gary

Gary Wilson to Perform with the Roots on Late Night with Jimmy Fallon

Set your DVRs, VHS players, or just plain tune-in to what will surely be a memorable TV moment tomorrow night. For his first ever National TV performance, Gary Wilson, the reigning king of outsider art, and inspiration to artists such as BeckSimpsons creator Matt Groening, and Stones ThrowsPeanut Butter Wolf, Questlove and The Roots personally invited Gary to play with them on Late Night with Jimmy Fallon! The internet is abuzz, speculating as to what will happen during the appearance, with Questlove responding to it all with an "oh hell yeah"[sic].

For a taste of Gary's wild and wonderful, intricate and touching blend of funk, avant-garde jazz, punk, and AM Gold and his legendary performances, check out this interview and live footage on WFMU's Beware of the Blog.

Gary Wilson's highly anticipated new album, Electric Endicott, is out digitally today, with a street date of November 9th, 2010, on Western Vinyl. With his band, the Blind Dates, Gary will be performing at Bar Pink in San Diego on 10/30, and fittingly on Halloween, 10/31, in Los Angeles at Central S.A.P.C.

The Roots Invite Gary Wilson to Play on Late Night with Jimmy Fallon

We are all in for an exciting treat, as on October 27th, Gary Wilson will be joining Questlove and The Roots on Late Night with Jimmy Fallon! While you might think of him as the king of weird, there is no denying that Gary Wilson hits home with his honest, sincere, and sometimes even creepy musings on life and love, set to his special mix of funk, avant-garde jazz, and AM Gold inflected tunes. It's no wonder Gary's fan-base includes folks like Beck ("... My man Gary Wilson rocks the most." - Beck on Odelay's "Where It's At") , Simpsons creator Matt Groening, Stones Throws' Peanut Butter Wolf, and The Roots' Questlove. The collaboration of Gary and Questlove will certainly be something exceptional, particularly given that Late Night with Jimmy Fallon is known for its bizarre sketches.

Gary will also be in New York for CMJ, playing October 19th at Cake Shop, following O'Death.

To celebrate his performance on Late Night, along with his CMJ show, Gary is giving fans an Mp3 of "In The Night", off of his anticipated LP release, Electric Endicott.

Electric Endicott is due out digitally on October 26th, with a street date of November 9th, 2010, on Western Vinyl.

Gary Wilson, Reigning King of Outsider Music, to Release Electric Endicott

In 1977 Gary Wilson famously released a uniquely bizarre and personal album titled You Think You Really Know Me..., full of electro-funk, proto-new wave, noise collage, and avant-garde jazz. Despite the fact that the album's fans included Beck, Questlove from The Roots, Simpsons creator Matt Groening, and Stones Throws' Peanut Butter Wolf, widespread fame and notoriety eluded Gary Wison until the 2002 re-release of his debut album. Soon after media outlets like Pitchfork, The Village Voice, and The New York Times were talking about the lecherous outsider artist, remarkable as much for his idiosyncrasies and DIY aesthetic as his edgy and creative music.

More than the perverted musings of a peeping tom, Gary's music is an honest reflection of ourselves…at least of that part of ourselves that loved our childhood pets more than we loved our parents, that worried if we'd ever make it to second base, or that really knows how often we floss. Equal parts Prince and Pee Wee Herman…Joe Jackson and Charlie Brown, Gary's songs celebrate our inner ickiness, silliness and grooviness, the romance and randiness of born-losers from Endicott or Anywhere. Rather than alienating us with their creepiness, his lyrics and melodies ultimately make us feel more comfortable being who we are....more comfortable being human.

Like ignoring the downfall and ruin of your hometown or clinging to the rotting corpse of your prom date that you've been keeping in your closet, on Electric Endicott Gary makes a choice, as many of us often do, to inhabit and mythologize, a time and place where he was the king or the charming jester, and Karen, Mary, and Linda were his fair princesses.

Have a listen to Electric Endicott's title track {play}images/mp3/electric_endicott.mp3{/play}.

Lucky Peterson interprets Tom Waits, Lucinda Williams, Ray LaMontagne, Robert Johnson & Blind Willie McTell

Lucky Peterson was discovered by blues legend Willie Dixon when he was three years old, released his first record at five and soon after appeared on The Tonight Show. Trained by keyboardists Bill Doggett and Jimmy Smith, Peterson went on to play behind Little Milton, Bobby “Blue” Bland and Kenny Neal. On return from the “Young Blues Giants” tour of Europe, he signed first with Alligator, then Verve, Blue Thumb and Birdology/Dreyfus, where he recorded what Amazon.com called “his finest album,” Black Midnight Sun, in 2003. The New Yorker called him “a master of the guitar, organ and microphone.”

But Lucky’s journey was not a smooth one, and Peterson spent the next few years in transition, working to free himself of drug troubles that had affected his health, family life and professional life. He spent time in treatment, making one-off records for small European labels, but never a proper follow-up to Black Midnight Sun.

But you can always turn around. These words took on special meaning for the 45-year-old Peterson, which is why the first album since his rehabilitation is titled You Can Always Turn Around. It is an uplifting collection of songs that speak of struggles and salvation, using the gritty clarity of acoustic roots-blues (with modern touches) as its main musical vehicle.

The album, scheduled for September 28, 2010 release on Dreyfus Records, was made in the Catskills with master Woodstock musicians Larry Campbell, guitar (Bob Dylan, Levon Helm); Scott Petito, bass (The Fugs, Mercury Rev, Rick Danko Band); and Gary Burke, drums (Joe Jackson, Shania Twain). Peterson as usual plays a mix of instruments: duolian resonator, piano and acoustic and electric guitars. Also prevalent is the acoustic piano on which Lucky sounds like a bluesy Elton John. “He’s something of a genius — his piano playing reminds me of Aretha Franklin,” says drummer Burke, who has played behind Franklin on the road.

But it’s Peterson’s vocal instrument that some might find most arresting. Peterson wraps his voice around an eclectic selection of blues-based materials including songs by original Delta bluesmen Robert Johnson, Rev. Gary Davis and Blind Willie McTell up through the music of today’s top songwriters including Lucinda Williams, Tom Waits and Ray LaMontagne. The album closes with a version of Curtis Mayfield’s “Think.”

“This album is very different for me — it’s more from the heart,” says Peterson.  “The songs were picked by (co-producer) Doug Yoel, and he knew my heart. I feel like all these songs were for me.”  The album would be the last co-production of Francis Dreyfus, who passed away on June 24, before the album’s release.

One standout on the album is the civil-rights era anthem “I Wish I Knew How It Would Feel To Be Free,” written by Billy Taylor and popularized by Nina Simone. The new recording introduces Tamara Peterson, Lucky’s wife, a worthy blues singer in her own right. The chemistry between Lucky and Tamara on that session was so exciting that Larry Campbell was prompted to invite the pair to appear with the Levon Helm Band at the Midnight Ramble concert the following night.

Peterson creates something brand new on “Trampled Rose,” turning a wordless hook into a seductive Arabian-flavored line. The band responded to and fed the creativity of the newly awakened Lucky Peterson, and the results are truly special.

Peterson continues to tour, doing dates big and small. This new album should increase awareness of and demand for this one-of-a-kind musician.

And when off the road, he’ll be at his church in Dallas, Texas with his family, holding on, and playing for one very lucky congregation.

TRACK LIST:

1. I Believe I’ll Dust My Broom (Robert Johnson)
2. I'm New Here (Bill Callahan)
3. Statesboro Blues (Blind Willie McTell)
4. Trouble (Ray LaMontagne)
5. Trampled Rose (Tom Waits / Kathleen Brennan)
6. Atonement (Lucinda Williams)
7. Why Are People Like That (Bobby Charles)
8. Four Little Boys (James Peterson / Judge Peterson)
9. Death Don't Have No Mercy (Rev. Gary Davis)
10. I Wish I Knew How It Would Feel To Be Free (Billy Taylor and Dick Dallas)
11. Think (Curtis Mayfield)

David Malachowski & The Woodstock Allstars

The Woodstock Allstars is a revolving group of world-class musicians and friends who have played together in various combinations and configurations, but never all at the same time. What results is an intriguing, compelling blend of blues played with a jazz sensibility and rock stance. The name is borrowed from a friend; the late Artie Traum.

Led by venerable guitarist Malachowski (Shania Twain, Savoy Brown, Commander Cody) the Woodstock based band features some of the best musicians in the world. Bassist Graham Maby and drummer Gary Burke are thought by many to be the definitive Joe Jackson rhythm section, and it was Burke, Maby and Malachowski (as leader) that formed the core of the Shania Twain Band in the mid-nineties seen by millions. Burke –now with Professor Louie & the Crowmatix-was on Bob Dylan’s Rolling Thunder Tour, and in the Rick Danko Band, Maby has also played with Natalie Merchant, They Might Be Giants and Joan Baez.

WEDNESDAY., JAN. 27
DAVID MALACHOWSKI & THE WOODSTOCK ALLSTARS: PETE LEVIN-ORGAN, GARY BURKE-DRUMS, GRAHAM MABY-BASS, MACHAN TAYLOR-VOICE, DANIEL A WEISS-PIANO, DENNIS GRUENLING-HARP, ERIK LAWRENCE-SAXOPHONE, DAVID MALACHOWSKI-GUITAR

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IRIDIUM JAZZ CLUB
1650 BROADWAY (CORNER OF 51ST)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
HTTP://WWW.IRIDIUMJAZZCLUB.COM/
SETS AT 8:30 & 10:30PM

John Abercrombie Organ Trio w/ Greg Osby

John Abercrombie

Over a career spanning more than 40 years and nearly 50 albums, John Abercrombie has established himself as one the masters of jazz guitar. Favoring unusual sounds (he played electronic mandolin on McCoy Tyner's 1993 album 4x4) and nontraditional ensembles (recent quartet recordings have included violinist Mark Feldman), Abercrombie is a restless experimenter, working firmly in the jazz tradition while pushing the boundaries of meter and harmony."

Greg Osby

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups for the past 20 years. Highly regarded for his insightful and innovative approach to composition and performance, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Gary Versace

Since basing himself in New York City in June of 2002, jazz organist, pianist, and accordionist Gary Versace has quickly become one of the busiest and most versatile musicians on the scene, often featured in bands led by musicians such as John Scofield, John Abercrombie, Maria Schneider, Matt Wilson, Lee Konitz, Eliot Zigmund, Scott Wendholt, Joe Magnarelli, Danny Gottlieb, Seamus Blake, John Hollenbeck, Andy LaVerne, Adam Nussbaum, Brad Shepik, Ingrid Jensen, Tim Ries and many others.

Adam Nussbaum

One of the finest and most versatile jazz drummers on the scene today Adman’s played with everybody from Sonny Rollins, Gil Evans, Carla Bley, Dave Liebman, Sheila Jordan, James Moody and  many others.  He’s also part of the co-op group  'NUTTREE' with Abercrombie, Jerry Bergonzi & Gary Versace.

JANUARY 14 – 17 JOHN ABERCROMBIE ORGAN TRIO WITH SPECIAL GUEST GREG OSBY
JOHN ABERCROMBIE – GUITARS, GARY VERSACE - ORGAN, ADAM NUSSBAUM – DRUMS, GREG OSBY - ALTO SAXOPHONE

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IRIDIUM JAZZ CLUB
1650 BROADWAY (CORNER OF 51ST)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
HTTP://WWW.IRIDIUMJAZZCLUB.COM/
SETS AT 8:30 & 10:30PM