dance

Allies Release Mixtape w/ Interview, EP Release Show

Allies is thrilled to celebrate the release of the Hour of the Wolf EP with a special EP release show at Le Bain in New York City’s Standard Hotel on March 10th at 9pm.  Having garnered appreciation from DJs all over, Allies’ Brian Suarez had released a DJ Mixtape which premiered on Interview Magazine today.

Allies custom blend of synth-pop and electro is replete with heartbreaking vocal melodies, irresistible rhythms and Brian Suarez’s chimerical voice.  “Oceans” is a tale of love by the sea that will command you to the dance floor. The percolating synths of “Hour of the Wolf” punctuate the anthemic chorus and propulsive hooks. “Ghosts” has a spellbinding electronic rumble and stutter that adds a sinister element to the dreamy vocals. The playful “Springtime (All Over My Face)” is a flirtatious duet about having fun in the warm weather that will make you feel like winter is already over. Allies have created an EP for your headphones and favorite dance floor that is compelling without ever sacrificing the fun melodies.

Release Party w/DJ Alex English @ Le Bain at The Standard NYC, March 10 @ 9PM!

Art vs. Science Share New Remix, Announce U.S. Tour Dates

Australia’s Art vs. Science has already made quite the splash in their native country, and now they’re ready to show the U.S. what we’ve been missing out on. The band is coming over for a string of U.S. tour dates, which kicks off with an appearance at SXSW on March 19th. If you haven’t had a chance to check out Art vs. Science yet, download the Kissy Sell Out remix of “Magic Fountain” for a glimpse of the raucous party that the band is bringing our way!

The band has built a huge following in their native country off the back of two independently released EPs (both of which have gone Gold in Australia!) and thanks to their off-the-wall live show that has seen them ascend to almost-headline status at festivals around their native country. Now we’re thrilled to announce their first U.S. release, Magic Fountain EP, out March 15, 2011.

The EP, recorded by Berkfinger (Philadelphia Grand Jury) and mixed by Adrian Bushby (Two Door Cinema Club, Foo Fighters, Muse), is dance music made for Marshall stacks. Imagine AC/DC throwing robots in a drum shop. The songs that comprise the EP are huge, off the wall, unrelenting dance tunes that sound like hypercolor jams forged from sleepless nights and ADD (partly because they are).

Download the FREE MP3 of Kissy Sell Out’s Remix of “Magic Fountain” HERE, and Check Out the Video HERE!

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Art vs. Science U.S. Tour Dates

3/19 – Austin, TX – Aussie BBQ SXSW Showcase @ Maggie Mae’s
(Rooftop Stage, w/ The Jezabels, Cloud Control & Washington)
3/24 – San Francisco, CA - Popscene
3/25 – Santa Monica, CA – The Central
3/26 – Los Angeles, CA – Bootleg Theater
3/28 – New York, NY – Mercury Lounge

Beats Antique at the Boulder Theater

Z2 Entertainment is proud to present Beats Antique at the Boulder Theater on Friday, April 8th, 2011.

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.


David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.


Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale – January 21st, 2011!

Dirty Vegas/New Music Video Feat. Jena Malone

Ready to capture the international dance floor once again, Electric Love marks the explosive return of Dirty Vegas. It finds that elusive sweet spot between the slickly polished electronic sounds of their past and a more decidedly rock edge, deftly balancing beats and guitar-led melodies. After touring the world on the strength of two albums (2002’s Dirty Vegas, 2004’s One), music featured in two films (2005’s Goal!, 2006’s The Boys & Girls Guide To Getting Down) and an international dance hit that snagged a Grammy (“Days Go By”), Dirty Vegas (Steve Smith and the non-related Ben Harris and Paul Harris) had parted ways in 2005 to work on individual projects and just to take a breather. Without the pressures of a recording contract or label executives issuing directives, the trio found a fresh kind of positivity when they reformed four years later to craft Electric Love. Dirty Vegas is rocking with an updated sound on their new album, but the fact that they are game-changers is nothing new; just ask anyone in the music business who deals with the worlds of licensing for film and television. The band’s debut single “Days Go By,” originally released in 2001, appeared on a television advertisement for Mitsubishi. The revived single, and its wonderfully magnetic original video, not only catapulted to Grammy success (for Best Dance Recording in 2003), but was a huge benchmark that helped set a whole new model for the marketing of music. The band also won three DanceStar Awards and was even named Electronic Artist of the Year by Playboy.

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Dirty Vegas, who now have made available the new music video to their latest single “Electric Love” featuring actress Jena Malone (The Soloist, Into The Wild, Donnie Darko).

Written and produced by photographer James Gooding the “Electric Love” video features Jena as she has never been seen before (pole dancing (!), hanging at a cool muscle car race).

“Electric Love” is James Gooding’s directorial debut as well as the first visual element from Dirty Vegas’ new album—also titled Electric Love—due out April 26 on OM Records.  It is also the first of two videos with Jena that will run concurrently over one larger narrative.

You can learn more about Dirty Vegas at their website.

FRANK SINATRA: BEST OF VEGAS

In the span of a few years, Las Vegas refueled Frank Sinatra’s career and Sinatra in turn became the lead figure in the city’s ascendance. It was a synergistic relationship that has since become legendary in the annals of 20th century entertainment.

Some of the finest moments in that legendary symbiosis are captured in Frank Sinatra: Best of Vegas, a series of live recordings set for release on Concord Records on February 15, 2011. The 14-song set, under license from Frank Sinatra Enterprises (FSE), captures Sinatra in concert at the Sands, Caesars Palace and the Golden Nugget in Las Vegas between 1961 and 1987. The collection is a distillation of highlights from Sinatra: Vegas, the five-disc boxed set (4 CD/1 DVD) of live recordings released by Reprise Records in 2006.

“From his debut at the Desert Inn in September 1951, no entertainer was ever more synonymous with the city of Las Vegas than Frank Sinatra,” says Charles Pignone, author of The Sinatra Treasures, in his comprehensive liner notes to the Best of Vegas CD. “It has been said that next to legalized gambling, nothing has been more beneficial and profitable to Las Vegas than Frank Sinatra.”

All the Sinatra classics are here, performed live before adoring crowds at some of the most prestigious venues in the history of Vegas. “The Lady Is a Tramp” (The Sands, 1961); “I’ve Got You Under My Skin” (The Sands, 1966); “All or Nothing at All” (Caesars Palace, 1982); “Pennies From Heaven” (The Golden Nugget, 1987); and of course, the “Theme From New York, New York” (Caesars Palace, 1982) are just some of the gems in the Best of Vegas collection.

“If you were in Las Vegas at the same time as Sinatra, there was nothing else that could compare,” says Pignone. “Even when the entertainment in town was changing from headliners to magic and production shows, Sinatra was still the ‘main event.’”

Or in the words of Las Vegas Mayor Oscar B. Goodman, Sinatra was “the destination’s most enduring icon, an inimitable original who was influential in shaping Las Vegas’ image and entertainment scene.”

Sinatra returned to Vegas in December with the opening of Sinatra Dance With Me, at the Wynn Las Vegas. Conceived, choreographed and directed by Twyla Tharp, Sinatra Dance With Me features original recorded masters of Frank Sinatra with a big band and 14 of the world’s finest dancers.


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TRACK LIST
Introduction
The One I Love Belongs to Somebody Else
Moonlight in Vermont
The Lady Is a Tramp
I’ve Got You Under My Skin
Street Of Dreams
Fly Me to the Moon (In Other Words)
Monologue
Luck Be a Lady
I Can’t Get Started
Without a Song
All or Nothing at All
Witchcraft
Pennies From Heaven
Angel Eyes
Theme From New York, New York
Bows

Beats Antique Release New Years Eve Countdown Remix

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francsico’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised

Old 97's @ Boulder Theater | 1/27/11

Since the Old 97's roared out of Dallas more than fifteen years ago, they have blazed a trail through alt-country and power-pop, led by the piercingly observant lyrics of lead singer Rhett Miller. Each new Old 97's record is hotly anticipated, and rightfully so: "Blame It On Gravity," from 2008, contained some of the band's most deeply felt and passionately played songs. But in a career full of high-water marks, "The Grand Theatre Volume 1″ is perhaps the most ambitious and accomplished set of recordings yet.

The album, the band's eighth, began to come together last year, when Miller was on a solo tour of Europe with Steve Earle. "When I started in this band, I wrote on the road constantly," Miller says. "But I was 23 then, so everything was new to me. Over the years, those strange and wonderful things have begun to feel more commonplace. On the familiar highways, in familiar hotels, it's pretty easy to turn into a zombie. But on this tour, I was in England and Ireland and Scandinavia, places where I haven't spent very much time in, and because of that things seemed somehow fresh. I felt recharged."

The result was a set of songs rooted in specific locations. "The title track, which I wrote in Leeds, is like a series of postcards that try to capture the moment of falling in love; it begins in the Grand Theatre, which is a historic venue there, on the elevator. There's another song, "Every Night Is Friday Night (Without You)," that I wrote, or at least started to write, while I was walking around in Soho. And a song like "The Dance Class" wouldn't have happened if I wasn't in Birmingham, trapped in a hotel, looking out at streets that were bleak and gray except for a dance studio across the way. I imagined an agoraphobic who sees a beautiful girl in that studio and fantasizes about being freed by her." Miller's portraits of love and loneliness are paired with some of the sharpest music the band has ever produced, from the propulsive celebration of "Every Night Is Friday Night (Without You)" to the manic (and almost panicked) energy of "The Dance Class."

More Info / Buy Tickets

Richie Hawtin Releases Enormous Plastikman Box

Starting in 1993, Canadian dance music mastermind Richie Hawtin, using the name Plastikman, stripped Detroit techno down to its barest essentials, and releasing six albums of absorbing thump. Now, Hawtin is collecting everything he has ever recorded as Plastikman in the Arkives box set, available for order right now through December 31 from this site.

Arkives includes remastered versions of all six Plastikman albums, as well as rarities, unreleased sessions, and new material. The box is available in four different formats, including the 11-disc CD/DVD/book set Reference and the six-LP vinyl box Analog. In its CD form, the box includes a slipcase with foldout sleeves for all 12 discs (five of which are comprised of rare and unreleased material), as well as a 64-page book. That's a lot of Plastikman.

Over the past twenty years Richie Hawtin has been one of electronic music community's most active participants; as a DJ, a label owner, a producer, a performer, and an avid contributor to the development of music and performance technology.  His accomplishments range from having been named the 'World's Best DJ' in the most credible electronic music polls; to being invited to compose music for the 2006 Torino Winter Olympics; to exhibiting a sound installation for the French Ministry of Culture's Millennium Exhibition in Avignon, France.  He has also invested in, endorsed, and help develop some of the most forward-thinking products in the electronic music space including Native Instrument’s pioneering Traktor Scratch software, number one dance music digital retailer Beatport.com, the Tonium Pacemaker portable DJ system, and Allen & Heath's limited edition custom CTRL:92 DJ mixers - the first-ever to be fully Midi-enabled, which both he and his father helped to conceptualize and design.  This year he revived his incredible Plastikman show in unique festival settings in conjunction with his custom SYNK iPhone application at Sonar, Coachella and Movement Electronic Festival in Detroit in the U.S. just to name a few.

iTunes is also releasing today the Plastikman Remiix iPhone app which also allows you to combine and transform original Plastikman tracks and interpretations from your iPhone or iPad.  Read more here.

Old 97's w/ Langhorne Slim @ Boulder Theater

Since the Old 97's roared out of Dallas more than fifteen years ago, they have blazed a trail through alt-country and power-pop, led by the piercingly observant lyrics of lead singer Rhett Miller. Each new Old 97's record is hotly anticipated, and rightfully so: "Blame It On Gravity," from 2008, contained some of the band's most deeply felt and passionately played songs. But in a career full of high-water marks, "The Grand Theatre Volume 1″ is perhaps the most ambitious and accomplished set of recordings yet.

The album, the band's eighth, began to come together last year, when Miller was on a solo tour of Europe with Steve Earle. "When I started in this band, I wrote on the road constantly," Miller says. "But I was 23 then, so everything was new to me. Over the years, those strange and wonderful things have begun to feel more commonplace. On the familiar highways, in familiar hotels, it's pretty easy to turn into a zombie. But on this tour, I was in England and Ireland and Scandinavia, places where I haven't spent very much time in, and because of that things seemed somehow fresh. I felt recharged."

The result was a set of songs rooted in specific locations. "The title track, which I wrote in Leeds, is like a series of postcards that try to capture the moment of falling in love; it begins in the Grand Theatre, which is a historic venue there, on the elevator. There's another song, "Every Night Is Friday Night (Without You)," that I wrote, or at least started to write, while I was walking around in Soho. And a song like "The Dance Class" wouldn't have happened if I wasn't in Birmingham, trapped in a hotel, looking out at streets that were bleak and gray except for a dance studio across the way. I imagined an agoraphobic who sees a beautiful girl in that studio and fantasizes about being freed by her." Miller's portraits of love and loneliness are paired with some of the sharpest music the band has ever produced, from the propulsive celebration of "Every Night Is Friday Night (Without You)" to the manic (and almost panicked) energy of "The Dance Class."

More Info / Buy Tickets

10th Anniversary Production of The Christmas Revels

Founded in 2000, Rocky Mountain Revels is a non-profit arts organization dedicated to promoting public education, understanding, and appreciation of traditional music, dance, drama, and ritual through participatory theater and communal celebration.

We have created Revels productions of Medieval, Renaissance, pan-Celtic, Victorian, Scottish, Irish Immigrants, and Colorado Pioneers. Each year, beginning in the late summer, nearly 100 people from all over the greater Boulder and Denver area come together to rehearse and create a production with full historical costumes, live traditional music, and authentic dance and theater.

Revels productions are a unique blend of amateur and professional performers. Guest artists appearing with Rocky Mountain Revels have included North American step dancing champion Alexandra Siega, Native American flutist Leon Littlebird, folk artist David Jones, Boulder Philharmonic concertmaster Gregory Walker, and many others.

More Info / Buy Tickets