live

Four Never-Before-Released Live Albums By Jefferson Airplane

The argument rages on, but for many music fans in the ’60s, the best live band from the Bay Area was Jefferson Airplane. Formed during the summer of 1965 in San Francisco, the group triumphed in 1967 with Surrealistic Pillow, one of the key recordings of the Summer of Love, containing the hits “Somebody to Love,” “White Rabbit” and “Today.” The Airplane featured three master instrumentalists (Jorma Kaukonen, Jack Casady and Spencer Dryden) and three vocalists: Grace Slick (replacing original singer Signe Anderson in 1966), Marty Balin and Paul Kantner. The Rock ’n’ Roll Hall of Fame inductees made a total of eight studio albums and released a smattering of live albums including 1969’s Bless Its Pointed Little Head.

But what most fans don’t know is that there are vast reserves of never-released live material by Jefferson Airplane capturing key moments in their history. On October 26, 2010, Collectors’ Choice Music Live will release four previously unreleased live albums: Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell, Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut, Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition, and Return to the Matrix 2/1/68.

The first three releases document the astonishing growth of the band, and follow the near-seamless absorption of Grace Slick’s voice and material into the Airplane’s sound just as they were entering the studio to record Surrealistic Pillow. The fourth release captures the group triumphantly returning to their home turf at Marty Balin’s club The Matrix for a relaxed, exploratory set in an intimate setting, performing material from their first four albums, including Crown of Creation, seven months before its release. Taken together, the four releases confirm that at its best, when Jorma was soaring, Jack rumbling and the three voices joining in ecstatic melisma, no other band could ascend to the heights attained by the Airplane. Hand-picked by a team of devotees, annotated by frequent Airplane flyer Craig Fenton (author of the book Take Me To A Circus Tent: The Jefferson Airplane Flight Manual), and featuring rare photos inside handsome digi-packs, these concerts distill and express the dream and promise of the Haight-Ashbury scene.

• Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell: The Grace Slick era of the Airplane has understandably received most of the attention paid the band over the years. But they had released a good album (Jefferson Airplane Takes Off) and were already a powerful live outfit before Slick came aboard. The 10/15/66 release not only marks the first appearance on CD of a live recording featuring Signe Anderson with the band, but also her very last show. Both Marty Balin and the Fillmore’s Bill Graham give her shout-outs. Songs include “3/5ths of a Mile in Ten Seconds,” “Tobacco Road,” “Midnight Hour,” “High Flyin’ Bird” and “Chauffeur Blues” (which Grace never performed out of respect for Signe, who’d made the old blues tune her own). It was the end of an era. But a new one was about to begin the very next day, and is the subject of the 10/16/66 release.

• Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut: The 10/16/66 volume chronicles the first set of concerts featuring Grace Slick as a member of the Airplane, a mere day after Signe Anderson officially left the band. The band has yet to add the material Slick brought to the band (“Somebody To Love” and “White Rabbit) to the set list, but Grace’s harmony work with Marty and Paul is impressive, and you can literally hear her confidence growing from the first set to the second. The album contains “The Other Side of This Life,” “Let Me In,” “Don’t Let Me Down,” “Run Around” and “High Flying Bird,” plus versions of “3/5ths of a Mile in 10 Seconds” and “Tobacco Road” with the new line-up, and Leiber & Stoller’s “Kansas City,” which has never appeared on any Airplane studio or live album. Surrealistic Pillow photographer Herbie Greene contributes photos. Things would never be the same for the band or for ’60s rock.

• Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition:  CCM Live subtitled these shows We Have Ignition as they believe this is when the Airplane transformed from a high-flying bird into a psychedelic spaceship (but not yet a Starship.) It’s difficult to believe, when comparing these November shows with Grace’s live debut on 10/16/66,  that only six weeks have elapsed. Not only has the band (particularly guitarist Jorma Kaukonen) progressed as musicians, but the infusion of Surrealistic Pillow material some four months before the album hit the stores shifts the focus of this folk-rock band to rock. Included are “Plastic Fantastic Lover,” “High Flyin’ Bird,” “Bringing Me Down,” “ D.C.B.A-25,” “My Best Friend,” “Go to Her,” “She Has Funny Cars,” “3/5ths of a Mile in 10 Seconds,” “Skip Spence’s “J.P.P. McStep B Blues,” “White Rabbit,” “Today” and more.  Two rarities are a mind blowing, 9:45-minute version of “The Other Side of Life” (performed for a photo session) that neither its author, the folk singer-songwriter Fred Neil, nor the band could ever have anticipated, and the only known recording of an instrumental known in some quarters as “My Grandfather’s Clock.” This is the Airplane at its early apex.

• Return to the Matrix 2/1/68: The Airplane returned to the first club they ever played, the Matrix, in 1968 for a 103-minute show at the height of their commercial prowess. They band premiered two songs from the Crown of Creation album (which was months away from being released): “Share a Little Joke” and an instrumental version of “Ice Cream Phoenix.” They also performed “Blues From an Airplane,” a song from its first (pre-Slick) album. Also here: “Somebody to Love,” “Young Girl Sunday Blues,” “She Has Funny Cars,” “Two Heads,” “Martha,” “Kansas City,” “Other Side of this Life,” “Today,” “Won’t You Try/Saturday Afternoon,” “It’s No Secret,” “Watch Her Ride,” “Plastic Fantastic Lover,” “Ballad of You and Me and Pooneil,” “White Rabbit,” “Fat Angel” and  “3/5ths of a Mile in 10 Seconds.”

EOTO, MiMOSA and MartyParty Unite for 11 Day Tour

The west coast is about to experience its first bass driven earthquake as three of the nation's top live electro, dubstep and glitch and producers join together for their first combined tour. The 11-day circuit will kick off this September in San Diego and will make its way up the coast featuring electronica artists EOTO, MiMOSA and MartyParty. Listeners can expect to be transported into another space and time with the sound and fury of the most respected dance music produced live on the scene today.

Electronica music does not have humble roots. Since its inception, the driving beats have moved bodies with a tribal-like abandon; inspiring colorful dance parties with almost a trance-like effect. New technologies have given birth to entire genres of musical sub-cultures - though none have seen such significant growth as the DubStep and Glitch categories are experiencing today. Built on unusual time signatures, clipped segments of samples and occasional vocals the genre favors dark, experimental themes laced with break beats and heavy bass.

Embracing cutting edge techniques combined with live on the spot looping, EOTO is pioneering a whole new approach to this emerging genre of dance music. The duo creates samples in real time by playing; cutting and mixing every sound live before the audience. Using nothing pre-recorded they blend an array of live instruments including vocals, keyboards, bass, guitar, hand drums and a full drum kit as they twist and loop each sound into music that would easily suit a soundtrack for a sci-fi movie. With leagues of sold-out theater performances in 2009 and a seemingly endless tour, EOTO fine-tunes their approach and skill with each and every show, leaving the next performance more unique then the last.

Mimosa has made a distinct mark on the west coast sound in the past two years and has become one of the top west coast exports. This young producer's energy whilst performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, Pretty Lights, Bassnectar and Flying Lotus, playing shows across the US and festivals like Coachella, Symbiosis Gathering, Burning Man and Decibel Festival. Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and ecstasy.

Since 2007 MartyParty has produced sets of original music that range from melodic instrumental hip hop to bassline oriented dubstep. MartyParty has started a movement back towards the power of the melody and the harmony in electronic composition. Song writing has always been Marty's passion instead of the typical beat style dj production. The music is a hybrid of electronic music and hip hop that together form a totally new flavor of urban beat with the hypnotic elements of electronic music and hard-hitting bass. The MartyParty live performance is an intense journey that pulls together the MartyParty songs overlaid with urban samples triggered live. The result is a true "crunky" and "hyphy" experience like no other.

Together the artists will bring earth shattering bass and driving beats to select west coast venues this fall. For more information about the artists check out: EOTO, MiMOSA and MartyParty

For more information about EOTO check out the MySpace

ON TOUR NOW

Sep 21 Moe's Alley - Santa Cruz, CA Find Tickets
Sep 22 Belly Up Tavern - Solana Beach, CA
Sep 23 Music Box - Los Angeles, CA
Sep 24 103 Harriet - San Francisco, CA
Sep 25 Wurk - Reno, NV
Sep 26 Blu Nightclub - South Lake Tahoe, NV
Sep 28 McNear's Mystic Theatre - Petaluma, CA
Sep 29 Arcata Theatre - Arcata, CA
Sep 30 Wow Hall - Eugene, OR
Oct 1 Wonder Ballroom - Portland, Oregon
Oct 2 Neumos Crystal Ball Reading Room - Seattle, WA

Particle, Oct 30 @ the Fox Theatre

Not your typical jam band (they have just as many disco and electronica influences as anything else), Particle started in 2000 in Los Angeles with keyboardist Steve Molitz, drummer Darren Pujalet, bassist Eric Gould, and guitarist Dave Simmons. Tragically, Simmons died just two months after the band started, but Particle found his replacement in Charlie Hitchcock. Gaining fans from the pure energy of their live show, Particle released their debut album, Launchpad, in 2004. The next year Hitchcock left the band, and Scott Metzger and Ben Combe took his place on guitar, also bringing in vocals -- a new addition for the group. Particle celebrated their first-ever performance with the new lineup by recording it and releasing its highlights (along with pieces from another show) as Transformations Live for the People in 2006.

All Ages / GA  / $18.00 adv / $23.00 DOS

Tea Leaf Green, Oct. 14 @ the Fox Theatre

San Francisco-based band Tea Leaf Green got their start in the relationship formed between guitarist Josh Clark and drummer Scott Rager, who played in a high-school band together in Arcadia, CA. After graduation, Rager enrolled at San Francisco State College, where he met bassist Ben Chambers. When Clark moved to San Francisco, the three began playing together as a trio. Their first paying gig was attended by Trevor Garrod, a singer/songwriter and keyboard player who had moved to San Francisco looking for other musicians to play with. Garrod met the three others, and soon they were playing together as a quartet. They built a following in Northern California and self-released the albums Tea Leaf Green, Midnight on the Reservoir (2001), Live at Slim's, San Francisco CA (2003), Living in Between (2004), and Live at the Independent (2004).

They issued their first national release, Taught to Be Proud, in 2005 and within a year they were opening for Gov't Mule, Trey Anastasio, Dave Matthews Band and a host of other lauded musicians. In 2007, longtime bass player Ben Chambers left the band and was replaced by Reed Mathis, formerly of Jacob Fred Jazz Odyssey. Mathis's stylistic versatility on bass proved to be the perfect fit for the band. In 2008, Tea Leaf Green went on to re-release their first three studio albums as the triple-CD compilation entitled Seeds. Later that year the band followed up with their next studio album Raise Up the Tent.

In June 2010 Tea Leaf Green released Looking West, their first studio album in 2 years. The release is a compilation of road-tested, fan favorite songs that the band has never recorded in the studio. The album marks a new chapter for Tea Leaf Green and represents the artistic and individual growth of the band since their formation more than a decade ago.

In a few short years, these road warriors have built a strong following, consistently filling venues across the country and becoming a warmly received, go-to band on the festival circuit with stand-out performances at Bonnaroo, Wakarusa, 10K Lakes, and The Echo Project, among others. Sharing some of the style and substance of musical contemporaries My Morning Jacket, Wolfmother, and the Raconteurs, Tea Leaf Green conjures the spirit of bands like '70s Bob Dylan, Tom Petty, and The Grateful Dead, taking classic sounds and giving them a present-day polish. Tea Leaf Green reminds us at every turn just how alluring rock 'n' roll can be.

All Ages / GA  / $15.00 adv / $18.00 DOS

Independent Radio Takes Center Stage as Toyota Free Yr Radio Launches Fourth Annual Tour

Toyota’s Free Yr Radio is back, taking its mission to draw attention and support to independent, non-commercial radio on the road across the U.S. with appearances at the nation’s best music festivals, including Siren Fest, Lollapalooza, Mile High, Outside Lands, Bumbershoot, the Voodoo Experience, and CMJ.  Toyota launched Free Yr Radio four years ago to celebrate independent radio as a vital cultural resource.

Mimi Fishman Foundation News (PHISH, PHISH, PHISH)

The WaterWheel Foundation and the Mimi Fishman Foundation have teamed together for a “reprise” of their recently completed on-line charity auction. While the previous auction featured a package representing each tour stop on the 1st leg of the 2010 Phish Summer tour, the new auction covers the tours 2nd half. Every tour stop multiple nights including fan favorites such as Alpine Valley, Deer Creek, and Jones Beach, as well as a special 3 night run at the Greek Theater in Berkeley. A very special run in Telluride places an exclamation point on the tour.

All proceeds raised will mutually benefit the Foundations, both of which have strong ties to the band Phish. The WaterWheel Foundation was created by Phish in 1997 to oversee the band’s various charitable activities. The Mimi Fishman Foundation was established in1999 by Miriam "Mimi" Fishman (the late mother of Phish drummer Jon Fishman) and David Shulman, as a vehicle to raise funds for various charities important to Mimi.

The on-line auction is currently live with the bidding coming to close on Monday, July 19.

In addition to a pair of reserved tickets per show, the auction packages include “bonus” items including posters by famed poster artist Jim Pollock and signed by the band, a rare David Welker print, etc. .

To view and/or bid on the auction, as well as read about the charities the auction supports, please visit the Mimi Fishman Foundation Auction Page.

Allan Sherman's Warner Bros. LPs reissued on Collectors' Choice

If Stan Freberg owned the ’50s when it came to song parodies, Alan Sherman owned the ’60s. His string of three #1 albums in a row (My Son, the Folk Singer; My Son, the Celebrity; and My Son, the Nut) remains unmatched by any comedian before or since. Yet in what would qualify as a fershlugginer state of affairs, those very same classic albums have never been released on CD in their original form — appearing only on a now out-of-print Rhino Handmade box set. Collectors’ Choice Music will reissue Sherman’s eight Warner Bros. Records albums from 1962-67 on September 7, 2010 — one day before Rosh Hashanah in the Hebrew calendar year 5771.

The digitally remastered albums include My Son, the Folk Singer; My Son, the Celebrity; My Son, the Nut; Allan in Wonderland; For Swingin’ Livers Only!; My Name Is Allan; Allan Sherman Live! (Hoping You Are the Same); and Togetherness and feature newly written liner notes by Barry “Dr. Demento” Hansen.

Sherman’s musical career started when his career as a television producer (“The Steve Allen Show,” “I’ve Got a Secret”) came to a close. He had recorded a handful of Borscht Belt song parodies in the ’50s for Jubilee Records in his native New York and decided to take up where he’d left off. Having relocated to Los Angeles, Sherman was signed to Warner Bros. Records by A&R man and arranger-conductor Lou Busch. The recording session for what would become My Son, the Folk Singer took place where his next six albums would be recorded — Radio Recorders on Hollywood’s McCadden Place, where he was joined by six musicians, six singers, and a live audience of 100, seated in folding chairs, who noshed and imbibed. “I wanted it to be like a party,” he later wrote in his autobiography. The crowd laughter became an essential part of the Allan Sherman sound. The eight Allan Sherman reissues on Collectors’ Choice Music are as follows:

• My Son, The Folk Singer: Sherman recorded his #1 debut album one night on August 6, 1962 with arranger Lou Busch at Hollywood’s Radio Recorders before a live audience of friends including Johnny Mercer, Theo Bikel and Pat Carroll. As reissue annotator Dr. Demento writes, “He had developed a style that somehow preserved the soul of Jewish humor but made it sound all-American.” The album contains such Sherman gems as “Sarah Jackman” (based on “Frère Jacques”), “My Zelda” (“Matilda”), “The Streets of Miami” (“The Streets of Laredo”), “Seltzer Boy” (“Water Boy”) and “Oh Boy” (“Chiapanecas”). The album sold so fast that when Warner Bros. ran out of album jackets, they continued to sell the vinyl alone.

• My Son, The Celebrity: At 37, Allan Sherman, the portly ex-TV producer, was suddenly famous. In the space of three sessions in late 1962, he and Busch again invited friends to the studio, supplying folding chairs, hors d’oeuvres and an open bar. The resulting album featured “Harvey & Sheila” (set to the tune of “Hava Nagila”), painting a portrait of the emerging suburban Jewish upper middle class (“They bought a house one day/Financed by FHA/It had a swimming pool/Full of H20/Traded their used MG/For a new XKE/Switched to the GOP/That’s the way things go”). The second album, which also reached #1, also included “Mexican Hat Dance,” “The Let’s All Call Up AT&T and Protest to the President March,” “Won’t You Come Home Disraeli” and “Barry Is the Baby’s Name/Horowitz/Get on the Garden Freeway.”

• My Son, The Nut: Sherman’s fan base now including President John F. Kennedy and Harpo Marx. The parodist once told Busch he wanted to record with a full orchestra, which Busch thought was indeed nuts, but agreed to add concert strings and brass to the mix for this 1963 album. Featured here is “Hello Muddah, Hello Fadduh,” sung from the vantage point of a malcontented kid at overnight camp. The Los Angeles Times called it “pure craft . . . Sherman clearly tapped not only his son’s experience that summer but the  . . . terror of a child separated from his parents.” Other tracks included “You Went the Wrong Way Old King Louie,” “Automation,” “I See Bones,” “Hungarian Goulash No. 5,” “Here’s to the Crabgrass,” “Rat Fink” and “Hail to Thee, Fat Person.” The album held the #1 spot for eight weeks.

• Allan in Wonderland: Sherman’s 1964 album didn’t reach #1 — the Beatles appeared on Ed Sullivan three weeks after its release, thereby changing the pop charts forever — but Allan Sherman’s fourth album stood up well against its chart-topping forebears. In fact its humor might even have been a little more pointed, most notably “The Dropouts March,” which took a particularly cynical look at educators’ well-meaning efforts to keep kids in school. With psychiatry a popular topic for comedians in the early ’60s, Sherman provided “You Need an Analyst,” based on “I’ve Got a Little List” from The Mikado. The album maxed at #25 on the album chart.

• For Swingin’ Livers Only: The album title was an homage to Frank Sinatra’s famous 1956 album Songs For Swingin’ Lovers. And indeed Sherman made no bones about on which side of the popular music divide he stood with “Pop Hates the Beatles” (to the tune of “Pop Goes the Weasel”). Also included are “The Twelve Gifts of Christmas,” “Grow, Mrs. Goldfarb,” “Your Mother’s Here to Stay,” “Pills,” “Shine On Harvey Bloom,” ”Beautiful Teamsters” and “Bye Bye Blumberg.”  Although one of his most fertile periods for parody, the November 1964 release reached only #32 on the charts. Sherman kept himself in the public eye, appearing on the “Tonight Show” and authoring articles that year for Playboy, TV Guide, The Saturday Evening Post and New York Magazine.

• My Name is Allan: The fad nutrition book of 1965 was The Drinking Man’s Diet, which advanced the peculiar notion that consuming alcohol would ease the stress of dieting and therefore promote weight loss — a notion that Sherman ran with on this, his final charting album. Featured were “The Drinking Man’s Diet” (not a song parody buy rather an original penned by Sherman and arranger Neil Hefti, who also composed the “Batman” theme), “It’s a Most Unusual Play,” “Peyton Place, USA,” “The Laarge Daark Aardvark Song” and “The Painless Dentist.” The humor also extends to the album title and cover — being Jewish is about the only thing Allan Sherman and Barbara Streisand had in common. The album stalled at #88 on the Billboard chart, and was the last album recorded at a Hollywood studio with invited guests in folding chairs.

• Allan Sherman Live! (Hoping You Are the Same): Sparks, Nevada’s Nugget hotel/casino was not exactly Carnegie Hall. But after years of recording before invited guests at recording studios, this 1966 release was his first recorded in concert. This was not a rehash of greatest hits, however. Sherman premiered new material — much of it a minute or less in length — alongside a few of his best-loved songs. Included are “How Van Nuys Got Its Name,” “Smog Gets in Your Eyes,” “The Learner’s Brassiere,” “Mononucleosis,” “Scotch and/or Water,” “Sorry ’Bout That” and “In Which I Finally Admit That I Won World War II Single-Handed” and “Hello Muddah, Hello Fadduh — Nevada Style,” complete with a shout-out to the casino’s owner. Overall it was not a good year for Sherman; his 21-year marriage came to an end, and he’d added fame — which had begun to dissipate — to a list of addictions that included alcohol and carbohydrates. He relocated from Los Angeles to back New York, setting his sights on creating a Broadway musical.

• Togetherness: Allan Sherman’s last album, from 1967, was the only one he made without an audience of any kind, and he and musical director Peter Matz (who he’d met an overnight camp) took full advantage of the studio environment with such effects as singing in the shower. The album’s single was “Westchester Hadassah,” a parody of the New Vaudeville Band’s “Winchester Cathedral,” itself something of a novelty record. He sang it in what Dr. Demento describes as “somewhere between the quaintly nasal sound of the New Vaudeville Band and the nagging woman of a thousand Jewish comedy routines.” Many of the songs were written by Sherman and composer Albert Hague for their Broadway show Birth Is the Coward’s Way Out (retitled The Fig Leaves Are Falling). Sadly, the production lasted a total of two days on Broadway.

Sherman moved back to L.A. and began work on a book. By the time it was published in 1973, Sherman was in poor health, suffering from emphysema (after a lifetime of smoking) and increased weight. He died on November 20, 1973 at the age of 47.

Forty-plus years after his heyday, with the re-release of his catalog, Sherman proves that good comedic music can have timeless appeal.

Gordon Edwards STUFF Tonight at the Creole Restaurant

Come and hear some irresistible R'n'B music from a band led by Stuff's legendary founder, leader and bass player, Gordon Edwards. Gordon has played with many of the world's most notable artists from Aretha Franklin to John Lennon to Joe Cocker to Van McCoy. Two of his excellent sideman in this all star band are Alex Foster-Saxophone (Saturday Night Live) and Mick Gaffney-guitar.

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Gordon Edwards STUFF is:

Alex Foster - sax
Roy Bennett - vocals/bass
Wally Gator - drums
Mick Gaffney - guitar
Jimmy Smith - Piano

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Creole Restaurant & Supper Club
http://www.creolenyc.com/
2167 3rd Avenue
New York, NY 10035-4040
(212) 876-8838

MOON TAXI ANNOUNCE SUMMER TOUR!

Nashville road warriors Moon Taxi have been steadily picking up steam across the country, building a loyal following of music fans dedicated to the band’s relentless energy, inspired songwriting, and instrumental prowess. Having opened for the likes of Gov’t Mule, Umphrey’s Mcgee, Matisyahu, and DJ Logic, the five-piece are hitting the road for an extensive summer headlining tour.

Formed three years ago in Nashville, TN, Moon Taxi hit the ground running and hasn’t slowed down, beginning by pounding the Southeast club circuit and soon selling out venues in their hometown. Honing their skills on the road and developing a unique sound that joins together a multitude of rock sub-genres into an explosion of red hot rock n’ roll, the band has found its home on the live stage. Vocalist and guitarist Trevor Terndrup commands his position as a frontman-to-watch with his high-flying vocals and magnetic personality that combine with his band mate’s technical skill and complex sonic structures to create a joyous force of nature. Drummer Tyler Ritter anchors the group with propulsive and evolving beats while bassist Tommy Putnam delivers lines that groove between soul and rock, laying a textured foundation that’s both unyielding and unrestricted. Some of the most explosive moments are sparked by Wes Bailey on keys and guitarist Spencer Thomson, whose dizzying solos are met with instant gratification from their audience.  The band’s tenacity on stage and on the road has led to securing coveted slots at festivals such as 10,000 Lakes Festival, Moe’s Summer Camp and Birmingham’s City Stages and is captured on the vibrant and explosive live album, Live Ride, released in 2009. Be sure to catch Moon Taxi at these intimate gigs before they catapult into the rock n’ roll stratosphere.

Don’t miss your chance to catch MOON TAXI live this summer:

6/10/10                       Ithaca, NY @ Castaway’s

6/11/10                       Freeport, ME @ Music Bar

6/12/10                       Newton, NJ @ Hobo Bar

6/13/10                       Brooklyn, NY @ Southpaw

6/16/10                       Frostburg, MD @ Dante’s

6/17/10                       Annapolis, MD @ The Whiskey

6/18/10                       Cleveland, OH @ Beachland Tavern

6/19/10                       Columbus, OH @ Basement

6/20/10                      Indianapolis, IN @ Birdy’s

6/22/10                       Toledo, OH @ Frankie’s

6/23/10                       S. Haven, MI @ Foundry

6/24/10                      Three Rivers, MI @ Riviera Theatre

6/25/10                       Kalamazoo, MI @ The Strutt

6/26/10                       Dayton, OH @ Canal Street

6/27/10                       Lexington, KY @ Cosmic Charlie’s

6/30/10                      Cincinnati, OH @ Southgate House

7/1/10                        Chicago, IL @ House of Blues, Porch State

7/2/10                        Minneapolis, MN @ 400 Bar

7/7/10                         Boulder, CO @ Rock N Soul Cafe

7/9/10                         Denver, CO @ Moe’s

7/14/10                       Reno, NV @ Crystal Bay

7/15/10                       San Francisco, CA @ The Union Room @ Biscuits and Blues

7/17/10                       San Diego, CA @ House of Blues

7/24/10                      Nashville, TN @ Exit/In

7/29/10                       Dallas, TX @ The Loft

7/30/10                      Oklahoma City, OK @ The Conservatory

7/31/10                       Denton, TX @ Boiler Room

8/8/10                        Logan, OH @ Rootwire Music Festival

8/13/10                       Alexandria, LA @ Spirit’s, Foods and Friends

8/28/10                       Turin, NY @ Snow Ridge Ski Resort

Moon Taxi is Trevor Terndrup (Vocals, Guitar), Spencer Thomson (Guitar), Tommy Putnam (Bass), Wes Bailey (Keys) and Tyler Ritter (Drums)

My Morning Jacket to Perform 5 Shows @ NYC's Terminal 5!

Eleven years into their career, Louisville’s My Morning Jacket have released five highly acclaimed, classic albums, the live concert album and DVD Okonokos,  and have been revered for their legendary live performances.  With such an expansive catalogue, it’s been impossible in recent years for the band to perform every last MMJ favorite for one venue… that is, until this October.  In an unprecedented move, New York City’s Terminal 5 will be presenting a historic five night run of shows where the band will perform one of their albums in its entirety on each night.

The stint will kick off on Monday, October 18th with a performance of the Jacket’s debut, 1999’s The Tennessee Fire, and will be followed chronologically by their other four full-lengths, ending with 2008’s Evil Urges on Saturday the 23rd.  After the given album is performed each night, the audience will be treated to a mix of favorites from the band’s catalog as well.  The series of shows are sure to put a magnifying glass over the chameleonic band’s history, highlighting their remarkable tendency to perpetually evolve.

All of the dates will individually go on sale June 18th but for fans who want the once-in-a-lifetime opportunity of experiencing all five nights, there will be a special pre-sale.  Five-show ticket packages will go on sale June 14th.  As with their current upcoming headlining tour dates in August, the band will be donating $1 from each ticket to a local charity.  Please see below for more info on each charity and to purchase tickets, head over to www.terminal5nyc.com.

October 18 - The Tennesee Fire / Charity: Safe Haven of Pike County
www.safehavenofpikecounty.org

October 19 - At Dawn / Charity: The Innocence Project
www.innocenceproject.org

October 21 - It Still Moves / Charity: 826NYC
www.826nyc.org

October 22 - Z / Charity: New York Cares
www.newyorkcares.org

October 23 - Evil Urges / Charity: Sustainable South Bronx
www.ssbx.org