live

My Morning Jacket Announce New Album, Circuital

My Morning Jacket will release their highly anticipated sixth studio album this spring, entitled Circuital. In celebration of the forthcoming full-length, the band will give away six weekly downloads beginning March 3rd. The first five downloads will be live songs taken from each night of their historic week at New York’s Terminal 5 in October of 2010. On the sixth week, the band will offer up a brand new song from the new album.

Circuital was recorded in Louisville, KY and Nashville, TN, and was co-produced by frontman Jim James and Tucker Martine (R.E.M., Sufjan Stevens, The Decemberists). While in Louisville, the birthplace of the band and where three fifths of the guys are from, they recorded in the unique environment of a gymnasium inside of a church. They laid down almost everything live and allowed room for spontaneity.

In addition to getting reacquainted with their roots, the guys opted for a loose and warm production style for the album. The result is yet another reinvention of their sound that both forges new ground and maintains the distinct spirit of My Morning Jacket’s previous work.

Head to http://www.mymorningjacket.com to sign up for all six songs now and immediately receive the first song taken from their first night at Terminal 5.

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My Morning Jacket Tour Dates:

04-17 Lexington, KY - Memorial Coliseum (University of Kentucky)

05-20-22 Gulf Shores, AL - Hangout Festival

06-02-05 Ozark, AR - Wakarusa Festival

06-02-05 Hunter, NY - Mountain Jam

06-09-12 Manchester, TN - Bonnaroo Festival

06-30 - 07-03 Quincy, CA - High Sierra Music Festival

Christopher Paul Stelling Reveals NYC Residency

Christopher Paul Stelling arrived in New York City in 2008 with nothing but his guitar and a duffel bag. Not necessarily concerned with making a name for himself, circumstance and necessity soon found him singing and playing guitar on the subway platforms. Although he still turns heads while playing in the subway every now and then, Stelling has since graced some of New York’s finest stages, and now we’re thrilled to announce his Rockwood Music Hall residency April, taking place each Tuesday night at 8pm.

CPS also took time to link up with Break Thru Radio to film a compelling video for “Flawless Executioner,” which was recorded in a horse stable near Prospect Park in Brookyln. The video went live today, so head over to BTR and check it out!

The years prior to Stelling’s arrival in Brooklyn had seen him through something of an odyssey. He’s studied under a master guitar builder in Colorado, slept in a closet in North Carolina, managed a used bookstore in Florida, and wandered aimlessly through Seattle, all without a said plan in mind- and completely unaware that something was being stitched together beneath it all.

His guitar playing style would seem more appropriate for a man twice his age, bringing to mind the likes of Leo Kottke, John Fahey, and Sandy Bull. His songwriting reaches deep, tugging emotional heartstrings, all while conjuring up imagery from religion, mythology and folklore.  Having already self-released a 20 song album on his own, and a live session with Daytrotter, his first official full-length is currently in the works.

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Upcoming Christopher Paul Stelling Tour Dates

3/10 – NEW YORK, NY – The General Society of Mechanics & Tradesmen
(Live Performance & Artist Q&A)
4/05 - NEW YORK, NY - Rockwood Music Hall, Stage 1 
4/12 - NEW YORK, NY - Rockwood Music Hall, Stage 1
4/19 - NEW YORK, NY - Rockwood Music Hall, Stage 1
4/23 – BUTLER, PA – Butler Art Center (AABC)
4/26 - NEW YORK, NY - Rockwood Music Hall, Stage 1

EOTO Spring Tour With Custom Projection Show - FREE MP3

EOTO is hitting the road for an extensive spring tour this week with a custom animated video projection show provided by lighting guru Zebbler (through April 9th). The dynamic duo, known for their infectious 100% live improvised performances will kick off their Spring tour this weekend in St Louis with a Mardi Gras style costume party before they crisscross the countryside with stops in Albuquerque, Denver, Austin, Nashville, Tallahassee Atlanta, Pittsburgh, Washington DC, New York City and everywhere in between.

Throbbing bass and thudding beats are the signatures of this project from drummers Michael Travis and Jason Hann. The duo moves effortlessly from choppy dubstep to whip-smart, four-on-the-floor house to psychedelic trip-hop. It's a dance marathon and everyone's in it together. A nebulous beast, set lists are only broken up into tracks for the sake of posterity. In reality, changes in mood, energy, and inspiration are reflected "in real-time" by rhythmic and melodic shifts.

Because EOTO starts fresh every night, the band's evolutionary progress has been thrust into hyperspeed, eclipsing standard acts who return to their dusty catalog for every performance. The wobbly, buzz-saw bass and heavy backbeat style has become a signature of their sets, as heard on their live recordings and on the bands most recent 2009 studio release, Fire the Lazers. Newer live material has the duo co-opting sounds from outside the realm of electronic music with scratchy punk riffs and fuzzy sludge metal bass.

The perfect match for EOTO's incredible live improvised performances, projection designer known lovingly as "Zebbler" will also join the band with a custom animated projection show through April 9th. Zebbler was voted one of the top 20 VJ's in DJ magazine in 2007 and is known for delivering an organic visual odyssey with a genuinely live feel. The projection show will include featured content submitted by fans in a recent video contest as well as custom animations created just for the EOTO Spring Tour.

Along with a massive tour schedule and custom eye candy, the band is also launching the first tastes of their new fan-club ticketing program, offering fans an un-heard of $2 ticketing fees! EOTO is also offering the 2010 New Year performance from Denver as a free download to everyone who purchases a ticket for the entire year. For more information about EOTO, the free NYE Download and to purchase tickets, tune into the band's website at www.eotomusic.com

Have a listen to 'Munstra' {play}images/mp3/Munstra.mp3{/play}

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Spring Tour 2011


3/5/2011 2720
St. Louis, MO
3/6/2011 The SnowBall - Nottingham Park
Avon, CO
3/14/2011 Ghostranch Saloon
Steamboat Springs, CO
3/15/2011 The Llama
Telluride, CO
3/16/2011 The Eldo
Crestted Butte, CO
3/17/2011 The Abbey Theatre
Durango, CO
3/18/2011 El Rey Theatre
Albuquerque, NM
3/19/2011 The Orpheum
Flagstaff, AZ
3/20/2011 Marquee Theatre
Tempe, AZ
3/21/2011 Rialto Theater
Tuscon, AZ
3/23/2011 Club Rio
San Antonio, TX
3/24/2011 Fitzgerald's
Houston, TX
3/25/2011 Trees
Dallas, TX
3/26/2011 La Zona Rosa
Austin, TX
3/27/2011 The Parish
New Orleans, LA
3/28/2011 Revolution Music Room
Little Rock, AR
3/29/2011 Minglewood Hall
Memphis, TN
3/30/2011 Limelight
Nashville, TN
3/31/2011 The Valarium
Knoxville, TN
4/1/2011 The Orange Peel
Asheville, NC
4/2/2011 The Ogden Theater
Denver, CO
4/4/2011 Live Wire Music Hall
Savannah, GA
4/5/2011 Freebird Live
Jacksonville, FL
4/6/2011 The Engine Room
Tallahassee, FL
4/7/2011 Zydeco
Birmingham, AL
4/8/2011 Masquerade - Hell Room
Alanta, GA
4/9/2011 Music Farm
Charleston, SC
4/10/2011 The National
Richmond, VA
4/11/2011 Abbey Bar at ABC
Harrisburg, PA
4/12/2011 Rex Theater
Pittsburgh, PA
4/13/2011 The Westcott Theater
Syracuse, NY
4/14/2011 Pearl Street
Northampton, MA
4/15/2011 Port City Music Hall
Portland, ME
4/16/2011 Paradise Rock Club
Boston, MA
4/20/2011 Higher Ground
SO Burlington, VT
4/20/2011 Memorial Auditorium
Burlington, VT
4/21/2011 9:30 Club
Washington, DC
4/22/2011 Irving Plaza
New York, NY
4/23/2011 Washington Avenue Armory
Albany, NY
4/26/2011 Town Ballroom
Buffalo, NY
4/27/2011 Blind Pig
Ann Arbor. MI
4/28/2011 Vogue Theatre
Indianapolis, IN
4/29/2011 Madison Theatre
Covington, KY
4/30/2011 Expo Five
Louisville, KY
5/1/2011 Newport Music Hall
Columbus, OH
5/2/2011 123 Pleasant Street
Morgantown, WV
5/3/2011 The Intersection
Grand Rapids, MI
5/5/2011 Skyway Theatre
Minneapolis, MN
5/6/2011 The Portage Theater
Chicago, IL
5/7/2011 The Portage Theater
Chicago, IL
5/26/2011 Bella Music Festival
Geneva, MN
5/27/2011 Summercamp Festival
Chillcothe, IL
5/28/2011 B.O.M.B Fest
Danbury, CT
5/29/2011 Summercamp Festival
Chillcothe, IL
6/2/2011 Wakarusa Music Festival
Ozark, AR
7/3/2011 Electric Forest
Rothbury, MI

Cat’s Eyes Announce US Tour Dates

As the frontman for British psychedelic-rockers the Horrors, Faris Badwan and his bandmates took a major stylistic leap between the band’s first and second albums, essentially reinventing themselves in the process.  In the same spirit, Badwan has transformed himself creatively once again with his new duo, Cat’s Eyes.  The project is a partnership between him and Rachel Zeffira, a Canadian opera soprano and classical multi-instrumentalist based in London.

The group’s first ever live appearance took place in December, amid some secrecy, at St Peter’s in the Vatican, where they performed a reworked version of their song “I Knew It Was Over” during an afternoon mass attended by several high-ranking cardinals. Footage from this can be viewed at www.catseyesmusic.com. Continuing to make each of their live shows a truly special experience, Cat’s Eyes have decided to do only three US dates – so don’t miss them if you’re in the area!

In the collision of the two very separate worlds of Badwan and Zeffira, something magical has come into being. Cat’s Eyes eponymous debut album (May 3rd; Cooperative Music USA/Downtown Records) is a romantic pop masterpiece fit to dine at the same table as mid-’60s productions by Phil Spector, Joe Meek or Shadow Morton, but with a fiercely modern, experimental premise, which constantly leaves you wondering just what you’re listening to, and how on earth it was created.

The duo’s album was recorded at RealWorld studios near Bath with producer Steve Osborne. All Cat’s Eyes artwork is designed and photographed by Chris Cunningham, director of iconic videos for Aphex Twin (“Windowlicker”; “Come to Daddy”) and Bjork (“All is Full of Love.”)

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Cat’s Eyes Tour Dates:

05/03:  New York, NY @ Bowery Ballroom
05/06:  Los Angeles, CA @ Natural History Museum
05/07:  San Francisco, CA @ The Independent

'Ray Charles Live in Concert' captures The Genius in 1964

In the half-century between his earliest recordings in the 1950s and his death in 2004, Ray Charles ascended to icon status by leaving his mark on virtually every form of American popular music that emerged in the latter half of the 20th century. Nowhere was this more evident than in his live performances, where one was likely to hear shades of blues, soul, R&B, jazz, gospel, country, and more in a single evening — indeed, sometimes in a single song. To put it simply, the Right Reverend did it all.

All of these subtle shades and styles are evident in Concord Music Group’s April 5, 2011, reissue of Ray Charles Live in Concert. Originally released as a 12-song LP on ABC-Paramount in early 1965, Live in Concert captured Ray at the Shrine Auditorium in Los Angeles in September 1964. More than four decades later, the CD reissue brings additional depth and perspective to the 1964 recording with the help of 24-bit remastering, seven previously unreleased tracks and extensive new liner notes that provide additional historical context to what is already considered a pivotal recording in Ray’s overall body of work.

“There could be no more uplifting live musical experience than digging Ray Charles and his mighty orchestra in their prime,” says roots music historian Bill Dahl in his new liner notes. Indeed, the 15-piece orchestra backing Ray on this date — assembled just a few years earlier in 1961 — boasted no less than a dozen horns, including formidable saxophonists David “Fathead” Newman, Hank Crawford, and Leroy “Hog” Cooper, all of whom had been with Ray since his days as a leader of smaller combos. “This amazing aggregation,” says Dahl, “was every bit as conversant with the intricacies of modern jazz as with the gospel-blues synthesis that Brother Ray pioneered during the mid-1950s, when he began accruing serious cred as the father of what would soon become known as soul music.”

Chris Clough, Concord’s manager of catalog development and producer of the Live in Concert reissue, notes that the Shrine Auditorium performance took place at a transitional moment in Ray’s career, just as he was transcending the confines of R&B and entering the mainstream by demonstrating a firm grasp of various other genres. “He’d made his ascendance in the early ’60s, and he had the world at his feet by this time,” says Clough. “He’d basically invented soul, he’d done R&B, he’d conquered country and he was on his way to becoming an American icon.”

In the span of 19 songs, Live in Concert illuminates the route to that destination. Ray wastes no time taking his audience on a ride from jazzy big band groove of “Swing a Little Taste” to the Latin-flavored “One Mint Julep” to the blues-gospel hybrid of his classic “I Got a Woman.” Although his live rendition of “Georgia On My Mind” on this date didn’t make the cut on the original LP, the song is a standout track on the reissue, thanks to his complex organ runs and the flute lines moving in counterpoint with his rich vocals.

Clough considers the yearning “You Don’t Know Me” and the previously unreleased “That Lucky Old Sun” to be among the high points of the recording. “It sounds like he’s really baring his soul on those two tracks, and they just sound incredible,” says Clough, noting that Ray was unaware that tape was rolling during this performance. “This particular date was at the end of their tour, and the performance seems a little loose as a result — in a good way, and in a less slick way.”

Further in, the rousing “Hallelujah, I Love Her So” is driven by a gospel groove and embellished with a sax solo by Newman that closely mirrors the original 1957 recording. The result is a familiar hit for an audience that’s more than ready to reinforce Ray’s foot-stomping beat with handclaps.

The sly and swaggering “Makin’ Whoopee” is delivered completely off the cuff, with drummer Wilbert Hogan, bassist Edgar Willis, and guitarist Sonny Forriest improvising an accompaniment behind what Dahl calls “Ray’s luxurious piano and breathy, supremely knowing vocals.” By all accounts, Ray spontaneously inserted the song into the set in response to the negative press he’d received overseas about his private life.

In the home stretch, Ray introduces the Raeletts, the female backing vocalists who served as his foil for some of his biggest hits. Together they work their way through “Don’t Set Me Free” (with Lillian Fort stepping forward for a duet with Ray), the comical “Two Ton Tessie” and the torchy “My Baby” before climaxing with the churning “What’d I Say,” a song tailor-made to stoke any room to a fever pitch.

A huge piece of the Ray Charles legacy is his mastery of any style he touched, and his ability to make it his own in a way that no other artist could — powers that can only come from an innate sense of adventure and spontaneity that are fully evident in Ray Charles Live in Concert.

“Few performers were less predictable onstage than Ray Charles,” says Dahl. “And nobody did it better.”

Benefit Concert For Cornell Dupree | 3/20/2011

Cornell Dupree (Uncle Funky) is an incredibly influential R&B guitarist who has recorded on literally over 2,500 albums. Originally from Texas, King Curtis discovered him and brought him to NY in 1962. It was there as guitarist for the King Curtis Band along with bassist Chuck Rainey that he got his chops backing such legends as Sam Cooke and Fats Domino, opening up for the Beatles on the '65 tour, sharing guitar duties with an unknown Jimmy Hendrix in '66, and doing some session work with a very young Duane Allman.
You can hear Dupree's signature guitar sound on the classic "Rainy Night in Georgia" or Aretha Franklin's "Respect"...or backing Roberta Flack, Donny Hathaway, James Taylor, Wilson Pickett, Sam & Dave and Joe Cocker, just to name a few. He co-founded the 1970's instrumental funk band "Stuff", played in the original Saturday Night Live Band, toured with Bonnie Raitt, Joe Cocker, and the list goes on and on...
Cornell Dupree has been diagnosed with emphysema and will be undergoing a lung transplant. To help raise money for medical expenses we are putting on a Benefit Concert.  To purchases tickets and/or for more information, click here.

Featured artists include: Joe Cocker, Cornell Dupree's Soul Survivors, plus surprise guests. If you are unable to attend you can make a tax deductible donation to:
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Showtime @ 7:00PM

Doors Open @ 6:00PM

Tickets $125.00 in advance, $125.00 day of show

Click here for tickets/more information

EOTO Heads West For California Tour

EOTO will kick off 2011 on the west coast in less than two weeks in sunny Stateline, NV with stops in San Francisco and San Diego before kicking off their extensive Spring Tour in March. The band, known for their signature 100% live improvised performances, will also be playing alongside a number of well known openers including NastyNasty and Vibesquad for select west coast shows.

Throbbing bass and thudding beats are the signatures of this project from drummers Michael Travis and Jason Hann. The duo moves effortlessly from choppy dubstep to whip-smart, four-on-the-floor house to psychedelic trip-hop. It's a dance marathon and everyone's in it together. A nebulous beast, set lists are only broken up into tracks for the sake of posterity. In reality, changes in mood, energy, and inspiration are reflected "in real-time" by rhythmic and melodic shifts.

Because EOTO starts fresh every night, the band's evolutionary progress has been thrust into hyperspeed, eclipsing standard acts who return to their dusty catalog for every performance. This is apparent when following the musical evolution of their live performances, which are recorded every night and made available to their fans for purchase. On EOTO's first 2 studio releases -- 2006's Elephants Only Talk Occasionally, and the 2008 release Razed, EOTO bounced playfully between house, trance, and breakbeat. A huge change in their sound came when Travis and Hann first saw, felt, and heard the cathartic vibes that dubstep could produce at DJ Skream's set at Shambhala during the Summer of 2008. This influence saw the duo become the first National, live, dubstep act in the US. The wobbly, buzz-saw bass and heavy backbeat style has become a signature of their sets, as heard on their live recordings and on the 2009 studio release, Fire the Lazers!!! Newer material has the duo co-opting sounds from outside the realm of electronic music with scratchy punk riffs and fuzzy sludge metal bass.

The duo will then set forth on their Spring Tour on March 18th of this year and will crisscross the united states with stops on both coasts including dates in St Louis, Denver, Atlanta, Boston, Washington DC and NYC to name a few.

The perfect match for EOTO's incredible live improvised performances, projection designer known lovingly as "Zebbler" will also join the band with a custom animated projection show for select dates along the Spring 2011 tour. Zebbler was voted one of the top 20 VJ's in DJ magazine, 2007 and is known for delivering an organic visually odyssey with a genuinely live feel.

FAN VIDEO CONTEST
To kick off the extensive tour, EOTO has launched a video contest allowing fans the opportunity to submit their own content for the live HD video show. Of course 3D animations, animations and complex sequences are encouraged for the overall appeal of the live performance. (Submissions: zebbler@zebbler.com)

For more information about EOTO and their forthcoming tour and instructions for submitting your animations to the Spring Tour Projection show, tune into the band's website at www.eotomusic.com

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Spring Tour 2011

2/18 Blu Nightclub Stateline, NV With NastyNasty
2/19 Mezzanine San Francisco, CA w/ Vibesquad
2/25 Winston's Beach Club San Diego, CA
2/26 Winston's Beach Club San Diego, CA
3/5 2720 St. Louis, MO
3/6 The SnowBall Avon, CO w/ The Flaming Lips and others
3/15 The Llama Telluride, CO W/ Zebbler
3/16 The Eldo Crestted Butte, CO W/ Zebbler
3/17 The Abbey Theatre Durango, CO W/ Zebbler
3/18 El Ray Theatre Albuquerque, NM W/ Zebbler
3/19 The Orpheum Flagstaff, AZ W/ Zebbler
3/25 Trees Dallas, TX W/ Zebbler
3/29 Minglewood Hall Memphis, TN W/ Zebbler
3/31 The Valarium Knoxville, TN W/ Zebbler
4/1 The Orange Peel Asheville, NC W/ Zebbler
4/2 The Ogden Theater Denver, CO W/ Zebbler
4/4 Live Wire Music Hall Savannah, GA W/ Zebbler
4/5 Freebird Live Jacksonville, FL W/ Zebbler
4/6 The Engine Room Tallahassee, FL W/ Zebbler
4/7 Zydeco Birmingham, AL W/ Zebbler
4/8 Masquerade - Hell Room Alanta, GA W/ Zebbler
4/9 Music Farm Charleston, SC W/ Zebbler
4/15 Port City Music Hall Portland, ME W/ Zebbler
4/16 Paradise Rock Club Boston, MA
4/20 Memorial Auditorium Burlington, VT W/ Bassnectar & Elliot Lipp
4/20 Higher Ground SO Burlington, VT LATE NIGHT PARTY!
4/21 9:30 Club Washington, DC W/ Beats Antique and ESKMO!
4/22 Irving Plaza New York, NY
4/23 Washington Avenue Armory Albany, NY w/ Bassnectar
5/26 Bella Music Festival Geneva, MN Pre- Party Show
5/27 Summercamp Festival Chillcothe, IL
6/2 Wakarusa Music Festival Ozark, AR


Thomas Dolby's 'Oceana' breaks 20-year silence

Reclusive solo artist Thomas Dolby is preparing to break his 20-year silence with a brand new studio album, A Map of the Floating City, due out this summer. But first, on March 28, Thomas is releasing Oceanea, a three-track EP filled with soaring melodies, intriguing storytelling and vividly cinematic textures. Featuring guest vocals by Eddi Reader, Oceanea sees a return to Dolby’s melodic and atmospheric roots. “The new songs are organic and very personal,” explains Dolby. “The songs on Oceanea are a reflection of my natural home on the windswept English coastline.” These days he writes and records aboard a solar and wind-powered 1930s lifeboat in the garden of his beach house in East Anglia.

Now living back in his native U.K. after 25 successful years in the U.S., Dolby is busy completing A Map of the Floating City, which features appearances by special guest artists Mark Knopfler, Regina Spektor, Eddi Reader, Natalie MacMaster, Bruce Woolley and Imogen Heap. Says Thomas, “This album does not sound electronic at all. I have zero desire to add to the myriad of machine-based, synth-driven grooves out there. What I do best is write songs, tell stories.”

Thomas Dolby’s impressive recording and production career now stretches over 30 years. His commercial breakthrough came with the 1982 release of his very first album, The Golden Age of Wireless, which featured the hit “She Blinded Me With Science.” Go back a year and Dolby’s innovative synthesizer work was already making its mark: Foreigner’s massive hit single “Waiting for a Girl Like You” with its weaving synth intro — Dolby’s work. Cue 1983 and Thomas Dolby is guesting on Def Leppard’s Pyromania album. In the same year he appears as producer for U.S. rap wonders Whodini, who release an absolute B Boy classic with “Magic’s Wand.” 1984 saw the release of Dolby’s second album, the expansive masterwork The Flat Earth, which alongside Talk Talk’s Colour of Spring (1986) raised the artistic bar considerably. The Flat Earth featured Dolby’s biggest single success, “Hyperactive!,” a fine piece of pop-art funk that was originally written for Michael Jackson. (It still sounds like the eccentric English cousin of Herbie Hancock’s “Rockit.”) The 12” released in the U.K. on the collectable Parlophone Odeon label is treasured amongst beat-head DJs.

From 1985-1992, Thomas Dolby released two more albums — collaborating with George Clinton on the bold Aliens Ate My Buick and 1991’s Astronauts and Heretics, which featured Grateful Dead supremo Jerry Garcia alongside Siouxsie and the Banshees’ Budgie. In addition to his solo output, Dolby produced Prefab Sprout (the classic Prefab albums Steve McQueen and Jordan: The Comeback), Joni Mitchell (Dog Eat Dog), appeared with David Bowie at Live Aid, was part of the all-star cast in Roger Waters’ 1990 “The Wall: Live in Berlin” concert, and performed at the Grammys® with Stevie Wonder and Herbie Hancock.

Dolby quit the music business in the early ’90s and spent many years in Silicon Valley, where he founded tech company Beatnik Inc. and co-invented the polyphonic ringtone synthesizer embedded in more than two billion Nokia mobile phones. In 2001 he became Musical Director of the TED Conference, an annual event in Long Beach, California that attracts some of the world’s foremost thinkers, inventors, and speakers. In this capacity he provides live musical introductions to sessions, sometimes with an eclectic TED House Band, as well as helping secure guest musicians and entertainers for the event. At last year’s conference, Dolby was joined onstage by David Byrne for an inspiring performance of Talking Heads’ “(Nothing But) Flowers.”

Following his involvement in Beatnik Inc., Dolby returned to his musical career and the live arena in 2006. Dates in the U.S., an appearance at O2 in Hyde Park, and a triumphant night at London’s Scala reaffirmed this performer’s importance on the big stage. A 2007 appearance at America’s SXSW festival was followed by a string of further U.K. shows and in 2009 EMI released The Singular Thomas Dolby, which brought together all of Thomas’s great singles on one ace compilation. In 2010 Dolby released Amerikana, a download-only EP exclusive to his online community, The Flat Earth Society. A particular highlight is the richly atmospheric “17 Hills” featuring some virtuoso guitar from Mark Knopfler. Along with Oceanea, these EPs help consolidate Dolby’s fanatical online fan base while previewing music from his upcoming album.

Thomas Dolby has created a further way for fans to get early access to his new material in the shape of an extraordinary social network-based game, The Floating City, to be launched this spring via Facebook, Twitter, and The Flat Earth Society. By building a post-apocalyptic, barter-based trading culture around the objects and places named in Dolby’s songs, solving puzzles related to his lyrics, and discovering clues embedded in unique remixes, players will be able to win a sneak peek of other new songs from the album, as well tickets for a private one-off concert this Summer at which he will perform the new album in its entirety.

Pretty Lights Announces 2011 Spring Tour

Pretty Lights, never one to stay quiet for too long, is following up a massively successful year- he fulfilled the promise he made to his fans at the beginning of 2010 by delivering three new EP's, and followed that up by touring the world over, and launching Pretty Lights Music, his digital record label at the beginning of 2011.

Now he’d like to share the news of a Spring tour, taking place from late March through April, and he’s taking his production to the next level. The tour sees him taking his visually stunning live show all over the East Coast and Midwest (all dates below), and they’re going to be bigger and brighter than ever. If you haven’t caught his live show yet, don’t miss out!

On top of all this, he also found time to launch a new YouTube channel last week, featuring unreleased Pretty Lights tracks, remixes and mashups that he debuted live over the course of the past year. Head over there to check out new remixes of Pink Floyd, Jay Z, Steve Miller Band and more!

If you missed the news last week, Pretty Lights Music released two new EP’s for free downloads; Break Science’s Further Than Our Eyes Can See, and Paper Diamond’s debut EP, Levitate. The purpose of the label and its innovative model is to supply his fans, and fans of electronic music at large, with the freshest music from the hottest new underground artists.

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Upcoming Pretty Lights Tour Dates

March 4 – Avon, CO – Snow Ball Music Experience
March 24 – Miami Beach, FL – The Fillmore Miami Beach
March 25 – Orlando, FL – House of Blues
March 26 – Columbia, SC – Township Auditorium
April 12 – Indianapolis, IN – Egyptian Room
April 13 – Grand Rapids, MI – The Orbit Room
April 15 – Carlisle, PA – Anita Tuvin Schlechter Auditorium (Dickinson College)
April 16 – Syracuse, NY – The Oncenter
April 19 – Raleigh, NC – Raleigh Amphitheater
April 20 – Gainesville, FL – Stephen C. O’Connell Center (University of Florida)
April 22 – Fayetteville, AR – The Arkansas Music Pavilion
April 23 – Kansas City, MO – Midland Theatre

Telepathique To Release "All Your Lovers" EP

Brazilian band Telepathique started in 2006 as a duo (dj/drummer and singer) gigging in small clubs in Portugal, where they lived at the time, and around the electonic European scene. The power of their stage performance is pushed by Myle’s (singer/synth) hypnotic-sexy melodies and lyrics and Érico’s (drums/synth) live drums among programmed beats and scratches that soon took them to share stage with artists like Massive Attack, Hot Chip, Buraka, Diplo and PJ Harvey.
Guitar/synth player Mauricio Fleury joined the band just before their first North American tour in support of their debut album “Last Time on Earth” (The Control Group).  Later that year they returned to the US to tour with Tricky to play venues like House of Blues (Chicago), Trocadero (Philadelphia), Irving Plaza (NYC), and 9:30 Club (D.C).
Now they are back with a new EP, All Your Lovers. A step in a new direction from their early tracks that were made mainly with drum programming/guitar/voice, these new songs were recorded in the studio with live drums and feel analog synthesizers. The EP was produced, mixed and mastered by drummer Érico Theobaldo.