members

The Radiators Farewell Tour at the Fox Theatre

One of rock n’ rolls longest and New Orleans’ finest traveling road shows will come to an end after 33 years when The Radiators play their final two shows at Tipitina’s in New Orleans on June 10th & 11th. Lucky fans in the Boulder area can catch the band one last time at The Fox Theatre on February 10th.

Formed out of a jam session in 1978 The Radiators still feature the same 5 original members, Ed Volker (Lead Vocals, Keyboards) Dave Malone (Lead Vocals, Lead Guitar), Camile Baudoin ( Lead Guitar, Bkgrnd Vocals), Reggie Scanlan (Bass) & Frank Bua, Jr. (Drums). The Rads achieved significant commercial success in the late 80’s with the release of the classic albums Law Of The Fish and Total Evaporation. They have also released over 10 albums on independent labels and currently have 6 CDs available including Wild & Free a 2008 2 CD retrospective on their own Radz Records.  The band has played over 4500 shows and kept up a consistent tour schedule, still playing close to 150 dates a year. Additionally, they have held down the closing slot at the prestigious New Orleans Jazz & Heritage Festival for over 25 years.

Volker, who handles the majority of the songwriting as well as splitting lead vocals with Malone informed his band mates a couple of weeks ago that he no longer wanted to endure the day to day struggles of life on the road and was exhausted from the constant touring. The other band members have yet to announce their future plans and have not ruled out the possibility of working together in the future, but the departure of Volker (affectionately known to fans as “Zeke Fish Head”) brings to an end the original version of a treasured rock n’ roll institution.

Tickets are on sale at Fox Theatre Box Office. Call (303) 443-3399 for tickets by phone.

Tickets are also available through our website @ www.foxtheatre.com.

$25 adv / $30 dos

Tickets On Sale NOW!

BRAIDS Announce North American 2011 Winter Tour

BRAIDS was formed by four best friends in their last year of High School in Calgary, Alberta. Convincing one another to skip university, they stayed in the garage all year and practiced obsessively, even while their fingers froze during the cold prairie winters. Then, at only 18 years old, they took the bold step of moving across the country together to Montreal, where they began crafting their self recorded/self produced debut album Native Speaker.

Oscillating between density and spaciousness, BRAIDS' sound is not easy to define. The four members construct music which is ample and rolling, perhaps alluding to the landscapes of their youth, but filled with radical texture and startling immediacy, an influence of their more recent surroundings. Delicate layering gives their experimental pop epics just enough breath to playfully explore the depth of ambient melody. Though BRAIDS dives into moments of deep obscurity and sonic experimentation, there remains embedded within the music the hypnosis of an unforgettable pop tune.

Native Speaker, is the accumulation of months of meticulous craft-work to properly capture the band's entrancing live performance. The albums' songs were tested and shaped through numerous performances and lyrical massages, resulting in work that is brilliant in detail and structure. Averaging over 6 minutes and never coming in under 4, the tracks on Native Speakermaintain a deep seeded focus.

BRAIDS has an unusually collaborative dynamic, generating all of their sweeping sounds live in a synergistic maelstrom. Even their name, BRAIDS, evokes a feeling of something continuous and progressive, yet lush and intertwining. It implies the interweaving of all four members' musical ideas, favoring collective and equal input.

On January 18, 2011 BRAIDS is putting forth their debut album Native Speaker, a reflection of coming of age for the four intricately linked musicians. It captures a period of innocence and a period of change, yet comes off as strikingly mature beyond their years. Most importantly, it displays a yearning and striving to break through, an ambitious debut for a young band just getting started.

BRAIDS NORTH AMERICAN TOUR DATES

11-30 New York, NY - Knitting Factory ^
12-01 New York, NY - Bowery Ballroom ^
02-04 Dallas, TX - The Nightmare *
02-05 Austin, TX - The Mohawk *
02-07 Atlanta, GA - The Masquerade *
02-08 Tallahassee, FL - Club Downunder *
02-09 Columbia, SC - New Brookland Tavern *
02-10 Durham, NC - Duke Coffeehouse (Duke University) *
02-11 Washington, DC - Rock and Roll Hotel *
02-12 Brooklyn, NY - Knitting Factory *
02-13 Philadelphia, PA - Kung Fu Necktie *
02-16 New York, NY - Mercury Lounge *
02-17 Allston, MA - Brighton Music Hall *
02-18 Montreal, Quebec - Il Motore *
02-21 Columbus, OH - Skully's Music Diner *
02-22 Urbana, IL - The Canopy *
02-23 Iowa City, IA - Gabe's *
02-24 Minneapolis, MN - 7th Street Entry *
02-25 Madison, WI - Der Rathskellar (University of Wisconsin) *
02-26 Chicago, IL - Subterranean *
03-01 Seattle, WA - Chop Suey *
03-02 Portland, OR - Holocene *
03-04 San Francisco, CA - Rickshaw Stop *
03-05 Los Angeles, CA - Troubadour *

^ with the Radio Dept. * with Baths, Star Slinger

Infantree Instigate Cockfight in “Mourning Glory”

Three-fourths of California quartet Infantree may still be under 21, but with their startlingly sophisticated songwriting chops and lush vocal harmonies the young musicians are already composing timeless music.  Signed to Vapor Records (Jonathan Richman, Everest, Tegan & Sara), the prolific band has released both an EP and a full-length this year.  The latter of which, titled Would Work, will be re-released in early March with extra tracks and a bonus disc of video content.  Neil Young also invited the guys to perform at this year’s Bridge School Benefit alongside artists like Elvis Costello, Emmylou Harris, Modest Mouse, and Grizzly Bear.

With three songwriting members that take turns on lead vocals, Infantree have no true frontman.  As a result, their highly collaborative approach creates a unique chemistry and the details of each of their songs are masterfully tailored.  It also allows for a diverse set of influences to find their way into the band’s music.  The band weaves in sun-soaked Americana, intricate baroque pop, dreamy psychedelia, and infectious Spanish melodies, to name a few.

The group has made a video for Would Work track “Mourning Glory.”  The song slyly and seamlessly shifts between a forlorn, banjo-driven section and a wistful Latin-flavored groove.  If you haven’t seen the video yet, click HERE to watch the boys don chicken suits and duke it out in a human cockfight.

Infantree’s attention to detail covers all aspects of the band, from consistently churning out charming videos for their songs to the band name itself.  The guys explain the metaphor behind the name “Infantree” in their own words here:

"Trees are carbon dioxide reducing, erosion preventing, oxygen producing, majestic, and sturdy life-forms that grow with their environment - not in spite of it (like industrial-age humans). Infantree is a symbol for growth. Whether it be intellectual, spiritual, physical, or emotional; growth is growth. If left unchecked, exponential growth could devour prosperity as we know it. Only when it's applied within a means does growth reach it's true potential of ceaseless sustanability. Infantree applies this method by way of harmony, like-mindedness, and an articulation of each indvidual's role/capacity as a musician/human-being. At the same time the use of childlike reckless abandon seems key to wading through the water-mark left by the mainstream mindset. This dynamic has helped the members of Infantree to spread their roots as friends while simultaneously growing as a band."

DAVID AMRAM The First 80 Years! A Musical Celebration

DAVID AMRAM: The First 80 Years Jazz, a spectacular, historic celebration of a true American original whom the Washington Post has described as “one of the most versatile and skilled musicians America has ever produced,” will be presented by Jazz Forum Arts on Thursday, November 11, 2010 at 7:30 PM at Peter Norton Symphony Space, 2537 Broadway at 95th Street, in Manhattan, it was announced by Mark Morganelli, Executive Director of the presenting organization. A portion of the proceeds will benefit Clearwater, the organization founded by Pete Seeger, as well as the Woody Guthrie Foundation

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The historic concert will feature:

· The New York premiere of Amram’s “Symphonic Variations on a Song by Woody Guthrie” performed in memory of Odetta by the 60-piece Queens College Orchestra, conducted by Maurice Peress. The work will be introduced by Nora Guthrie, who commissioned it with support from the Guthrie Foundation, based on her father’s song “This Land is Your Land.”  

·The New York premiere screening of the finale of the recent production of Amram’s 1968 comic opera “Twelfth Night” with a libretto by the late Joe Papp, which will be introduced by Bernard Gersten, Executive Producer of the Lincoln Center Theater and former co-producer with Joe Papp of the New York Shakespeare Festival.

·The first ever concert performance of excerpts from Amram’s classic film scores, “Splendor in the Grass” (1960), and “The Manchurian Candidate” (1962), performed by the Brooklyn Conservatory Jazz Ensemble, directed by Earl McIntyre, and The Jazz & Gospel Choirs, directed by Renee Manning.

· “En memoria de Chano Pozo” for Latin/jazz group and symphony orchestra, performed in memory of  Dizzy Gillespie by the Queens College Orchestra, conducted by David Amram, with guest soloists Candido (congas) and Bobby Sanabria (timbales) with Amram himself on piano, pennywhistles and percussion.  

·“One Heart, Many Voices,” performed by Amram’s Middle Eastern Trio with Avram Pengas (guitar and Bazookie) and Israeli singer/songwriter David Broza.

·Malachy McCourt will introduce Amram’s  “The Fox Hunt From Cork Meets The Blues From New York,” performed by Larry Kirwan (Black 47), John McEuen (Nitty Gritty Dirt Band), Amram’s Latin/Jazz Ensemble and dancers from the Stella Adler School of Acting.

·Actor John Ventimiglia (The Sopranos) will read excerpts from Jack Kerouac’s “On The Road” followed by performance Kerouac/Ginsburg/Cassady title song from the 1959 Best Documentary Film “Pull My Daisy.

The star-studded salute will also include filmed 80th birthday wishes from Pete Seeger, Arlo Guthrie, Willie Nelson, members of the N.Y. Philharmonic, and friends and colleagues from around the country. There will also be appearances and performances by Amram’s friends from the world of theatre, film and music, including actor Keir Dullea (2001: A Space Odyssey), Josh White Jr., Patience Higgins,  the Amram Family Band and current members and alumni of Amram's quartets from the past 40 years, as well as other surprise guests.  

The entire concert will be filmed by Lawrence Kraman for his documentary film “David Amram: The First 80 Years,” segments of which will be shown for the first time at this concert. To see links for the trailer, visit here and for the poster.

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During his illustrious career, David Amram has composed more than 100 orchestral and chamber music works; numerous scores for Broadway theater and film; two operas, and the score for the landmark 1959 documentary Pull My Daisy, narrated by novelist Jack Kerouac.  He is also the author of three books, published by Paradigm Publishers.  A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries, in addition to being a renowned improvisational lyricist.  Amram has collaborated with Langston Hughes, Dizzy Gillespie, Dustin Hoffman, Johnny Depp, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Arthur Miller, Charles Mingus, Lionel Hampton, Tito Puente and Leonard Bernstein, who chose him as The New York Philharmonic's first composer-in-residence in 1966.  One of Amram's most recent works, Giants of the Night, a flute concerto, was commissioned and premiered by Sir James Galway.  Today, as he has for over 50 years, Amram continues to compose music while traveling the world as a conductor, soloist, bandleader, visiting scholar, and narrator in five languages.  He celebrates his 80th birthday on November 17th.  Additional information is available at http://www.davidamram.com/

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Tickets for DAVID AMRAM: The First 80 Years are: $75, $55 and $35 (members, students, seniors: $70, $50 and $30; children: $65, $45 and $25) and can be purchased at the Symphony Space Box Office, 212.864.5400, or at http://www.symphonyspace.org.  For information about Jazz Forum Arts, call 888.99.BEBOP, or visit http://www.jazzforumarts.org/.

Cut Copy Announce New Album, Zonoscope

Ladies and gentlemen please welcome back Cut Copy! Ever the gracious houseguests, they’re returning armed with their 3rd and most ambitious work yet, Zonoscope which will be released February 8, 2011 in North America.

Zonoscope is Cut Copy boiled down to their purest form, a suite of futuristic visions built upon primal rhythm tracks. It is at once their most immediate work to date but also their most sonically exquisite. “Take Me Over” perfectly encapsulates this, it’s chiming highlife guitars bouncing around tropical percussion reminiscent of an island holiday in a pop song.

Zonoscope was dreamt in the comedown of In Ghost Colours, the album which cemented Cut Copy as a global sensation. Their perpetual touring cycle found the band headline a stage at Lollapalooza, become the first Australian act to play Colombia since INXS, have fire marshals shut down an LA performance mid-set as crowds began to buckle the seams of the Henry Fonda Theatre and be raced to the Pitchfork Festival via police escort following a cancelled flight.

After over two years of exhilarating chaos, frontman Dan Whitford bunkered down at home to flesh out rough synth and vocal skeletons, before heading into the studio with the band to bring these textured grooves to life. Whitford describes the wonderland which he set out to create with Tim Hoey, Mitchell Scott and Ben Browning, “All the way along we had this weird vision of a tropical, jungle, tribal sound. A place or an idea that we wanted to reach with some of the songwriting; to explore a looping hypnotic trance and revise the whole palette of what Cut Copy was about.”

Recorded over a 6 month period in a warehouse space the band rented in Melbourne and mixed in Atlanta by Ben H. Allen (Animal Collective, Gnarls Barkley, Deerhunter), Zonoscope paints a mesmerizing picture, conjured by a band at the height of their powers.

You can watch the second installment of the Krozm documentary on the process of making the record, entitled "Skies of The Ape" where it premiered on SPIN or HERE. More music is revealed in this piece, which sees the band moving into their Christmas St recording warehouse, and all band members involved in the creative process.

Big Star's 3rd performed by members of R.E.M., Big Star, etc.

Big Stars third album, Sister Lovers, has long been revered by artists and critics as one of the most influential albums ever produced. Written and recorded when the legendary 70s band was primarily a studio project consisting of Alex Chilton and Jody Stephens, the third album has never been performed in public with the original string and wind orchestrations.

That will change December 9 and 10, 2010 when Cat’s Cradle in Carrboro, NC hosts Stroke It, Noel, a special performance of this important piece of music. The all-star band will include Jody Stephens (Big Star), Mike Mills (R.E.M.), Mitch Easter (Let’s Active), Chris Stamey (the dB’s), and Jeff Crawford and Charles Cleaver (the Tomahawks). North Carolina’s own acclaimed chamber pop group Lost in the Trees, as well as members of Birds and Arrows and the NC Symphony, will comprise the orchestra. Guest vocalists will include members of the Love Language, the Old Ceremony, Megafaun and other special guests. In addition to performing Sister Lovers in its entirety, the band will play a few additional Big Star and Chris Bell selections during the show.

“The original written scores for the record were long missing,” Chris Stamey says. “But John Fry at Ardent Records was able to supply us with elements of the original multitrack tapes. Composer Carl Marsh, who wrote the ground-breaking charts for the original record, used these tapes to precisely retranscribe his arrangements. And I’ve orchestrated anew some other elements of the recordings for the players, in order to recreate live some of the aleatoric studio effects. We’ve also been able to hear and match the inner workings of these glorious compositions in much greater detail this way. It’s been a fascinating process, and a real community adventure as well.”

The concerts will be filmed as a major component of “Nothing Can Hurt Me: The Big Star Story,” a documentary film by Danielle McCarthy and Drew DeNicola slated for 2011 release.

Tickets are $17 in advance and $20 day of show and are available at www.catscradle.com or by calling the Cat’s Cradle box office at (919)967-9053.

Proceeds from the concerts will be donated to two charities focused on improving the lives of musicians--KidZNotes of Durham, NC and the New Orleans Musicians Clinic. KidZNotes is focused on classical and orchestral music training in pre-school years as a means to combat poverty and foster positive decision-making in inner cities. The New Orleans Musicians Clinic provides affordable, comprehensive health care to musicians.

DeadPhish Orchestra: Seamlessly weaving the music of Grateful Dead & Phish

DeadPhish Orchestra seamlessly weaves the music of The Grateful Dead and Phish, and features members of Great American Taxi, Phix and Mason's Children

DeadPhish Orchestra will play Quixote's in Denver, Colorado this Friday at 9:00pm.  The official lubrication party before 4 nights of madness in Broomfield! DPO will play two full sets outside on the patio....with UltraViolet Hippopotamus on the inside stage!

Also, be sure to check out DeadPhish Orchestra when they headline Quixote's on October 22nd.

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DPO is:

Chris Sheldon - Drums/Vocals
Paul Murin - Guitar/Vocals
Brian Adams - Bass/ Vocals
Ted Tilton - Keyboards/Vocals

Method Of Defiance | Jahbulon | Streets 10/19/10

M.O.D. TECHNOLOGIES created by the principle members of Method Of Defiance. This label is a modern evolution of the original AXIOM label - for the purpose of destroying, discerning musical genres, trends, approved or unapproved formats, false ideas and other unnecessary borders. All releases are the direct manifestations of Bill Laswell and other key members of the collective. The label is formed for the advancement of art and communication, in all forms of the creative process.

Grammy-winning electric bassist, producer, and re-mixer Bill Laswell has worked with many of music’s biggest names on the planet, including Herbie Hancock, Laurie Anderson, George Clinton, Brian Eno, Tony Williams, Mick Jagger, Williams Burroughs, Afrika Bambaataa, Motorhead, John Lydon, Bootsy Collins, Carlos Santana, Matisyahu, Anthony Braxton, Sting, Zakir Hussein, John Zorn, and hundreds more from the Americas, Africa The Caribbean, Europe, The Middle East, China, and Japan. Laswell has built a reputation on consistently working with a diverse array of artists, and rejecting the restrictions of genre, tradition, and commerce in favor or taking risks and uniting seemingly disparate voices. It is with this ethos that he has formed the record label M.O.D. Technologies, which is set to release albums this October by the group Method of Defiance and one of Ethiopia’s most famous contemporary vocalists, Gigi. In addition, the label is planning releases from Dr. Israel, Gnawa Fusion, Afa Negus, and DJ Krush in the near future.

Click HERE to Stream the Song “One World”

Method of Defiance is an all-star cast that consists of the following members:

BILL LASWELL (see collaborations above)
BERNIE WORRELL (Parliament Funkadelic, Talking Heads, Keith Richards)
DR. ISRAEL (Sublime, The Mad Professor, Killah Priest)
HAWK (Tricky, Tool, The Roots’ Black Thought)
DJ KRUSH (Ronny Jordan, Luna Sea & Ryuichi Sakamoto)
TOSHINORI KONDO (Herbie Hancock, Derek Bailey, Henry Kaiser, Peter Brotzmann)
GUY LICATA (Santigold, Massive Attack, Hercules & Love Affair)

Method of Defiance will release three albums, first the immediately accessible Jahbulon (October 5th): Ten songs featuring vocalists Dr. Israel and Hawk, keyboardist / Funkadelic icon Bernie Worrell, legendary bassist/producer Bill Laswell, and post modern/futurist drummer, Guy Licata. A cross-generational affair that incorporates elements of reggae, hip hop, dancehall, dub, electronica, rock, roots music and more. The beauty lies within its ability to touch on multiple overlapping cultural reference points.

This will be followed (October 19th) by Incunabula a spontaneous improvisation of musical interaction. The album’s lineup includes Bill Laswell on bass and dub efx, Bernie Worrell on keyboards, Guy Licata on drums, Dr. Israel on dub efx, turntable master DJ Krush and on electric trumpet Japan’s own, sound and fury - Toshinori Kondo with a special appearance by keyboard legend Herbie Hancock.

Ending the trilogy in Jan 2011 with the remix project Dub Arcanum Arcandrum a mix of both Jahbulon (the vocal) and Incunabula (the instrumental) by Bill Laswell, Lee "Scratch" Perry, Mad Professor, Dr. Israel, DJ Krush, and others.

Phish: Coral Sky Amphitheater (audio & video!)

On October 19th, JEMP Records will release Coral Sky, a 2-DVD set capturing Phish’s November 2, 1996 performance at Coral Sky Amphitheater in West Palm Beach, FL. The complete, uncut concert was created from archival videotapes of the multi-camera lawn screen feed and the audio was mixed from multi-track masters in stereo PCM and 5.1 surround.

Amid the swaying palms and soft breezes of South Florida, the two-and-a-half hour plus concert showcased some of the most unique and compelling playing of the band’s career, including a transcendent pairing of “Crosseyed And Painless” and “Run Like An Antelope.” Santana’s Karl Perazzo was featured on percussion throughout the show. Perazzo, who had become acquainted with the band members during their 1992 and 1996 summer tours with Santana, added polyrhythms that explored new space within Phish's music in this deeply experimental show. Allman Brothers Band drummer Butch Trucks sat in for the encore, “Funky Bitch.”
Check out some videos samples from the show, including 'Harry Hood' & 'Julius'
You can learn more about JEMP Records, including browsing through other JEMP releases here.

Here We Go Magic To Headline Bowery Ballroom

Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. Several of them had collaborated consistently in years prior, but the five finally came together with a single unified vision in early 2009, buoyed by the release of the self-titled Here We Go Magic album (Western Vinyl).

The band's creative momentum since has been unwavering. Together they have developed a broad array of musical material and honed an explosive live sound all their own. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP.

Pigeons, out now on Secretly Canadian, was recorded to analog tape in the livingroom of a rented house in upstate New York. It represents a full-on collaborative work by a band with an uncanny musical chemistry. The album is produced by bassist Jen Turner and features thick full band arrangements by all members of Here We Go Magic. As they were immersed together in a very reactive and spontaneous creative process, most of the arrangements and textural treatments were born at the same moment as the songs themselves. Songwriter Luke Temple's evocative melodies and lyrics are thus complimented and fleshed out in completely organic ways.  Taken as a whole, Pigeons is a unique and fascinating journey from start to finish, rooted in driving repetitive rhythms, swathed in a celestial haze, and maintaining a consistent and comfortable expressive breath throughout.

First and foremost a live band by nature, Here We Go Magic will be touring almost without stop through the remainder of 2010. They have been invited to play many of the world's leading festivals, including Glastonbury, Bonnaroo, Primavera Sound and Pitchfork Festival.

US Tour Dates
10/13 - New York, NY - Bowery Ballroom
10/16 - Phoenix - Toronto, ON #
10/18 - Town Ballroom - Buffalo, NY #
10/19 - Beachland Ballroom - Cleveland, OH #
10/20 - The Crofoot - Pontiac, MI #
10/21 - Vic Theatre - Chicago, IL #
10/23 - First Avenue - Minneapolis, MN #
10/25 - The Waiting Room - Omaha, NE #
10/27 - Urban Lounge - Salt Lake City, UT #
10/30 - Vogue Theatre - Vancouver, BC #
10/31 - Doug Fir Lounge - Portland, OR
11/02 - Crystal Bay Crown Club Room - Crystal Bay, NV #
11/03 - The Fillmore - San Francisco, CA #
11/06 - Belly Up Tavern - Solana Beach, CA #
11/08 - Orpheum Theatre - Flagstaff, AZ #
11/09 - Sunshine Theater - Albuquerque, NM #
11/10 - Academy of Contemporary Music - Oklahoma City, OK #
11/11 - Palladium Ballroom - Dallas, TX #
11/13 - Warehouse Live Ballroom - Houston, TX