musicians

Acoustic Africa | Boulder Theater | 3.16.2011

The audience was drenched in motherland soul on Wednesday night at the Boulder Theater as Habib Koite, Oliver Mtukudzi and Afel Bocoum came together on one stage to perf

March 2011 Bluegrass Ball News!

Chances are if you’ve been to a bluegrass festival the memories most prevalent in your mind are not so much that of the “scheduled” performers but more of the impromptu jams and unscheduled collaborations.  It’s with that spirit that the McCoury family decided to embark on a traveling bluegrass festival that they are calling The Bluegrass Ball.

Ask most string musicians young or old and they will mostly likely tell you they either want to play with the McCoury family if they have not already.  The McCourys are known for not only their ability to play with just about anyone but also for actually doing it!  Due to this willingness to play with other musicians, the McCoury family is known as heavy weights on the festival and bluegrass scene, even having their own wildly successful festival “Delfest”.  The McCoury’s decided to not only play in this festival but also promote it themselves making the festival on wheels more accessible to fans by playing more intimate venues that collaborate in giving fans a great value at a reasonable price.

Along for the ride over 4 nights in both Chicago and St. Louis are mandolin extraordinaire Jeff Austin (Yonder Mountain String Band), Drew Emmitt (Leftover Salmon and Emmitt-Nershi Band), and bluegrass up and comers Head for the Hills. This run of shows will be nothing short of epic. With this particular line up there are sure to be some phenomenal collaborations and each show will certainly be unique from the next!

Just added to the already impressive Chicago and St. Louis Bluegrass Ball lineup is Allie Kral fiddler extraordinaire from Cornmeal.  Allie will join already confirmed Travelin McCourys, Jeff Austin (Yonder Mountain String Band), Drew Emmitt (Leftover Salmon and Emmitt-Nershi), and Colorado Heavy hitters Head for the Hills.  This lineup will begin Chicago for a 2 night run at the Abbey Pub on March 10th & 11th and in St. Louis for a 2 night run on March 12th & 13th.

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The Travelin’ McCourys

The Travelin’ McCourys do not stand still. They are on the road-and online-entertaining audiences with live shows that include some of the best musicians and singers from all genres.  It’s always different, always exciting, and always great music.

No other band today has the same credentials for playing traditional and progressive music.  As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father’s work-a lifelong dedication to the power of bluegrass music to bring joy into people’s lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful.  But the band is now combining their sound with others to make something fresh and rejuvenated.

Jeff Austin

Jeff Austin is best known for his many years playing mandolin for Colorado heavy hitters, Yonder Mountain String Band. Yonder has always played by their own set of rules bending bluegrass, rock and roll, and countless other influences. While most known for his playing with Yonder Mountain String Band, Jeff has played with countless musicians and is sought after by countless musicians and festivals alike.

Drew Emmitt

Revered as one of the most energetic and innovative mandolin players on the jamband/newgrass scene today, Emmitt’s “inestimable talents” (An Honest Tune) don’t end with just the instruments that can be picked.  Holding the wheel steady on acoustic and electric slide mandolin, acoustic and electric guitar and mandola Emmitt also showcases on recent solo albums superlative storytelling and versatile vocal abilities. Drew Emmitt is best known for his over 20 years with Leftover Salmon and also the past few years with The Emmitt-Nershi Band

Allie Kral

Allie Kral is quickly becoming a fiddling force to be reckoned with in the jamgrass scene.  Her years with Cornmeal have made her a road warrior spending over 3/4 of the year on the road on the Cornmeal bus.  Allie has shared the stage with just about any band you can think of from festival stages to the jammy stages she is in high demand amonst artists such as Moe, Leftover Salmon, Railroad Earth, and Keller Williams just to name a few.  Playing with speed and precision Kral's playing appears effortless and wows crowds time and again.

Head For the Hills

Rooted in the tradition of bluegrass, the music of Head for the Hills is a vibrant mixture of homegrown compositions, traditional harmonies, and an innovative approach to improvisation.  The groups’ lyrical nature and songwriting seems to evoke reminiscent feelings of inspiration. In the live setting, Head for the Hills can venture into the myriad of musical styles and sonic landscapes that caters to a boundless array of listeners.

National Jazz Museum in Harlem Feb. 21 - Feb. 27, 2011

Upcoming events at the National Jazz Museum in Harlem for this week include

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Monday, February 21, 2011

* Please note the Museum will be closed in observance of President's Day.  

Tuesday, February 22, 2011

Jazz for Curious Listeners
Jazz on Film: Miles Davis
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Miles Davis on film playing trumpet with the Gil Evans Orchestra as John Coltrane waits in the wings is one of the iconic moments caught on film in the 20th century. Come view this footage, and other examples of Davis, one of the most influential artists of the 20th century, on film, and share once again in the magic of Miles’s sound and musical spirit.

Wednesday, February 23, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Jazz is not a bygone relic of a gloried past, it’s alive and well right now. Jazz does have a storied past, filled with musical giants who walked the earth, yet there are vibrant young musicians such as Jonathan Batiste who are the legends in the making. Come witness the evolution, lend him your ear, and engage him in discussion about the current state of jazz and future prospects for what Dr. Billy Taylor called “America’s classical music.”

Thursday, February 24, 2011

Harlem Speaks
Otis Brown III, drummer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)                                 
FREE | For more information: 212-348-8300
Tonight the New Jersey native Otis Brown III will bring his joyful style to Harlem Speaks in a discussion about his life and career as a jazz drummer.

Since his birth in Hackensack, NJ, Otis has traveled a path that has led to him being one of the most in demand, and well respected musicians today. Expressing an early interest in music, Otis began his musical studies at age 7; by age 12 he was playing lead alto saxophone in the school bands while playing the drums in the Baptist church.

After moving to Newark, N.J., he continued performing double duty in his school bands playing snare drum in marching band, and alto saxophone in the jazz and concert ensembles, all of which were directed by his father Otis Brown Jr. He decided to pursue his musical education in college at Delaware State University, where he met legendary trumpeter Donald Byrd, an encounter that changed his life. He spent countless hours under the wings of Dr. Byrd, who later suggested that Otis continue his studies in New York, the jazz capital. He was awarded a scholarship to attend the prestigious New School University.

Since his arrival in New York Otis has performed and toured with musicians the caliber of Herbie Hancock, Christian McBride, Eric Lewis, Ron Blake, Roy Hargrove, Frank Lacy, Jeremy Pelt, Don Braden, Marc Ribot, Adam Rodgers, Pete Malinverni, Tim Hagans, Conrad Herwig, John Hicks, Oliver Lake, Aaron Goldberg, Bob Mintzer, George Garzone, and many others.

He currently can be seen touring with the Thelonious Monk Institute’s Jazz in America initiative, in various of Joe Lovano’s ensembles, the Laurent Coq trio, the Franck Amsallem trio and quartet, the Steve Wilson quartet, the Oliver Lake Big Band, the Bob Stewart tuba project and several other musical configurations.

“Dear Nola: A Concert for New Orleans”

New Orleans brass-fueled sensations Bonerama team up with Cody ChesnuTT, DJ Spooky/That Subliminal Kid, Grammy Nominated Helen Bruner + Terry Jones, Jenny Toomey & Kristin Thomson of Tsunami, M1 of Dead Prez, Mirah, Sage Francis, Shawn King of Devotchka, Sunpie Barnes and Zach Rogue to celebrate New Orleans, her community and its musical ambassadors for “Dear NOLA: a Concert for New Orleans,” at Blue Nile (532 Frenchmen Street) on Thursday, February 17th.

Doors are at 9:00 pm and admission is $10 in advance and can be purchased online at the Blue Nile website; $15 at the door.

Proceeds from the concert — the seventh since Hurricane Katrina — benefit Sweet Home New Orleans and Gulf Restoration Network, two New Orleans-based nonprofits working to support and sustain the region’s unique musical and cultural traditions and to protect and restore vital environment and community resources for future generations. The show serves as the celebratory finale of the seventh three-day activist retreat hosted by Air Traffic Control and Future of Music Coalition.

Over the years, these shows have become a tradition and bring visiting musicians together with local musicians to present these talented artists both on their own and in unique combinations. Past shows have included performances with J. Tillman and Nicole Atkins backing Will Oldham, R.E.M.’s Mike Mills and Bonerama joining Corin Tucker on a Depeche Mode cover, and Wayne Kramer and Saul Williams partnering to perform “Kick Out The Jams.” The camaraderie established continues well after participants have left the city, as evidenced by the critically-acclaimed compilation, Dear New Orleans. The album was produced by Air Traffic Control to mark the 5-year anniversary of the floods and features 31 New Orleans-inspired tracks from retreat alumni. The compilation can be purchased at http://www.dearno.la.

Air Traffic Control and Future of Music Coalition have been co-hosting a series of artist activism retreats in New Orleans since 2006. Artists are given the rare opportunity to connect directly with the people of New Orleans, the tradition bearers and community leaders who are on the frontlines of rebuilding and sustaining this vital city. After the three-day retreat, artists leave feeling that their lives have been changed by what they have experienced in New Orleans and with a sense of empowerment for what they can accomplish through their music and activism.

“New Orleans is one of the most unique cities on the planet and a place where I have had the good fortune to spend time both as a musician and an activist. The artist-activist retreat provided valuable perspective and insight into a post-Katrina New Orleans. My experiences with local musicians and the people working for the recovery and betterment of the city have been some of the most important experiences of my career." -- Tom Morello.

Past retreat and concert participants include Steve Earle, Tom Morello, Mike Mills (R.E.M.), Boots Riley (The Coup) Nicole Atkins, Damian Kulash (OK Go), Erin McKeown, Nick Harmer (Death Cab for Cutie), Wayne Kramer (MC5), Martín Perna (Antibalas, Ocote Soul Sounds), Jim James and Patrick Hallahan (My Morning Jacket), Jon Langford (Mekons, Waco Brothers), Vijay Iyer, and many, many more.

The efforts of many groups and individuals — including Sweet Home New Orleans, Future of Music Coalition and Air Traffic Control — have had a major impact on Big Easy musicians like Mardis Gras legend Al “Carnival Time” Johnson. Funds raised by retreat participants helped Al buy a new Habitat for Humanity home after having lost his property and belongings in Hurricane Katrina. The concerts and the retreats are part of an ongoing commitment to helping musicians like Al get back to their communities where they will help sustain New Orleans music and culture for generations to come.

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About Sweet Home New Orleans

Sweet Home New Orleans is a nonprofit agency that offers social services and financial assistance to the city’s musicians, Mardi Gras Indians, and Social Aid and Pleasure Club members.

About Gulf Restoration Network

Gulf Restoration Network is a 16 year-old environmental group committed to uniting and empowering people to protect and restore the natural resources of the Gulf of Mexico. Since the storms of 2005, they have worked for a national commitment to the restoration of the coastal wetlands of Louisiana, the region’s natural storm protection, which are disappearing at the rate of an acre an hour. The BP drilling disaster has greatly increased threats to this ecosystem, and GRN has provided independent monitoring and advocacy since the first days of the disaster.

About Future of Music Coalition

Future of Music Coalition is a national non-profit education, research and advocacy organization that seeks a bright future for creators and listeners. FMC works towards this goal through continuous interaction with its primary constituency — musicians — and in collaboration with other creator/public interest groups.

About Air Traffic Control

Air Traffic Control (ATC) exists to help musicians play an effective, unique and vital role in the promotion of social justice. Musicians and managers established ATC five years ago to assemble an experienced and trusted team of leaders, resources and tools that would help them to create more effective social change collaborations with each other and with social justice organizations. As a result, ATC became an artists’ air traffic control—one that develops capacity, efficiency, and coordination to produce stronger and more creative social change partnerships.

Nonprofit CASH Music previews upcoming release

What Wordpress did for bloggers, we're doing for musicians. CASH Music is a 501(c)3 nonprofit organization and our mission is to create open source tools and services that benefit artists and music. The goal is to help artists find sustainability and to encourage innovation in the music industry. We're doing this by building world class open source software designed specifically for the new music industry: tools handling promotion, distribution, commerce — creating the connection between artist and audience.

Too many companies have tried to control the music market and instead have stifled real innovation and freedom for artists. An open source solution will allow tools to be built for the community and improved upon as they are used by that community. We can stop reinventing ways to collect email addresses and focus on real innovation in the music tech space. This benefits artists, managers, labels, and even tech startups.

CASH Music began with the vision of Kristin Hersh, Donita Sparks, Robert Fagan, and Billy O'Connell and has since grown into the organization it is today. Led by Jesse von Doom and Anthony Batt, CASH Music is working on solutions that will range from an instant-setup hosted solution for music sites right down to fully customized, host-your-own code. Every line will be released in the open source and built on open standards.

We want to change everything by creating open source software that freely gives musicians total control over the presentation, sharing, and sale of their music — enabling them to make a living off of their art, building strong direct relationships with their audience.

Learn more about CASH Music by visiting their website.

The Bluegrass Ball w/ The Travelin’ McCourys

Chances are if you’ve been to a bluegrass festival the memories most prevalent in your mind are not so much that of the “scheduled” performers but more of the impromptu jams and unscheduled collaborations.  It’s with that spirit that the McCoury family decided to embark on a traveling bluegrass festival that they are calling The Bluegrass Ball.

Ask most string musicians young or old and they will mostly likely tell you they either want to play with the McCoury family if they have not already.  The McCourys are known for not only their ability to play with just about anyone but also for actually doing it!  Due to this willingness to play with other musicians, the McCoury family is known as heavy weights on the festival and bluegrass scene, even having their own wildly successful festival “Delfest”.  The McCoury’s decided to not only play in this festival but also promote it themselves making the festival on wheels more accessible to fans by playing more intimate venues that collaborate in giving fans a great value at a reasonable price.

Along for the ride over 4 nights in both Chicago and St. Louis are mandolin extraordinaire Jeff Austin (Yonder Mountain String Band), Drew Emmitt (Leftover Salmon and Emmitt-Nershi Band), and bluegrass up and comers Head for the Hills. This run of shows will be nothing short of epic. With this particular line up there are sure to be some phenomenal collaborations and each show will certainly be unique from the next!

The Travelin’ McCourys:

The Travelin’ McCourys do not stand still. They are on the road-and online-entertaining audiences with live shows that include some of the best musicians and singers from all genres.  It’s always different, always exciting, and always great music.

No other band today has the same credentials for playing traditional and progressive music.  As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father’s work-a lifelong dedication to the power of bluegrass music to bring joy into people’s lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful.  But the band is now combining their sound with others to make something fresh and rejuvenated.

Jeff Austin:

Jeff Austin is best known for his many years playing mandolin for Colorado heavy hitters, Yonder Mountain String Band. Yonder has always played by their own set of rules bending bluegrass, rock and roll, and countless other influences. While most known for his playing with Yonder Mountain String Band, Jeff has played with countless musicians and is sought after by countless musicians and festivals alike.



Drew Emmitt:

Revered as one of the most energetic and innovative mandolin players on the jamband/newgrass scene today, Emmitt’s “inestimable talents” (An Honest Tune) don’t end with just the instruments that can be picked.  Holding the wheel steady on acoustic and electric slide mandolin, acoustic and electric guitar and mandola Emmitt also showcases on recent solo albums superlative storytelling and versatile vocal abilities. Drew Emmitt is best known for his over 20 years with Leftover Salmon and also the past few years with The Emmitt-Nershi Band

Head For the Hills:

Rooted in the tradition of bluegrass, the music of Head for the Hills is a vibrant mixture of homegrown compositions, traditional harmonies, and an innovative approach to improvisation.  The groups’ lyrical nature and songwriting seems to evoke reminiscent feelings of inspiration. In the live setting, Head for the Hills can venture into the myriad of musical styles and sonic landscapes that caters to a boundless array of listeners.

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Who:  The Bluegrass Ball featuring The Traveling McCoury’s, Jeff Austin, Drew Emmitt and Head for the Hills

Where and March 10th & 11th at The Abbey Pub – Chicago, IL

Where: March 12th & 13th at The Old Rock House – St. Louis, MO

WEB

Celebrating "100 Years of Robert Johnson" -Streets 3/1/11

How do you throw a 100th birthday bash for the most influential bluesman that ever lived? If you’re Big Head Todd and The Monsters, you gather some of the greatest living blues musicians and record 100 Years of Robert Johnson (March 1, 2011 - Ryko/Big Records), a stirring new tribute album featuring 10 potent interpretations of some of the most vital and durable music of the past century.

Big Head Blues Club, as the ad hoc ensemble is calling itself, features, in addition to the Colorado-based quartet—guitarist and vocalist Todd Park Mohr, bassist Rob Squires, drummer Brian Nevin and keyboardist Jeremy Lawton—special guests, blues legends B.B. King, Hubert Sumlin, Honeyboy Edwards and Charlie Musselwhite, as well as keepers of the blues flame Ruthie Foster, Cedric Burnside and Lightnin’ Malcolm.

Recorded at the legendary Ardent Studios in Memphis, and produced by Grammy award winning blues producer Chris Goldsmith (Blind Boys of Alabama), 100 Years of Robert Johnson will be released in early 2011, and supported by a national tour (“Blues at the Crossroads: The Robert Johnson Centennial Concerts”) featuring many of the participants in the sessions. A complete list of the tour dates is included below.

For Todd Park Mohr, who founded Big Head Todd and The Monsters with Squires and Nevin nearly a quarter-century ago, the project has served to re-introduce him to the iconic music of Johnson, whose songs provided many of the pioneering blues-rock bands—Led Zeppelin, the Rolling Stones, The Grateful Dead, Cream, Canned Heat, etc.—with some of their most popular material.

100 Years of Robert Johnson features several inspired takes on Johnson’s best known compositions. For Mohr and Goldsmith, the challenge in recording the tribute was to give new voice to Johnson’s music, to avoid copying the countless cover versions already extant. “In so many of the takes on Robert’s stuff, you don’t get the depth of emotion that’s in the lyrics and in Robert’s voice. That’s one thing that Chris and the band and my voice were able to bring to it. Chris had great ideas about how to represent the stuff, and all the musicians were just so good at what they did, the unique arrangements just came naturally.”

Robert Johnson’s story is the stuff of myth and legend alike, and his music has fascinated blues fans and musicians for more than seven decades. Born in Mississippi in 1911, Johnson recorded only 29 songs, all during the years 1936 and ’37. His unique guitar style and haunting vocal phrasing, and the evocative, often mysterious nature of his lyrics, made him a popular artist during his short time in the spotlight and has continued to intrigue since. A persistent tale that, as a young man, Johnson sold his soul to the Devil in order to become a more proficient musician has been attached to his biography since his untimely death at age 27—the alleged victim of a poisoning incident at the hands of the jealous husband of a woman with whom Johnson had been flirting.

A hundred years after the birth of its greatest artist, it looks like the blues itself is about to be reborn.

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The complete list of “Blues at the Crossroads: The Robert Johnson Centennial Concerts” tour stops is as follows:

Jan. 28 San Francisco, CA Regency Ballroom

Jan. 29 Costa Mesa, CA Orange County Performing Arts Center

Jan. 30 San Diego, CA (2 shows) Anthology

Jan. 31 Santa Barbara, CA Campbell Hall / UCSB

Feb. 04 Austin, TX Paramount Theatre

Feb. 05 Dallas, TX Lakewood Theatre

Feb. 10 Ann Arbor, MI Hill Auditorium / U of M

Feb. 11 Chicago, IL Orchestra Hall

Feb. 12 Kansas City, MO Uptown Theatre

Feb. 13 Meridian, MS Riley Center / MSU

Feb. 16 Chapel Hill, NC Memorial Hall / UNC Chapel Hill

Feb. 17 North Bethesda, MD The Music Center at Strathmore

Feb. 18 Boston, MA Berklee School of Music

Feb. 24 Ridgefield, CT Ridgefield Playhouse

Feb. 25 Princeton, NJ McCarter Theatre

Feb. 26 Blue Bell, PA Montgomery County Community College

Feb. 27 New Bedford, MA Zeiterion Theater

March 4 Milwaukee, WI Potowatomi Casino

March 5 Omaha, NE Holland Performing Arts Center

March 6 Minneapolis, MN Orchestra Hall

March 8 Urbana, IL Krannert Center – Tyrone Festival Theatre

Method of Defiance Play Rare NYC Show

The all-star crew that makes up Method of Defiance are some of the busiest and most accomplished musicians working today, but six of the seven group members have managed to join forces for a rare live performance on November 6th at Santos Party House.  Filling in for drummer Guy Licata is Hideo Yamaki, a living legend in the drumming world, also the most sought after drummer in Japan. Yamaki has played with countless Japanese musicians from j-pop sensations to traditional / classical artist, as well as western musicians like Cream’s Ginger Baker and avant-garde legend John Zorn.

Method of Defiance was formed by Grammy-winning electric bassist, producer, and re-mixer Bill Laswell.  Laswell has worked with many of music’s biggest names on the planet, including Herbie Hancock, Laurie Anderson,  George ClintonBrian EnoTony Williams, Mick Jagger, Williams Burroughs, Afrika Bambaataa, Motörhead, John Lydon, Bootsy Collins, Carlos Santana, Matisyahu, Anthony Braxton, Sting, Zakir Hussein, John Zorn, Sonny Sharrock and hundreds more from the Americas, Africa The Caribbean, Europe, The Middle East, China, and Japan.  Laswell has built a reputation on consistently working with a diverse array of artists, and rejecting the restrictions of genre, tradition, and commerce in favor or taking risks and uniting seemingly disparate voices.

Method of Defiance has released the first of their three albums scheduled on M.O.D. TechnologiesJahbulon features vocalists Dr. Israel and Hawk, keyboardist / Funkadelic icon Bernie Worrell, legendary bassist/producer Bill Laswell, and post modern/futurist drummer, Guy Licata.  It’s a song driven release built on the foundations of reggae, hip hop, dancehall, dub, electronica, rock, roots reggae, drum & bass and the future.

The second album Incunabula (out November 6th), is a spontaneous improvisation of musical interaction. The album’s lineup includes Bill Laswell on bass and dub efx, Bernie Worrell on keyboards,turntable master DJ Krush and on electric trumpet Japan’s own, sound and fury - Toshinori Kondo, Guy Licata ondrums, Dr. Israel on dub efx,  with a special appearance by keyboard legend Herbie Hancock.

In April 2011, the guys will put out the remix project Dub Arcanum Arcandrum, a mix of both Jahbulon (the voice) and Incunabula (the music) re-imagined  by Bill Laswell, Lee "Scratch" Perry, The Scientist, Mad Professor, Dr. Israel, DJ Krush, and others.

Big Star's 3rd performed by members of R.E.M., Big Star, etc.

Big Stars third album, Sister Lovers, has long been revered by artists and critics as one of the most influential albums ever produced. Written and recorded when the legendary 70s band was primarily a studio project consisting of Alex Chilton and Jody Stephens, the third album has never been performed in public with the original string and wind orchestrations.

That will change December 9 and 10, 2010 when Cat’s Cradle in Carrboro, NC hosts Stroke It, Noel, a special performance of this important piece of music. The all-star band will include Jody Stephens (Big Star), Mike Mills (R.E.M.), Mitch Easter (Let’s Active), Chris Stamey (the dB’s), and Jeff Crawford and Charles Cleaver (the Tomahawks). North Carolina’s own acclaimed chamber pop group Lost in the Trees, as well as members of Birds and Arrows and the NC Symphony, will comprise the orchestra. Guest vocalists will include members of the Love Language, the Old Ceremony, Megafaun and other special guests. In addition to performing Sister Lovers in its entirety, the band will play a few additional Big Star and Chris Bell selections during the show.

“The original written scores for the record were long missing,” Chris Stamey says. “But John Fry at Ardent Records was able to supply us with elements of the original multitrack tapes. Composer Carl Marsh, who wrote the ground-breaking charts for the original record, used these tapes to precisely retranscribe his arrangements. And I’ve orchestrated anew some other elements of the recordings for the players, in order to recreate live some of the aleatoric studio effects. We’ve also been able to hear and match the inner workings of these glorious compositions in much greater detail this way. It’s been a fascinating process, and a real community adventure as well.”

The concerts will be filmed as a major component of “Nothing Can Hurt Me: The Big Star Story,” a documentary film by Danielle McCarthy and Drew DeNicola slated for 2011 release.

Tickets are $17 in advance and $20 day of show and are available at www.catscradle.com or by calling the Cat’s Cradle box office at (919)967-9053.

Proceeds from the concerts will be donated to two charities focused on improving the lives of musicians--KidZNotes of Durham, NC and the New Orleans Musicians Clinic. KidZNotes is focused on classical and orchestral music training in pre-school years as a means to combat poverty and foster positive decision-making in inner cities. The New Orleans Musicians Clinic provides affordable, comprehensive health care to musicians.

HAAM Benefit Day 2010 The Best Ever

The 5th Annual HAAM Benefit Day, held on Tuesday, September 21, brought in the largest amount of funds ever raised for Health Alliance for Austin Musicians, its member-musicians and the healthcare service programs they participate in: $195,000, the organization reported today.

It was a record-breaking day all around, with the largest number of Austin area businesses making a donation or pledging a portion of the day’s proceeds — more than 200 — and the most musical performances (more than 140) heard on any HAAM Benefit Day.

“We at HAAM are incredibly pleased with the response to the fifth HAAM Benefit Day,” said Keith Carmichael, HAAM Benefit Day 2010 Committee chairman. “The number of businesses and the number of entertainers participating — not to mention the amount of funds raised, the largest ever — shows us how much this city and the people in it appreciate live music and what this organization is doing to make sure it flourishes.”

In addition to acknowledging Whole Foods Market for its generosity in serving for five consecutive years as HAAM Benefit Day presenting sponsor, Health Alliance for Austin Musicians is grateful for the tens of thousands of dollars donated not only by Whole Foods Market but also by C3 Presents and South by Southwest® over the years of HAAM Benefit Day.
It also recognizes Texas Heritage Songwriters Association for its donation that matched the contribution of the Austin community on September 21 as residents ate out, shopped and donated on behalf of their favorite music-makers.
Health Alliance for Austin Musicians also announced today the date for the 6th Annual HAAM Benefit Day: Tuesday, Oct. 4, 2011, when business, the music community and residents will again unite to keep music alive and well in Austin.
Health Alliance for Austin Musicians provides access to affordable healthcare services to Austin’s low-income, uninsured working musicians with a focus on prevention and wellness. Since HAAM’s 2005 start, more than 2,200 of the city’s battalion of hard-working musicians have joined and gained access to regular, cost-effective healthcare services. Medical, dental, mental, hearing and vision health services are provided by Seton Family of Hospitals, St. David’s Foundation, The SIMS Foundation, Estes Audiology and Prevent Blindness Texas. HAAM’s annual Corporate Battle of the Bands and HAAM Benefit Day have become signature events behind a great cause: maintaining the health of the musicians who help make Austin such an enviable place to live and work. For more information, to join or to make a donation, visit www.myHAAM.org.