live

Post Furthur NYC show with Licorice

Licorice will be playing a post-Furthur show at the Sullivan Hall in New York City on February 23rd.  Their first set will start at 1AM and go into the night.   If you're looking for a fun post-Furthur show, here's your chance. Go check them out.

about Licorice:

On the heels of the release of their first studio EP, the critically acclaimed A Million Grains of Sand, Licorice's current momentum is exponential. They perform as a dynamic live force with David Lott (guitar, vocals), Matt Epstein (bass) and Josh Bloom (drums, vocals) at the core. The Brooklyn based rock outfit has displayed their musical chops on the world famous stages of The Blue Note, Knitting Factory, Brooklyn Academy of Music and other festivals and settings. They've shared the stage with legends and contemporaries, including: Larry Coryell, Roy Hargrove, Mike Dillon, and DJ Logic. Their songwriting, an amalgam of Americana, Blues, Jazz, and Rock, is the key vehicle to their original sound as a group, as they prove there are no musical boundaries. Together, they conquer complex originals, covers, jazz standards, and fusion 'episodes', on top of barn-burning rockers, anthems, and ballads - all with power, pocket and ease, with a cohesive and delicate touch. While they plan their next studio venture check them out live or online!

INFECTED MUSHROOM w. Matisyahu today

INFECTED MUSHROOM, one of Israel's biggest musical exports, is returning to their native land for a one-off concert TODAY, Wednesday, February 10, at Tel Aviv's Exhibition Grounds that will be broadcast live exclusively on www.YNETNews.com.

The psy-trance veteran duo, headed by Erez Eisen and Amit Duvedevani, has become one of the biggest acts in electronic music, performing in diverse locations around the world and gaining accolades from the international music press. This special performance is in celebration of the band's latest album, LEGEND OF THE BLACK SHAWARMA out now on Paul Oakenfold's Perfecto Records.  Joining INFECTED MUSHROOM is special guest American-born Hasidic Jewish reggae artist MATISYAHU who will perform the currently #1-charting remix of “One Day” with the band plus two other songs during this special event.

INFECTED MUSHROOM, special guest MATISYAHU  and FRIENDS OF NATASHA

Thursday, FEBRUARY 11th

2:30 PM PT – U.S.//5:30 PM ET – U.S.

THURSDAY, FEBRUARY 11

12:30 AM - TEL AVIV, ISRAEL

Stream the performance live at WWW.YNETNEWS.COM

Four-Piece Drink Up Buttercup to Drop First Full-Length

Philadelphia pop quartet Drink Up Buttercup will release their first full-length album, Born and Thrown on a Hook, on March 23rd through Yep Roc Records.
Drink Up Buttercup earned the attention of fans with the release of their debut 7” Sosey & Dosey on Kanine Records, which was described as “Beatle-esque but in a kitchen sink kind of way,” (Brooklyn Vegan) and “60’s psychedelic carnival” (Stereogum). The band – comprised of Jim Harvey (vocals, guitar), Ben Money (bass, organ), Mike Cammarata (drums) and Farzad Houshiarnejad
(keyboards) – furthered their notoriety through their bombastic live shows with The New York Times going so far to say that the band “mesmerizes and clobbers live.”
Drink Up Buttercup’s first full album navigates a surrealistic geography somewhere between the grittiness of a Tom Waits’ song and the fairy tales of Han Christian Anderson. Produced by Philadelphia’s own Bill Moriarty (Dr. Dog, Man Man) and mixed by Rusty Santos (Animal Collective, Owen Pallett, Panda Bear), Born and Thrown on a Hook demonstrates a preoccupation with flawed protagonists, drunks and star-crossed lovers.
“We knew we were making something great and we all fought about what added to the greatness and what detracted,” Moriarty said. “We tried every way possible to make recordings: live, one at a time, analog tape, computer... in the end all of them worked and none was the solution.”
“This is an album I'm glad to have been a part of,” Moriarty continued. “It was a powerful experience with all the attractive and repellent parts of being alive rolled up in it.”
In anticipation of Born and Thrown on a Hook, Drink Up Buttercup is releasing a live video document of every song on the upcoming album each week via www.drinkupbuttercup.com, culminating on March 23rd. Each video is stripped of studio trickery & audio comfort zones, embracing the strange surroundings they find themselves in - basements filled with balloons, children’s playgrounds and old folks homes.

Collectors' Choice introduces CCM Live label: J. WInter, Hot Tuna, Poco. J. Denver

Collectors’ Choice Music, the label that’s come to be known for compelling and often unexpected CD reissues, has announced the launch of Collectors’ Choice Music Live, a new label devoted to releasing great live performances, most of which have never previously been commercially available.

The series will launch April 20 with the release of four CDs: Johnny Winter And’s Live at the Fillmore East 10/3/70; Poco’s Live at Columbia Studios, Hollywood 9/30/71; Hot Tuna’s Live at the New Orleans House, Berkeley, CA September 1969; and John Denver’s Live at Cedar Rapids, 12/10/87.

According to Collectors’ Choice Music GM Gordon Anderson, “After some 15 years of reissuing albums and compiling artists, we’re convinced that some of the biggest remaining veins of gold in the vaults are the live shows that a lot of labels recorded of their artists in their prime, particularly those who made their reputation with improvisational prowess and/or ever-changing set lists. These first four releases on our new Collectors’ Choice Music Live label certainly fit that description.”

Johnny Winter And — Live at the Fillmore East 10/3/70: To commemorate the release of his Johnny Winter And album, Texas blues guitarist/singer Johnny Winter played some shows at New York’s Fillmore East, some of which were compiled on 1971’s Live Johnny Winter And, a classic live album of the era to which this release makes a nice bookend. He had just formed a new band consisting of former member of the McCoys (“Hang on Sloopy”) including Rick Derringer on guitar, bassist Randy Jo Hobbs, and drummer Randy Zehringer. Although the McCoys were none too familiar with Winter’s work, they proved quick studies and entered the studio to make the album Johnny Winter And within three weeks. The New York Times reviewed the Fillmore show, citing “a considerable improvement over Winter’s previous band. Winter and [Derringer] played solos back at each other, simultaneously and in alternation.” The live album contains the Winter hit “Rock and Roll Hoochie Coo” and his take on Bob Dylan’s “Highway 61” alongside  blues classics “Rollin’ and Tumblin’,” “It’s My Own Fault” and “Good Morning Little Schoolgirl.”

•Poco —Live at Columbia Studios, Hollywood, 9/30/71: In the fall of ’71, Poco was arguably the most popular of the first generation country-rock bands. By then, their album Deliverin’ had cracked the Top 30 and Poco thanked its label, Epic Records, with a private showcase at the CBS Records’ Hollywood studio.  “We just set up as we would have for a small club,” recalls frontman Richie Furay, whose bandmates included guitarist/singer Paul Cotton (from the Illinois Speed Press), bassist Tim Schmidt (later of the Eagles), pedal steel player Rusty Young and drummer/vocalist George Grantham. By this time, Poco was evolving from country-rock towards an edgier rock sound. Says Furay, “Though we were innovators of the L.A. ‘country-rock’ sound, we weren’t going top be pigeonholed into being a one-sound band.” The 14 songs they performed for label employees that day were a solid cross-section of tunes that had appeared on its first four albums including the medley “Hard Luck Child/Child’s Claim to Fame/Pickin’ Up the Pieces,” plus “I Guess You Made It,” “A Man Like Me,” “Ol’ Forgiver,” “Heart That Music,” “Hurry Up,” “You Are the One” and more — an hour of music in all.

Hot Tuna: Live at the New Orleans House, Berkeley, CA September 1969: Hot Tuna was, of course, the blues band-within-a-band side project of Jefferson Airplane’s Jorma Kaukonen and Jack Casady that outlasted the parent band and continues to this day. Interestingly, the duo’s first commercial album, which made it to #30 on the Billboard pop album chart, was recorded live at Berkeley’s New Orleans House, but a lot more material was taped than was released. Much of it is issued for the first time on this 68-minute CD, which consists entirely of previously unreleased recordings. Explaining why they recorded their debut album was recorded live, Kaukoken says, “We tend to go places . . . and you lose a bit of that when you work in the studio. And it was cheaper too!” Of the 13 songs on this CD, six — “Death Don’t Have No Mercy,” “Winin’ Boy Blues,” “Uncle Sam Blues,” “I Know You Rider,” “Don’t You Leave Me Here” and “How Long Blues” — were included on the first Hot Tuna album, though the versions here are selected from different performances than the ones used on that LP.  Other songs include Blind Boy Fuller’s “Keep On Truckin’,” Rev. Gary Davis’ “Keep Our Lamps Trimmed and Burning” and “Candy Man,” and Blind Blake’s “That’ll Never Happen No More.”

John Denver: Live at Cedar Rapids, December 10, 1987: What is the sound of an audience eating out of the palm of a performer’s hand? Utter silence. And that’s what was heard during the two-hour-plus Iowa concert that comprises this two-CD set.  By 1987, Denver’s days as a Top 40 hitmaker were a decade in the past, but he remained a solid concert draw as a beloved, thoroughly American artist with a permanent place in the history of pop. It says much about Denver’s songwriting that, with the exception of half a dozen songs on which he’s accompanied by string quartet, he delivers two hours of solo music just his voice and 12-string guitar. The hits are here but so are new songs, some early-repertoire nuggets and a well-chosen cover or two.  Included are “Farewell Andromeda (Welcome to My Morning,” ”Take Me Home Country Roads,” “Rocky Mountain High,” “Annie’s Song,” “Love Is the Master,” “Mother Nature’s Son,” “Blow Up Your TV (Spanish Pipe Dream),” “Shanghai Breezes,” “Ohio” and more.

EOTO Takes The Country By Storm With Innovative Live Electronic Music

From dance halls to intimate theaters worldwide comes EOTO - the nation’s top innovator in glitchy electronic, bass thumping, dub-step themed music. With performances booked well into 2010 including dates in Tucson, Albuquerque, San Diego and all along the western seaboard, EOTO is taking the country by storm with their innovative brand of live electronic music.

What EOTO achieves on stage is nothing short of astounding. Performed with all of the bells and whistles of a traditional electronic artist plus the addition of live drums, vocals, bass and guitar, the duo creates each and every bass ridden noise right before your eyes -without the addition of a single pre-recorded track. Known for their 100% live improvised performance, EOTO is breaking ground into a new sub culture of music while standing against some of the nations best live DJ’s in the country.

With leagues of sold-out theater performances in 2009, the project started out as an avenue for the duo to blow off steam and generally just have a good time playing around with technology with music. Now, a full time project for the pair with a seemingly endless tour featuring over 600 shows in 4 years and sold out performances in every market in the country. With no signs of stopping, EOTO fine-tunes their approach and skill with each and every show they play, leaving the next performance more unique then the last.

The project will be careening the countryside in 2010 with back-to-back performances scheduled well into late spring and festival dates booked swiftly behind it. The project will be playing along the mountain west and up the west coast before heading back to middle America, through the South, and over to the East Coast in support of their third release, Fire The Lazers, which is now available on iTunes or at a show near you.

For more information about EOTO check out the MySpace

TOUR DATES:
2/5/2010 Rialto Theater - Tucson, AZ
2/6/2010 Aggie Theatre - Fort Collins, CO
2/15/2010 Three20South - Breckenridge, CO
2/16/2010 Samana Lounge - Vail, CO
2/17/2010 Belly Up - Aspen, CO
2/18/2010 Eldo - Crested Butte, CO
2/18/2010 Eldo - Crested Butte, CO
2/19/2010 Fly Me To The Moon - Telluride, CO
2/20/2010 Abbey Theatre - Durango, CO
2/21/2010 Santa FE Brewing Co - Santa Fe, NM
2/22/2010 The Launchpad - Albuqurque, NM
2/23/2010 The Sail Inn - Tempe, AZ
2/24/2010 Orpheum Theatre - Flagstaff, AZ
2/25/2010 E -String Bar and Grill - Henderson, NV
2/27/2010 Winston's - San Diego, CA
2/28/2010 SOhO - Santa Barbara, CA
3/3/2010 Cooper's Ale Works - Nevada City, CA
3/4/2010 Crystal Bay Club Casino - Crystal Bay, NV
3/5/2010 103 Harriet - San Francisco, CA
3/6/2010 Don Quixote's - International Music Hall Felton, CA
3/7/2010 Hopmonk Tavern - Sebastopol, CA
3/8/2010 Red Fox Tavern - Eureka, CA
3/11/2010 The WOW Hall - Eugene, OR
3/12/2010 Berbati's Pan - Portland, OR
3/17/2010 The Palace - Missoula, MT
3/24/2010 The Cider House - Knoxville, TN
4/9/2010 Fox Theatre - Boulder, CO
4/23/2010 Cabooze - Minneapolis, MN

My Morning Jacket Hit The Road With The Preservation Hall Jazz Band

It’s been almost a full year, but the wait is finally over.  My Morning Jacket are ready to bring their electrifying live show back on the road.  The guys will make their way around the Southeastern United States this Spring, including a performance at this year’s Jazzfest in New Orleans.  MMJ are also excited to both try something new with their choice for an opening act, and bring some of the spirit of NOLA along with them.  The band is honored that the historic Preservation Hall Jazz Band will be supporting them on the run.

The connection with the PHJB originated in the Spring of 2009 when MMJ frontman Jim James was invited to sing with them at their home turf, New Orleans’ legendary Preservation HallJames recorded two songs with the band: “St. James Infirmary” and “Louisiana Fairytale.”  The tracks will appear on the bands forthcoming album,  PRESERVATION: An Album To Benefit Preservation Hall & The Preservation Hall Music Outreach Program, out February 16th.

“When I got the invitation to go to the legendary Preservation Hall – where SO much of the music we now know and love on this earth found its early roots – I did not waste a minute,”  James reminisces.  “Getting to sing while the guys played with such glorious bursts of sound – all live in that holy room with the ghosts and garbage trucks crankin’ along – was an experience I’ll never forget.”

The PHJB’s leader Ben Jaffe shares his memory of playing with James: “I couldn’t have imagined Jim fitting in any better with the guys at Preservation Hall.  Creating music is not a science.  There is no tried and true formula.  There is an unspoken bond amongst musicians.  One that exists in the notes we choose.  Jim’s like our long lost cousin coming home for the first time.”

MMJ Tour Dates With The Preservation Hall Jazz Band:

04/20:  Birmingham, AL @ Alabama Theater

04/21:  Nashville, TN @ Municipal Auditorium

04/23:  Atlanta, GA @ Chastain Park

04/24:  New Orleans, LA @ Jazzfest

04/27:  St. Augustine, FL @ St. Augustine Amphitheater

04/28:  Charleston, SC @ Family Circle

04/30:  Raleigh, NC @ Koka Booth

05/01:  Columbia, MD @ Merriweather Post Pavilion

05/02:  Columbus, OH @ LC Outdoor Pavilion

The Devil Makes Three are sellouts

The Devil Makes Three kicked off their new year of touring with SOLD OUT shows in Eureka, Lake Tahoe and TWO SOLD OUT back to back nights at the Independent in San Francisco.
The Devil Makes Three have been tapped for an episode in the first season of IFC's Dinner With the Band and rocked the IFC TV Critics Awards Party earlier this month!  Episodes with Sharon Jones, YACHT, Les Savy Fav, Final Fantasty and Kid Sister & Flosstradamus are in the bag and we can't wait to see what delicious morses and tasty jams are in store for the Devil Makes Three.
For a quick glimpse at how amazing the Devil Makes Three are live, check out a brand new live + in the woods video of the band performing "All Hail" HERE.
TOUR DATES!
The Devil Makes Three
Jan 29 - Manzanita Place - Chico, CA
Pete Bernhard
Feb 18 - Hotel Cafe - Los Angeles, CA
Feb 20 - Moe's Alley - Santa Cruz, CA
Feb 21 - Cafe Du Nord - San Francisco, CA
Feb 23 - Jambalaya - Arcata, CA
Feb 24 - Oak St Speak Easy - Eugene, OR
Feb 25 - Tractor Tavern - Seattle, WA
Feb 26 - Doug Fir - Portland, OR
Feb 27 - Stillwater - Ashland, OR
Feb 28 - Cafe Coda - Chico, CA
The Devil Makes Three
Marc 19 - Brick by Brick - San Diego, CA
Mar 20 - The Troubadour - LA, CA
Mar 21 - Soho - Santa Barbara, CA
Mar 23 - The Phoenix Theatre - Petaluma, CA
Mar 24 - The Historic Ashland Armory - Ashland, CA
Mar 25 - WOW Hall - Eugene, Or
Mar 27 - Wonder Ballroom - Portland, OR
Mar 28 - El Corazon - Seattle, WA
Mar 30 - The Railway Club - Vancouver, BC
Apr 1 - The Marquee Room - Calgary, AB
Apr 2 - The Pawn Shop - Edmonton, AB
Apr 3 - Lydia's Pub - Saskatoon, SK
Apr 5 - The Park Theatre - Winnipeg, MB
Apr 8 - The Double Door - Chicago, IL
Apr 9 - First Ave - Minneapolis, MN
Apr 11 - High Noon - Madison, WI
Apr 25 - Pozo Saloon - Pozo, CA - supporting Merle Haggard!

With more dates to come throughout 2010!

James McMurtry gets iPhone app, embarks on Western tour

James McMurtry fans can now stay up to date with concert information, photos, videos, music and blog posts while they are on the go with the  his new official iPhone application.  The app also allows users to post photos from their iPhone directly to the fan community and engage other fans across Facebook and iLike. The app is available for $.99 at the link here.

McMurtry and his band will be touring the western United States in support of his latest release, Live in Europe (Lightning Rod Records). The album is a document of McMurtry’s first European tour, on which he was joined by keyboardist Ian McLagan and fellow Texas songwriting legend Jon Dee Graham. The set is available as a CD with a bonus DVD, or as a deluxe vinyl LP package with a CD and DVD insert.

Live in Europe, available as a CD/DVD set or as a vinyl LP/DVD set, has earned praise from the critics. Mike Seely, writing in the Seattle Weekly, wrote: “The great Texan James McMurtry released a new album of old material in 2009—in other words, a live album. No matter: Mere mention of its drop date gave me an excuse to delve deeper into McMurtry's supremely underrated oeuvre. . . This re-exposure made me surer than ever that McMurtry is the Springsteen of the South.”

Blurt’s Steve Pick added, “With a new administration in office, he's taken six of the less directly political songs from that record, added two other older cuts, and brought out Live in Europe. It's another chance to notice how in and around the anger about macroscopic events, McMurtry is capable of extraordinary nuance in describing the lives of ordinary people on a microscopic level.”

In addition, McMurtry’s 2005 song “We Can’t Make it Here” was listed as the “Song of the Decade” both by the Lefsetz Letter’s Bob Lefsetz, and by NoDepression.com’s Grant Alden, the latter of whom called it, “Angry and musically adventurous and pissed off, which is different from angry. And a summary of how this decade felt, from my side of the typing.” The Nation declared McMurtry “Most Important Rocker.”

TOUR DATES
Sat., Jan. 16  NEW BRAUNFELS, TX Gruene Hall
Sat., Jan. 30  SPICEWOOD, TX Poodie’s Hilltop Bar & Grill
Sat., Feb. 6 ALPINE, TX Railroad Blues
Tues., Feb. 9 TUCSON, AZ Club Congress
Wed., Feb. 10 PHOENIX, AZ Rhythm Room
Thurs., Feb. 11 LOS ANGELES, CA The Mint
Fri., Feb. 12  SANTA MONICA, CA McCabe's Guitar Shop
Sat.-Sun., Feb. 13-14  SANTA CRUZ, CA Don Quixote's Int’l Music Hall
Tues., Feb. 16  SAN FRANCISCO, CA Great American Music Hall
Wed., Feb. 17  WINTERS, CA The Palms
Fri., Feb. 19  PORTLAND, OR Aladdin Theater
Sat., Feb. 20  EUGENE, OR WOW Hall
Sun., Feb. 21  SEATTLE , WA Tractor Tavern
Tues., Feb. 23  BOISE, ID Neurolux
Wed., Feb. 24  SALT LAKE CITY, UT The State Room
Thurs., Feb. 25  PAONIA, CO Paradise Theater
Fri., Feb. 26  FT COLLINS, CO Aggie Theater
Sat., Feb. 27  BOULDER, CO Fox Theater
Sun., Feb. 28  OMAHA, NE The Waiting Room
Tues., March 2 KANSAS CITY, MO Knuckleheads
Wed., March 3 COLUMBIA, MO Mojo's
Fri., March 5  OKLAHOMA CITY, OK Wormy Dog Saloon
Sat., March 6  FORT WORTH, TX The Aardvark

SNL's Christine Ohlman's new CD with Marshall Crenshaw

Christine Ohlman, a.k.a. “The Beehive Queen,” whose “day job” is that of the flashy, gritty long-time featured vocalist with the Saturday Night Live Band, has completed her first new album in five years, The Deep End, to be released by the Horizon Music Group through Selct-O-Hits on April 6, 2010.

Having won the respect of many fellow artists over the years, Ohlman recruited a stellar group of them to contribute to the new CD, including Marshall Crenshaw, Dion DiMucci and Ian Hunter as duet partners, as well as an all-star list of accompanists: G.E. Smith, Eric “Roscoe” Ambel from the Del-Lords, NRBQ veteran Big Al Anderson, Catherine Russell, the Asbury Juke Horns (Chris Anderson and Neal Pawley) and more.

Working in a swampy, guitar-driven style of contemporary rock/R&B, Ohlman and The Deep End co-producer Andy York (John Mellencamp) crafted 15 songs of life and love tempered by loss. It is Ohlman’s first album of new work since 2004; her recording hiatus followed the deaths of both long-time producer and mate Doc Cavalier and guitarist and founding member of Ohlman’s Rebel Montez band, Eric Fletcher. (The band presently includes Michael Colbath, bass; Cliff Goodwin, guitar; and Larry Donahue, drums.)

Christine is a musicologist of note of whom SNL bandleader Lenny Pickett, quoted in the New York Times, once said, “She knows the really good, obscure stuff.” The covers on The Deep End were lovingly chosen from her fabled record collection. She duets with Dion on the obscure Southern soul gem “Cry Baby Cry” and with Crenshaw on a Motown classic, Marvin Gaye and Mary Wells’ “What’s the Matter With You Baby.” A third duet with Ian Hunter on Ohlman’s own “There Ain’t No Cure” celebrates her love of the music and language of the Delta behind a punked-out, soul-searing groove. It’s one of a group of eleven new originals that includes “The Gone of You” (a song of loss and longing so central to The Deep End’s theme that it appears twice: in a full-band version and in York’s evocative, loop-driven demo, dubbed “After Hours” both for Ohlman’s late-night vocal and its darkest-before-the-dawn sensibility); the Muscle Shoals-tinged ballad “Like Honey”; flat-out barnburners “Bring It With You When You Come” and “Born To Be Together”; and Ohlman’s post-Katrina lament “The Cradle Did Rock,” which will appear later this year alongside tracks by Irma Thomas, Dr. John and Allen Toussaint as a bonus cut to the reissue of Get You A Healin’, a CD benefitting the New Orleans Musicians’ Clinic.  The late Eric Fletcher is memorialized in the album’s third cover, a pristine reading of Link Wray’s “Walkin’ Down the Street Called Love.”

Ohlman and her previous recordings have impressed critics. The late Brownsville Station leader, bluesman and musicologist Cub Koda, writing in Stereo Review, believed, “Musical treasures like this don’t come along very often. Ohlman is the number one secret weapon in America’s gal-singin’ sweepstakes.” Charles M. Young in Playboy observed, “The first thing you notice is her tough, rousing, sexy voice.” Elmore magazine noted: “Few singers today are truly versed like Ohlman in all things soul. Tough and raw around the edges, she belts with a voice steeped in the heritage of this musical tradition.” All Music’s Hal Horowitz raved: “Ohlman never sings a tune halfway . . .she’s the leader of the pack.” And of the new album, critic/broadcaster Dave Marsh said, “There are so many ‘wow’ moments.”

In addition to her years on Saturday Night Live, Ohlman has an impressive resume. She sings on the theme song for 30 Rock; performed at Bob Dylan’s 30th Anniversary bash at Madison Square Garden with George Harrison and Chrissie Hynde; performed at President Obama’s Inaugural Gala in Washington, D.C.; led Big Brother & the Holding Company in a Central Park tribute to Janis Joplin; worked on a musical with Cy Coleman, who compared her sense of timing to that of Peggy Lee; and frequently duets with blues legends Hubert Sumlin and Eddie Kirkland. She also edited Rolling Stones producer Andrew Loog Oldham’s autobiography 2Stoned (Oldham described Ohlman’s Wicked Time as “a deep swamp theme to a movie Burt Reynolds wished he’d made’)  and worked with Bonnie Raitt and Ry Cooder at the Rhythm & Blues Foundation Awards — all while continuing to torch clubs up and down the Eastern Seaboard with Rebel Montez. She counts among her friends Willie Nile, Syd Straw, Charlie Musselwhite, Hal Willner, David Johansen, Paul Thorn and Marshall Chess.

A Connecticut native and resident, Ohlman played with G.E. Smith in the Scratch Band in the 1970s, leading to her long association with Saturday Night Live. Her stint in fabled Studio 8H of Rockefeller Center includes the Sinead O’Connor and Ashley Simpson meltdowns (she was present for both) and the current season’s hilarious “Swine Fever” commercial parody, featuring a magnificently beehived Ohlman in full Dolly Parton regalia. She fondly recalls waltzing around 8-H with the late Chris Farley to Paul McCartney’s impromptu rehearsal performance of “Hey Jude.” With her long-time mate, the late Doc Cavalier producing, Ohlman released four records with Rebel Montez: The Hard Way (1995), the live Radio Queen (1997), Wicked Time (1999) and Strip (2003). In 2008 with current business partners Alex DeFelice and Vic Steffens at Horizon Music Group, she released a career compilation called Re-Hive. Yet she has remained under the radar — a best-kept secret. Until now.

Reflecting on The Deep End’s central theme of love both lost and found, Ohlman says, “Rosanne Cash and I were talking and she asked me if I’d written sad songs. It wasn’t until then that I realized I hadn’t. Ultimately, this album is about love and the courage to fall into it. Loss just informs you; it opens emotional doors that couldn’t possibly have opened before, no matter how much you thought you knew about it. I wrote about love — the newness of it, the glory of it, the loss of it, the sadness that can come from it, the wonder of it . . . the sweet bitterness of it.”

Leftover Salmon Presidents Weekend Run!

After over a 6 year absence from both the San Francisco and Salt Lake City markets Leftover Salmon will make its return in February! On Friday and Saturday February 12th and 13th Salmon will perform for a two night stand at The Independent in San Francisco. The following night, Valentine's Day Salmon will head to The Depot in Salt Lake City. The Independent tickets are on sale now HERE(all of the our fan ticketing for the SF dates has sold out). The Depot tickets are on sale now HERE.

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Salmon Returns to Suwannee Springfest March 27th!

On Saturday March 27th Leftover Salmon will perform at the Suwannee Springfest. This will be the first time the band has performed in Florida since their hiatus at the end of 2004. What better way to brush off the Colorado cold in the month of March? We hope you'll join us for this great event in the sunshine state! 

Suwannee Springfest- Live Oak, Florida March 25 -28 2010!
initial confirmed line up
Leftover Salmon
Robert Earl Keene
Dirty Dozen Brass Band
Jim Lauderdale
Peter Rowan
The Steeldrivers
Belleville Outfit
Ruthie Foster

www.magmusic.com

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Telluride Bluegrass Festival!

We are also excited to announce our return to the Telluride Bluegrass Festival. We will perform Friday June 18th. Other bands on this year's lineup include Béla Fleck, Zakir Hussain & Edgar Meyer; Del McCoury Band; Hot Rize; Punch Brothers; Josh Ritter Band; Edward Sharpe & the Magnetic Zeros; the Telluride House Band featuring Sam, Béla, Jerry, Edgar, Bryan & Stuart; and many, many more. 2010 festival tickets and camping go on sale on now at www.bluegrass.com!

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New Years Eve Stream!

Both of the Boulder Theater shows on December 30th and 31st were videoed and streamed live on the nights of the performances. We are now offering these shows to be streamed in HD on demand for the next several weeks. These are available NOW HERE. Here is a glance of the band performing Mama Boulet on New Year's Eve. Video Here!