heavy

Orgone at Fox Theatre | 10.25.11

Z2 Entertainment is proud to present Orgone at the Fox Theatre on Tuesday, October 25th.  Tickets will go on sale Friday, August 19th for $10.00 in advance and $12.00 day of show.

Los Angeles based band Orgone is many souls with a cosmic connection, a natural creative force and musicians who have played together for years. They are self schooled and continue to shape their musical voice as a solid unit of guys who hang, spin records and jam out their shared inspirations. With a rooted sense of funk, soul, afrobeat, deep rhythms and an intimate understanding of dj culture as well as each others’ individual talents, Orgone seamlessly slides through multiple styles and dynamic performances. The group continuously injects whatever they play with a heavy brand of raw funk power.

The band’s reputation amongst the funk, soul, and hip hop fraternity is further backed-up by an impressive and ever growing resume that expands their reach. This includes a spot in an Adidas campaign, a tour with and backing band for Bun B (from UGK), Pharoahe Monch, Plantlife (including a BBC performance for Jools Holland), Little Brother, Nice and Smooth, Black Sheep and New Orleans funk legend Eddie Bo at a Hurricane Katrina benefit. Members of Orgone also have featured in the make-up of Ubiquity acts the Lions, Connie Price and the Keystones, Breakestra, and have performed with the Pharcyde, De La Soul, Too Short, Macy Gray among many others. To top it off, most of the group can be heard on recent major recordings by Alicia Keys, CeeLo, Estelle, Anthony Hamilton, Jennifer Hudson, Solange Knowles and many other R&B/Soul artists.

Orgone continues to tour, impressing audiences and winning new fans at festivals & clubs nationally and overseas. 2009 saw the release of their second fully independent CD “bacano”, a collection of all original cold-blooded funk gems representing what’s always been going down in Orgone’s funky, sweaty home-grown recording spot. It’s a recorded history of the band and its musical family throwing down: check the lethal neck-busting bass intro of founding member Tim Glum on “You Already Doin It”, the Detroit thump of bassist Dale Jennings on the deep hypnotic funk soundscape of “Vibromeyer”, the dance floor soul of singer Gino Garafalo on the undeniably hip-shaking “Come Around” and the sub-atomic gut punch of Orgone bassist Ethan Phillips on the heavy psychedelic groove of “Hott Karl”.

Orgone live and recorded is 100% organic heart and soul an aesthetic and an attitude born out of half a lifetime of playing together.

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Orgone

Fox Theatre

Tuesday, October 25th

Doors:  8:00 pm

Show Time:  9:00 pm

The Heavy Pets Hit The Road With Double Live CD

2011 Has been a busy year for the Florida based Heavy Pets. The band hits the road this summer with a double-disc live album taken from their 2010-2011 tour recorded by Charlie Miller of the Grateful Dead fame. Coupled with a full national tour on the horizon, this could be the year of the Heavy Pets – whose last studio effort was hailed one of the top 10 albums of the year by the Huffington Post in 2010.

What’s not to love about the Heavy Pets breezy approach to music? The five piece band seamlessly moves through pop, reggae, rock, rhythm, blues, hip-hop, funk and even masters the open-ended jam styling’s of jazz as if it were their native tongue. Each musician as talented as the next, the players bounce between instruments changing roles as drummer, keys, guitar, and even lead vocals as they make their way through varied arrangements in their diverse and extensive catalog . It comes as no surprise that the Huffington Post named their last self-titled album one of the top 10 of the year; it plays like a Pandora radio station offering a little bit of something for everyone.

Beginning this summer, The Heavy Pets will hit the road with a 14 live tracks called Charlie Miller’s Live Picks featuring two hand selected discs of music chosen from the best moments of their 2010-2011 Illumination tour and includes a selection of popular songs like “So Thank You Music”, “Dew Point” and “Chew”. The summer release will be available on-line for download and for purchase at select festival and theater performances while supplies last.

But it’s not just their chops that set the Heavy Pets apart from other touring outfits. The band has an uncanny ability to write quality songs on a dime. This year will see the Pets releasing a live double disc, an acoustic album and a straightforward electric album which the band has been busy recording this spring. While the expected release date for the two new studio efforts are yet to be announced, rumor has it that each album captures a different face of the band who is known best for their jaw-dropping live shows. The band will be giving away a few of their original songs for free download leading up to the release to whet the appetites of their fans.

For more information about the Heavy Pets and their busy release schedule take a peek at the bands website at www.theheavypets.com and don’t forget to sign up for the mailing list where the next series of free downloads are expected to be leaked in the coming weeks.

The Heavy Pets: Illumination Tour & FREE Download!

The Heavy Pets 2011 Single "Lantern" is an breezy 6+ minute song featuring haunting pedal steel guitar and sweeping vocals over a delicately woven fabric of harmonies, horns and soft phrasing. A bioluminescent horn arrangement by Michael Kammers seems to push through the earth and sprout to life, intertwining with the boughs of the tune and eventually blossoming into a crescendo of a "violent and beautiful epiphany" as described by guitarist, Jeff Lloyd. In short, it's a trip. A song about a child's firefly lantern - or the light you choose in your own life. "Lantern" is considered by the band as their "piece de resistance" from the California recording session. "We believe this piece to stand on its own - and are incredibly excited to be releasing it in this format as our first ever single." says Lloyd.

The track was recorded with multi-platinum award winning producer Scott Mathews and engineer Tom Luekens alongside a series of acoustic songs during the bands Mill Valley, CA session where they also produced their acclaimed self-titled 2010 release, The Heavy Pets. The 2010 self-titled release has shown considerable success for the Florida based project, and was just named by the Huffington Post as one of the top 10 albums of last year; a well-deserved nod to the band known best for their endless tour schedule.

"The Illumination Tour" takes the band from VT to Florida, with stops in nearly every state along the way. For more information about the tour or the free download, check out the band at www.theheavypets.com (A 102° Artist).

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The Illumination Tour

February 19 - The Crowbar - Tampa, FL

February 23 - Live Wire - Savannah, GA

February 24 - Pour House - Charleston, SC

February 25 - Blind Tiger - Greensboro, NC

February 26 - Pour House - Raleigh, NC

March 2 - Maxwell's - Hoboken, NJ

March 3 - Jillian's - Albany, NY

March 4 - Java Barn - Canton, NY

March 5 - The Turtle Underground @ St. Michaels College - Colchester, VT

March 6 - Nectars - Burlington, VT

March 9 - Brighton Music Hall - Allston, MA

March 10 - Westcott Theater - Syracuse, NY

March 11 - Old City Hall - Oswego, NY

March 12 - The Matterhorn - Stowe, VT

March 17 - The M Room - Philadelphia, PA

March 18 - Brooklyn Bowl - Brooklyn, NY

March 19 - Mojo on Main - Newark, DE

March 22 - Jewish Mother - Norfolk, VA

March 24 - Roxy's - West Palm Beach, FL

March 25 & 26 - Green Parrot - Key West, FL

The Heavy Pets Head South for Winter Tour

The Heavy Pets self-titled release was ranked in the top 10 studio albums of the year by the Huffington Post in 2010. The honor comes at the end of a highly successful year that saw both a new studio release and matching Vinyl album. The Heavy Pets will launch their first tour of the year on January 22nd with plans for an acoustic album later in 2011.

2010 was an extraordinary year for the Heavy Pets. The five piece band released their first studio recording (and coinciding vinyl album) since 2007 with burgeoning record label and Management Company, 102 Degrees. The highly acclaimed album has already received rave reviews across the nation in its short time on the market and with ample airplay the band is posed to reach great heights in 2011.

The project will set sail on their first tour of the year beginning on January 22nd including stops in Raliegh, Charleston, Poughkeepsie, Albany, Syracuse, Philadephia, New York City among others before returning to their home stomping grounds in sunny Florida.

For more information about the Heavy Pets or for ticket information check out www.theheavypets.com.  The shows will also be available for purchase from www.livedownloads.com and www.digitialsoundboard.net

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The Heavy Pets Tour Dates:

01/27/11 - Old School Square, Delray Beach, FL

01/28/11 - Skippers Smokehouse, Tampa, FL

02/24/11 -The Pourhouse, Charleston, SC

02/26/11 - The Pour House, Raleigh, NC

03/01/11 - The Mug at Vasser College, Poughkeepsie, NY

03/03/11 - Jillians, Albany, NY

03/04/11 - Java Barn, Canton, NY

03/10/11 - Wescott, Syracuse, NY

03/12/11 - The Matterhorn, Stowe, VT

03/17/11 - M Room, Philadelphia., PA

03/18/11 - Brooklyn Bowl, Brooklyn, NY

The Heavy Pets Announce Northeast Winter Tour

The Heavy Pets will close out a highly successful 2010 with a tour along the northeast corridor including dates in New York, Connecticut, Maine, Vermont, Pennsylvania, Virginia and Maryland before heading back to FL for a final leg of New Year's shows in their home stomping grounds. The Heavy Pets have grown exponentially in a very short time and the tour marks a fitting end to an extraordinary year for the band.

Ever since their first performance in 2007, the Heavy Pets became an instant national sensation through heavy rotation on the international airwaves of Sirius Satellite radio. National success did not end there; they were immediately embraced in the jam scene for their raw talent and tenacious commitment to creating great music. And like their unmistakable sound, The Heavy Pets themselves have transcended boundaries; crossing a bridge few bands survive intact --- into the periphery of mainstream music through upbeat, danceable, homegrown, skillfully executed tunes.

In the past four years alone, the band has managed to release a two-disc studio album, a live release, a three song EP and most recently, their sophomore self-titled studio release and vinyl album --- a feat few bands have accomplished in such a short time. The 2010 self-titled release has garnered critical acclaim in tight circles of virtuoso musicians and casual fans alike.

The five piece band will appear throughout the northeast for a jam-packed three week tour including their biggest performance in NYC at Highline Ballroom with progressive jam rockers, U-Melt. The band will also be playing a few venues for the first time including stops in Cafe Nine, Empire and Putnam Den as well as a homecoming performance in Syracuse NY - a town that two of the six artists call their Alma mater.

The entire tour will be mixed, recorded and cataloged by Charlie Miller of the Grateful Dead/Kimock fame and available for purchase on the Heavy Pets website through LiveDownloads.com and DigitalSoundboard.com. While the specifics of the tour are still lining up, the band will be undoubtedly making waves at every stop along the tour and are not to be missed.

For a complete tour schedule and more information about the band, check out their new website at www.theheavypets.com

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2010 TOUR DATES:
11/19 Tobacco Road - Miami, FL
11/26 Highline Ballroom - New York, NY
11/27 The Vibe Lounge - Rockville Center, NY
11/30 Cafe Nine - New Haven, CT
12/1 Empire Dine & Dance - Portland, ME
12/2 Matterhorn - Stowe, VT
12/3 Matterhorn - Stowe, VT
12/4 Nectars - Burlington, V
12/8 Westcott Theater - Syracuse, NY
12/9 Putnam Den - Saratoga Springs, NY
12/14 Jewish Mother's - Norfolk, VI
12/17 The 8 x 10 - Baltimore, MD
12/18 River Street Jazz Cafe - Plains, PA
12/31 Culture Room - Fort Lauderdale, FL

Ryan Montbleau Band’s Heavy on the Vine Ripe for Picking

“Time hangs heavy on the vine/Let’s make wine,” Ryan Montbleau sings in the lulling, sensual verse that gives his group’s new album its title. Ryan Montbleau Band has been tending its own musical vineyard for a few years, on the patient cusp of a breakthrough. Their distinctive, long-fermenting blend of neo-folk, classic soul, and kick-out-the-jams Americana finally comes to full fruition in Heavy on the Vine, due out September 21, 2010 on indie Blue’s Mountain Records. It’s an album that represents the product of — and further promise of — a very good year.

It’s been a good year already. The group spent much of it both as opening act and backing band for Martin Sexton, including a round of dates with the Dave Matthews Band. Sexton in turn produced Heavy on the Vine. “I used to dream about getting to meet Martin Sexton,” says Ryan, “and now we’re getting hired as his backing band and he’s producing our record.

“He may not be a household name but to me and so many others, he’s a legend,” Montbleau adds. “But one thing he made clear from the start was that he didn’t want his fingerprints on this record. He wanted us to just play and be us.”

As a songwriter, Ryan recently contributed the single “Something Beautiful” to Trombone Shorty’s recent major-label debut album Backatown. Shorty turned to no less than Lenny Kravitz to contribute vocals and a guitar solo to the track, to help bring across the song’s soulful vibe.  Ryan also co-wrote the Backatown track “One Night Only,” the tune Shorty and his band performed on their Late Night with David Letterman debut in June.

“I’m not one of these people who’s like, ‘Oh, we can’t be pigeonholed.’ I honestly wish we could, just so I could describe it quickly to people,” Montbleau says. “This record has folk songs, funk songs, country tunes, a reggae tune . . . and the end is almost like prog-rock. It’s all over the map, but it’s all us, and we always do it wholeheartedly. We’ve sort of come up in the jam scene, and that’s where our hearts have been in a lot of ways. But we don’t go off on 15-minute epics. We’re actually trying to make the songs shorter as we go. So I would lean more toward the Americana thing than the jam thing. But more than anything, we’re definitely about the song.”

The “us”-ness of the band comes through in Heavy on the Vine in vivid, funny, touching, and hummable spades. The opening “Slippery Road” playfully examines the fine line of moderation between inebriation and sobriety, a subject familiar to most of Montbleau’s contemporaries and more than a few non-musicians. “Carry,” the purest love song Montbleau has written, is in demand as a wedding song by some romantics who’ve heard it being road-tested. “Fix Your Wings” deals with damage and healing in relationships, with tight gospel harmonies adding to the surprisingly sprightly feel. Both the rocking “Here at All” and the ’20s-styled “Stay” address the itinerant musician’s thwarted impulse to settle in one place for more than one night at a time. An admirer of Paul Simon, Montbleau reaches some of his greatest lyrical heights in “Straw in the Wind,” which asks, “Wouldn’t it be nice . . . if you could reconcile the smile you want to feel with the one that you show?”

“For the song ‘More and More and More’ we had done another weirder version in the studio with a strange old synthesizer. But Martin said, ‘We need to try a Rolling-Stones-in-Nashville country version of this,’ with an untuned piano they had in the studio. And it turned out great.”

The Peabody, Mass. native got his first guitar at age nine but didn’t get the bug to become a serious player until he was attending Villanova University. He spent many years as an acoustic solo artist. His first album, Begin (2002), was followed by the live Stages. The first Montbleau Band recording was One Fine Color (2006). And by the time 2007’s Patience on Friday was released, Ryan Montbleau Band (Montbleau, guitar, lead vocals; Laurence Scudder, viola, vocals; Jason Cohen, keyboards; James Cohen, drums; Matt Giannaros, bass, vocals; and Yahuba, percussion, vocals) were hometown heroes.

The band’s unusual makeup was somewhat accidental, as the leader tells it; he never had it in mind, for instance, that he needed a full-time viola player. “It just evolved over the years, because I really didn’t have a sound that I was going for,” he says, before qualifying that claim. “Well, I knew I wanted an upright bass, I guess. And I knew I wanted the drummer in some ways to be more of a jazz drummer than a straight-ahead rock drummer. But that was all I knew. I’ve personally always loved the B3 organ, but the keyboard approach really comes from Jason (Cohen), who’s a vintage gear nut and tone junkie who loves old Rhodes, organs, Wurlitzers, Moogs, etc.”

Abject realism and a sense of limitless possibility coexist in Montbleau’s ever-ripening mind. “For the last 10 years, I’ve had this insane desire to just go out there and do this. And I face the realities that, okay, I’m 33 and I’m not selling out stadiums yet. I get more realistic as I go and I also get more appreciative of just being able to do this at all. My goal for a few years when I was starting out was to make a living off playing music, and now I’ve been doing that for seven years or so, and the goals change as you go. Now the goal is to spend more time practicing and writing and creating, and a little less time doing all the business stuff.”

Tempted as Montbleau might be to look toward the big picture, not losing sight of the small one is why the band has maintained such a loyal and evangelistically inclined base. “I still go back to my original philosophy of just one person at a time,” he says. “I never even told people ‘Bring your friends to the show’ at the beginning, because it wasn’t about them bringing their friends, it was about them bringing themselves. I’m trying to focus on the one person, because if they come and like it, they are going to bring their friends. We’re still grass roots in that way.” No surprise, then, that those well-tended roots have sprung up into such pregnant vines.

The Heavy Pets Release Collectors Vinyl Album

On the heels of their self-titled 2010 release, The Heavy Pets are unveiling a collectors edition, 150 gram audiophile vinyl album featuring 7 blazing tracks including the previously un-released track "This Side Up" and an alternate version of their haunting 2010 single, "Lazy Anna". The album also includes a free download card for all 12 tracks on the new CD.

Pushing the sonic envelope from the dance floor to the bedroom, The Heavy Pets vinyl gleefully takes the listener on a journey that varies in both sonic and emotional texture. Overflowing with expert musicianship, unexpected musical turns, and masterful pacing of songs; the follow up release also boasts a cameo appearance with high-profile guest star, John Popper of Blues Traveler, courtesy of Verve Records.

Looking to produce the highest quality recording possible, The Heavy Pets teamed up with some of the industry's best production and engineering talents. The vinyl lacquers were cut by the legendary Doug Sax, founder of The Mastering Lab. The album was produced by Multi-Platinum award winning producer Scott Mathews and was mastered by two time Grammy Award winning mastering engineer Vlado Meller of Universal Mastering Studios. With each passing year the band continues to break ground by embracing cutting edge technology, while working towards preserving the buoyant sound of analog recording.

Since 2005, the band has built their reputation as a live tour-de-force through years of nationwide touring and three successful previous releases including their acclaimed freshman double-disc studio release, Whale. The band will kick off the first leg of their national fall tour on the east coast with select dates in the south before heading back to their home stomping grounds in Florida to finish off the decade. The new self titled album and vinyl from The Heavy Pets is now available through Amazon.com, iTunes, and the band's web site theheavypets.com.

ON TOUR NOW

September 9 :: Harpers Ferry - Allston, MA
September 10 :: Catskill Chill Music Festival - Hancock, NY
September 11 :: Sullivan Hall - New York, NY
September 15 :: Jillian's - Albany, NY
September 16 :: The Westcott Theater - Syracuse, NY
September 22 :: El Alamo - Key West, FL
September 23 :: El Alamo - Key West, FL
September 24 :: The Green Parrot - Key West, FL
September 25 :: The Green Parrot - Key West, FL
October 2 :: Folk Fest St. Pete - St. Petersburg, FL
October 16 :: The Pour House - Charleston, SC
October 30 :: Southern Monster Mash - Pompano Beach, FL
November 10-14 :: Bear Creek Art and Music Festival - Live Oak, FL
November 19 :: Tobacco Road - Miami, FL

Ryan Montbleau Band's Martin Sexton-produced album out September 21

“Time hangs heavy on the vine/Let’s make wine,” Ryan Montbleau sings in the lulling, sensual verse that gives his group’s new album its title. Ryan Montbleau Band has been tending its own musical vineyard for a few years, on the patient cusp of a breakthrough. Their distinctive, long-fermenting blend of neo-folk, classic soul, and kick-out-the-jams Americana finally comes to full fruition in Heavy on the Vine, due out September 21, 2010 on indie Blue’s Mountain Records. It’s an album that represents the product of — and further promise of — a very good year.

It’s been a good year already. The group spent much of it both as opening act and backing band for Martin Sexton, including a round of dates with the Dave Matthews Band. Sexton in turn produced Heavy on the Vine. “I used to dream about getting to meet Martin Sexton,” says Ryan, “and now we’re getting hired as his backing band and he’s producing our record.

“He may not be a household name but to me and so many others, he’s a legend,” Montbleau adds. “But one thing he made clear from the start was that he didn’t want his fingerprints on this record. He wanted us to just play and be us.”

As a songwriter, Ryan recently contributed the single “Something Beautiful” to Trombone Shorty’s recent major-label debut album Backatown. Shorty turned to no less than Lenny Kravitz to contribute vocals and a guitar solo to the track, to help bring across the song’s soulful vibe. Ryan also co-wrote the Backatown track “One Night Only,” the tune Shorty and his band performed on their Late Night with David Letterman debut in June.

“I’m not one of these people who’s like, ‘Oh, we can’t be pigeonholed.’ I honestly wish we could, just so I could describe it quickly to people,” Montbleau says. “This record has folk songs, funk songs, country tunes, a reggae tune . . . and the end is almost like prog-rock. It’s all over the map, but it’s all us, and we always do it wholeheartedly. We’ve sort of come up in the jam scene, and that’s where our hearts have been in a lot of ways. But we don’t go off on 15-minute epics. We’re actually trying to make the songs shorter as we go. So I would lean more toward the Americana thing than the jam thing. But more than anything, we’re definitely about the song.”

The “us”-ness of the band comes through in Heavy on the Vine in vivid, funny, touching, and hummable spades. The opening “Slippery Road” playfully examines the fine line of moderation between inebriation and sobriety, a subject familiar to most of Montbleau’s contemporaries and more than a few non-musicians. “Carry,” the purest love song Montbleau has written, is in demand as a wedding song by some romantics who’ve heard it being road-tested. “Fix Your Wings” deals with damage and healing in relationships, with tight gospel harmonies adding to the surprisingly sprightly feel. Both the rocking “Here at All” and the ’20s-styled “Stay” address the itinerant musician’s thwarted impulse to settle in one place for more than one night at a time. An admirer of Paul Simon, Montbleau reaches some of his greatest lyrical heights in “Straw in the Wind,” which asks, “Wouldn’t it be nice . . . if you could reconcile the smile you want to feel with the one that you show?”

“For the song ‘More and More and More’ we had done another weirder version in the studio with a strange old synthesizer. But Martin said, ‘We need to try a Rolling-Stones-in-Nashville country version of this,’ with an untuned piano they had in the studio. And it turned out great.”

The Peabody, Mass. native got his first guitar at age nine but didn’t get the bug to become a serious player until he was attending Villanova University. He spent many years as an acoustic solo artist. His first album, Begin (2002), was followed by the live Stages. The first Montbleau Band recording was One Fine Color (2006). And by the time 2007’s Patience on Friday was released, Ryan Montbleau Band (Montbleau, guitar, lead vocals; Laurence Scudder, viola, vocals; Jason Cohen, keyboards; James Cohen, drums; Matt Giannaros, bass, vocals; and Yahuba, percussion, vocals) were hometown heroes.

The band’s unusual makeup was somewhat accidental, as the leader tells it; he never had it in mind, for instance, that he needed a full-time viola player. “It just evolved over the years, because I really didn’t have a sound that I was going for,” he says, before qualifying that claim. “Well, I knew I wanted an upright bass, I guess. And I knew I wanted the drummer in some ways to be more of a jazz drummer than a straight-ahead rock drummer. But that was all I knew. I’ve personally always loved the B3 organ, but the keyboard approach really comes from Jason (Cohen), who’s a vintage gear nut and tone junkie who loves old Rhodes, organs, Wurlitzers, Moogs, etc.”

Abject realism and a sense of limitless possibility coexist in Montbleau’s ever-ripening mind. “For the last 10 years, I’ve had this insane desire to just go out there and do this. And I face the realities that, okay, I’m 33 and I’m not selling out stadiums yet. I get more realistic as I go and I also get more appreciative of just being able to do this at all. My goal for a few years when I was starting out was to make a living off playing music, and now I’ve been doing that for seven years or so, and the goals change as you go. Now the goal is to spend more time practicing and writing and creating, and a little less time doing all the business stuff.”

Tempted as Montbleau might be to look toward the big picture, not losing sight of the small one is why the band has maintained such a loyal and evangelistically inclined base. “I still go back to my original philosophy of just one person at a time,” he says. “I never even told people ‘Bring your friends to the show’ at the beginning, because it wasn’t about them bringing their friends, it was about them bringing themselves. I’m trying to focus on the one person, because if they come and like it, they are going to bring their friends. We’re still grass roots in that way.” No surprise, then, that those well-tended roots have sprung up into such pregnant vines.

Toubab Krewe Spring Tour - 2010

Toubab Krewe is a couple weeks into their Spring Tour and things are off to a great start. Thanks to all of you who have been coming out!

Toubab Krewe has a few more dates in the Northeast this weekend before joining up with their friends in John Brown's Body for a 12-night co-headlining run that will take us throughout the Midwest, Rockies and West Coast.

Toubab will then swing back through the South on our own, and are happy to announce several new dates, including a special 2-night run in NOLA during JazzFest and a tour of Florida. Many of the upcoming NE and FL shows will feature special guests The Heavy Pets.

Looking ahead to the summer, Festivus is set for July 8-11 in Cabot, VT, and should be bigger and better than ever. The full line-up and more details are coming soon.

Check out Toubab Krewe on the road!

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TOUR DATES
DATE CITY VENUE Other Acts
03/25/10 Allston, MA Harpers Ferry W/special guests The Heavy Pets
03/26/10 New Haven, CT Toad's Place In support of Railroad Earth
03/27/10 Providence, RI Jerky's Live Music Hall W/special guests The Heavy Pets
04/03/10 Chicago, IL Double Door Co-bill w/John Brown's Body
04/04/10 Madison, WI The Majestic Theatre Co-bill w/John Brown's Body
04/05/10 Minneapolis, MN Cedar Cultural Center Co-bill w/John Brown's Body
04/07/10 Lincoln, NE Bourbon Theatre Co-bill w/John Brown's Body
04/08/10 Boulder, CO Fox Theatre Co-bill w/John Brown's Body & special guest Giant Panda Guerilla
04/09/10 Englewood, CO Gothic Theater Co-bill w/John Brown's Body & special guest Giant Panda Guerilla
04/12/10 Salt Lake City, UT The Depot Co-bill w/John Brown's Body
04/16/10 Seattle, WA Tractor Tavern Co-bill w/John Brown's Body
04/17/10 Portland, OR Doug Fir Lounge Co-bill w/John Brown's Body
04/19/10 San Francisco, CA Independent Co-bill w/John Brown's Body
04/20/10 Los Angeles, CA Roxy Theatre Co-bill w/John Brown's Body
04/21/10 Solana Beach, CA Belly Up Tavern Co-bill w/John Brown's Body & special guest Stickfigure
04/23/10 Scottsdale, AZ McDowell Mountain Music Festival
04/27/10 Austin, TX Stubb's BBQ
04/29/10 New Orleans, LA Tipitina's French Quarter Cyril Neville & Tribe 13
05/01/10 New Orleans, LA Blue Nile
05/04/10 Tallahassee, FL The Engine Room W/special guests The Heavy Pets
05/05/10 Gainesville, FL Common Grounds W/special guests The Heavy Pets & Diocious
05/06/10 Jacksonville Beach, FL Freebird Live W/special guests The Heavy Pets
05/07/10 Orlando, FL The Plaza Theatre W/special guests The Heavy Pets
05/08/10 Tampa, FL Skipper's Smokehouse W/special guests Diocious & Hip Abduction
05/15/10 Gulf Shores, AL The Hangout Festival
7/8-7/11 Cabot, VT Festivus Full line-up and details coming soon!


Earl Greyhound Premiere Ghost And The Witness

EARL GREYHOUND is pleased to announce the release of Suspicious Package, a blistering
rock inferno spun out of the Brooklyn trio’s inspired and innovative
rock-n-roll imagination machine.  Suspicious Package was recorded at Red Bull Studios in Santa Monica, under the nimble and keen producerly auspices of Dave Schiffman (Mars Volta, Red Hot Chili Peppers, System of a Down).


Earl Greyhound formed in 2002 with the collaboration of songwriters Matt Whyte and Kamara Thomas, who began performing regularly as a duo in NYC. All the while, they were crafting the unique sound and songs that would form the foundation for a colossal rock band. Their influences swept from the strident English three-and four-pieces of the 70’s, to the dark pop and heavy grunge grooves of the 90’s, to the transcendental, noisy acid sounds of modern rock.

In 2005, EG recorded their first album, Soft Targets, but they also hit their first snag when drummer Chris Bear left to pursue his fortunes with the band Grizzly Bear. Reluctant to release the album without a permanent drummer, Matt and Kamara vowed to play relentlessly until their dream drummer found them. Guitar player Kirk Douglass (The Roots) witnessed a show and brought his friend and Gold Crowns band mate Ricc Sheridan to the next few gigs. Ricc says, “I awoke from a dream one night, and I knew this was my band.” A few weeks later, a rockneck-inducing jam confirmed that the band had found its soul mate, and they hit the ground running.  Soft Targets and EG’s wrecking ball of a live show earned them oodles of fans and critical acclaim from The New Yorker, SPIN, Rolling Stone, Brooklyn Vegan and Pitchfork, among others. The next three years were spent touring the US, Canada and Japan as well as opening for Gov’t Mule, Chris Cornell and Saul Williams.


Suspicious Package is Earl Greyhound’s sophomore release. The album marks a turning point in the band’s maturation since the benefit of Mr. Sheridan’s full creative collaboration. Listeners will notice a marked expansion into the higher reaches of the sonic territories. Heavy, dark, groovy and grand—Suspicious Package is a reminder that though ROCK is still only a four-letter word, it can still pack a load of splendor.

US Tour

3/23  - Rochester, NY - Harro East Theatre & Ballroom#
3/24  - Syracuse, NY - The Westcott Theater#
3/25 - Clifton Park, NY - Northern Lights#
3/26  - South Burlington, VT - Higher Ground#
3/28 - Portland, ME - - Port City Music Hall#
3/29 - Hartford, CT - Webster Theater#
3/30 - Scranton, PA - Hardware Bar#
3/31 - Brooklyn, NY - Music Hall of Williamsburg#

4/13 – Salt Lake City, UT - The State Room*
4/14 – Denver, CO - Bluebird Theatre*
4/16 – Milwaukee, WI - Turner Hall*
4/17 – Chicago, IL - Metro*
4/18 – St. Louis, MO - The Old Rock House*
4/20 – Columbia, MO - The Blue Note*
4/21 – Indianapolis, IN - Earth House*
4/22 – Detroit, MI - Magic Stick*
4/23 – Toronto, ON - Mod Club*
4/27 – Northampton, MA - Pearl Street*
4/28 – New Haven, CT - Toad's Place*
5/3 – Philadelphia, PA - Theatre of Living Arts*
5/5 – Washington, DC - 9:30 Club*
5/7 – Boston,MA - Paradise Rock Club*
5/8 – Albany, NY - TBD*
5/9 – Baltimore, MD - Ram's Head Live*
5/11 – Raleigh, NC - Lincoln Theatre*
5/12 – Charlotte, NC - Visulite Theatre*
5/13 – Atlanta, GA - The Loft*
5/14 – Tampa, FL - Crowbar*
5/15 – Orlando, FL - Firestone Live*
5/18 – Dallas, TX - Granada Theatre*
5/19 – Austin, TX - The Parish*
5/21 – Los Angeles, CA - Henry Fonda Theatre*
5/22 – San Diego, CA -TBD*
5/26 – San Francisco, CA - Great American Music Hall*
5/28 – Portland, OR - Hawthorne Theatre*

6/4 - Ozark, Arkansas - Wakarusa Festival
6/5 - Ozark, Arkansas - Wakarusa Festival

w/ Coheed and Cambria # w/ Ok Go *