studios

Bob Weir's TRI Studios Hosts Slightly Stoopid

Slightly Stoopid is pleased to announce their live debut at Grateful Dead/Furthur founding member Bob Weir’s TRI Studios on Tuesday, September 13, 2011. The band will perform two sets (acoustic & electric) and the performance will feature guests Karl Denson (Greyboy Allstars, Tiny Universe), Ian Neville (Dumpstaphunk, Funky Meters), and Don Carlos (Black Uhuru), with plenty of surprises in store. In between sets, fans can partake in the first-ever live Stoopid Q&A from TRI Studios, communicating with the band via onscreen Facebook and Twitter feeds.

TRI Studios is a state-of-the-art performance studio, broadcasting live HD video and audio streams via the Internet. The show will air live at www.tristudios.com at 6:00pm PDT, and will also be offered on re-played at 9:00pm PDT. Each Streaming costs $10.00 for access. Tickets are on sale now for both showings and can be purchased by visiting www.tristudios.com or clicking the banner at www.SlightlyStoopid.com. Band members will also be featured speakers at the SFMusicTech Summit on Monday, September 12, 2011, in support of this high profile, groundbreaking broadcast.

Slightly Stoopid is currently on their Seedless Summer 2011 Tour making 25 stops in all, including some of the country’s best outdoor venues, such as Red Rocks Amphitheatre in Morrison, CO, The Greek Theatre in Berkeley, CA, and Cricket Amphitheater in their hometown of San Diego, CA. As The San Diego Union-Tribune recently reported, “Headlining Cricket for the third year in a row is a coup for the Ocean Beach-based group -- a feat unmatched by blink-182, Jason Mraz, Jewel, P.O.D. or any other nationally prominent San Diego act, past or present.” The complete list of Slightly Stoopid’s Seedless Summer 2011 Tour dates is included below.

Formed in 1995 in San Diego, CA’s Ocean Beach by childhood friends Miles Doughty (guitar, bass, vocals) and Kyle McDonald (guitar, bass, vocals), Slightly Stoopid has become one of the most influential and progressive improvisational musical outfits on the tour circuit. As Amped Up Magazine points out, it’s for good reason. “Slightly Stoopid have perfected one of the rarest and most valuable skills a band can develop: the art of the stealth groove.” Always a festival favorite, Slightly Stoopid has performed at Coachella, Lollapalooza, Austin City Limits, Outside Lands, Milwaukee Summerfest, Wakarusa, and many others. With their two most recent albums both debuting on Billboard and iTunes charts, the band has sold over 750,000 albums and now releases all material on Doughty and McDonald’s own record label, Stoopid Records.

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SLIGHTLY STOOPID SEEDLESS SUMMER TOUR DATES:

8/25 Raleigh, NC - Raleigh Amphitheatre
8/26 Columbus, OH - LC Pavilion
8/27 Chicago, IL - Charter One Pavilion
9/03 Mohawk, NY - Moe Down at Gelston Castle Estate
9/10 Las Vegas, NV - Mandalay Bay Beach
9/13 San Rafael, CA - TRI Studios (webcast performance)
9/16 Mesa, AZ - Mesa Amphitheatre
9/17 Irvine, CA - Verizon Wireless Amphitheatre
9/24 Page, AZ - Powellapalooza on Lake Powell
9/29 Tampa, FL - Rombello Cruise
9/30 Tampa, FL - Rombello Cruise
10/1 Tampa, FL - Rombello Cruise
10/2 Tampa, FL - Rombello Cruise
10/3 Tampa, FL - Rombello Cruise
10/8 Santa Barbara, CA - Santa Barbara Bowl

Cat’s Eyes Announce US Tour Dates

As the frontman for British psychedelic-rockers the Horrors, Faris Badwan and his bandmates took a major stylistic leap between the band’s first and second albums, essentially reinventing themselves in the process.  In the same spirit, Badwan has transformed himself creatively once again with his new duo, Cat’s Eyes.  The project is a partnership between him and Rachel Zeffira, a Canadian opera soprano and classical multi-instrumentalist based in London.

The group’s first ever live appearance took place in December, amid some secrecy, at St Peter’s in the Vatican, where they performed a reworked version of their song “I Knew It Was Over” during an afternoon mass attended by several high-ranking cardinals. Footage from this can be viewed at www.catseyesmusic.com. Continuing to make each of their live shows a truly special experience, Cat’s Eyes have decided to do only three US dates – so don’t miss them if you’re in the area!

In the collision of the two very separate worlds of Badwan and Zeffira, something magical has come into being. Cat’s Eyes eponymous debut album (May 3rd; Cooperative Music USA/Downtown Records) is a romantic pop masterpiece fit to dine at the same table as mid-’60s productions by Phil Spector, Joe Meek or Shadow Morton, but with a fiercely modern, experimental premise, which constantly leaves you wondering just what you’re listening to, and how on earth it was created.

The duo’s album was recorded at RealWorld studios near Bath with producer Steve Osborne. All Cat’s Eyes artwork is designed and photographed by Chris Cunningham, director of iconic videos for Aphex Twin (“Windowlicker”; “Come to Daddy”) and Bjork (“All is Full of Love.”)

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Cat’s Eyes Tour Dates:

05/03:  New York, NY @ Bowery Ballroom
05/06:  Los Angeles, CA @ Natural History Museum
05/07:  San Francisco, CA @ The Independent

Blair Announces Feb/Mar Tour With Say Hi

Brooklyn-based artist Blair has announced new tour dates in support of Say Hi this February and March. The lengthy jaunt will launch February 18th at Neurolux in Boise, ID and wrap up March 30th at The Media Club in Vancouver, BC. The tour includes a hometown show on March 7th at the Bowery Ballroom in New York, as well as two dates during this year's SXSW festival. Blair's debut full-length Die Young was released early last year by Autumn Tone Records.

Die Young is a winsome mix of dreamy, hazy indie pop influenced by Blair's love for '90s FM radio (think Beck and Nirvana) and the records spun on her mother's turntable (like Bob Dylan and Neil Young) while growing up in New Orleans, LA. The album was written - in both her hometown and Los Angeles, CA - and re-recorded over the course of five years. The songs were finally laid to tape in New Orleans using both traditional studios and makeshift home setups, with the help of producer Keith Ferguson and a host of musician friends filling out the parts.

As her airy vocals tell stories of heartache, daydreams and memories, throughout the album Blair shows herself to be a nimble musician and songwriter with an innate sense of sumptuous melody. Whether the angular guitar pop of opener "Rampage," the sweetly yearning "Hearts" (listen/download here), the sprightly whimsy of "Hello Halo," the '60s girl-group swing of "Paris France," or the soaring, lush "Wolfboy" (listen/download here), it's easy to understand why PasteMagazine.com gave her its 'Best Of What's Next' label and why Muzzle Of Bees declared Die Young "...a pop album for this generation...one of the year's most promising surprises."

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Blair tour dates (all in support of Say Hi):

FEB. 17 BOISE, ID NEUROLUX

FEB. 18 SALT LAKE CITY, UT KILBY COURT

FEB. 19 DENVER, CO HI DIVE

FEB. 20 LAWRENCE, KS JACKPOT SALOON

FEB. 21 OMAHA, NE SLOWDOWN

FEB. 22 MINNEAPOLIS, MN 7TH STREET ENTRY

FEB. 23 MADISON, WI HIGH NOON SALOON

FEB. 25 CHICAGO, IL LINCOLN HALL

FEB. 26 BLOOMINGTON, IN VIDEO SALOON

FEB. 27 NEWPORT, KY SOUTHGATE HOUSE

FEB. 28 COLUMBUS, OH SKULLY'S

MAR. 1 PONTIAC, MI PIKE ROOM AT CROFOOT

MAR. 2 CLEVELAND, OH GROG SHOP

MAR. 3 BUFFALO, NY MOHAWK PLACE

MAR. 4 TORONTO, ON EL MOCAMBO

MAR. 5 MONTREAL, QC CASA DEL POPOLO

MAR. 6 BOSTON, MA MIDDLE EAST (Downstairs)

MAR. 7 NEW YORK, NY BOWERY BALLROOM

MAR. 8 PHILADELPHIA, PA JOHNNY BRENDA'S

MAR. 9 WASHINGTON, DC BLACK CAT BACKSTAGE

MAR. 10 ASHEVILLE, NC THE GREY EAGLE

MAR. 11 ATLANTA, GA THE EARL

MAR. 12 ORLANDO, FL BACKBOOTH

MAR. 13 TAMPA, FL CROWBAR

MAR. 14 TALLAHASSEE, FL CLUB DOWNUNDER

MAR. 16 HOUSTON, TX FITZGERALD'S (Downstairs)

MAR. 17 AUSTIN, TX SXSW

MAR. 18 AUSTIN, TX SXSW

MAR. 19 DALLAS, TX THE LOFT

MAR. 22 PHOENIX, AZ THE RHYTHM ROOM

MAR. 23 TUCSON, AZ PLUSH

MAR. 24 SAN DIEGO, CA THE CASBAH

MAR. 25 LOS ANGELES, CA THE ECHO

MAR. 26 SAN FRANCISCO, CA BOTTOM OF THE HILL

MAR. 28 PORTLAND, OR MISSISSIPPI STUDIOS

MAR. 29 VICTORIA, BC LUCKY BAR

MAR. 30 VANCOUVER, BC THE MEDIA CLUB

Nightmares For A Week Announce Tour Dates

It all started out with a couple cases of beer, a back porch, and a few old friends. In the hot, muggy summer of 2008, longtime friends and former band mates Sean-Paul Pillsworth and Bill Manley decided it was time to pick up their dusty guitars and start writing music together again. It wasn't long until they recruited ex-Astronauts drummer Steve Markota, and the resulting chemistry was undeniable.

The trio played a packed hometown show, and in months they were traveling far from their native Kingston, NY, playing nearly every weekend. They kept getting called back, each time with bigger and more enthusiastic performances to match the crowds. A year went by so fast. They released their debut EP, A Flood Tomorrow, produced by studio pro John Naclerio (My Chemical Romance, Senses Fail, Polar Bear Club) at Nada Studios in New Windsor, NY. After releasing the CD on friend-run imprint Music for End Times, Naclerio signed the band to his own Broken English record label for digital distribution.

In June of 2010 the band reentered Nada Studios as free agents to record their full-length debut. In addition to a brand new album, the band also came out of the studio with a brand new label, Brooklyn-based Academy Fight Song. Their full-length entitled “Don’t Die” is out now. Nightmares for a Week will be touring the country in support of the new album, full US tour dates coming soon.

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Nightmares For A Week Live!

Jan 14 California Brew Haus Rochester, New York
Jan 15 The Tuscan Cafe Warwick, New York
Jan 21 Cravings Goshen, New York
Jan 22 Deer Park Community Center Deer Park, New York w/ Koji
Jan 28 King Killer Studios Brooklyn, New York
Feb 5 Bacchus New Paltz, New York
Feb 11 Valentine’s Albany, New York w/ Iron Chic
Feb 25 The Basement Kingston, New York w/ After the Fall
Feb 26 Valentine’s Albany, New York
Mar 1 The Saint Asbury Park, New Jersey
Mar 20 Trash Bar Brooklyn, New York

+ Full US Tour Dates Coming Soon!

Callers Announce US Tour / Premiere "Life Of Love"

Ryan and Sara met Don at a show at Melvin's, a bar on St. Claude in the Marigny neighborhood of New Orleans. Ryan and Sara had just begun writing and recording songs together on an old 4-track with a mic hanging from the blade of a ceiling fan in the middle of that stifling sweaty summer, but they would soon part ways and leave New Orleans. Over the next couple of years they relocated to Providence together and later settled in Brooklyn where Don had also settled after Katrina.
Life of Love is the first collection of songs Callers wrote and recorded exclusively in New York as a three- piece. Naturally the band's sound grew in volume in response to the volume of the city; however, they held on to what makes them so consistently affecting: their raw spartan style, anchored by Sara's sensually tough vocals, and Ryan and Don's Southern-honed chops as multi-instrumentalists.
The album started with the band's cover of Wire's "Heartbeat", and the idea of creating something simple and cathartic. Using borrowed amps and mics, in bedrooms and in studios, and by the grace of their good friends, Callers recorded Life of Love in intense spurts over the course of a year. Unlike the experimental ballads on their debut Fortune, the new songs pulse with gritty urgency, colored by the sounds of damaged gear and the earnest spirit of a middle-school gospel choir. The result is an album stripped to the core, an expression of the inexpressible space between us and the places we inhabit and the people we share those places with.
Tour Dates
1/8 - Silent barn - Brooklyn, NY
1/27 - World Cafe Live - Philadelphia, PA
1/28 - Jammin Java - Vienna, VA
1/29 - Union Pool - Brooklyn, NY
3/13 - The Earl - Atlanta, GA
3/21 - Solar Culture - Tucson, AZ
3/22 - Caasbah - San Diego, CA
3/24 - The Echo - Los Angeles, CA
3/25 - Bottom of the Hill - San Francisco, CA
3/27 - Media Club - Vancouver, BC
3/29 - Mississippi Studios - Portland, OR
3/31 - Flying M Coffee - Nampa,  ID
4/1 - Kilby Court - Salt Lake City, UT
4/2 - Larimer Lounge - Denver, CO
4/3 - Slowdown Jr - Omaha, NE
4/4 - The Mill - Iowa City, IA
4/5 - Turf Club - St Paul, MN
4/6 - Lawrence University - Appleton, WI

The Attack Cover The Kinks' "Father Christmas"

Hey Scrooges, Grinches and Heat Misers, you don't have to be so pissed off at Christmas anymore. Orlando street-punk heroes The Attack have just released their rendition of The Kinks' classic Christmas tune "Father Christmas." You won't get stockings hung with care or sugar plum faries, it's more like machine guns, unemployment, and youth mobs runamuck through this Dark Christmas Anthem.

"We've always wanted to record this song and finally had an opportunity to do it, and releasing it this year seems appropriate." recalls The Attack's guitarist Brad Palkevich. "The songs content relfects a recession stricken England years ago, not too different from economic crisis going on all over the world today."

The new single was recorded during a quick trip into the studio to record a collaboration track for MC Lars' upcoming album, with help from producer Jami Roebuck in Orlando, and mixed by Tom Petta (Bigwig) at Bivouac Studios in New Jersey.

After a busy year supporting the release of their first album Of Nostalgia and Rebellion, The Attack are playing a handful of Southeast dates to round out the year before completing their next 7" due out Spring 2011.

The Attack Live!
December 4th @ The Firestone Orlando, FL w/ The Misfits
December 21st @ The Back Booth Orlando, FL w/ Go Rydel and How Dare You
January 7th @ The Social Orlando, FL w/ H2O, Comeback Kid, Casey Jones

New Rubblebucket Mp3: "Michelle" (Beatles Cover)

Fresh off the release of the Triangular Daisies EP (Sin Duda Records), Rubblebucket is giving away the second track from the EP, “Michelle.” The track is the band’s left-field take on The Beatles’ Rubber Soul classic, which finds the band turning McCartney’s somber ballad into a spacey, orchestral groove. Download the track HERE. The band is currently on their “Triangular Tour,” which so far has taken the band from San Francisco to Maine and will end in Live Oak, FL for the Bear Creek Music Festival. After wrapping up this tour, the band will begin recording their next full-length with Eric Broucek (!!!, Holy Ghost!, Hercules and Love Affair) at DFA Studios in New York City, which should be released in early 2011.

Since the band formed in 2007, pinning down their sound has remained a difficult task.  At times, the band sounds like Brooklyn’s answer to Fela Kuti, with frenetic afrobeat rhythms rubbing elbows with infectious indie-pop hooks and catchy synths. Frontwoman/saxophonist Kalmia Traver explains, "We're children of this noisy age, with access to so much music from across time and space. We soak up all the sounds. What comes out can be unpredictable, but it will be uniquely ours."  Uniquely their own, indeed.

Regardless of where you place the band on the spectrum, the Triangular Daisies EP is a dramatic step forward for the band.  Opening with the title track, “Triangular Daisies” (listen HERE), the band pairs down the fiery grooves found on sophomore album Rubblebucketto craft a psychedelic indie-pop gem, complete with plaintive horns and infectious whistling. The EP also features the band’s undeniably contagious single “Came Out of a Lady,” (watch the video HERE) the recording of which was featured in the first episode of The Masters of Their Day project at Kaufman Astoria Studios. The Triangular Daisies EPends on a high note with the hypnotic live track “L’homme,” recorded during their set at Higher Ground this past May.

Rubblebucket started — like most great bands — at an art show in a defunct milk bottling plant in Burlington, VT.  Kalmia Traver met Alex Toth and soon formed Rubblebucket, building an eight-piece band from scratch with Toth as bandleader and trumpeter, and Traver taking on lead vocals and sax.  The band released their debut album, Rose’s Dream, as The Rubblebucket Orchestra in 2008.  The following year proved to be a big one for the band, with Rubblebucket releasing their self-titled sophomore album. SPIN hailed the band as a "must-hear artist from the 2009 CMJs,” and the band won that year’s Boston Music Award for Live Act of the Year. The band then relocated to Brooklyn, and has since been hard at work recording the follow-up to Rubblebucket, which is slated for release in early 2011.

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Rubblebucket Triangular Tour:
11/08: Baltimore, MD @ The 8x10
11/09: Carrboro, NY @ Cat's Cradle
11/10: Asheville, NC @ Stella Blue
11/11: Charleston, SC @ Pour House
11/13: Live Oak, FL @ Bear Creek Music Festival

The Undertones reissued digitally in the U.S.

The Undertones emerged from Derry, Northern Ireland, in 1977, as part of the U.K. punk and new wave scene. Inspired by radio, records and the Ramones, five Derry teens (Feargal Sharkey, brothers John and Damian O’Neill, Billy Doherty and Mickey Bradley) had never been in bands before. Straight out of a local pub, The Casbah, the band recorded Teenage Kicks, their debut EP, which caught fire on John Peel’s BBC Radio One show and got them signed to Sire Records in the U.S.  “Less interested in fashion, anarchy, or politics than in the heady joys of a great pop song, they fused irresistible, hooky tunes with the fierce passion of teenage rock & roll believers, and came up with a handful of instant classics,” observed All Movie Guide’s Mark Deming.

On June 28, 2010, Union Square Music will make the Undertones’ four albums available digitally. Included will be The Undertones (1979), Hypnotised (1980), Positive Touch (1981) and The Sin of Pride (1983), the Teenage Kicks EP, as well as a never-before-released Best of the Undertones compilation.

The digital-only reissues will be available at iTunes.

The Undertones: Appearing in both the Q magazine list of the “100 Greatest British Albums Ever” and the book 1001 Albums You Must Hear Before You Die, The Undertones' debut LP is a bone fide pop-punk classic. The lead track “Teenage Kicks” has long been regarded as one of the purest expressions of teenage punk pop and has been covered by everyone from KT Tunstall to Green Day. It was also famously U.K. DJ John Peel's favorite record ever. Signed to Seymour Stein’s Sire records in 1978, the band had not originally planned to make an album but after seeing many of their contemporaries —The Sex Pistols, The Clash etc. — make successful albums, they decamped to Eden Studios in West London to record the songs they had been playing in their legendary Friday night gigs at the Casbah. As the bassist Michael Bradley says, there was “No plot, no theme, no parodies of any genre.” The Undertones’ 1979 debut is an off-the-cuff collection from five Londonderry kids with nothing to lose.

Hypnotised: As critically acclaimed and as commercially successful as the Undertones debut LP, Hypnotised featured both the classic three-minute pop punk of its predecessor (check “My Perfect Cousin,” “There Goes Norman” and “Whizz Kids”) while highlighting a newfound maturity and sensitivity with tracks like the plaintive “Wednesday Week” and stately “The Way Girls Talk.” Recording in the tranquil surroundings of the Wisseloord Studios in Hilversum in the Netherlands (three band members would cycle to the studios every day) so relaxed the band that they weren’t overly concerned that they didn’t have enough songs for the album until the producer Roger Bechirian suggested that “I can ask that chap from the Rumour to write some for you.” Back in Londonderry, the O'Neill brothers came up with three more songs — “Wednesday Week,” “Tearproof” and “More Songs About Chocolate and Girls,” an homage to the Talking Heads’ More Songs About Buildings and Food. “More Songs . . .” would open the album and define the appeal of the band with its much-quoted line: “Sit down relax and cancel all other engagements, it's never too late to enjoy dumb entertainment.”

Positive Touch: Bassist Michael Bradley admits that despite the commercial success of Hypnotised, the Undertones were bored musically by the time they reconvened in the Wisseloord studios in Netherlands to record Positive Touch. Freed from their contract with Sire, they started recording without a record deal, enabling them to experiment without any executives breathing down their necks. If the band’s debut album was influenced by what they’d been listening to in O’Neill’s front room, then Positive Touch came out of what they’d been listening to since, with influences as diverse as the Stones, Motown, Orange Juice and Dexy’s Midnight Runners. Melody Maker declared the resulting 14 songs to be “one of the truly classic pop albums of all time.”   

The Sin of Pride: For the Undertones’ fourth and final album the band demoed the songs in a home-built studio in Londonderry. As bassist Michael Bradley recalls, “When I say ‘build,’ I mean we went out and bought the wood, and the nails, and cobbled together a small hut. Then we sent away to HHB for a Fostex 8-track and a bunch of microphones. Feargal, being the most technically minded, looked after the recording.” The band weren’t happy with the results and neither were their label EMI with the final album produced by Mike Hedges (of Cure and Wah fame). Lacking the pop punk of the band’s debut album, The Sin of Pride has its merits: NME described it as “an immaculate conception of pop” but the album was not a commercial success and tensions with Feargal soon lead him to leaving the band.   

Best of the Undertones: This never-before-released compilation contains the songs for which the Undertones are best noted: “Teenage Kicks,” “Get Over You,” “Here Comes the Summer,” “”You’ve Got My Number (Why Don’t You Use It),” “My Perfect Cousin,” “Wednesday Week,” “It’s Going to Happen,” “Julie Ocean,” “Beautiful Friend” and “The Love Parade.”

Teenage Kicks EP: In a move to bring back the EP, quintessential to the development of punk and new wave, Union Square will offer the original Teenage Kicks EP from 1978 featuring the hit “Teenage Kicks” along with “Smarter Than U,” “True Confessions” and “Emergency Cases.”

JFJO Announce West Coast & Europe Tour Dates

Jacob Fred Jazz Odyssey have announced Winter 2010 tour plans. The band will head out for a 12-date West Coast run in February marking the hard touring quartet's first shows since selling out The Eclipse on New Year's Eve in their hometown of Tulsa. In March, JFJO makes a return trip to Europe for ten dates spanning eight countries, including their second appearance at the prestigious Turku Jazz Festival in Finland.

JFJO will be touring behind their critically acclaimed 2009 EP release One Day In Brooklyn, however, work is already well underway on a follow up, full length album. They spent seven days in December tracking at acclaimed engineer/musician David Teegarden's Natura Digital Recording Studios just outside of Tulsa. The album, tentatively scheduled for a June release, will reflect JFJO's first year of touring and writing together since founding member and pianist Brian Haas and drummer Josh Raymer revamped the line-up last January with the addition of lap steel guitarist Chris Combs and upright bassist Matt Hayes.

Upcoming tour dates are:

February 2 | The Deli | Norman, OK
February 4 | Winston's | San Diego, CA
February 6 | The Mint | Los Angeles, CA
February 10 | Moe's Alley | Santa Cruz, CA
February 11 | Beatnick Studios | Sacramento, CA
February 12 | Coda | San Francisco, CA
February 13 | Hopmonk Tavern | Sebastopol, CA
February 14 | Red Fox Tavern | Eureka, CA
February 17 | High Dive | Seattle, WA
February 18 | Eastside Club | Olympia, WA
February 19 | Mississippi Studios | Portland, OR
March 3 | A-Trane | Berlin, Germany
March 6 | Jazz Dock | Prague, Czech Republic
March 9 | Nya Perspektiv | Vasteras, Sweden
March 11 | Fasching Jazz Club | Stockholm, Sweden
March 13 | Turku Jazz Festival | Turku, Finland
March 15 | Cafe Wilhelmina | Eindhoven, Netherlands
March 19 | Cafe Alto | Amsterdam, Netherlands
March 22 | Teatro Alfierri | Cagliari, Italy
March 31 | The Jazz Bar | Edinburgh, Scotland
April 1 | Vortex | London, United Kingdom