musicians

2010 ACFNY FALL JAZZ FESTIVAL

During the week of October 19 – 23 a new generation of Austrian jazz musicians will hit the New York scene. For this year’s installment of the annual series, the Austrian Cultural Forum has found a new partner in Dizzy’s Coca Cola Club. The Festival will showcase Austria’s foremost young artists on five consecutive nights, and tap into a unique blend of Austrian and American creativity. This year’s Festival kicks off on Tuesday, October 19th at the Austrian Cultural Forum: one of Austria’s leading jazz musicians, Wolfgang Puschnig will perform with his American musical partner and free funk bassist Jamaaladeen Tacuma. Martin Reiter will also present his new solo program. Join us for some late night jazz sessions at exclusive Jazz Club Dizzy’s where Christian Maurer’s band Mausi will appear together with Jack Walrath and versatile alto voice Ali Gaggl on Wednesday, October 20th. On Thursday October 21st, the program at Dizzy’s continues with young jazz singer Simone Kopmajer, who will perform with talented young musicians from New York. The Austrian-born drummer Gernot Bernroider and his band Oulipians will appear together with the extraordinary vocalist Chanda Rule on Friday the 22nd. The series will conclude with Franz Hackl and his Acoustic Band on Saturday, October 23rd, featuring Kenny Davis and special guest Randy Brecker.

Members of Austria’s hip young jazz scene move freely and fluidly among the multifaceted styles in the world of jazz, always intent on finding and refining their own modes of expression. There is no other city in Europe where opportunities for musicians to mingle with each other are as diverse and spontaneous as in Vienna. The spirit of openness is part of Austria's musical heritage, as is a joy of connecting with musicians from other countries.

All events take place at the ACFNY, 11 East 52nd Street, New York, NY 10022 and at Dizzy’s Coca Cola Club, Frederick P. Rose Hall Home of Jazz at Lincoln Center Broadway at 60th Street, 5th Floor

The Last Waltz Revisited ft: Polytoxic @ Boulder Theater

Back in 2005, Denver's number one "jamband", Polytoxic, wanted to put on a show that could showcase all the great local musicians they had been playing with for the past few years.  They decided to re-enact The Band's "The Last Waltz", a concert film by Martin Scorsese from 1978 of The Band's last performance that included all of that era's greatest musicians - Eric Clapton, Dr John, Neil Young, Joni Mitchell, etc.  The show was held at Dulcinea's in Denver's Capitol Hill area on May 25, 2005, and Polytoxic planned on it being a fun little show that would garner a little bit of interest.  It sold out in minutes, surprising band and fans alike, and became the biggest show they had ever thrown.  So big, in fact, they decided to do it again in 2005, this time on the night before Thanksgiving at Cervante's Masterpiece Ballroom.

Polytoxic's "The Last Waltz Revisited" immediately went from a "fun little" idea at a small venue to their biggest event of the year.  It has become an annual event, playing to capacity crowds.  This year marks the 6th anniversary of their "Last Waltz Revisited", and it boasts over 40 guest musicians from across Colorado, a full horn section, and over 30 songs from The Bands extensive catalog, focusing primarily on songs played at The Last Waltz.  It has become a tradition for many of those involved in the show, as well as for many of the people that come out and see the show year after year.  This year we have Buck Perigo opening the show at 9:00, performing Woody Guthrie’s entire “Alice’s Restaurant”.

To further the community aspect of the show, Tabima Enterprises (the production company that runs the show) brought in The Denver Rescue Mission as an affiliated charity, encouraging the donations of canned food for the homeless, and contributing a percentage of the ticket sales to the organization. This year we are lucky to also have the support of our sponsors Anthony’s Pizza & Pasta and The Westword.

For updates and additions continue to check out their website.

The Last Waltz Revisited featuring Polytoxic

Boulder Theater

Friday, Nov 19th

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website

Tickets are On Sale – 10.01 @ 10:00 am.

Individual tickets are $18.75 adv / $21.50 dos.

Smashing Pumpkins new single "Spangled"

THE SMASHING PUMPKINS are issuing a brand new track “Spangled” Tuesday, September 14, available exclusively as a free download for 24 hours through the website for The Sweet Relief Musicians Fund: www.sweetrelief.org. Spangled” will then become available the next day (Wednesday, September 15) at www.smashingpumpkins.com where a widget is also offered that enables fans to host the song anywhere on the web. “It’s just a pretty song,” says BILLY CORGAN of “Spangled,” which marks the sixth release from the band’s in-progress 44-song project TEARGARDEN BY KALEIDYSCOPE. It is the second song (the recently released “Freak” was the first) from what will be the band’s second EP--TEARGARDEN BY KALEIDYSCOPE VOLUME 2: THE SOLSTICE BARE --tied to this project.

When visitors go to the Sweet Relief website, they’ll be encouraged to donate to the organization, although it is not a requirement to contribute money when freely downloading the song. The Sweet Relief Musicians Fund is a non-profit 501(c)(3) organization that provides financial assistance to all types of career musicians who are struggling to make ends meet while facing illness, disability, or age-related problems.  Visitors to the site who donate $10.00 (or more) to the Sweet Musicians Relief Fund can also enter a raffle to win a Fender “Billy Corgan Stratocaster” custom guitar that will be signed by the musician.

The Pumpkins recently raised over $80,000 at their sold-out benefit concert Tuesday, July 27 at Chicago’s Metro for Matthew Leone, bassist for Chicago band Madina Lake. The money is going to the Matthew Leone Fund at Sweet Relief and is helping to pay for the ongoing medical care needed for the musician who this past June was hospitalized with severe brain trauma after intervening to stop a woman he passed on the street from being beaten by her husband.

In touring news, the band--singer/guitarist BILLY CORGAN, guitarist JEFF SCHROEDER, drummer MIKE BYRNE and bassist NICOLE FIORENTINO--have announced they will return to Australia this October for shows in Perth, Adelaide, Melbourne, Sydney and Brisbane. They will also head to South America in November for shows in Argentina, Brazil, Chile, and Peru.

Here are band’s in progress- tour dates:

Tue      Sept 14            Spokane, WA                          Knitting Factory

Thu      Sept 16            Boise, ID                                 Knitting Factory

Fri        Sept 17            Salt Lake City, UT                   In the Venue

Sat       Sept 18            Denver, CO                             Comfort Dental Amphitheatre

Mon     Sept 20            Austin, TX                                Stubb’s Waller Creek Ampihitheatre

Tue      Sept 21            Houston, TX                            Warehouse Live

Wed    Sept 22            Dallas, TX                               Palladium Ballroom

Fri        Sept 24            Tulsa, OK                                Cain’s Ballroom

Sat       Sept 25            Kansas City, KS                     Capital Federal Park at Sandstone

Fri        Oct 8               Jakarta, Indonesia                   Java Rockin Land Festival/Carnaval

Tue      Oct12              Perth, AU                                 Riverside Theatre

Wed    Oct 13             Adelaide, AU                            Adelaide Entertainment Centre

Fri        Oct 15             Melbourne, AU                     Festival Hall

Sat       Oct 16             Sydney, AU                             Big Top

Sun      Oct 17             Brisbane, AU                           The Tivoli

Thu      Nov 18             Buenos Aires, Argentina         Luna Park

Sat       Nov 20             Sao Paulo, Brazil                    Planeta Terra Festival

Tue      Nov 23             Santiago, Chile                        Arena Movistar

Thu      Nov 25             Lima, Peru                              Lima Hot Festival

Rex Foundation Announces Ralph Gleason Award to Jorma Kaukonen

We certainly set out running and we took our time! Once the board determined who was to receive it, consensus was unanimous.

The Rex Foundation is pleased to award Jorma Kaukonen the 2009 Ralph J. Gleason Award for a scholarship program at Fur Peace Ranch to serve Appalachian youth. The $10,000 award is in memory of music journalist Ralph J. Gleason, a major figure in the advancement of music in America in the 1960s, whose openness to new music and ideas transcended differences between generations and styles.

Founding Rex board member, Jerry Garcia, and guitarist Jorma Kaukonen were peers in the Haight Ashbury days of 1960s San Francisco. Their respective bands, Grateful Dead and Jefferson Airplane, exemplified the San Francisco Sound. Both musicians were pickers, that is they loved to play. Jerry and Jorma both taught guitar. Jerry gave lessons at Dana Morgan's Music Store in Menlo Park near Palo Alto south of San Francisco. Jorma continues to teach at the 116 acre Fur Peace Ranch which he and wife Vanessa created in South Ohio on the edge of Appalachia. According to Jorma, "Fur Peace Ranch is a ranch that grows guitar players." Classes and workshops are held throughout the summers with instructors who are also world class musicians. Fur Peace Ranch accommodates budding musicians of all skill levels. Jorma Kaukonen continues to perform with fellow musician, Jack Casady, in Hot Tuna.


The Rex Foundation gratefully acknowledges the contribution Jorma has made to a vast community of music lovers, musicians and underserved youth who will continue to be nurtured with this award.

Furthering what the Grateful Dead started 26 years ago, the Rex Foundation endeavors to fund grassroots programs that are often under the radar of larger funding entities, yet work in bold, innovative ways to carry out essential work toward a healthy environment, promotion of the arts, protection of indigenous cultures, assisting others less fortunate, building strong communities and educating children and adults everywhere.  The Rex Foundation has distributed $8.6 million in grants to over 1,000 program across the U.S. and internationally, while also carrying out initiatives that foster creativity and positive community connections.

Wish We Were Floyd: A Tribute to Pink Floyd

The music of Pink Floyd continues to be a top seller today, with classic albums like Dark Side of the Moon and The Wall appealing to new generations decades after their release. Wish We Were Floyd showcases the total immersive experience of a live Pink Floyd show, entertaining the casual Floyd listener as well as the hardcore fan. Those familiar with Pink Floyd's radio hits will recognize much of the material.

National Jazz Museum in Harlem 2010 June Schedule

Our June 2010 schedule includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century.

On the performance tip, Craig Harris will let his horn do the talking as he headlines the first Harlem in the Himalayas concert of the month, followed by the sax/piano duo of Loren Stillman and Russ Lossing in the intimate performance space at the Rubin Museum of Art. We're also devoting a Saturday afternoon to piano jazz, on the Steinway piano of Dick Katz, in honor of whom the musicians will play in a range of stylistic approaches that Katz performed with aplomb for 50+ years.

Consider donning your dancing shoes for two nights of jazz-influenced music to dance to! The Afro-Cuban tradition will be celebrated for Jazz at the Dwyer, with David Oquendo and Havana 3. A special collaboration with the Riverside Theatre features percussionist Vanderlei Pereira  binding the ties between jazz and Brazilian music with groove and soul.

Tuesday, June 1, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Jeremy Pelt
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Tonight young trumpet master Jeremy Pelt will confront topics not usually addressed by musicians and the jazz public, as we pursue a month-long consideration of jazz in the 21st century.

Jeremy Pelt arrived in New York in 1998 after graduating from Berklee College of Music. Once he got there, it wasn't long before he started being noticed by a lot of top musicians in the city. His first professional Jazz gig was playing with the Mingus Big Band. That gig lead to many long lasting associations with many of the talent in the band, and a great opportunity for growth. Since his arrival, he has been fortunate enough to play with many of today's and yesterday's Jazz luminaries, such as Jimmy Heath, Frank Wess,Charli Persip, Keter Betts, Frank Foster, John Hicks, Ravi Coltrane, Winard Harper, Vincent Herring, Ralph Peterson, Lonnie Plaxico, Cliff Barbaro, Nancy Wilson, Bobby Short, Bobby "Blue" Bland, The Skatalites, Cedar Walton, and many, many more. Jeremy has also been featured in a variety of different bands, including the Roy Hargrove Big Band, The Village Vanguard Orchestra, the Duke Ellington Big Band. Currently, he is member of the Lewis Nash Septet, and The Cannonball Adderley Legacy Band featuring Louis Hayes.

His work earned him a huge write-up in the Wall Street Journal by legendary Jazz writer and producer Nat Hentoff. His performances have received rave reviews from publications around the world.

After a reading of Pelt's biography and discography, it's easy to see why Pelt was voted Rising Star on the Trumpet five years in a row by Downbeat Magazine and the Jazz Journalist Association!!

Thursday, June 3, 2010

Harlem Speaks
Craig Harris, Trombonist/Composer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone—from the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, into the confrontational expressionism of the '60s avant-garde.

Yet the contemporary music world quickly realized that his talents went far beyond his superb skills as a trombonist. While he performed with a veritable Who's Who of progressive jazz, including Sun Ra, Sam Rivers, Lester Bowie, Abdullah Ibrahim, Makanda Ken McIntyre, Jaki Byard, Cecil Taylor, Muhal Richard Abrams, and so on, his own projects displayed both a unique sense of concept and a total command of the sweeping expanse of African-American musical expression.
Those two qualities that have dominated Craig's past two decades of activity, bringing him far beyond the confines of the jazz world and into the sphere of multimedia and performance art as composer, performer, conceptualist, curator and artistic director.

In tonight's Harlem Speaks discussion, Harris will venture forth on his life and career, especially as it intersects with Harlem, where he has lived since 1976.

"I used to visit Harlem a lot before moving here. I went to Paris in July 1976 and returned in October 76. I walked the street with Sun Ra back then. I worked in Aaron Davis Hall. I did a piece entitled 'Brown Butterfly,' based on the physiology of Muhammad Ali, which included seven dancers and seven musicians," said Harris, who more recently composed a long-form composition on Harlem called the TriHarLenium. "I sought to capture the beauty, history and culture of a people who have always been originators. Harlem is currently undergoing gentrification and transition so I wanted to share its history through my TriHarLenium composition with Harlem's people."

Monday, June 7, 2010

Jazz for Curious Readers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In an excellent overview of the oeuvre, themes, and achievements of renowned contemporary author Peter Straub, writer Stefan Dziemianowicz calls Straub "a jazz stylist of modern horror. Like the musicians whom he references frequently in his stories, he works at an art with deep-rooted traditions that he respectfully acknowledges. But also like those musicians, Straub works tirelessly to extend the range of those traditions, pushing them boldly into hitherto unexplored territory."  Critics and fans alike appreciate that Straub is knowledgeable of horror standards since his fiction abounds with ingenious riffs and variations on its classic themes. Yet he is also a restlessly imaginative artist who synthesizes original and deeply personal creations from seemingly disparate elements of his compositions as well as a versatile improviser who never approaches recurring ideas in his work the same way twice.

Straub came to writing horror by way of mainstream fiction, and he is arguably the most literary of contemporary horror writers, with influences that range from D. H. Lawrence to Vladimir Nabokov and John Ashberry. He was an established poet with two volumes of verse to his credit when his first novel, Marriages, was published in 1973. Like his second-written novel, Under Venus (not published until 1984), it was very much a tale of its time, concerned with characters in the grip of midlife emotional and spiritual crises and set in a realistically imagined post-1960s milieu. In much of his fiction to come, Straub would show readers that supernatural experience is an effective tool for expressing states of intense emotion.

But as with the greatest jazz artists, Straub's fiction moves beyond the bounds of simple genre. Jazz itself is a theme around and through which Straub plays variations, as in the title of his path-breaking 1988 novel, Koko. And in a brilliant interview with writer David Mathew, Straub discusses the origin of his novella story-within-a-story, "Pork Pie Hat," and gives a taste of the feeling tones in store for our talk with him tonight.

"The inspiration for Pork Pie Hat came from a long moment in a videotape of 'The Sound of Jazz,' a live television broadcast in 1957 or 1958 that assembled a lot of great jazz musicians in a studio and let them play whatever they felt like for the space of an entire hour. Just before its conclusion, Billie Holiday sat perched on a stool to sing a blues she had written called "Fine and Mellow" at the center of a circle made up of heroic figures like Ben Webster, Vic Dickenson, Jo Jones, Coleman Hawkins, Roy Eldridge, Rex Stewart, and - above all - the tenor saxophonist Lester Young, then only months from the end of his life and in terrible shape. Billie sang a chorus, two musicians played a chorus apiece, Billie sang another chorus, and so on...

"Lester Young wandered into view at the beginning of the second go-round. Someone had to give him a push in the back to get him on his feet and moving toward the microphone. You can see him lick his reed and settle the horn in his mouth. What he plays is one uncomplicated chorus of the blues that moves from phrase to phrase with a kind of otherworldly majesty. Sorrow, heartbreak, and what I can only call wisdom take place through the mechanism of following one note, usually a whole note, with another one, slowly. There he is, this stupendous musician who had once transformed everything about him by the grace of his genius, this present shambles, this human wreckage, hardly able to play at all, delivering a statement that becomes more and more perfect, more and more profound as it advances from step to step. I cried every time I watched it, and I watched it over and over. I played it for my friends and made them watch it. Eventually, I wondered: what could lead a person to a place like that, what brought him there? That was the origin of Pork Pie Hat."

Tuesday, June 8, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Considered by many the premier jazz trumpeter of his generation, Nicholas Payton is also an outspoken thought leader among his peers. His musings via blog, or his pithy questions and insights via Facebook are evidence of a deep, provocative thinker.

The son of bassist and sousaphonist Walter Payton, he took up the trumpet at the age of four and by the time he was nine he was playing in the Young Tuxedo Brass Band alongside his father. Upon leaving school, he enrolled first at the New Orleans Center for Creative Arts and then at the University, where he studied with Ellis Marsalis.

After touring with Marcus Roberts and Elvin Jones in the early 90s Payton signed a recording contract with Verve; his first album, From This Moment, appeared in 1994. In 1996 he performed on the soundtrack of the movie Kansas City, and in 1997 received a Grammy Award (Best Instrumental Solo) for his playing on the album Doc Cheatham & Nicholas Payton. After seven albums on Verve, Payton signed with Warner Bros. Records, releasing Sonic Trance, his first album on the new label, in 2003. Besides his recordings under his own name, Payton has also played and recorded with Roy Haynes, Wynton Marsalis, Christian McBride, Joshua Redman, Roy Hargrove, and Joe Henderson.

In 2008, Payton became part of The Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records. His own latest release, Into the Blue, is a collection of ten tunes steeped in melody and groove that Nicholas says “embodies the sensibilities of beauty, elegance and simplicity” and delivers “danceable tempos.”

Tonight's discussion is the first of two consecutive Jazz for Curious Listeners he's leading . . . don't miss this chance to engage with a jazz master in the making.

Friday, June 11, 2010

Harlem in the Himalayas
Craig Harris Quartet
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

Born in Hempstead on Long Island, N.Y. in 1953, Craig Harris is a graduate of the renowned music program of SUNY at Old Westbury. Profoundly influenced by its legendary founder and director, the late Makanda Ken McIntyre, Craig's move to New York City in 1978 quickly established him in the forefront of young trombonists, along with Ray Anderson, George Lewis and Joseph Bowie.

First playing alongside another of his teachers at SUNY, baritone saxophonist Pat Patrick in Sun Ra's Arkestra for two years, Harris embarked on a world tour with South African pianist/composer Abdullah Ibrahim (Dollar Brand) in 1981. Highly affected by their stay in Australia, Craig played with Aborigine musicians and returned with a dijeridoo, a haunting wind instrument that has become a part of his musical arsenal ever since.

Upon his return, Harris became a member of such major groups as David Murray's Octet, the Beaver Harris-Don Pullen 360 Degree Musical Experience, Sam Rivers' various orchestral aggregations, Lester Bowie's Brass Fantasy and many, many more. He also played for the now dearly-departed Lena Horne in her Broadway orchestra for a year.

Harris has performed all over the world with his own ensembles and has recorded numerous albums for various labels; tonight hear this innovative creative spirit make music with his quartet that will certainly be a highlight of the Harlem in the Himalayas roster of concerts in 2010.

Tuesday, June 15, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Since 1994 when Nicholas Payton made his recording debut as a leader with From This Moment, the trumpeter has been lauded as a significant, top-tier voice in jazz. Even though he started out as a “young lion of jazz,” heralded as one of the new-generation guardians of the hard bop flame, Payton consistently committed himself to discovering his voice outside of the strict confines of that rearview mirror approach to the music.
While his jazz journey has taken him down many roads – from heritage artist to electric experimenter – the 34-year-old trumpeter has arrived at a new plateau of jazz maturity with Into the Blue, his ninth album and his first for Nonesuch. It’s at once a nod to the past and a leap into the future. “It’s an amalgam of every recording I’ve done up until now,” says Payton. “As a musician, as an artist, you’re always trying to zero in on the bull’s eye as a means of becoming a better version of yourself. With Into the Blue, I’ve been able to find the kind of music that’s more inclusive of all of my life. The approach and the ideas of my music have become more singular, more cohesive. I had no agenda in terms of a specific genre or style, only to be true to who I am now.”

True to himself: that's a fitting way to describe Payton's approach to music and the issues that he addresses in writing, online, and at rare public discussion appearances such as last week's Jazz for Curious Listeners. Come witness the continuation of Payton's improvisation on life, the mind and spirit.

Thursday, June 17, 2010

Harlem Speaks
Paquito D'Rivera, Composer/Saxophonist/Clarinetist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Born on the island of Cuba, Paquito D'Rivera began his career as a child prodigy. A restless musical whiz during his teen years, Mr. D’Rivera created various original and ground-breaking musical ensembles. As a founding member of the Orquesta Cubana de Musica Moderna, he directed that group for two years, while at the same time playing both the clarinet and saxophone with the Cuban National Symphony Orchestra. He eventually went on to premiere several works by notable Cuban composers with the same orchestra. Additionally, he was a founding member and co-director of the innovative musical ensemble Irakere. With its explosive mixture of jazz, rock, classical and traditional Cuban music never before heard, Irakere toured extensively throughout America and Europe, won several Grammy nominations (1979, 1980) and a Grammy (1979).

Paquito D'Rivera is the first artist to win Latin Grammy's in both Classical and Latin Jazz categories (2003), for Stravinsky’s Historia del Soldado (L'Histoire du Soldat) and Brazilian Dreams with the New York Voices. The other historic recipient who has won duo Grammy's in both Classical and Jazz categories is Wynton Marsalis.

D’Rivera is a recipient of the National Medal for the Arts, presented at the White House by President George W. Bush in 2005, and was named one of the 2005 NEA (National Endowment for the Arts) Jazz Masters.

While Paquito D'Rivera's discography includes over 30 solo albums in Jazz, Bebop and Latin music, his contributions to classical music are impressive. They include solo performances with the London Philharmonic, the London Symphony, the Warsaw Philharmonic Orchestra, the National Symphony Orchestra, the Baltimore Symphony, the Florida Philharmonic Orchestra, and the Brooklyn Philharmonic. He has also performed with the Puerto Rico Symphony Orchestra, the Costa Rica National Symphony, the Simón Bolivar Symphony Orchestra, the Bronx Arts Ensemble, and the St. Luke’s Chamber Orchestra, among others.

In addition to his extraordinary performing career as an instrumentalist, Paquito D'Rivera has rapidly gained a reputation as a dynamic composer. The prestigious music house, Boosey and Hawkes, is the exclusive publisher of Mr. D'Rivera’s compositions. Recognition of his significant compositional skills came in 2007 with the award of a John Simon Guggenheim Fellowship in Music Composition, and the 2007-2008 appointment as Composer-In-Residence at the Caramoor Center for Music and the Arts with the Orchestra of St. Luke’s. His works often reveal his widespread and eclectic musical interests, ranging from Afro-Cuban rhythms and melodies, including influences encountered in his many travels, and back to his classical origins.

Also a gifted author, Mr. D’Rivera’s book, My Sax Life, was published in Spain by the prestigious literary house, Seix Barral, and contains a prologue by Guillermo Cabrera Infante. Acclaimed by the public and critics alike, the English edition was released by Northwestern University Press in November 2005.

The National Jazz Museum in Harlem is proud to feature one of the most respected and beloved artists in jazz this evening for what promises to be a discussion full of fun by a free-spirited virtuoso artist who puts profound feeling into his music, no matter the style or genre.

Friday, June 18, 2010

Harlem in the Himalayas Loren Stillman/Russ Lossing Duo
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

A saxophonist and composer from Brooklyn, Loren Stillman is hailed as a writer and a stylist that has found a previously unoccupied slot in the jazz spectrum. He's been recognized as one of today's truly original creative voices by publications such as The New York Times, Downbeat Magazine, Jazziz and Jazz Times as well as by National Public Radio. A former student of Lee Konitz and David Liebman, Stillman has performed and recorded throughout the United States and Europe and Japan with his own ensembles, and with those led by Charlie Haden, Carla Bley, Paul Motian, John Abercrombie, Andy Milnes DAPP Theory, Eivind Opsviks Overseas, Tyshawn Soreys Obliquity, Vic Juris Quartet and The Vanguard Jazz Orchestra.

Russ Lossing is a provocative, fresh leader in creating alternatives to long held conceptions in music. His individual voice, as a pianist, teacher and composer, is sought out as an authority in the jazz and avant-garde fields emerging in music today. He's has composed over 300 works and is in special demand as a world class jazz pianist and improviser.  Lossing has seven CDs as leader and is featured on over 30 other CDs as sideman and collaborator with world acclaimed musicians such as Paul Motian, Dave Liebman, John Abercrombie, Mat Maneri and Mark Dresser. He has composed 21 film scores from avant-garde shorts to full length documentaries for PBS, BBC and world broadcast performances, as well as dramatic features both foreign and domestic.  He has numerous television and live radio performances and interviews in the U.S.A. and Europe relative to his distinction as a performer and composer.

Tonight's performance promises to be an adventure into musical territory both expansive and introspective, not to be missed by those with a cutting-edge sensibility.

Friday, June 18, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night: David Oquendo and Havana 3
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$15 | More information: info@DwyerCC.org
<mailto:info@DwyerCC.org>

A Night to Remember!

Dance was formerly a mainstay of the public ritual of jazz performance, and remains an essential part of the variety of Latin American music. The Afro-Cuban legacy in jazz brings dance to the forefront, as declarative horns and clave-based rhythms kiss the American impulse to swing. Come ready to do your own thing . . . on the dance floor at the Dwyer Cultural Center in Harlem!


David Oquendo was born in Havana, Cuba in 1958.  Self taught, Oquendo absorbed the essence of the Afro Cuban rhythmical vernacular in the poorest neighborhoods of his native city. At 12 years of age, David started playing guitar and singing in several “Rock” bands around Cuba.  Even though he was not conservatory trained, his passion for music, his discipline and self-criticism, took him to the point where eventually he was considered one of the best guitar accompanist in Cuba. This was evident in his appearances at “El Rincon del Feeling”, “Cabaret Tropicana”, “Cabaret Internacional de Varadero”, “ Salon Rojo” at the Hotel Capri and many more venues.



As accompanist, David has worked with artist of the caliber of: Moraima Secada, Elena Burke, Lucho Gatica, Meme Solis, Maggie Carles, Lenny Andrade, and many others.  As guitarist, singer, composer, arranger and bassist, David has performed in concerts and recordings in Cuba, Panama, Dominican Republic, Austria, Canada, Greece, Spain, Brasil, Bermuda and the US with names such:  Paquito D’Rivera, Compay Segundo, Marc Anthony, Johnny Ventura, Ray Barreto, Arturo Sandoval, Giovanni Hidalgo “Manenguito”, Mauricio Smith, Andy Gonzalez, Manny Oquendo, Johnny Pacheco, Gilberto Santarrosa, El Gran Combo, Jose Luis Quintana “Changuito”, Willie Chirino, Regina Carter, Candido Camero, Patato Valdez, Gato Barbieri, Carlos Ponce, Sergio Vargas, Rudy Calzado, Basilio, Yomo Toro, Anthony Rios, Jose Fajardo, Israel Lopez “Cachao”, Graciela and Chico O’Farril to mention a few.

David has a Grammy Award for the album “Tropicana’s Nights” with Paquito D’Rivera, a Grammy Nomination for “Bebop Timba” with Raphael Cruz and three Latin Grammy Nominations for “Raices Habaneras”, “50 Years of Mambo” and “Paquito D’Rivera Presenta Las Hermanas Marquez”.

Founder and director of the Afro Cuban folklore group “Raices Habaneras”, which has been performing, without interruption, every Sunday since 1996 what has become known as “Domingos de la Rumba” (Rumba Sundays), David’s mission is to expose the public to a genuine representation of the “Rumba” genre.  David, was musical director and producer for “The Cuban Rumba All Stars”, a first time, historical collaboration by members of Cuba’s Rumba groups:  Los Munequitos de Matanzas, Yoruba Andabo, Clave y Guaguanco, Obba ILU, Coro Folklorico Cubano, Raices Profundas y Grupo Tata Guines.

As a member of Faculty of Harbor Conservatory for The Performing Arts, since 2002, he is teaching guitar, Cuban tres, bass, voice and the Afro-Cuban folklore workshop, the Latin Band workshop, the Guitar ensemble and the Vocal training Group Class.

David has appeared in: “El Show de Cristina” in Univision, the series “OZ” in HBO, “Harmony in the Kitchen” in the Food Network, “State of the Arts” and “The Cuban Americans” in PBS, The Ivan Acosta’s films “How to Create a Rumba” and “ Candido Hands of Fire”, The Heddy Honigmann’s film “Dame la Mano”, “Al Rojo Vivo” in Telemundo and “Orgullo Hispano” in Channel 47 Telemundo NYC, “Sabado al Mediodia” and “Al Despertar” in Channel 41 Univision NYC.  As well as WBGO Jazz 88.3 FM, WBAI 99.5 FM and WADO 12.80 AM radio in NYC.  He has also performed in prestigious stages such as: Madison Square Garden, Carnegie Hall, Radio City Music Hall, Avery Fisher Hall, Town Hall, Beacon Theatre, NJPAC Newark, Symphony Space, Cami Hall, Seattle International Children Festival, Jackie Gleason Theater, Olympia Theater at Gusman Center and Tropigala at The Fontainebleu in Miami Beach as a part of The 4th Annual Latin Grammy’s performance, The WOMAD Festival in Spain, Tenerife’s Carnival, Sao Pablo and Rio de Janeiro Jazz Festival in Brasil, The JVC Jazz Festival, Ravinia Jazz Festival, San Francisco Jazz Festival and The Montreal Jazz Festival.



Saturday, June 19, 2010

Saturday Panels A Piano Extravaganza
12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Special guest: Ethan Iverson and others

The National Jazz Museum in Harlem is proud to present four hours of live piano jazz as we welcome into our museum holdings the Steinway piano of the late Dick Katz, kicking off our Memorial Concert Series in his honor.

Renowned as a repository of the variety of jazz piano styles from the earliest years of the idiom to the modern styles of the 40s, 50s, and 60s, Katz was last at the museum during our Saturday panel on Papa Jo Jones in 2009. His body was weak, and his gait slow that day, but his eyes gleamed with delight as he discussed Jones's life and career, and the generation of musicians that were central to his own development as a jazz artist.  

In tribute to this friend of the museum and exemplar of the continuum of jazz piano styles, we'll feature hours of the versatility of jazz piano by Katz's friends and admirers.
Tuesday, June 22, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

We continue with a month of conversations led by jazz musicians on topics not usually associated with jazz musicians with pianist Orrin Evans, whom Executive Director Loren Schoenberg invited to participate based on "illuminating chats spurred on Facebook."

Born in Trenton, NJ but raised in Philadelphia, acoustic pianist Orrin Evans was among the "Young Lions" of straight-ahead jazz who emerged in the 1990s, as was the previous Jazz for Curious Listeners guest host, Nicholas Payton. Evans' main focus is hard bop, although he has occasionally ventured into soul-jazz and R&B when backing such vocalists as Denice King http://www.artistdirect.com/nad/music/artist/card/0,,525768,00.html and his wife, Dawn Warren http://www.artistdirect.com/nad/music/artist/card/0,,679983,00.html.

Expect a far-reaching discussion with jazz at the starting gate, and audience participation and feedback determining the finish line.

Sunday, June 27, 2010

Special Event
Evening of Brazilian music and jazz: Vanderlei Pereira 5
2:00 – 4:30pm
Location: Riverside Theatre (at the Riverside Church)
91 Claremont Avenue, betw. 120th and 122nd
FREE | For more information: 212-348-8300

Music by drummer, percussionist, composer and educator Vanderlei Pereira and friends. Come dance!
Drummer Vanderlei Pereira is one of the most sought-after musicians on the contemporary Brazilian jazz scene. Combining a prodigious knowledge of Brazilian rhythms with dazzling technique and a distinctive touch, Vanderlei has captivated audiences with his unique and electrifying performances.

Yet Vanderlei Pereira's proficiency on the drum set extends beyond his mastery of Brazilian rhythms. He received a Diploma in Jazz Studies from the Mannes College of Music in New York City, where he studied with the renowned jazz drummers John Riley and Vernel Fournier. In addition, Vanderlei has studied with the Latin jazz drum and percussion masters Ignacio Berroa, Bobby Sanabria and Johnny Almendra. He has incorporated these diverse influences into his playing and, as a result, has earned the respect of both straight-ahead and Latin jazz musicians on the demanding New York scene, where he is widely admired and respected for his musical versatility.

Tuesday, June 29, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Influenced by McCoy Tyner, Horace Silver, Bud Powell, and Thelonious Monk, among others, our guest host Orrin Evans graduated from high school in the early 1990s and studied at Rutgers University in New Brunswick, NJ before going on to private study with Kenny Barron, and work as a sideman with Ralph Peterson, Duane Eubanks, singer Lenora Zenzalai-Helm and Bobby Watson. In fact, Watson's effect on Evans has been so affecting that Evans's latest CD, Faith in Action (on Posi-Tone Records), is a tribute to the silvery alto saxophonist.

Evans recorded his first CD as a leader, The Orrin Evans Trio, for his own Black Entertainment label in 1994. After that, he signed with Criss Cross and recorded numerous CDs. Most recently, he's released a DVD titled, "Live All Over the Place," excerpts from which he may share tonight.

Pete Francis | Summer Tour 2010 | New LP

New York City based singer-songwriter, Pete Francis, is set to release his new album The Movie We Are In this May 2010. Whereas Francis’ previous solo albums were largely self-produced, he uprooted his more traditional approach to album-making and assembled an entirely new crew with Los Angeles based producer Jeff Trott (right hand man to Sheryl Crow as writer and guitarist). Says Francis, “In the past I’ve worked with acoustic guitar, bass, drums, B3 organ, but I wanted to bring a modern electronic element into my music. When first speaking with Jeff Trott, I quickly realized he had great musical instincts and that he was getting my tunes. And then, he brought ideas to the table that I hadn’t imagined. I saw a new musical landscape could be created with my songs by working with him.”

The musicians that Trott assembled for the recording sessions helped to create this colorful landscape. Having worked with artists such as Beck, Nine Inch nails, Gnarls Barkley, Willie Nelson, Queens of the Stone Age, Dr. Dre, and Scott Weiland, the musicians (Brian LeBarton, Justin Meldal-Johnsen, John O’Brien, Victor Indrizzo and others) provided an extraordinary musical palette of talent and sensibility.

When asked about the project, Trott says, “It really became apparent to me that Pete was a very creative and colorful song-writer. What I liked was that there was this very good sense of Pete’s personality from happy go lucky to dark and brooding. All these aspects were amazing to work with and the lyrics were very colorful. I think that’s one of the things I really enjoy about Pete’s songs… that it’s sometimes hard to really figure out what the meanings are and I think that’s missing in a lot of music - the mystery of what a song is.”

The opening track, “Glue”, generates a feeling of weightlessness by combining organic instrumentation with futuristic sounds. This song solidly represents what’s to follow on the album’s consistent mix of fresh and classic, electronic and acoustic, known and unknown… Each listen unlocks a new guitar lick, synth riff, bass groove, drum program, live drumbeat or horn swell, and even the sounds of the sparsely used Ethiopian instrument cumbus. Midway through the album, the listener gets catapulted into the up-tempo and joyous revelry of “Love Shakes You Down” a sing-a-long with the familiar bell sounds of Motown combined with a  string synth creating a modern and retro sound all at once. The slower, more melodic songs of the album like “St. Paul’s Fair” and “Didn’t Know I Built It” lure the listener into dream-states with rich deep vocals, sampled sounds from a town square in Italy, trance-like Wurlitzer pedaling, and vivid lyrics.

No one would deny that Francis has earned his stripes in the independent music scene. He formed the fiercely independent band Dispatch in 1995 whose uncommonly loyal fan-base bid them farewell at The Last Dispatch concert in 2004 with an attendance of 110,000 people from around the world. Since then, his career has infiltrated many musical worlds including performing his solo music at festivals around the country, reuniting with his Dispatch pals for three sold out nights at Madison Square Garden, having his solo music featured in films and television, and performing in the presence of Zimbabwean Prime Minister Morgan Tsvangirai at the Kennedy Center in Washington D.C..

Commenting on his new album and departure from his Dispatch days, Francis says, “It’s good to get out of your comfort zone. I tried to let this motto resonate at every turning point of this record’s evolution.” When asked if there is an overall theme to The Movie We Are In, Francis explains, “I like to leave this up to the listener. Hearing an album is similar to visiting a museum. The listener has to have his or her own conversation with the artwork and create their own interpretations."

Multi-platinum country star, Dierks Bentley, at Boulder Theater this week!

Not so many years ago, he was singing for tips in Second Avenue bars and soaking up country music history at his day job working in the video tape library of the late, great Nashville Network. Today he's among the most successful and relevant country singers in the business. They say Nashville doesn't work like this anymore - that talented strivers with no connections don't stand a chance. But Dierks Bentley proved that Music City's engine still runs and that as a place for education, inspiration and validation, it has no parallel. Critics find him credible. Fans pack his shows. There are precious few new artists recording hits today about whom that can be said. Bentley's kind of country has never been straight-up-the-middle. Instead, the Arizona-native grew up on a potent hybrid of honky-tonk, bluegrass, singer/songwriters, classic country and modern rock & roll, forging his own sound along the way.

The Travelin' McCourys do not stand still. They are on the road and online entertaining audiences with live shows that include some of the best musicians and singers from all genres. It's always different, always exciting, and always great music. No other band today has the same credentials for playing traditional and progressive music. As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father's work a lifelong dedication to the power of bluegrass music to bring joy into people's lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful. But the band is now combining their sound with others to make something fresh and rejuvenating. It's that attitude, backed up by talent, that marks great musicians, traditional or progressive. The Travelin' McCourys are twenty-first century musical pilgrims and adventurers. They're onto something new, just like Bill Monroe was in the 1940s, but now we can see and hear that adventure live or online.

More Info / Buy Tickets

Acoustic STEAL YOUR FACE - This Thursday

Dynamic psychedelic jams, deep-funk grooves, tight emotional vocals, a little space and enough rocket fuel to get there and back - STEAL YOUR FACE is a high-energy band.  Born from the Spirit of Jerry Garcia, Steal Your Face blends thought provoking original music with the vast library of the Grateful Dead, Bob Dylan and other Classics.  Each SYF show is a unique experience, audiences are captivated as they and the band push each other to new heights and make music together. Five musicians with impressive chops who are constantly intertwining with each other and the audience,  Steal Your Face has a fresh sound that has the Woodstock generation reminiscing, the Bonnaroo kids screaming for more and everyone dancing.

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This Thursday, a unique evening of Acoustic Steal Your Face.  No cover charge. -- Thursday April 8, at The Temperance House, 5 S. State St. Newtown, PA.   215-860-9975  7:30pm-11pm.

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Upcoming Shows
Apr 8 2010 8:00P
Acoustic SYF at The Temperance House Newtown, Pennsylvania
Apr 20 2010 8:00P
ACOUSTIC SYF @ Chickies and Pete’s Northeast Philadelphia Philadelphia, Pennsylvania
Apr 24 2010 9:00P
The Temperance House Newtown, Pennsylvania
Apr 30 2010 9:30P
The Hollywood Tavern Rockledge
May 1 2010 9:30P
with THINK PINK FLOYD at Street Road Bar and Grill Bensalem, Pennsylvania
May 14 2010 9:00P
The Temperance House Newtown, Pennsylvania
May 15 2010 3:00P
Timmy N Kimmy’s Barn Raising Fiesta Levittown, Pennsylvania
May 15 2010 7:00P
Watkins Glen ’Summer Jam’ 1973 Revival Ardmore, Pennsylvania
May 22 2010 2:00P
NAM JAM Dover, Delaware
May 28 2010 10:00P
Triumph Brewing Company NEW HOPE
Jun 10 2010 7:00P
ACOUSTIC SYF @ The Temperance House Newtown, Pennsylvania
Jun 12 2010 1:00P
In And Out Of The Garden We Go Music Festival Morrisville, Pennsylvania
Jun 19 2010 9:00P
The Temperance House Newtown, Pennsylvania
Jul 29 2010 7:00P
Acoustic SYF at The Temperance House Newtown
Aug 21 2010 8:30P
The Temperance House Newtown, Pennsylvania

Krishna Das Kicks Off US Tour TODAY

Called the “Chant Master of American Yoga” by the New York Times, Krishna Das has recently released Heart As Wide As The World, his first studio album in ten years, this month. The album is a collaboration with David Nichtern (“Midnight at the Oasis”) who produced and played guitar. Jerry Marotta (Hall & Oates, Peter Gabriel) on drums, percussion.  As well as, world musicians Steve Gorn on bansuri flute and Benjy Wertheimer on esraj, amongst an array of other instruments.

Layering traditional Hindu kirtan with instantly accessible melodies and modern instrumentation, Krishna Das has been called yoga’s “rock star.”  With a remarkably soulful voice that touches the deepest chord in even the most casual listener, Krishna Das – known to friends, family, and fans as simply KD – has taken the call-and-response chanting out of yoga centers and into concert halls, becoming a worldwide icon and the best-selling chant artist of all time, with over 300,000 records sold.  His first studio recording in a decade, “HEART AS WIDE AS THE WORLD” invests KD’s magnetic chanting with an electrifying rock ‘n’ roll sensibility informed by a lifetime of experience and musical love.

Krishna Das has been recording his popular and much-loved albums of kirtan since 1996. Having made numerous pilgrimages to India throughout his career and meeting teachers of many spiritual traditions, Krishna Das follows the path of Bhakti yoga – the yoga of devotion – and brings a lifetime of spirituality into his music. Over the years, his collaborators in the studio have included Rick Rubin on Door of Faith, Sting on Pilgrim Heart and Mike D in a 50-person kirtan choir on Breath of the Heart, also produced by Rubin.

Krishna Das has toured extensively through North America, Europe, Asia, Australia and South America, and counts Madonna and Mike D of the Beastie Boys amongst his fans. Krishna Das will be touring this spring with Deva Premal & Miten, dubbed “The Johnny and June Carter Cash of chant” by Yoga Journal . Together they are creating an extraordinary series of concerts across the US, highlighting the newfound popularity of kirtan and mantra chanting. These musicians, who have enjoyed a worldwide grassroots success the past decade, are each celebrating the release of new albums with their first co-headlined tour.

Krishna Das LIVE with Dava Premal & Miten:
03/24    Seattle - Moore Theatre 
03/25    Portland - Crystal Ballroom
03/27  Los Angeles - Wilshire Ebell
03/28   San Francisco - Warfield Theater
03/30    Phoenix - Mesa Arts Center
03/31    Tucson - Rialto Theatre
04/01     Santa Fe - Lensic Theatre
04/03     Denver  - Paramount Theatre
04/05     Dallas - Unity Church
04/07     Atlanta - Variety playhouse
04/08   Washington, DC - Bethesda Theatre
04/09     Philadelphia - Keswick Theatre
04/12  Chicago North Shore Center for the Performing Arts
04/14    Boston - Somerville Theater
04/15    New York - Webster Hall