1320

STS9 @ Hangout Festival 2011

STS9 kicks off a summer of massive touring, performing at a dozen festivals, including Hangout Festival in Gulf Shores Alabama, amphitheatres and more in support of their upcoming summer EP release on 1320 Records.

Since forming in Atlanta over a decade ago, instrumental electronic rock band STS9 has experienced a meteoric rise to the forefront of the electronic-rock music scene. Recently ranked #25 among Pollstar’s list of top-grossing touring acts for Summer 2010, STS9 averaged more than 4,200 tickets sold per city on a 25 city tour that boasted opening acts such as Ghostland Observatory, Thievery Corporation and Big Boi of Outkast. The band’s tour culminated with two sold out performances at the legendary Red Rocks Amphitheatre in Morrison, Colorado, with 18,000 fans on-hand to experience the audio-visual force that is STS9.

STS9 truly does it all; from headlining stages at festivals such as Austin City Limits Festival, Lollapalooza and Electric Daisy Carnival, to selling out shows around the country in opera houses and amphitheatres alike, to performing with Jay-Z in arenas, to running their own record label, 1320 Records, to using their voice as a platform for change and raising significant amounts of money towards funding for their activism efforts (including $150,000 this past year to The Make it Right Foundation, paving the way to rebuild a house in the Lower 9th Ward of New Orleans). Pushing boundaries is all in a day’s work for STS9.

In addition to the release of their latest studio album, Ad Explorata (the tenth in their full discography), and in keeping with XLR8R Magazine’s notion that STS9 is "one of the country's most intriguing, innovative outfits around,” June 2010 brought the release of Axe the Cables (1320 Records), a live album featuring STS9’s first ever acoustic performance recorded in late 2009 at the Gates Opera House in Denver, Colorado. These electronic virtuosos got back to their roots, performing on all acoustic instruments to absolutely rave reviews, and inspired additional “unplugged” events at various noteworthy stops across the country during their summer tour – including sold out performances at the Gramercy Theatre in New York, Atlanta’s Tabernacle and the Old Town School of Folk Music in Chicago.

STS9’s self-owned record label, 1320 Records was founded on the principles of collaboration, cooperation, and community. The goal is clear: bring the music to the people in the most conscious, unique innovative and savvy ways possible. By doing so, the distance lessens between artists and fans, putting the power back in the hands of those that make music and those that live for it.

1320 Records to Release John Hughes' RESET THE WAREHOUSE May 18th

STS9's boutique record label, 1320 Records, proudly presents Reset the Warehouse, the new studio release from John Hughes (May 18th, 2010 / 1320 Records).  A new recording studio, a new record label, and a new record allow John Hughes to step out from the familiar surroundings of Hefty Records, the label he founded in 1996, to strengthen his creative partnership with 1320 Records.

Though Hughes has collaborated with label-founders STS9 for years, this marks his first official release on 1320-an alliance long in the making, given both parties' shared mission of creating and supporting new music under artist-run labels.  Like Hefty, 1320 is an independent, musician-run collective that stresses cooperation between the artist and label.

According to Hughes, "Working with 1320 affords [him] the freedom to focus entirely on the music and the live performances in support of the record."

And, STS9 adds about Hefty, "few contemporary American labels have had as much influence on [the band]. We are extremely honored and excited to be apart of the 'Reset' release."

Hughes has recorded and released over a dozen albums under various aliases and groups like Slicker, Brood, Some Water and Sun, and Bill Ding, as well as under his own name.  His latest creation, Reset the Warehouse, represents the prime selections from a productive period of meticulous tracking and experimentation at his HFT Studio, located outside of Chicago.

Working with a team of veteran musicians and trusted collaborators, Hughes has assembled a cohesive union of styles and recording techniques, resulting in a record that explores uncharted directions while remaining rooted in sounds and beats that a listener may only describe as "classic."

As Hughes explains, "I wanted this recording to have a live, gritty sound, so I took it outside of the computer as much as I could. It was mixed through a board to tape, and the synths are all analog. Within the context of an electronic record, the live performances also help give it a warm, organic feel."

When it came time to edit and mix the tracks, Hughes looked to vibraphonist Rick Embach, who was involved in the sessions from the earliest stages, as well as his old friend Joshua Eustis of Telefon Tel Aviv.  Hughes brought his recording sessions to Eustis' studio in Chicago, and together they mixed the tracks thorough an analog mixing board and then to two-track tape, giving the album the finishing touches and appropriate analog "glue" it required.

Visit here to view the entire supporting cast of Reset the Warehouse.

The Reset the Warehouse track list is as follows:

1.  A Reflection of the Times

2.  Waukee Wallop

3.  Another One

4.  Reset The Warehouse

5.  Pterodactyl Piano Bar

6.  Little Dot in the Sky

7.  Done Everything

8.  Moan Pop Asheesh

9.  Witchfinger

10.  You Don't Love Me

11.  Wow, I Think I Love You

12.  Naphtha Jets

As his work in the studio continues to evolve, and interest in his music continues to soar, John Hughes takes to the road this summer with label mates STS9, in support of Reset the Warehouse.  Hughes will perform this August and September with STS9 at select events in NYC, Boston, Philadelphia, Chicago and at the infamous Red Rocks Amphitheatre in Colorado.

For more information on John Hughes and to see full tour date information please visit here.