixed ensemble. Hersch is considered to be the most prolific and widely-praised solo jazz pianist of his generation. Palmetto has just released Alone at the Vanguard which documents his second solo engagement at the legendary club.  An early review in All Music Guide calls it "a once-in-a-decade album that will stay with you long after the final track fades out."

Don't miss this opportunity!

Monday, April 4, 2011

Jazz for Curious Readers

Art Taylor: Notes and Tones, a celebration
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor asked his subjects hard questions about the role of black artists in a majority white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with some of the most influential jazz musicians in jazz—including: Thelonious Monk, Erroll Garner, Elvin Jones, Nina Simone, Miles Davis, Dizzy Gillespie, and Dexter Gordon.

Arthur Taylor drummed with Coleman Hawkins, Bud Powell, Sonny Rollins, Charlie Parker, Miles Davis, John Coltrane, Thelonious Monk, and dozens of others. He was called ”one of the great drummers to come out of the fertile Harlem bebop scene” (New York Times) and ”one of the best bandleaders living or dead” (Village Voice). His band, Taylor’s Wailers, recorded several albums, and was based in New York City up until Taylor's death in 1995.

Tuesday, April 5, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Count Basie's All American 4

The Count Basie Orchestra's All American rhythm section appropriately initiates our focus this month on great rhythm sections. Basie (piano), Walter Page (bass), Jo Jones (drums), and Freddie Green (guitar) together perfected what, after Louis Armstrong's style modeled it, became known as swing. From the mid-30's to early 40's, the Count Basie Orchestra popularized this feeling, contributing to the period of American history called the Swing Era. These four men blended into a "cohesive whole greater than the sum of its parts," as Loren Schoenberg, Executive Director of the National Jazz Museum in Harlem put it in The NPR Curious Listener's Guide to Jazz.

We invite you to swing on through to our Visitor's Center for this free event in which the sounds of Lester Young and the All American rhythm section will reign once again.

Thursday, April 7, 2011

Harlem Speaks

James Spaulding, flutist/saxophonist

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

James Spaulding has established his reputation as a masterful soloist for ensemble performances, and for many years was among the busier sidemen for Blue Note Records. An exceptional saxophonist and flutist, he is one of the many fine artists to come out of the Indianapolis, Indiana area. James is a modernist, with solid roots in classical jazz; his saxophone style is an extension of the Charlie Parker influence, but his overall concept incorporates much of the broad jazz saxophone heritage.

Spaulding's musical training started early, as he came from a musical family in his place of birth Indiana (his father was a professional musician who played the guitar and led his own big band, traveling throughout the country). Jamesbegan playing a bugle when he was in grade school. He later took up the trumpet and saxophone on his own, and while in high school studied clarinet. He made his professional debut playing around Indianapolis with an R&B group.

From 1954 to 1957, Spaulding was in the army playing in service bands. When he was discharged, he settled in Chicago where he performed in clubs leading his own group, and had a stay with the Sun Ra Orchestra. He also furthered his flute studies there at the Chicago Cosmopolitan School of Music. In 1962, he arrived in New York City, and subsequently was associated with notables such as Freddie Hubbard, Bobby Hutcherson, Max Roach and the Ellington Orchestra.

In 1975, he received a bachelor's degree in music from Livingston College in New Jerseywhere he taught flute as an adjunct professor. James' daughters, Gina and Yvonne Spaulding were on the cover of his very first recording: The Legacy of Duke Ellington, recorded in 1975. Mr. Spaulding's range of performance experiences extends nationally and internationally, from the concert stage to jazz clubs to colleges and street fairs. His original music, a suite entitled "A Song of Courage," was performed by him with full orchestra and choir at the Voorhees Chapel at the RutgersUniversitycampus from funds awarded him by the National Endowment for the Arts. He has been recorded on over 100 recordings.

Sunday, April 10, 2011

Special Event: Mingus on Film with Loren Schoenberg

Sunday, April 10, 2011 | 2:00pm
Cantor Arts Center, Stanford University | FREE

Loren Schoenberg, Director of the National Jazz Museum in Harlem, concludes the Remember Mingus series with an afternoon of rare film footage, live concert clips, and lively discussion about Charles Mingus’ music, life and legacy.

Tuesday, April 12, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Duke Jordan/Tommy Potter/Max Roach

After Charlie "Bird" Parker and Dizzy Gillespie parted ways on the bandstand, Bird formed a quintet featuring Miles Davis and Jordan (piano), Potter (bass) and Roach (drums). Although they maintained the swing of their forebears as heard in last week's class, the way they dealt with accents and tempo transformed to perform the style that became known as bebop. Join us to hear the sonic transformation that revolutionized jazz.

Wednesday, April 13, 2011

Jazz at the Players

Melba Joyce and The National Jazz Museum in Harlem All Stars 7:00pm

Location: The Players

(16 Gramercy Park S. | get directions)
$20 | Reservations: reservations@theplayersnyc.org or 212-475-6116

If you've never been to the elegant setting of The Players, we urge you to reserve a seat asap, because the down-home swing of the National Jazz Museum in Harlem All Stars will make you tap your feet with glee, most happily, and swing your troubles away.

Melba Joyce was born in Dallas, Texas where she grew up under the warm and instructive musical influence of her mother and grand-parents.  Her father, Melvin Moore, a prominent vocalist with the jazz and swing bands of his era (including Dizzy Gillespie, with whom he toured and recorded )was also one of Melba's influences. After her family moved to Los Angeles, Melba was immediately noticed by musicians and soon found herself opening for such renowned artists as Miles Davis, Freddy Hubbard and Smokey Robinson & the Miracles.

Melba tirelessly toured the war-torn fields of Vietnam to entertain the troops at the height of that horrid conflict, an experience that raised her social conscience to new heights.  When Melba returned, she was appointed panelist for the Congressional Black Caucus of Women in Jazz Forum. She produced the first Women in Jazz Festival at Harlem's Schomburg Center for Black Culture; and became a principal in the Day of the Child Series for UNICEF.  With funding from the National Endowment for the Arts, Ms. Joyce produced Jazz For Special People, a musical education series for the handicapped.

In 2008, The Central Park Conservancy presented Melba with a very special recognition through the City of New York for creating and producing The First Women's Jazz Festival. The program, held in Harlem at the park's Dana House, featured  Kunle Abodunde reading of a chapter from his unreleased book.  During Melba's tour assignment in Nigeria as a Jazz Ambassador, Abodunde  attended her performance and being deeply impressed included a chapter in the book describing what he felt about the evening.

Her long and impressive career has spanned three decades in the company of and sharing top billing with such giants of the music world as Louis Armstrong, Sarah Vaughn, Louis Jordan, Lionel Hampton, Tony Bennett, Joe Williams, Marvin Gaye, Smokey Robinson and so many others.

Friday, April 15, 2011

Harlem in the Himalayas

Scott Robinson Quartet

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Scott Robinson, bass saxophone
JD Parran, basssaxophone
Vinny Golia, bass saxophone
Warren Smith, drums, percussion

A respected performer in all areas of jazz, from traditional to avant-garde, Scott Robinson brings audiences an unusual pairing of three bass saxophones with percussion for this raucous and soulful concert—his encore performance at the Rubin Museum. The recipient of numerous awards and fellowships, Robinson, who is known for his work on unusual and obscure styles of saxophones, has been the winner of a number ofDown Beat Critics Polls and Jazz Journalists Association awards in recent years.

Tuesday, April 19, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Red Garland/Paul Chambers/Philly Joe Jones

Miles Davis was a key member of the Charlie Parker Quintet, whose rhythm section was the focus of last week's class. This week we'll hear how Davis and other giants came into their own with the solid yet flexible support of one of the most grooving and soulful rhythm sections in the history of the idiom. The mid-50’s classics we'll listen to tonight are never old, but hearing them could make you feel younger. Don't miss it!

Thursday, April 21, 2011

Harlem Speaks

Maria Schneider, Composer

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their debut recording, Evanescence. With that recording, Schneider began to develop a highly personal way of writing for her 17-member collective, tailoring her compositions to distinctly highlight the unique voices of the group. Subsequently, the Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She has received numerous commissions and guest conducting invites, working with more than 85 groups from over 30 countries spanning Europe, South America, Australia, Asia and North America.

Schneider’s music blurs the lines between genres, and as a result, her long list of commissioners has become quite varied. They include the Norrbotten Big Band and Danish Radio Orchestra with Toots Thielemans and Ivan Lins, the Metropole Orchestra in the Netherlands (several works), Orchestra National de Jazz (Recapitulation), Carnegie Hall Jazz Orchestra (El Viento), Monterey Jazz Festival (Scenes from Childhood, Willow Lake), The American Dance Festival (for dance company, Pilobolus–Dissolution), University of Miami Concert Jazz Band (Three Romances), Jazz at Lincoln Center (Buleria, Soleá y Rumba), Los Angeles Philharmonic Association (Aires de Lando), Peter Sellars’ New Crowned Hope Festival (Vienna’s Mozart Festival–Cerulean Skies), Kronos Quartet (String Quartet No. 1) and the Saint Paul Chamber Orchestra with soprano, Dawn Upshaw (Carlos Drummond de Andrade Stories), a work that will receive its New York premiere at Carnegie Hall, May 13th, 2011, conducted by Schneider.

Schneider’s most recent work (premiering June 12th, 2011), co-commissioned by the Ojai Festival, The Australian Chamber Orchestra and Cal Performances, will blur boundaries further as it features the Australian Chamber Orchestra, Dawn Upshaw, and two musicians long associated with Schneider’s own orchestra: pianist Frank Kimbrough, and multi-instrumentalist Scott Robinson. For this work, she is incorporating poems by poet Laureate and Pulitzer Prize winner Ted Kooser, from his book ”Winter Morning Walks.”

Schneider continues to be a pioneer in funding her projects. She recently composed two works for her own orchestra with the involvement of commissioners, not from arts organizations, but directly from her ArtistShare® fan base. "Concert in the Garden" and her orchestra’s latest album, "Sky Blue" (on which Cerulean Skies was recorded) were both named “Jazz Album of the Year” by the Jazz Journalists Association and the DOWNBEAT Critics Poll.

Saturday, April 23, 2011

Saturday Panels

The Beat Goes On: The Jonathan Batiste Trio Demonstrates What The Rhythm Section does

12:00 – 4:00pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

This Saturday panel is a perfect complement to and extension of our Jazz for Curious Listener's focus on great rhythm sections. Jonathan Batiste’s Trio will demonstrate how the piano comps, the bass walks and the drums ride the cymbals, yes, but that's only the start. You'll witness, live, how the bass and drums lock-in together creating the basis for the swing; how the trio ebbs and flows and communicates non-verbally to create musical magic. Not only should this class not be missed, it's also a chance to introduce jazz music to those curious about it, but haven't heard it up close and personal enough yet to connect with it. Do them and yourself a favor!

Tuesday, April 26, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

 McCoy Tyner/Jimmy Garrison/Elvin Jones

We started in the 30's with the rhythm section fronted by Count Basie, then moved to the 40's with a foundational group of three, and thereafter transitioned to the 50's. For our last session of this month's Great Jazz Rhythm Sections theme, we land on the doorstep of a classic 60's rhythm section that supported the Great John Coltrane. McCoy's percussive style, with Garrison's booming bass, and Jones' polyrhythmic fire combined to change the course of the music yet again.

Beady Eye Add Philadelphia Date To Sold-Out North American Run

Beady Eye announce today the addition of a Philadelphia date on their first North American tour. Previously announced dates in New York, Chicago & Toronto quickly sold-out when announced earlier this month. The band (Liam Gallagher, Gem Archer, Andy Bell and Chris Sharrock) will be giving fans in Philadelphia a first live taste of their debut album, Different Gear, Still Speeding at Theater of the Living Arts on June 25th. Please see below for detailed ticketing information.

Beady Eye is currently on their sold-out debut European tour. UK daily newspaper, The Independent was at the tour kick off earlier this month in Glasgow, Scotland and remarked that Beady Eye, "sound encouragingly refreshed.... you realise watching them that Beady Eye are in the very unique position of possessing iconic impetus while being newly unchained from the weight of their past."

You can click here to see Beady Eye (and separately, eager fans as they wait to get into the venue) perform "The Roller" off their new album and live for the first time ever at Glasgow's Barrowlands on March 3, 2011.

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BEADY EYE Philadelphia TICKETING INFORMATION:

June 25 Philadelphia, PA @ Theater of Living Arts

On Sale March 25th at www.ticketmaster.com, TLA Box Office & Charge By Phone 215.922.1101

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BEADY EYE Previously Announced Dates:

June 18 Chicago, IL @ Metro SOLD OUT

June 20 Toronto, ON @ The Sound Academy SOLD OUT

June 23 New York, NY @ Webster Hall SOLD OUT

National Jazz Museum in Harlem Feb. 21 - Feb. 27, 2011

Upcoming events at the National Jazz Museum in Harlem for this week include

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Monday, February 21, 2011

* Please note the Museum will be closed in observance of President's Day.  

Tuesday, February 22, 2011

Jazz for Curious Listeners
Jazz on Film: Miles Davis
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Miles Davis on film playing trumpet with the Gil Evans Orchestra as John Coltrane waits in the wings is one of the iconic moments caught on film in the 20th century. Come view this footage, and other examples of Davis, one of the most influential artists of the 20th century, on film, and share once again in the magic of Miles’s sound and musical spirit.

Wednesday, February 23, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Jazz is not a bygone relic of a gloried past, it’s alive and well right now. Jazz does have a storied past, filled with musical giants who walked the earth, yet there are vibrant young musicians such as Jonathan Batiste who are the legends in the making. Come witness the evolution, lend him your ear, and engage him in discussion about the current state of jazz and future prospects for what Dr. Billy Taylor called “America’s classical music.”

Thursday, February 24, 2011

Harlem Speaks
Otis Brown III, drummer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)                                 
FREE | For more information: 212-348-8300
Tonight the New Jersey native Otis Brown III will bring his joyful style to Harlem Speaks in a discussion about his life and career as a jazz drummer.

Since his birth in Hackensack, NJ, Otis has traveled a path that has led to him being one of the most in demand, and well respected musicians today. Expressing an early interest in music, Otis began his musical studies at age 7; by age 12 he was playing lead alto saxophone in the school bands while playing the drums in the Baptist church.

After moving to Newark, N.J., he continued performing double duty in his school bands playing snare drum in marching band, and alto saxophone in the jazz and concert ensembles, all of which were directed by his father Otis Brown Jr. He decided to pursue his musical education in college at Delaware State University, where he met legendary trumpeter Donald Byrd, an encounter that changed his life. He spent countless hours under the wings of Dr. Byrd, who later suggested that Otis continue his studies in New York, the jazz capital. He was awarded a scholarship to attend the prestigious New School University.

Since his arrival in New York Otis has performed and toured with musicians the caliber of Herbie Hancock, Christian McBride, Eric Lewis, Ron Blake, Roy Hargrove, Frank Lacy, Jeremy Pelt, Don Braden, Marc Ribot, Adam Rodgers, Pete Malinverni, Tim Hagans, Conrad Herwig, John Hicks, Oliver Lake, Aaron Goldberg, Bob Mintzer, George Garzone, and many others.

He currently can be seen touring with the Thelonious Monk Institute’s Jazz in America initiative, in various of Joe Lovano’s ensembles, the Laurent Coq trio, the Franck Amsallem trio and quartet, the Steve Wilson quartet, the Oliver Lake Big Band, the Bob Stewart tuba project and several other musical configurations.

Download the Boulder Theater App!

The Boulder Theater is proud to offer a custom iPhone App. This App provides all of the information you need to search, preview and attend shows at The Boulder Theater in Boulder, Colorado.

Yon can download the app by clicking here.

  • Category: Music
  • Released: Jan 18, 2011
  • Version: 2.0
  • 2.0 (iOS 4.0 Tested)
  • Size: 2.0 MB
  • Language: English
  • Seller: Rage Digital Inc.
  • © 2011 Boulder Theater

The Heavy Pets Head South for Winter Tour

The Heavy Pets self-titled release was ranked in the top 10 studio albums of the year by the Huffington Post in 2010. The honor comes at the end of a highly successful year that saw both a new studio release and matching Vinyl album. The Heavy Pets will launch their first tour of the year on January 22nd with plans for an acoustic album later in 2011.

2010 was an extraordinary year for the Heavy Pets. The five piece band released their first studio recording (and coinciding vinyl album) since 2007 with burgeoning record label and Management Company, 102 Degrees. The highly acclaimed album has already received rave reviews across the nation in its short time on the market and with ample airplay the band is posed to reach great heights in 2011.

The project will set sail on their first tour of the year beginning on January 22nd including stops in Raliegh, Charleston, Poughkeepsie, Albany, Syracuse, Philadephia, New York City among others before returning to their home stomping grounds in sunny Florida.

For more information about the Heavy Pets or for ticket information check out www.theheavypets.com.  The shows will also be available for purchase from www.livedownloads.com and www.digitialsoundboard.net

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The Heavy Pets Tour Dates:

01/27/11 - Old School Square, Delray Beach, FL

01/28/11 - Skippers Smokehouse, Tampa, FL

02/24/11 -The Pourhouse, Charleston, SC

02/26/11 - The Pour House, Raleigh, NC

03/01/11 - The Mug at Vasser College, Poughkeepsie, NY

03/03/11 - Jillians, Albany, NY

03/04/11 - Java Barn, Canton, NY

03/10/11 - Wescott, Syracuse, NY

03/12/11 - The Matterhorn, Stowe, VT

03/17/11 - M Room, Philadelphia., PA

03/18/11 - Brooklyn Bowl, Brooklyn, NY

Suwannee Springfest Announces Lineup, Celebrates 15th Year

Big IV Productions is proud to announce details for the 15th annual Suwannee Springfest. The perfect way to kick-off festival season, the event will take place March 24-27, 2011 at Live Oak, Florida’s Spirit of the Suwannee Music Park. Voted “Florida’s Best Live Music Venue” in 2009 by readers of Florida Monthly Magazine, the park resides next to the historic Suwannee River and boasts over 800 acres of perfect campsites with Spanish moss covered oak and pine trees providing shade and mood. Spirit of the Suwannee Music Park is also a full service campground offering cabin rentals, RV hookups, and a wide range of amenities including a restaurant, general store, showers and bathrooms.

The critically acclaimed Suwannee Springfest will once again feature the best and brightest Americana and grassroots artists performing new and traditional folk, rock & roll, bluegrass and newgrass, alt-country and more. Confirmed talent for the 2011 fest includes: The Avett Brothers, David Grisman Sextet, Jesse McReynolds, Donna The Buffalo, Emmitt-Nershi Band, Travelin' McCourys with The Lee Boys, Jim Lauderdale, Mosier Brothers, Acoustic Syndicate, Danny Barnes, Scythian, Trampled By Turtles, Steep Canyon Rangers, Joe Craven, Pangea with Michael Kang, Larry Keel and Natural Bridge, Surprise Me Mr. Davis, The Motet, Dread Clampitt, Rowan Cunningham, Tornado Rider, Ralph Roddenbery, Greensky Bluegrass, Galen Kipar Project, Holy Ghost Tent Revival, Larkin Poe, Two Foot Level, Sloppy Joe, New 76ers, Saltwater Grass, Amy Hendrickson & the Prime Directive, Grandpa's Cough Medicine, The Whetherman and more.

2011 Suwannee Springfest Ticket Info: Early bird tickets are on sale now until January 31 for $125. From February 1–March 15 tickets will be priced at $150. From March 16-March 23 tickets will be $165. From that point on, including at the festival gates, all weekend tickets will be $180. Saturday/Sunday two-day passes (with camping) will be $145 and available only at the gate. Single day tickets will be priced as follows: Thursday: $50, Friday: $65, Saturday: $75, Sunday: $50 (single day tickets do not include camping). All weekend tickets include music, camping Thursday-Sunday nights, and all fees and taxes. For more information on Suwannee Springfest, including up-to-date lineup and ticket details, click here.

Spirit of the Suwannee Music Park is also home to other Big IV Productions, including the Blackwater Music Festival (new in 2010) and the Bear Creek Music & Arts Festival (which recently celebrated its fourth). Hosted each November, the 2010 Bear Creek Music & Arts Festival was such a huge success and attracts such a loyal group of attendees, that dates and select artists have already been announced for next year. Scheduled for November 11-13, 2011, the preliminary lineup includes Medeski, Scofield, Martin & Wood, The Funky Meters, Karl Denson's Tiny Universe, John Scofield & Piety Street, Ivan Neville's Dumpstaphunk, Lettuce, George Porter, Jr., Jon Cleary, and the Pimps of Joytime. For more information on the Bear Creek Music & Arts Festival, click here.

The annual Purple Hatter’s Ball, celebrating the life of Rachel Morningstar Hoffman, will also once again take place at Spirit of the Suwannee Music Park. The 2011 event is set for May 13 & 14. More details will be announced soon. For more information on the Purple Hatter’s Ball, click here.

National Jazz Museum in Harlem 2010 December Schedule

The National Jazz Museum in Harlem closes out 2010 in swinging style as we focus on the history, function and joy of jazz drums at Jazz for Curious Listeners and our Saturday panel. Among the drummers leading these sessions will be: Otis Brown III, Kenny Washington and Adam Nussbaum. Bassist and composer Sean Smith fronts a trio for our last Harlem in the Himalayas performance of the year, whereas the National Jazz Museum in Harlem All Stars will mambo and salsa your feet and hips, replete with grooves that'll make your holiday season complete, at the Dwyer Cultural Center.And while rhythm is most certainly our business, we also endeavor to share the stories of jazz and jazz artists with you, our patrons and visitors. So come enjoy discussions with author Ed Berger for Jazz for Curious Readers, pianist Jonathan Batiste for Jazz is Now!, and, for our flagship Harlem Speaks series, talks with pianist Mike LeDonne and saxophonist Greg Osby.

We wish you a merry and joyous holiday season, and hope the new year brings you good health and everything else your heart desires. Thanks for your support of the National Jazz Museum in Harlem.

Wednesday, December 1, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; you'll discover that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 2, 2010

Harlem Speaks
Mike LeDonne, Pianist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Mike LeDonne, born in Bridgeport Connecticut in 1956, was raised in his parent's music store and by the age of 10 his father, a jazz guitarist, began booking him on gigs. At age 21, Mike graduated from New England Conservatory and moved to New York City.

In 1981, he left to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan's, then one of New York's oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others.

In 1988 he started playing with the Milt Jackson Quartet; Milt recorded Mike's compositions and arrangements and selected him as the band's musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians (Ryan Kisor, Joshua Redman, Jesse Davis, Christian McBride, and Lewis Nash) for the Phillip Morris Superband World Tour. Around this time, Mike toured with the Newport All-Stars in lineups that also featured Harry "Sweets" Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios which have included Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Along with his many recordings as a sideman, he has five CDs on Criss Cross Jazz and three on Double Time Records, featuring music artists such as Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Peter Bernstein, Peter Washington, Mickey Roker, Eric Alexander, Jim Rotondi, and Joe Farnsworth. Mike is the co-author of Jim Snidero's Jazz Conception for Piano and Piano Comping books, on Advance Music. In 2002 Mike joined the faculty at the Juilliard School of Music. He has won praise not only from critics but from master musicians: the late Oscar Peterson picked him as one of his favorite pianists.

Friday, December 3, 2010

Harlem in the Himalayas
Sean Smith Trio
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Bassist and composer Sean Smith has been part of the international jazz scene for more than 20 years. He has appeared in many of the major jazz rooms and concert halls all over the world. He has toured extensively in North and South America, throughout Europe and the Mediterranean, and as far away as Russia, Turkey, Morocco, and Japan.

In addition to leading his own quartet, Sean has been a member of the Jacky Terrasson Trio since 2000. His work with Jacky Terrasson and Emmanuel Pahud on the EMI/Blue Note recording Into The Blue was recently nominated for a 2003 Grammy Award. Sean has performed with many jazz superstars including Gerry Mulligan, Phil Woods, Benny Carter, Flip Phillips, Clark Terry, Johnny Griffin, Lee Konitz, Art Farmer, and Tom Harrell. He has also been the accompanist of choice for such world-renowned vocalists as Peggy Lee, Rosemary Clooney, Mark Murphy, Jimmy Scott, and Andy Bey. Sean has also performed and recorded with up-and-coming vocalist Kate McGarry.

A Manhattan School of Music graduate, Sean is also a prolific composer whose works have been played and recorded by such artists as Phil Woods, Mark Murphy, Bill Charlap, Gene Bertoncini, Bill Mays, and Leon Parker. His Song For The Geese was recorded by Mark Murphy as the title track of Murphy’s RCA/BMG release, which was nominated for a Grammy Award in 1998. Sean received a Bistro Award for outstanding instrumentalist in 2007.

Sean’s first recording, Sean Smith Quartet Live! (on Chiaroscuro), featured some of his compositions and was received with outstanding reviews. Sean’s most recent recording, Poise (on Ambient), features new compositions performed by his working band.


Monday, December 6, 2010

Jazz for Curious Readers
Ed Berger, author of books on Benny Carter and George Duvivier
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Biographer and photographer Ed Berger is the Associate Director and Head of Research Services of the Institute of Jazz Studies at Rutgers University. He's a graduate of Indiana University and has a M.L.S. from Rutgers University. He is co-author of Benny Carter: A Life in American Music, Reminiscing in Tempo, and Basically Speaking: An Oral History of George Duvivier. He served as record producer and road manager for Benny Carter and will delight us this evening with anecdotes about two of the gentlemen of jazz who lit up the stages of jazz for decade upon decade with sophisticated artistry.


Tuesday, December 7, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Otis Brown III

Tonight the New Jersey native Otis Brown III will bring his joyful style to Jazz for Curious Listeners in a discussion about his favorite drummers.

Since his birth in Hackensack, NJ, Otis has traveled a path that has led to him being one of the most in demand, and well respected musicians today. Expressing an early interest in music, Otis began his musical studies at age 7; by age 12 he was playing lead alto saxophone in the school bands while playing the drums in the Baptist church.

After moving to Newark, N.J., he continued performing double duty in his school bands playing snare drum in marching band, and alto saxophone in the jazz and concert ensembles, all of which were directed by his father Otis Brown Jr. He decided to pursue his musical education in college at Delaware State University, where he met legendary trumpeter Donald Byrd, an encounter that changed his life. He spent countless hours under the wings of Dr. Byrd, who later suggested that Otis continue his studies in New York, the jazz capital. He was awarded a scholarship to attend the prestigious New School University.

Since his arrival in New York Otis has performed and toured with musicians the caliber of Herbie Hancock, Christian McBride, Eric Lewis, Ron Blake, Roy Hargrove, Frank Lacy, Jeremy Pelt, Don Braden, Marc Ribot, Adam Rodgers, Pete Malinverni, Tim Hagans, Conrad Herwig, John Hicks, Oliver Lake, Aaron Goldberg, Bob Mintzer, George Garzone, and many others.

He currently can be seen touring with the Thelonious Monk Institute’s Jazz in America initiative, Joe Lovano’s trio quartet and nonet, the Laurent Coq trio, the Franck Amsallem trio and quartet, the Steve Wilson quartet, the Oliver Lake Big Band, the Bob Stewart tuba project and several other musical configurations.


Saturday, December 11, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night with Bobby Sanabria & Quarteto Aché
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$20 | More information: info@DwyerCC.org

Bobby Sanabria - drummer, percussionist, composer, arranger, recording artist, producer, filmmaker, conductor, educator, multi-cultural warrior and multiple Grammy nominee – has performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own critically acclaimed ensembles. His diverse recording and performing experience includes work with such legendary figures as Dizzy Gillespie, Tito Puente, Paquito D'Rivera, Charles McPherson, Mongo Santamaría, Ray Barretto, Marco Rizo, Arturo Sandoval, Roswell Rudd, Chico O'Farrill, Candido, Yomo Toro, Francisco Aguabella, Larry Harlow, Henry Threadgill, and the Godfather of Afro-Cuban Jazz, Mario Bauzá.

Bobby, the son of Puerto Rican parents, was born and raised in the "Fort Apache" section of New York City's South Bronx. Inspired and encouraged by maestro Tito Puente, another fellow New York-born Puerto Rican, Bobby "got serious" and attended Boston's Berklee College of Music from 1975 to 1979, obtaining a Bachelor of Music degree and receiving their prestigious Faculty Association Award for his work as an instrumentalist. Since his graduation, Bobby has become a leader in the Afro-Cuban, Brazilian and jazz fields as both a drummer and percussionist, and is recognized as one of the most articulate musician-scholars of la tradición living today.

He has been featured on numerous Grammy-nominated albums, including The Mambo Kings and other movie soundtracks, as well as numerous television and radio work. Mr. Sanabria was the drummer with the legendary “Father of the Afro-Cuban Jazz movement,” Mario Bauzá’s Afro-Cuban Jazz Orchestra. With them he recorded three CD’s (two of which were Grammy-nominated) which are considered to be definitive works of the Afro-Cuban big-band jazz tradition. Mr. Sanabria was also featured with the orchestra in two PBS documentaries about Bauzá and also appeared on the Bill Cosby show performing with the orchestra. He also appeared and performed prominently in a PBS documentary on the life of Mongo Santamaria and on camera in the CBS television movie, Rivkin: Bounty Hunter.

Bobby and his Quarteto Aché toured Armenia in June of 2007 being personally invited by the U.S. Embassy to represent the United States in a series of concerts. Headlining in the final event, The Cascade Jazz festival in Yerevan, Armenia’s capitol, the group received a thunderous ovation from the estimated 8,000 person audience which was broadcast throughout the country. In a pre-concert press conference when asked what jazz represented, Bobby simply stated, “Freedom.“ His group has the unique distinction and honor of being the first ensemble ever to perform Latino oriented jazz in this country and spread clave consciousness in a unique master class that he held at the Yerevan Conservatory. If this weren’t enough, the ensemble performed a private concert for Armenia’s Heads of State, and President Robert Khachaturian who stated that, “I simply love jazz! Its spirit of improvisation in a collective democracy is the inspiration for my vision for Armenia."

Tuesday, December 14, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: Maysles Institute
343 Lenox Ave
New York, NY 10027
FREE | For more information: 212-348-8300
Kenny Washington

Jazz drummer and historian Kenny Washington is a repository of jazz music in story and in practice. He can tell you the history of jazz and jazz drumming, and then show you what he's talking about. Hailing from Staten Island, NY, Kenny began his career in the late '70s with Lee Konitz, and was a favorite of stalwart musicians such as Johnny Griffin, Betty Carter, and countless others. His record collection is the envy of jazz collectors, his moniker "the jazz maniac," was earned while doing deejay work on WBGO. Today, he can be found playing in the trio of pianist Bill Charlap as well as the ensemble led by legend Ahmad Jamal. And tonight he'll share the legacy of jazz drumming on film featuring Max Roach, Kenny Clarke, Ray McKinley, Papa Jo Jones, Sid Catlett, and many others, so don't miss this rare opportunity!

December 15, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; rest assured that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 16, 2010

Harlem Speaks
Greg Osby, Saxophonist     
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups for the past 20 years. Highly regarded for his insightful and innovative approach to composition and performance, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Born and reared in St. Louis, Greg Osby began his professional music career in 1975, after three years of private studies on clarinet, flute and alto saxophone. Coming from a vibrant and musical city, Osby showed an early interest in the performing arts and spent his years in secondary school with a heavy involvement in Blues and Jazz groups. In 1978 Osby furthered his musical education at Howard University (Washington, D.C.) where he majored in Jazz Studies. He continued his studies at the Berklee College of Music (Boston, MA) from 1980 to 1983.

Upon relocating to New York in early 1983, Osby quickly established himself as a notable and in demand sideman for artists as varied as Herbie Hancock, Dizzy Gillespie, Jack DeJohnette, Andrew Hill, Muhal Richard Abrams, Jim Hall and Jaki Byard as well as with many ethnic and new music ensembles in the New York area.

In 1985 Osby was invited to to join Jack DeJohnette's innovative group, "Special Edition". It was as a member of this ensemble Osby was able to fine tune the more challenging aspects of his conception in an open ended, no holds barred musical situation. Says Osby, "My musical thinking for performance and composition advanced by light years as Jack was open to my input and was very encouraging in pushing me to to maintain a steady flow of experimentation. It marked a major turning point in my development as an artist."

In 1987, Osby signed his first recording deal with a new German label, JMT (Jazz Music Today). With this situation, he felt that he was finally able to document life as he saw it through music. He had free creative reign to do whatever he liked. He recorded four CD titles for that label. Osby signed with Blue Note Records in 1990 and recorded fifteen outstanding recordings for that label as a leader. In 2008, Osby launched his own label, "Inner Circle Music", which serves as a platform for many of today's brightest artists. From the pulse of the streets and the language of a generation, Osby has sketched numerous musical essays set to a contemporary score using the improvisational nature of Jazz as the connecting thread.

On "9 Levels," his latest recording on Inner Circle Music, Osby presents his wares in a sextet format and is joined by special guests, Nir Felder, guitar; Adam Birnbaum, piano; Joseph Lepore, bass; Hamir Atwal, drums; and a welcome newcomer to the international jazz scene, vocalist Sara Serpa.

Saturday, December 18, 2010

Saturday Panels
Jazz is a Drum
12:00 - 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
LIVE MUSIC/FILM + MORE

Today's Saturday panel is a retrospective of a century of jazz drumming, including rare films, panels and live music. If you are curious about the role of the drum in jazz, or simply love the swinging groove and powerful solos of jazz drummers as they lockstep with the walking or funking bass and the comping piano, come on through and bring some other friends who'll appreciate that move.

Tuesday, December 21, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Adam Nussbaum

Adam Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for 5 years, also playing bass and saxophone as a teenager.

The multi-instrumentalist moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early eighties he continued working with John Scofield in a celebrated trio with Steve Swallow. In 1983 he become a member of Gil Evans Orchestra and played with Stan Getz as well. He later joined Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In 1987 he began touring with the Michael Brecker Quintet. In 1988 they recorded the Grammy winning "Don't Try This At Home" During 1992 he was part of the Carla Bley Big Band and that same year John Abercrombie hired him to complete his organ trio.

Since then he has kept active in a wide variety of groups. Among them a recently formed quartet 'BANN' with Seamus Blake, Jay Anderson & Oz Noy, A co-op quartet "NUTTREE" with Abercrombie, Jerry Bergonzi & Gary Versace, The James Moody Quartet, 'We Three' w/ Dave Liebman & Steve Swallow, Eliane Elias Trio, 'Playing in Traffic' w/ Steve Swallow & Ohad Talmor and also busy maintaining an active freelance schedule. Adam has taught as an Adjunct professor at New York University, the New School and State University of New York at Purchase. He also does clinics and master classes around the world.

And today, free, you can have your own master class with a master of jazz drumming.

Conscious Alliance Announces Holiday Meal Drive & Toy Collection

As the holidays approach and the spirit of giving swells, Boulder, Colorado-based national nonprofit Conscious Alliance announces the 7th Annual Holiday Meal Drive this Thanksgiving Season, taking place November 18-24, 2010. Conscious Alliance has been hosting food drives at concerts and sporting events since 2002, collecting and distributing nearly 1,000,000 pounds of food to impoverished Native American Reservations.

Last year, Conscious Alliance’s Holiday Meal Drive collected enough food to distribute over 1,500 holiday meal boxes to Native American households at Lame Deer Reservation in Montana, Pine Ridge Reservation in South Dakota, and Houma Reservation in Louisiana. This holiday season, Conscious Alliance hopes to feed more than 10,000 families through donations and it’s easy to help. A donation of $15 or more will provide dinner for a family this holiday season and only $30 or more will feed an individual for an entire week. For more information or to make a donation, visit here.

Conscious Alliance concentrates much of their efforts on Pine Ridge Reservation in South Dakota, where the average median income is under $3,000. Many families in this region struggle to provide food and heat for their households. Native American youth are particularly affected by the poverty in Pine Ridge, where one-fourth of the population is under the age of eighteen. Not forgetting the children in these impoverished families, Conscious Alliance will host a toy drive too – this year at the November 7, 2010 Yo Gabba Gabba! Live! performance at Broomfield, Colorado’s 1STBANK Center.

All toys collected at Kia Motors Presents Yo Gabba Gabba! Live!: There’s A Party In My City! will benefit the youth of this area and be distributed during the holiday season. It is recommended all donations at Yo Gabba Gabba! Live! are a new stuffed animal valued at $10 or more.

To find out more information or to make a donation, visit here.

MoogFest 2010 Announces Late Night Lineup: Javelin, Pnuma Trio, MartyParty & More

The countdown to MoogFest 2010, the extraordinary three-day festival that celebrates the innovative spirit of sonic pioneer Robert Moog, during Halloween weekend, Oct. 29 – 31 in downtown Asheville, NC, is officially underway! With just under three weeks to go, it’s time to start preparing your costumes! Extra treats for Moog-inspired disguises. As the, ahem, Moog-ster Mash draws near, AC Entertainment has rounded out the ultimate lineup, including many special late night performances to be held at Club 828 and the Moogaplex. It’s going to be a scream!

Friday’s MoogFest additions include Javelin, Star Mountain, Lorn and Paper Tiger, plus the MoogFest exclusive, Dan Deacon’s Ambient Analog Moog Set. Saturday welcomes Alex B, The Volt Per Octaves w/ Special Guest Bernie Worrell, Nosaj Thing, Projek Moog w/ Brian Kehew, Pnuma Trio, Strut & Friends Perform “Check Your Head”, RBTS Win, Virtual Boy and DJ Bowie. And Sunday will now feature Dark Party, Shout Out Out Out Out, Headtronics, MartyParty, Mindelixir, THUMP, Dâm-Funk DJ Set, Gramatik and Michael Menart.

In addition to the Red Bull Music Academy Moog Workshops and Panels, MoogFest has announced the addition of a fine arts component to the festival weekend. SYNTH: A Group Art Show Inspired by Bob Moog is a showcase of hand made limited-edition prints inspired by Bob Moog’s legacy. Confirmed artists and more information can be found here.

MoogFest 2010 tickets are on sale now. To purchase weekend passes or single day tickets and for more information about the festival, click here. To see the weekend schedule visit here.

MoogFest supports the Bob Moog Foundation. We encourage you to do the same! For more information about Moog Music and its founder, Bob Moog, visit moogmusic.com.