drums

CORNELIA STREET CAFÉ OCTOBER MUSIC

Here is a list of all upcoming Cornelia Street Cafe upcoming shows for the month of October 2010.  The Cornelia Street Cafe is located between West 4th and Bleecker Sts, Greenwich Village
1 Subway to Sheridan Square; A, C, E, B, D, V, F to West 4th St.

OCTOBER Music Schedule:

Fri  Oct 01
9:00PM & 10:30PM     MIKE BAGGETTA QUARTET
(Mike Baggetta, guitar; Jason Rigby, tenor saxophone; Eivind Opsvik, bass; George Schuller, drums)
Cover $10   http://www.mikebaggetta.com

Sat  Oct 02
6:00PM     VINCE BELL
$15 "cover" includes a drink
http://www.vincebell.com/

Sat  Oct 02
9:00PM & 10:30PM  MICHAEL ADKINS QUINTET
(Michael Adkins, tenor saxophone; Russ Lossing, piano; Todd Neufeld, guitar; John Hébert, bass; Billy Mintz, drums)
Cover $10   http://www.myspace.com/infotation

Sun  Oct 03
8:30PM     BILL WARE'S VIBE QUARTET
(Bill Ware, electric vibraphone; Matt King, piano; Carlo De Rosa, bass; Jaime Aff, drums)
Cover $10

Mon  Oct 04
8:30PM     AMRAM & CO
(David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion; John Ventimiglia, actor)
Cover $10   http://www.davidamram.com

Tue  Oct 05
6:00PM     SHAKESPEARE HIP HOP
(Devon Glover)
The Sonnet Man Band is an exciting new New York City band fusing Shakespeare's Sonnet's to Hip Hop. You'll hear Shakespeare like you never heard him before as sensational young rap artist, Devon Glover, brings you to your feet. Not to be missed.
Robin Hirsch, Minister of Culture.  Cover $10

Tue  Oct 05
8:30PM     BLUE TUESDAYS:DOUG WAMBLE
(Doug Wamble, guitar, vocals)
Julie Hardy, Host.  Cover $10   http://www.dougwamble.com

Wed  Oct 06
8:30PM   ARUN RAMAMURTHY WITH AKSHAY ANANTAPADMANABHAN
(ARUN RAMAMURTHY, violin; AKSHAY ANANTAPADMANABHAN, mridangam; ROOPA MAHADEVAN, vocals; MITHUN RADHAKRISHNA, mandolin)
Cover $10   http://www.arunramamurthy.com

Thu  Oct 07
8:30PM     JESSE STACKEN TRIO
(Jesse Stacken, piano; Eivind Opsvik, bass; Jeff Davis, drums)
Cover $10   http://www.jessestacken.com

Fri  Oct 08
9:00PM & 10:30PM     REZ ABBASI ACOUSTIC QUARTET (RAAQ) CD RELEASE
(Rez Abbasi, acoustic guitar; Bill Ware, vibraphone; Stephan Crump, bass; Eric McPherson, drums)
Cover $10   http:// www.reztone.com

Sat  Oct 09
9:00PM & 10:30PM     REZ ABBASI ACOUSTIC QUARTET (RAAQ) CD RELEASE
(Rez Abbasi, acoustic guitar; Bill Ware, vibraphone; Stephan Crump, bass; Eric McPherson, drums)
Cover $10   http://www.reztone.com

Sun  Oct 10
8:30PM    ANDREW RATHBUN CD RELEASE EVENT FOR THE IDEA OF NORTH
(Andrew Rathbun, saxophones; Taylor Haskins, trumpet; Nate Radley, guitar; Frank Carlberg, piano, electric piano; Jay Anderson, bass; Ted Poor, drums)
Cover $10   http://www.andrewrathbun.com

Tue  Oct 12
8:30PM     LOREN STILLMAN AND BAD TOUCH
(Loren Stillman, alto saxophone, composition; Nate Radley, guitar; Gary Versace, organ; Ted Poor, drums)
Cover $10   http://www.lorenstillman.com

Wed  Oct 13
8:30PM     BECCA STEVENS PRESENTS:ALAN HAMPTON'S PARTS AND PIECES
(Alan Hampton, vocals; Jason Moran, piano; Gretchen Parlato, vocals; Dana Stephens, saxophone)
Cover $10   http://www.alanhampton.com

Thu  Oct 14
6:00PM     GHOSTS IN THE OCEAN
(Carol Lipnik; Matt Kanelos; Frank Tedesso, singer/ songwriter/ poet)
Songs To Celebrate The End Of The World
With special guest Frank Tedesso
Carol Lipnik (of Spookarama) and Matt Kanelos (of The Smooth Maria), each accomplished singer/ songwriters in their own right, have formed an exciting side project called Ghosts In The Ocean.
$10 charge includes a drink
Cover $10   http://www.myspace.com/ghostsintheocean

Thu  Oct 14
8:30PM     JOHN O'GALLAGHER TRIO FEATURING BEN MONDER AND DAN WEISS
(John O'Gallagher, alto saxophone, compositions; Ben Monder, guitar; Dan Weiss, drums)
Cover $10   http://www.johnogallagher.com

Fri  Oct 15
9:00PM & 10:30PM     JUERGEN FRIEDRICH, JOHN HÉBERT, TONY MORENO, WITH SPECIAL GUEST:BEN MONDER
(Juergen Friedrich, piano; John Hébert, bass; Tony Moreno, drums; Ben Monder, guitar)
Cover $10   http://www.pirouetrecords.com

Sat  Oct 16
9:00PM & 10:30PM     JUERGEN FRIEDRICH, JOHN HÉBERT, TONY MORENO, WITH SPECIAL GUEST:LOREN STILLMAN
(Juergen Friedrich, piano; John Hébert, bass; Tony Moreno, drums; Loren Stillman, alto saxophone)
Cover $10   http://www.pirouetrecords.com

Sun  Oct 17
8:30PM     JANE IRA BLOOM TRIO
(Jane Ira Bloom, soprano sax & live electronics; Mark Helias, bass; Bobby Previte, drums)
Cover $10   http://www.janeirabloom.com

Tue  Oct 19
8:30PM     BLUE TUESDAYS:AMANDA BAISINGER
(Amanda Baisinger, vocals; John Shannon, guitar; Pete Rende, piano, accordion; Garth Stevenson, bass; Dan Mintzer, drums)
Julie Hardy, Host.  Cover $10   http://www.myspace.com/amandabaisinger

Wed  Oct 20
8:30PM     RIBS AND BRISKET REVUE
(Paul Shapiro, sax, clarinet, vocals; Cilla Owens, vocals; Glenn Turner, vocals; Dan Rosengard, piano; Booker King, bass; Mo Roberts, drums)
Cover $10   http://www.paulshapiromusic.com

Thu  Oct 21
8:30PM     MARK HELIAS TRIO
(Mark Helias, bass; Ellery Eskelin, tenor saxophone; Ches Smith, drums)
Cover $10   http://www.markhelias.com

Fri  Oct 22
9:00PM & 10:30PM     BEN WALTZER QUINTET
(Ben Waltzer, piano; Bill McHenry, tenor saxophone; Robin Eubanks, trumpet; tba, bass; tba, drums)
Cover $10 http://benwaltzer.com/

Sat  Oct 23
9:00PM & 10:30PM     BEN WALTZER QUINTET
(Ben Waltzer, piano; Bill McHenry, tenor saxophone; Robin Eubanks, trumpet; tba, bass; tba, drums)
Cover $10 http://benwaltzer.com/

Sun  Oct 24
8:30PM     JACOB GARCHIK TRIO
(Jacob Garchik, trombone, compositions; Jacob Sacks, piano; Dan Weiss, drums)
Cover $10   http://www.jacobgarchik.com

Mon  Oct 25
8:30PM     21ST CENTURY SCHIZOID MUSIC PRESENTS:THE BATTERIES DUO
Gareth Flowers, trumpeter of the acclaimed International Contemporary Ensemble (ICE) presents two sets this evening. The first is for a trumpet and piano duo, featuring the pianist Steve Beck and the cornet solos of Herbert L. Clarke, a turn of the (20th) century composer, the second set is with The Batteries Duo, an electro-acoustic trumpet and laptop duo with Josh Frank.
Cover $10   http://www.thegflo.com

Tue  Oct 26
8:30PM     TRIO PBD
(Ratzo B. Harris, bass; Denman Maroney, piano; Bob Meyer, drums)
Cover $10   http://www.ratzobharris.com

Wed  Oct 27
8:30PM     MIKE + RUTHY'S FOLK CITY, (JAY UNGAR & MOLLY MASON FAMILY BAND)
(Jay Ungar, violin, mandolin; Molly Mason, guitar, piano; Ruthy Ungar, violin, guitar; Mike Merenda, banjo, percussion)
Cover $20   http://www.jayandmolly.com

Thu  Oct 28
8:30PM     BOB STEWART QUARTET
(Bob Stewart, tuba; Jerome Harris, guitar; Matt Wilson, drums; Curtis Stewart, violin)
Cover $10   http://www.bobstewartuba.com

Fri  Oct 29
9:00PM & 10:30PM     BOB STEWART QUARTET
(Bob Stewart, tuba; Jerome Harris, guitar; Matt Wilson, drums; Curtis Stewart, viola)
Cover $10   http://www.bobstewartuba.com

Sat  Oct 30
9:00PM & 10:30PM     BILL MCHENRY QUARTET
(Bill McHenry, tenor saxophone; Andrew D Angelo, alto saxophone; Ben Street, bass; RJ Miller, drums)
Cover $10 http://www.billmchenry.com/

Sun  Oct 31
8:30PM     SAM SADIGURSKY/JEREMY UDDEN
(Sam Sadigursky, saxophone; Jeremy Udden, saxophone; Linda Oh, bass; Jeff Hirshfield, drums)
Cover $10   http://www.samsadigursky.com

The Drums' Internationally Acclaimed Debut Out Today

Following a massive wave of critical acclaim, New York City’s own The Drums release their state-side debut on Downtown Records today!  Hailed by Rolling Stone as “one of the best indie pop debuts of the year.” the band is featured on Windows Media Guide and Last.FM Discover today.  The full album is streaming on AOL Spinner and a new special b-side “When I Come Home” is RCRD LBL’s RCRD of the Day” MP3 download today!

The Drums’ spellbinding sound takes inspiration from elements of some of the greatest bands in history from The Smiths to the The Shangri-las and fuses them with the band’s own raw energy and excitement. The rhythm and reverb will force you to dance and the melodies will stay with you after the first listen.

After the release of their debut EP Summertime! and a string of tour dates in the UK, The Drums were listed at #1 on both Clash and NME’s Top Tips of the Year, in addition to being #5 on the BBC’s Sound of 2010 poll. Their live show has been called “explosive” and Jonny Pierce “one of the most magnetic frontmen in years.” The list of supporters is endless but nothing is more convincing than this stellar collection of songs. The last track on the album is entitled “The Future.” Fitting, since it will be full of sounds from The Drums.

You’ve heard the buzz and with the release of the band’s debut album, the songs speak for themselves. The band is currently on a national co-headlining tour with Surfer Blood.  Get ready to listen to the album that is sure to be your end of summer soundtrack.

The Drums/Surfer Blood 2010 North American Tour Dates

9/15: Atlanta, GA @ The Loft
9/17: Orlando, FL @ Social
9/18: Miami, FL @ Grand Central
9/19: Tampa, FL @ State Theatre
9/20 Gainesville, FL @ Common Ground Coffeehouse
9/21: Tallahassee, FL @ Club Downunder
9/23: Houston, TX @ Fitzgerald’s (The Drums ONLY)
9/24: Dallas, TX @  The Loft (The Drums ONLY)
9/25: Austin, TX @ ND (The Drums ONLY)
9/27: Phoenix, AZ @ Clubhouse
9/28 Pomona, CA @ Glass House
9/29: Los Angeles, CA @ The Music Box
10/01: San Francisco, CA @ The Independent (The Drums ONLY)
10/03: Portland, OR @ Wonder Ballroom
10/04: Seattle, WA @ Neumos (The Drums ONLY)
10/05: Vancouver, BC @ The Biltmore Cabaret
10/07: Boise, ID @ Neurolux
10/08: Salt Lake City, UT @ Urban Lounge
10/10: Denver, CO @ Bluebird Theater
10/13: Minneapolis, MN @ The Varsity Theater
10/14: Chicago, IL @ Lincoln Hall
10/16: Toronto, ON @ Mod Club (The Drums ONLY)
10/17: Montreal, QB @ Cabaret du Musee Juste Pour Rire (The Drums ONLY)
10/18: Boston, MA @ Paradise (The Drums ONLY)
10/20: New York, NY @ Webster Hall
10/22: Philadelphia, PA @ Making Time

THE BLACK BUTTERFLIES Tuesday, September 7th 9 PM at NUBLU

While this is just the debut release from The Black Butterflies, a group led by 27-year-old saxophonist Mercedes Figueras, veterans would do well to prick up their ears and take note. The Butterflies deftly blend the Latin rhythms of Figueras' native Argentina with free and post-bop noodling and tantalizing natural-world percussive elements, into full, invigorating music that sprouts, twines and flourishes over the 63-minute span of this entirely satisfying album.

The title track kicks off the record. It is a relaxed, comfortably humid piece that sways from a melodic opening into more forceful strains on the wind of Figueras' sax and swingingly persistent conga thumps. The piece never reaches--nor even strives for--the anthemic quality the title might suggest. Instead, the labor sweats happily, singingly under the sun. Appropriately, the tune--and, thus, the album--takes flight on the crystalline wings of Dan Tepfer's echoing, solo keyboard statement. It's appropriate not only for fashioning a sly musical equivalence to the band's moniker, but by spotlighting in Tepfer one of the group's, well, keys. Tepfer's polished electric tones lace the Latin rhythms and strings them up on a brightly modern line that still never smoothes the crisp, pulsing edges of the traditional beats. As mentioned, it's this facile navigation of divergent musical fields and the ability to rake loose from the passage a lively new hybrid that makes listening to The Black Butterflies so palpably intriguing. Ears laugh at their good fortune.

"Afro Blue," with its inevitable rekindling of saxophonist John Coltrane's spirit, also sparks the ghost of Albert Ayler, the twining sax statements of Figueras and her (even more?) experimental mate, Tony Larokko, rendering the Coltrane vehicle as a mighty, squealing, squawking, melodically impassioned conversation between the lost giants of the avant-garde. The saxophonists pause for a breather midway through, revealing front and center the rolling-thunder percussion the listener's body already knew was there. Tepfer contributes another light yet zinging solo over the drums before backing off to give conga man Bopa "King" Carre, percussionist Fred Berryhill and drummer Kenny Wollesen even more space to break loose and rumble.

The first of Figueras' two original pieces on the album, "Pipi's Blues," follows "Afro Blue" with the type of jumping cadence saxophonist Joe Henderson might have favored with the mid 1960s support of pianists McCoy Tyner or Andrew Hill. Only here Tepfer remains electric, adding the swirling bluesy punch of organist Jimmy Smith, while also not refusing to jut off on Larry Young-like angular departures.

Larokko contributes the next two numbers, "Spiritual Travels" and "Yah-Yah," the first a jolting, percussion-heavy piece full of strong repeated sax figures that again recall the journeys of Ayler. The latter, the album's most experimental piece, evolves from whistles and an array of percussion instruments that erupt into a cacophony of insect and animal noises--nature's nighttime rhythm section--that in turn give way to the African chants that supply the song's title and the singing of Figueras. Her voice is strong yet slightly coarse and splintered like the timbre of her sax, relating in insistent, desperate Spanish the tragic tale of "Los Ojos Azules," a Bolivian song popularized by the late Argentine singer Mercedes Sosa, while accompanied by an increasingly complex and urgent layering of rhythmic human voices and drums. The whole ultimately explodes into a screeching battle of horns--the saxophones' cries themselves sounding almost human at times--that burns out through extended, passionate playing, leaving only the snaps and twangs of nature and the soft, compelling "Yah-yah, Yah-yah" chants of dancers or workers.

Yet, lest it be thought the band has gone irrevocably, unrestrainably tribal, it closes on the infectious Figueras piece, "Music Heals All Wounds," a soulful "Auld Lang Syne" with Caribbean accents. (To belabor the Ayler connection--or to kill it, finally--this most certainly is not "Music Is the Healing Force of the Universe.") Figueras' tune delivers as advertised--a warming salve that demands multiple healing doses on the spot, then lingers, replaying itself for hours in the listener's brain to pleasant, calming effect.

Yes, this is the debut release from a new band whose young leader has issued only one other record under her name, Elefante (2007), a free-improv set from Figueras and drummer Martín Visconti. But make no mistake, 1 de Mayo also happens to be one of the best overall records of 2010.

--

THE BLACK BUTTERFLIES

when: Tuesday September 7th
Time: 9 PM
Where: NUBLU (62 Av C New York, NY 10009)
http://www.nublu.net/

White Rabbits Announce US Tour With Interpol

After spending the better part of two years on the road (including festival stops at Lollapallooza, Glastonbury (UK), Sasquatch, Monolith and tours with The Walkmen, Spoon, Richard Swift, The Cribs, White Denim and Tokyo Police Club) White Rabbits hunkered down in their Brooklyn practice space to set about re-envisioning the dark pop of their debut Fort Nightly, while adding new sounds and influences to achieve an original work.  The result is It’s Frightening, their second full-length album.

White Rabbits signed to TBD Records (US home to Radiohead/Other Lives/Hatcham Social) and erected a makeshift studio in their basement rehearsal space to demo new material.  Band members popped in and out over the course of several months lending ideas and personality to a new batch of songs that defy instant categorization. After enlisting tourmate, friend and songwriter Britt Daniel (Spoon) as producer, the pair began the process of exchanging demos between Brooklyn and Portland.  White Rabbits recorded It’s Frightening over the course of four weeks, only taking a break to play the Transmusicales Festival in Rennes, France.  The sessions were recorded by visionary engineer Nicholas Vernhes (Animal Collective, Deerhunter) at Rare Book Room in Brooklyn, NY.  Taking special care to recreate the unhinged nature of the original demos, the band utilized the wide range of tools in the analog-friendly studio to shape the personal spirit infused in the new tracks.  Upon the completion of tracking, White Rabbits traveled to Austin, TX to mix the record with studio wizard Mike McCarthy (Spoon, Trail Of Dead) using his exceptional ears to transform It’s Frightening into a uniquely rewarding headphone experience.

It’s Frightening plays like a classic reel of tape from start to finish. Opening with the visceral drums of “Percussion Gun,” it is clear that time-off from the road has served the band well.  The many highlights include the emotional centerpiece “Company I Keep,” the new sonic territory of “Lionesse” and the macabre lyrics of “Right Where They Left.”  Fans of Fort Nightly will find much to go weak in the knees over and new listeners are in for an awakening as White Rabbits flip the switch on an already impressive beginning. It’s Frightening is a journey into the playfully dark musings of Everyman.

The lineup : Stephen Patterson (vox/piano), Jamie Levinson (drums), Matthew Clark (drums, guitar), Alex Even (guitar), Gregory Roberts (guitar/vox). A U.S. tour will follow the May release of It’s Frightening

US Tour Dates With Interpol

10/18 - Fox Theater - Oakland, CA

10/21 - Soma - San Diego, CA

10/22 - The Joint - Las Vegas, NV

10/23 - Greek Theatre - Los Angeles, CA

10/25 - Ogden Theatre - Denver, CO

10/27 - The Palladium Ballroom - Dallas, TX

10/28 - Stubb's Waller Creek Ampitheatre - Austin, TX

10/29 - Verizon Wireless Theatre - Houston, TX

11/01 - The Tabernacle - Atlanta, GA

11/03 - Constitutional Hall - Washington, DC

11/04 - Tower Theatre- Upper Darby, PA

11/05 - United Palace - NY, NY

11/06 - United Palace - NY, NY

meniskus | Live At The Walnut Room | 2010

The unique sound of meniskus is hard to classify. They have been labeled as Latin, European, House, Trance Rock, but none of these really pinpoint what their music sounds like. At times you can hear a mystic Middle Eastern influence, at other times hints of Ukrainian Punk and ancient ancestral harmonies. The only way to really understand is to see them perform live.  Meniskus's live stage performance is what makes this band great. They have finally caught some of the live energy on their latest release 'LIVE at The Walnut Room' recorded in Denver, Colorado in early 2010.

The opening track 'Morocco' is drenched in the soft nylon strings of  Venezuelan-born Bardusco's guitar and Eric Ostberg's howling violin.  Cris Ryt builds the tempo on the drums until the song eventually erupts like an exploding volcano. This transitions smoothly in to the second song, 'The Equalizer'; a driving, strong riff built on the passionate moans of Ostberg's voice. Track three, Latina really reflects the true sound of meniskus. Ryt provides a tantric techno beat as Ostberg and Bardusco trade leads that lift the soaring strings from high down to crashing bass chords below.  'Again', is one of my new favorites, the march of the drums and shouts of Again providing the attitude of a punk song.  'Sheik Don't Mind' is another reflection of the way these three band members play so well together. The feeling and emotions of each person combine in such a way that the song can sound different from night to night. Their world trance classification can be explained by the next track called 'Nightly Erotic'. It flows like the silken dress of a Persian belly dancer as she dances across the floor.  If ska is polka, and polka is punk, then 'The Partyer' is fun as funk. This is a song for everyone; I could easily see it get plenty of air play on KBCO.  'Brigade' is the anthem of this CD, it reminds me of the strong messages sung by U2 in the 80s.  'Combo' is another quick moving song built on forceful emotions and played as fast as a speeding train; by far my favorite song on the CD.  Last is a bonus studio track called 'Greed'. If this song is any indication of where meniskus is taking their music, we have lots to look forward to from this band in the future.

This band has perfected their skills from years on the road and polished their sound by days spent in the booths of Coupe Studios. It’s good to know the energy of their live shows has finally been captured on their CD.

Azar Lawrence Sextet @ Tribeca Performing Arts Center

When saxophonist Azar Lawrence first burst on to the jazz scene in the '70s he was hailed by many as the second coming of John Coltrane.  "Azar Lawrence burns like a bright, hot flame at the altar of his muse. Given the ever-present fire danger in the Southland, a fire truck should remain on call when Lawrence blows. " raves  AllAboutJazz.  BMCC Tribeca PAC’s Lost Jazz Shrines series is dedicated to bringing legendary New York City jazz clubs back into the consciousness of the world with a thorough remembrance and celebration.  Our opening night concert will be a tribute to the late Rashied Ali. Saxophonist Azar Lawrence performed there frequently, and Rashied Ali played the drums on his next release.

Azar Lawrence Sextet
Lost Jazz Shrines Series Part 1 Celebrating Ali’s Alley
May 7, 8:30PM, $25

BMCC TRIBECA PERFORMING ARTS CENTER
Borough of Manhattan Community College
199 Chambers Street
(212) 220 -1460 | www.TribecaPAC.org

Follow the Train Releases Mercury Today

Louisville, KY natives Follow the Train spent the last year in the studio crafting their shimmering new album Mercury, a lushly detailed collection of music that is packed with ideas and brimming with emotion at every corner.  Produced by Kevin Ratterman (VHS or Beta), the album is available today through Removador Recordings and Solutions, the label run by My Morning Jacket frontman Yim Yames and former My Morning Jacket guitarist Johnny Quaid.

Follow the Train began in 2004 as Dennis Sheridans solo musical project, paying tribute to the shoe-gaze of the late 80s and early 90s.  The project found an audience with the self-released EP, The Great Disturbance, followed by a full-length album called A Breath Of SighSheridan eventually found an ear in his longtime friend Yames, who brought Follow The Train to Removador.

The band moved through a few different ensembles before settling on a six-piece group that came together for the new album. Sheridan is joined by James Hewett (drums), Mike Sabo (guitars), Brandon Jones (percussion), Carlos Ramos (bass) and David Cronin (keyboards).

Mercury has emerged as a nine-song, space-maddening, psychedelic, operatic brain-cookie.  At the center is Dennis Sheridan’s beautifully tattered yet commanding voice, which carves out a trail in the sky and bursts with lyrics that yearn for exploration.

Performing Artist Jill King To Release New Album RAIN ON FIRE

Songstress Jill King releases on April 6 a new studio album, RAIN ON FIRE (Foundher Records), which the artist describes as life-changing for its renewal of her passion for music and for life and as a gift for listeners who might need a similar lift upward.

The new CD is a collection of heartfelt and thought-provoking love songs and ballads written and co-written by King that mesh blues, pop, R&B, country and jazz into her solid folk-rock sound, elevated by her stunning vocals and the slide and steel guitar vibe of Australian Michael Flanders, who produced the album with King.

It includes “Beautiful World,” “California” and “I’ll Keep Loving You” — three songs that reflect King’s life journey through joy and sorrow — as well as “Mark on Me,” which features a spoken-word intro and outro by Steven Johnson, the grandson of blues legend Robert Johnson, and the sensual “Undertow,” which was featured in the February 26 episode of the Web soap “Venice The Series.”

King and Flanders were joined in the studio by an array of respected musicians and friends including Congress House Studios’ Mark Hallman on bass, drums, loops, percussion, B3 and piano as well as Brady Blade (drums, percussion), Victor Broden (bass), Jason Millhouse (fat guitars), Bruce Holloway (guitar), Phil Madeira (piano, accordion, B3), Savannah Jo Lack (violin, string arrangement & performance), Rob Mackay (strings, tenor ukulele), Denise Locke (keyboards), Alex Torrez and Ben Flanders (percussion), and Thom Flora, Doug Stokes and Nels Andrews (background vocals) and a gospel choir made up of Marsha Hancock, Alana Griffith, Christina Taddonio.

A special-edition version of the CD includes a fascinating book by King that intricately details the impetus behind each of the songs, an essay on the making of the album and documentary photography by Nashville-based artist Whitney Jones.

King will put together a band for extensive touring behind the album that includes shows through August across the Southeast and California and Texas.

Born and raised in deep-South Arab, Ala., King was singing solos in church at 3 and was playing guitar and writing songs by age 10, when she made her first record at a local studio. Being surrounded by heaven-and-hell ideologies and later her brother’s death from cancer have influenced her life, her songwriting and her sound: a mix of genres, moods and messages.

White Rabbits Announce US Tour With Here We Go Magic

After spending the better part of two years on the road (including festival stops at Lollapallooza, Glastonbury (UK), Sasquatch, Monolith and tours with The Walkmen, Spoon, Richard Swift, The Cribs, White Denim and Tokyo Police Club). White Rabbits hunkered down in their Brooklyn practice space to set about re-envisioning the dark pop of their debut Fort Nightly, while adding new sounds and influences to achieve an original work.  The result is It’s Frightening, their second full-length album.

White Rabbits signed to TBD Records (US home to Radiohead/Other Lives/Hatcham Social) and erected a makeshift studio in their basement rehearsal space to demo new material.  Band members popped in and out over the course of several months lending ideas and personality to a new batch of songs that defy instant categorization. After enlisting tourmate, friend and songwriter Britt Daniel (Spoon) as producer, the pair began the process of exchanging demos between Brooklyn and Portland.  White Rabbits recorded It’s Frightening over the course of four weeks, only taking a break to play the Transmusicales Festival in Rennes, France.  The sessions were recorded by visionary engineer Nicholas Vernhes (Animal Collective, Deerhunter) at Rare Book Room in Brooklyn, NY.  Taking special care to recreate the unhinged nature of the original demos, the band utilized the wide range of tools in the analog-friendly studio to shape the personal spirit infused in the new tracks.  Upon the completion of tracking, White Rabbits traveled to Austin, TX to mix the record with studio wizard Mike McCarthy (Spoon, Trail Of Dead) using his exceptional ears to transform It’s Frightening into a uniquely rewarding headphone experience.

It’s Frightening plays like a classic reel of tape from start to finish. Opening with the visceral drums of “Percussion Gun,” it is clear that time-off from the road has served the band well.  The many highlights include the emotional centerpiece “Company I Keep,” the new sonic territory of “Lionesse” and the macabre lyrics of “Right Where They Left.”  Fans of Fort Nightly will find much to go weak in the knees over and new listeners are in for an awakening as White Rabbits flip the switch on an already impressive beginning. It’s Frightening is a journey into the playfully dark musings of Everyman.

The lineup: Stephen Patterson (vox/piano), Jamie Levinson (drums), Matthew Clark (drums, guitar), Alex Even (guitar), Gregory Roberts (guitar/vox). A U.S. tour will follow the May release of It’s Frightening.

White Rabbits Tour Dates
4/05: Jefferson Theater, Charlottesville, VA*
4/06: Grey Eagle, Asheville, NC*
4/07: Local 506, Chapel Hill, NC
4/08: The Earl, Atlanta, GA
4/09: The Social, Orlando, FL*
4/10: Jax Live, Jacksonville, FL*
4/11: Club Downunder,  Tallahassee, FL*
4/13: Walters on Washington, Houston, TX*
4/14: The Independent, Austin, TX*
4/16: The Clubhouse, Phoenix, AZ*
4/17: Coachella Festival, Indio, CA
4/20: Urban Lounge, Salt Lake, UT*
4/21: Fox Theater, Boulder
4/23: Sandstone Amphitheater w/ Flaming Lips / Dead Weather / Minus the Bear, Kansas City, KS
4/24: High Noon Saloon, Madison, WI*
4/25: Metro, Chicago, IL*
4/26: Radio Radio, Indianapolis, IN*
4/27: Lee's Palace, Toronto, ON*
4/28: Petit Campus, Montreal*
5/01: Paradise Rock Club, Boston, MA*

*with Here We Go Magic

King Sunny Ade and His African Beats @ Boulder Theater

King Sunny Ade is the undisputed king of juju music, the dance-inspiring hybrid of western pop and traditional African music with roots in the guitar tradition of Nigeria. For 30 years King Sunny Ade has been thrilling audiences and listeners with dynamic live performances creative videos and innovative recordings.

In 1982, Island Records signed Adé for Europe and North America (promoting him as 'the African Bob Marley'). The three albums were - Juju Music, Synchro System and Aura. When the artist and the label ultimately disagreed on the artist’s future artistic direction, they parted ways amicably. For almost ten years, King Sunny Adé continued to release records and dominate the domestic music industry in Nigeria, while only vinyl imports trickled out to the rest of the world.In 1996 Adé signed a new deal with Atlantic Records subsidiary, Mesa/Bluemoon under which he released three records. E Dide / Get Up. Odu, and Seven Degrees North.

In January 2002, Ade completed a four year term as President of The Performing Musicians Assoc. of Nigeria (the national musicians union) Still performing weekly at a wide variety of parties and events, both public and private, King Sunny Adé intends to use his newly recaptured free time to focus on his music. With 111 albums to his credit already in Nigeria, African music fans can surely look forward to more great things to come. Juju Music Juju music is a music of broad social messages. Rooted in the ancient Yoruba tradition of conveying broad social and cultural messages. Musically it is a thrilling hybrid of Western pop and traditional African music that incorporates electric guitars and synthesisers with such indigenous instruments as talking drums.

King Sunny Ade and The African Beats tour with the typically large African line-up of 20-30 members. They play a spacey, jamming sort of Juju, characterized by tight vocal harmonies, intricate guitar work, backed by traditional talking drums, percussion instruments, and even adding the unusual pedal steel guitar and accordian.

King Sunny Ade and His African Beats
Friday, April 30
doors 7:00pm, show 8:00pm

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Tickets are on sale Ja 22 at The Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone. Tickets will also be also available through our website @ www.bouldertheater.com. All tickets are subject to tax and service charge