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Connie Smith's Long Line of Heartaches Released Today!

New recordings by the country music legend Connie Smith, long acclaimed as one of the greatest singers in the history of the genre have been as rare as the voice and knowing singing she brings to them.  Long Line of Heartaches, her first full album of new material since 1998 (and only her second since 1978) is an event in the making. That’s not just for the rarity, or because her legions of fans have so long awaited this news, but because in its range of undiluted traditional country moods, themes, rhythms and sound, this new Sugar Hill release is simply, unmistakably a new Connie Smith masterpiece, offering the pleasures of the very best that saw release during her remarkable run of recordings during the 1960s and ‘70s.

“And that,” she says. “is exactly what I wanted to accomplish.  I’ve had people ask me what this album was going to be like, since it’s been a long time since they’ve heard me on record, but my musical tastes have remained the same. I wanted this to be traditional country, and it is.”

“One of the reasons that I wanted to do this recording, and it’s a personal reason, is that I have such a deep love for traditional country music. We can talk about the music slipping away, or we can do something about it.  The only way I know to do something about it is to keep singing what I’ve always loved.”

The album’s dozen new tracks, potent songs of heartache, joy, and spirit recorded at Nashville’s celebrated RCA Victor Studio B, where Connie recorded most of her chart-topping hits in her first years as a recording artist, include five new traditional country songs co-written by Connie and husband Marty Stuart, the project’s producer.  Memorable songs come from long favored Smith sources such as icons Harlan Howard, Foster & Rice, Kostas`, Johnny Russell and Smith’s + longtime collaborator Dallas FrazierFrazier’s song “A Heart Like You” becomes the 69th Frazier composition that Smith has recorded – breaking his 30 years of songwriting silence, an event within itself.
Having become an overnight country sensation in 1964 when her first single, “Once a Day”, became a number one hit, the first time a female country singer’s debut single accomplished that.  Connie Smith enjoyed a string of hits in the following years that have become country standards, including “Ain’t Had No Lovin’”, “Just One Time”, “Run Away Little Tears” “I never Once Stopped Loving You” and “The Hurtin’s All Over”. She became a star whose iconic voice has influenced other singers for decades. She has recorded a string of 53 albums notable for their quality and range.
To this legacy she now adds Long Line of Heartaches, featuring her band The Sundowners and, for the first time, her three daughters, Julie, Jeanne and Jodi who add striking family harmonies on the contemporary hymn “Take My Hand.”
“I still love to sing as much as I ever did.  I could sing at the kitchen sink and I’d be happy. I feel it is my destiny to sing.”  Country music fans everywhere should rejoice in the fact that we get to be a part of that destiny.
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CONNIE SMITH TOUR DATES

08-26     Louisville, KY - Ear-X-Tacy
08-27     Knoxville, TN - Disc Exchange
09-01     Du Quoin, IL - DuQuoin State Fair
09-07     Nashville, TN - Music City Roots
09-16     Idabel, OK - Choctaw Idabel Casino
09-17     Pocola, OK - Choctaw Pocola Casino
09-23     Pigeon Forge, TN - Country Tonite Theatre
10-01     Sandstone, MN - Midwest Country Music Theater
10-08     Renfro Valley, KY - Renfro Valley Entertainment Center - New Barn
10-12     Americana Music Convention - Showcase time tba
01-14     Weirsdale, FL - Orange Blossom Opry
02-03     Pace, FL - Farmer's Opry
02-04     Weirsdale, FL - Orange Blossom Opry
04-17     St. Cloud, MN - Paramount Theatre

Orgone at Fox Theatre | 10.25.11

Z2 Entertainment is proud to present Orgone at the Fox Theatre on Tuesday, October 25th.  Tickets will go on sale Friday, August 19th for $10.00 in advance and $12.00 day of show.

Los Angeles based band Orgone is many souls with a cosmic connection, a natural creative force and musicians who have played together for years. They are self schooled and continue to shape their musical voice as a solid unit of guys who hang, spin records and jam out their shared inspirations. With a rooted sense of funk, soul, afrobeat, deep rhythms and an intimate understanding of dj culture as well as each others’ individual talents, Orgone seamlessly slides through multiple styles and dynamic performances. The group continuously injects whatever they play with a heavy brand of raw funk power.

The band’s reputation amongst the funk, soul, and hip hop fraternity is further backed-up by an impressive and ever growing resume that expands their reach. This includes a spot in an Adidas campaign, a tour with and backing band for Bun B (from UGK), Pharoahe Monch, Plantlife (including a BBC performance for Jools Holland), Little Brother, Nice and Smooth, Black Sheep and New Orleans funk legend Eddie Bo at a Hurricane Katrina benefit. Members of Orgone also have featured in the make-up of Ubiquity acts the Lions, Connie Price and the Keystones, Breakestra, and have performed with the Pharcyde, De La Soul, Too Short, Macy Gray among many others. To top it off, most of the group can be heard on recent major recordings by Alicia Keys, CeeLo, Estelle, Anthony Hamilton, Jennifer Hudson, Solange Knowles and many other R&B/Soul artists.

Orgone continues to tour, impressing audiences and winning new fans at festivals & clubs nationally and overseas. 2009 saw the release of their second fully independent CD “bacano”, a collection of all original cold-blooded funk gems representing what’s always been going down in Orgone’s funky, sweaty home-grown recording spot. It’s a recorded history of the band and its musical family throwing down: check the lethal neck-busting bass intro of founding member Tim Glum on “You Already Doin It”, the Detroit thump of bassist Dale Jennings on the deep hypnotic funk soundscape of “Vibromeyer”, the dance floor soul of singer Gino Garafalo on the undeniably hip-shaking “Come Around” and the sub-atomic gut punch of Orgone bassist Ethan Phillips on the heavy psychedelic groove of “Hott Karl”.

Orgone live and recorded is 100% organic heart and soul an aesthetic and an attitude born out of half a lifetime of playing together.

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Orgone

Fox Theatre

Tuesday, October 25th

Doors:  8:00 pm

Show Time:  9:00 pm

Greensky Bluegrass Offers Free Five Song EP Download from New Album, Handguns

An independent band nationally-recognized for their live show, Greensky Bluegrass defy the boundaries of acoustic music with their self-produced fourth studio effort, Handguns, released on October 4.

This new studio offering is a brave expression of what separates their original music from the rest of the bluegrass genre. For years, while the Kalamazoo, MI band has been gaining recognition for their high energy live show, Handguns proves that they can handle themselves in the studio as well.

Recent internet chatter would have you believe that the entire music industry is lost in a vast and inescapable dust bowl; everything that was once thriving and sustainable has now dried into a mere husk of what it once was. But lest we forget, bands used to make their living on the road, playing in front of new audiences every night. Albums were something that were recorded in between tours and then sold on the road to help keep gas in the tank. It’s the way it was and it looks like the way it might become, but the music never stops.


Handguns was recorded in between tours this winter as the band holed up in a studio in Lansing, committing the songs straight-to-tape on the exact recording console that originally birthed Lynyrd Skynyrd’s infamous track "Free Bird” decades earlier. Matching the warmth of the analog sound, vintage microphones were utilized alongside state-of-the-art studio equipment to create a truly blended and artful sonic experience.

This overlap of traditional and forward-thinking runs throughout most every aspect of Greensky Bluegrass. The opening cut is titled "Don't Lie", and the result of "Handguns" is just that, a collection of songs that speak true. Greensky doesn't boast to know it all, but they don't restrain, letting the listener in on the trials and triumphs of their journey.

"Should have been a farmer and blamed it on the weather, with soiled hands and a tired back to show for my efforts," sings Hoffman on the album's title track.  Modest maybe, but as the listener continues, they are relieved that the band did not trade their instruments for plows or cubicles.

Greensky has continued to gain national momentum since they won the Telluride Bluegrass Festival’s coveted Band Competition in 2006 and have been invited to play at this summer’s Northwest String Summit, Grey Fox Bluegrass Festival and NPR’s Mountain Stage, while also playing at Bonnaroo, Bumbershoot and The Hangout Festivals. They’re a bluegrass band but they’re not. Bluegrass doesn’t have distortion, or horns for that matter. Handguns does.

Of course, none of this happened overnight or without sacrifice. Greensky Bluegrass is just as much a grit of the asphalt band as they are a salt of the earth band, having played over 160 shows nationwide, every year, for the last six years. It was by winning over folks on the band’s never-ending tour that got them where they are today – not by a label, syndicated radio play or being on the shelves at big box stores.

As a bonus for all, Greensky Bluegrass is giving away half of Handguns for free. This five-song Handguns EP is available on the Greensky Bluegrass website for anyone who wants to listen.

The motive? To be heard.  For musicians, the model has changed with satellite radio where the F word flies free and name-your-own-price record releases. One thing remains true, however: when the music is great, people will listen.

Sam Llanas of the BoDeans readies solo album '4 a.m.'

Sam Llanas (pronounced yanas), lead singer-guitarist for the acclaimed Milwaukee band the BoDeans, takes listeners deep into the night on his new release, 4 A.M., arriving Oct. 25 on Inner Knot Records. The intimate, mostly acoustic collection, produced by longtime collaborator Gary Tanin, features 10 new Llanas originals and a dazzling cover of Cyndi Lauper’s hit “All Through the Night.”

Llanas says of his latest work, “I do a lot of work late at night. It’s a night record, a nocturnal record, thematically about things that happen in the night. That covers a lot of ground. It could be the simple things — being in love, being with somebody — or about the loneliness that the night can bring.”

The album, an understated complement to the BoDeans’ just-released 10th studio album Indigo Dreams, is markedly different from Llanas’ 1998 solo bow A Good Day to Die, which was a powerful eulogy for Llanas’s brother recorded under the group rubric Absinthe.

“The Absinthe record was kind of bombastic and very intense,” Llanas says. “I wanted to do something that was lighter, as light as I can get. I wanted it to be completely different. That’s why 4 A.M. is pretty much an acoustic record.”

Work on 4 A.M. began nearly four years ago, when Llanas’ band the BoDeans, which he has led since 1983, was between projects.

He recalls, “I had time on my hands, and I had some songs I wanted to record. I started working with Terry Vittone — I just said, ‘Hey, let’s make some recordings.’ There was no real thought that it was going to be an album or anything like that. It just sort of escalated from there.”

Sessions for the embryonic project commenced at guitarist Vittone’s house. “I would record the songs in the afternoon,” Llanas says, “and get them to a point where I liked them. Then the next day I’d go back, and Terry would say, ‘Sam, I want you to hear some ideas I threw down on the track.’ And Terry was willing to take really strong direction from me, because I didn’t want a guitar player who was playing all over the song. Terry was really good at putting in the nuances that were needed. He played very little, and that seemed to work very well.”

With the majority of the material in the can, a protracted layoff from recording ensued. After almost two years, Llanas began completing 4 A.M. at Daystorm Music in Milwaukee with producer-musician Tanin, who had also worked on A Good Day To Die and supplied the strings on the new recording.

Llanas decided to preserve the original recording’s spare quality, and added a couple of new tracks that were left untouched. “I wanted to keep it simple. ‘The Way Home’ and ‘Janey’ seemed to work really well just the way they were.”

However, he adds, “I thought the other songs needed a bit more dressing up. Some I thought would work better if we put a little bit more on them.” Thus, BoDeans keyboardist Bukka Allen was called in to play accordion, while Milwaukee musicians Matt Turner and Ryan Schiedermayer contributed bass and percussion, respectively.

Some of the compositions on 4 A.M. began life as prospective material for the BoDeans, Llanas says: “‘Nobody Luvs Me’ was actually recorded with the BoDeans, but it’s quite a different version — you wouldn’t really know it’s the same song. ‘Shyne’ was on our album Mr. Sad Clown. I thought that would work really well there, so I brought it into that project. The first song on 4 A.M., ‘Oh, Celia,’ was demoed with the BoDeans years and years ago. That’s quite an old song.”

Nestling seamlessly with Llanas’ own cycle of before-dawn melodies is his hushed cover of Lauper’s 1983 perennial “All Through the Night,” penned by Jules Shear. “It’s a beautiful song,” Llanas says, “but when they recorded it, in the early ’80s, the sound that they got on it was so harsh . The keyboards always ruined the song for me. I really wanted a version of that song that was just beautiful. That’s what I tried to do — honor that song, and give it what it deserved.”

Llanas’ new solo opus offers a new dimension to his music — one that actually dates back to the sunrise of his professional career.

“Before I ever had the BoDeans, I was a solo performer in Waukesha,” he remembers. “I would go and play at these open mic shows, and I learned my craft and honed my stage skills that way. I think this record really reflects that part of my career, that part of my personality. It goes back to before I ever performed with the BoDeans. It was just me — one man and one guitar.”

Esteemed rock critic and author Dave Marsh calls 4 A.M. “A great record. Really the best thing that has come out of their music in a long, long time — closer to classic BoDeans. Sammy’s voice is so much what I love about BoDeans and it has never been showcased any better.”

Classic blues singer Alberta Hunter reissued on RockBeat Records

It’s difficult to decide which was the most remarkable facet of pioneering blues chanteuse Alberta Hunter’s incredible career. Was it her role in the vanguard of the “classic blues” movement of the early 1920s, when she recorded prolifically for Paramount and other labels during the industry’s first foray into the idiom? Her entertainment of grateful U.S. troops during not one war, but two? Or her heartwarming late 1970s/early 1980s comeback on the New York cabaret circuit after more than two decades away from singing professionally, when she was well into her 80s? One fact is inescapable: when she died on October 17, 1984 in New York at age 89, Hunter was a genuine star once more.

In 1974, the singer had largely retired from music due to health concerns. But musical pursuits called once again when club owner Barney Josephson invited her to star for six weeks at the Cookery, his hip Greenwich Village cabaret, in October 1977. The live recording of a subsequent 1981 Cookery performance resulted in Downhearted Blues: Live at the Cookery, which will be released on both CD and 180-gram vinyl August 30, 2011 on RockBeat Records, a new label focused on quality reissues and new recordings by heritage artists, distributed by eOne Distribution. Musicologist Bill Dahl contributed liner notes. (The title was previously available on CD, but has been re-mastered and will now be available on CD and 180-gram vinyl for the first time.)

Born on April 1, 1895 in Memphis, Hunter was weaned on W.C. Handy’s pioneering blues. By 16 she was in Chicago in the midst of a celebrated five-year residence at the city’s Dreamland club, singing in front of King Oliver & His Creole Jazz Band with Louis Armstrong. Hunter made her recording debut in 1921 for Black Swan Records, one of the first black-owned labels, with “How Long, Sweet Daddy, How Long” b/w “Bring Back the Joys.” From there she went to Paramount Records, cutting half a dozen sides including the original “Down Hearted Blues,” which she wrote with piano accompanist Lovie Austin and forcefully revisited on the 1981 live album.  (Bessie Smith, the immortal Empress of the Blues, ended up scoring a bigger hit with the song in 1923.) Hunter continued to record prolifically for Paramount, backed by Fletcher Henderson and, on 1923’s “Stingaree Blues,” Fats Waller.

Having conquered Chicago, Hunter moved to New York in 1923. She recorded for Gennett, OKeh, RCA Victor and Columbia. During this time she ventured to jazz-obsessed France in 1927, where she co-starred with Paul Robeson in a production of Showboat and recorded into the ’30s for HMV. When she returned to the U.S., she recorded for ARC, Decca and Bluebird.  She hosted a radio program in the ’30s and Broadway welcomed her back in 1939, when she shared the stage with Ethel Waters in Mamba’s Daughters. When World War II broke out, Hunter boldly served her country in the USO, entertaining troops across the globe. She continued into the Korean conflict.

There were scattered post-war sessions. But when her beloved mother died in 1954 and after starring in a Broadway flop, Hunter bowed out of performing to train as a nurse. Upon graduation in 1957 at age 62 — an age at which many folks contemplate retirement — she began a new career at a New York hospital. Other than recording a couple of Chris Albertson-produced LPs cut two weeks apart in 1961 (Songs We Taught Your Mother, a set for Prestige Bluesville also featuring Victoria Spivey and Lucille Hegamin) and Chicago: The Living Legends for Riverside, she kept a determinedly low profile for more than two decades — afraid the hospital would learn how far past mandatory retirement age she was and let her go.

In 1974, Hunter was forced out of her job by hospital regulations. It was October 1977 when Cookery’s Josephson invited her to headline his room. Next, legendary A&R man John Hammond cut an album’s worth of her classics (with a few new ones) for the Columbia soundtrack of director Alan Rudolph’s 1978 film Remember My Name. Dick Cavett and Mike Douglas invited her to brighten their TV talkfests, 60 Minutes profiled her, and Columbia recorded three more albums.

The live recordings that form Downhearted Blues: Live at the Cookery are from one of her many triumphant evenings at the club. Her sense of swing and theatricality remained impeccable, with longtime pianist and arranger Gerald Cook and sturdy upright bassist Jimmy Lewis providing sterling accompaniment. Hunter glided through saucy double-entendre-loaded numbers (“Handy Man,” “Two-Fisted Workin’ Man”), time-honored standards (a rip-roaring “I Got Rhythm,” the tender “Georgia On My Mind”), and the touching ballads “The Love I Have From You” (from Remember My Name) and “You’re Welcome To Come Back Home.”

Grace Jones' Hurricane, first US release in 22 years

Acclaimed singer, songwriter and actress, Grace Jones is preparing to release Hurricane, a new album of original material, in the U.S. on September 6 via [PIAS] America. Produced by Jones and Ivor Guest, Hurricane has received widespread praise in the U.K. and Europe where it was released in 2009. The tracks “Williams’ Blood” and “Corporate Cannibal” have emerged as hits as has the video for “Corporate Cannibal” directed by Nick Hooker. The release will also include a brand new bonus disc dub version of the entire album.

Check out the William’s Blood (Aeroplane remix) radio edit MP3 where it premiered on RCRD LBL today or HERE!

In July 2009, Jones performed in a new show at The Hollywood Bowl in Los Angeles and the Hammerstein Ballroom in New York City. Collaborating with acclaimed Academy Award-winning costume and production designer Eiko Ishioka, Jones debuted songs from the new album for U.S. audiences.

The shows received overwhelming praise from audiences and critics alike.  Daily Variety wrote “...a commanding Grace Jones provided a finely tuned display of humanity” and “...the return of Jones was warm and uplifting”. The LA Times ran the headline “Grace Jones bowls over the Bowl” and the New York Times reported that Jones was “lithe, fierce and solid”. Rolling Stone wrote “So many performers are said to be larger than life, but the show biz cliché has never been truer than it is for Grace Jones…the crowd roared as if they’d seen the second coming”.

Born in Jamaica before relocating to Syracuse, New York with her family, Grace Jones embarked on a successful career as a model in New York City and Paris. In 1977 Jones secured her first record deal resulting in a string of dance-club hits including “I Need A Man” and her acclaimed reinvention of Edith Piaf’s classic “La Vie En Rose”. The three disco albums she recorded, “Portfolio” (1977), “Fame” (1978) and “Muse” (1979), generated considerable success in the market and established her as a major recording artist.

During this period Jones became a fixture on the international club scene and was often seen at New York City’s famed nightclub Studio 54. Jones also became a muse to Andy Warhol who photographed her extensively and created a series of iconic portraits of her.

Towards the end of the 1970’s Jones adapted the emerging New Wave music to create a different style for herself. Working with Island Records producers Chris Blackwell, Alex Sadkin and Compass Point All Stars, she recorded the critically acclaimed albums “Warm Leatherette” (1980) and “Nightclubbing” (1981). These included reimagining’s of songs by Sting (“Demolition Man”), Iggy Pop and David Bowie (“Nightclubbing”), Roxy Music (“Love is the Drug”), Astor Piazzolla (“I’ve Seen That Face Before (Libertango)”) and Tom Petty (“Breakdown”).

Both albums included tracks co-written by Jones herself including “A Rolling Stone”, “Feel Up” and most notably, the post-disco dance track “Pull Up to the Bumper” which spent seven weeks as #2 on the U.S. Billboard Hot Dance Club play chart and became a Top 5 single on the U.S. R&B chart.

Parallel to her musical shift was an equally dramatic visual makeover, created in partnership with artist Jean-Paul Goode, with whom she had a son. Jones adapted a severe, androgynous look with square-cut hair and angular, padded clothes. The cover photographs of “Nightclubbing” and “Warm Leatherette” as well as her subsequent albums exemplified this new identity.

Jones’ next release was the dub reggae-influenced “Living My Life” (1982) which featured the self-penned hit “My Jamaican Guy”. In 1985 she worked with Trevor Horn for the conceptual music collage “Slave to the Rhythm” and in 1986 she collaborated with Nile Rogers for “Inside Story” which produced the Billboard 100 Hit, “I’m Not Perfect (But I’m Perfect For You”), one of several songs she co-wrote with Bruce Wooley. “Bulletproof Heart” (1989) spawned the Number 1 U.S. Hot Dance Club Play hit “Love on Top of Love (Killer Kiss)” produced by C&C Music Factory’s David Cole and Robert Clivilles.

Jones is equally famous for her motion picture roles in such features as “Conan the Destroyer” (1984) co-starring Arnold Schwarzenegger, “A View to a Kill” (1985) co-starring Roger Moore as James Bond, the vampire thriller “Vamp” (in which Keith Haring famously painted her body for her role as an undead exotic dancer) and “Boomerang” (1992) co-starring Eddie Murphy (for which she recorded the song “7 Day Weekend”). Her television work includes appearances on “Pee-Wee’s Playhouse Christmas Special” (1988), “Beastmaster” (1999) and “Shaka Zulu: The Citadel” (2001).

Nitty Gritty Dirt Band's New Live EP Under the Big Top Vol. 1 Available Now

The iconic and profoundly influential Nitty Gritty Dirt Band (NGDB), often cited as a catalyst for an entire movement in Country Rock and American Roots Music, released their new live EP called Under the Big Top Vol. 1 this week. The EP features six fan favorites performed live including "Mr. Bojangles," "Bless the Broken Road" and "Fishin' in the Dark," which was recently certified GOLD by the RIAA for digital sales. Recorded in 2010 at the band's performance at Big Top Chautauqua in Wisconsin, the EP perfectly captures a live experience with NGDB.

"It's a little slice of Dirt...a combo platter of hits, fan-favorites and even some music from our latest CD, Speed of Life," said band member Jeff Hanna. "We recorded it last summer at one of our favorite venues, Big Top Chautauqua in Bayfield, Wisconsin. We had such a blast we knew it had to be shared with the fans!"

Available now and featured for digital download at iTunes and in the band's online store, Under the Big Top Vol. 1 is a must-have for any Nitty Gritty fan. Physical albums of this new Live EP are available now, only at nittygritty.com or a live NGDB show.

With multi-platinum and gold records, a string of top ten hits, multiple Grammy, IBMA, CMA Awards and nominations, and recent GOLD Digital Certification, the band's accolades only continue to accumulate. Showing no signs of slowing down, NGDB is currently on an extensive North American Tour in support of their most recent release, the critically acclaimed album Speed of Life (2009, Sugar Hill Records). Proving the "circle won't be unbroken," the band is celebrating another HUGE milestone this year, over four decades of touring and making music!

For a full list of tour dates visit www.nittygritty.com

Tom Russell Joined By Calexico, Lucinda Williams, Van Dyke Parks On Cinematic 'Mesabi'

The Mesabi iron range juts into Minnesota, a desolate deposit of minerals and the birthplace of Bob Dylan. American composer and storyteller Tom Russell says that Bob Dylan inspired him to become an artist, and his new 'Mesabi' pays moving tribute with compelling tales that connect the iron range to the border town of Juarez, Mexico and the myth of Hollywood celebrity with cinematic, global revelry. 'Mesabi,' out Sept 6 on Shout! Factory, is a vast, interwoven collection of tales set to twangy rock, country and Mexican folk and features Calexico, Van Dyke Parks and Lucinda Williams.

Co-produced by Russell and keyboardist Barry Walsh, and recorded in several different studios in Tucson, Texas, Nashville and Los Angeles, 'Mesabi' is the 26th album from an artist whose songs have been recorded by such icons as Johnny Cash, Dave Van Ronk, Jerry Jeff Walker, Doug Sahm and Ramblin' Jack Elliott, among others.

'Mesabi' is thematically ambitious, drawing inspiration from American icons like Dylan, Elizabeth Taylor, James Dean and the perilous town of Juarez, Mexico, close to where Tom lives. Says Tom, "The puzzle is that [Juarez is] the most dangerous city in the world and El Paso, just over the bridge, is the safest city in the United States."

Along with the release of 'Mesabi,' 2011 has much in store for Tom. Filmmaker Monte Hellman ('Two-Lane Blacktop') demanded that Tom's new songs be included in his new film 'Road To Nowhere;' a book of 60 of Tom's paintings will be released this fall on Bang Tail Press; a documentary about Tom's life, 'Don't Look Down,' will be released soon; and he will be touring the US in September and October.

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'MESABI' TRACK LISTING:

1. Mesabi
2. When the Legends Die
3. Farewell Never Never Land
4. The Lonesome Death Of Ukulele Ike
5. Sterling Hayden
6. Furious Love (For Liz)
7. A Land Called "Way Out There"
8. Roll The Credits, Johnny
9. Heart Within A Heart
10. And God Created Border Towns
11. Goodnight, Juarez
12. Jai Alai
13. Love Abides

Bonus Tracks:
A Hard Rain's A-Gonna Fall
The Road To Nowhere

Tour dates and more info here.

Bonobo (DJ Set) at Fox Theatre | 9/30/11

Z2 Entertainment is proud to present Bonobo (DJ Set) at the Fox Theatre on Friday, September 30th.  Tickets go on sale Friday, June 24th for $22.50 in advance and $25.00 the day of show.

Over the last couple of years, Bonobo has become one of the premier artists on the Ninja Tune imprint and certainly one of the most listened to, with over 16 million plays recorded on LastFM. His combination of superb live shows and studio wizardry means that he is now perfectly placed to push on into a yet bigger league. With “Black Sands,” Bonobo has made the record to achieve it.

Green’s first release came on Luis’ label, Tru Thoughts, when his track “Terrapin” was included on the compilation “When Shapes Join Together” in 1999. His debut album, “Animal Magic” followed the next year, completely self-produced and largely self-played, too. Hailed as one of the “new downtempo pioneers,” Green found himself attracting the attention of other labels and eventually signed to Ninja Tune.

In 2003 he released his first album for the label, “Dial ‘M’ For Monkey.” This was a time when Green was also focussing heavily on his DJing, playing banging dancefloor sets of hip hop, funk and drum & bass up and down the country and across Europe, a period which reached its apogee with the release of the mix album “Solid Steel: It Came From The Sea.”

“Days To Come” followed in 2006, Green opting for a lusher, more live sound than on his earlier records. To tie in with this musical development, he put together and rehearsed a live band that could bring the music of his records to life. As a result he has moved from selling out the Luminaire to selling out Koko to selling out Kentish Town Forum and the Roundhouse and producing the live DVD to prove it. “Days To Come” also scooped the Gilles Peterson listnerer’s poll for Album of The Year.

Over the last couple of years, Bonobo has become one of the premier artists on the Ninja Tune imprint and certainly one of the most listened to, with over 16 million plays recorded on LastFM. His combination of superb live shows and studio wizardry means that he is now perfectly placed to push on into a yet bigger league. With “Black Sands,”

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Bonobo (DJ Set)

Fox Theatre

Friday, September 30th

Doors:  8:30 pm

Show Time:  9:00 pm

My Morning Jacket Debut at #5 on Billboard Chart, Play Bonnaroo on Friday

My Morning Jacket’s new album, Circuital, debuted at #5 this week on the Billboard Albums chart with nearly 55,000 copies sold.  This is both the band’s highest first week of sales and their highest charting position ever.  It also landed at #1 at Indie Retail.

The band stopped by Late Night With Jimmy Fallon last night, where they performed “Circuital.”  Clocking in at 6 minutes this was the longest performance by any artist to date on the show.  If you missed it, click HERE to watch My Morning Jacket play “You Wanna Freak Out,” which they played afterwards as a web exclusive.  The guys are also hitting Bonnaroo this weekend for a set at 8pm on Friday at the “What” stage, their first main stage appearance. Catch it live on VEVO!

Circuitalis the group’s first album recorded in their home base of Louisville, Kentucky.  It laid down almost entirely live to capture an honest spirit and human spontaneity throughout.  My Morning Jacket will kick off a full US tour in support of the album, including August dates with Neko Case, shortly after Bonnaroo.

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My Morning Jacket Tour Dates:

* = $1 from each ticket will be donated to a local charity
Go to www.mymorningjacket.com for more details

06/10:  Manchester, TN @ Bonnaroo Festival
06/16:  Milwaukee, WI @ Riverside Theater
06/17:  Chicago, IL @ Auditorium Theatre
06/22:  Los Angeles, CA @ Pantages Theatre
06/24: Oakland, CA @ Fox Theatre
06/26:  Seattle, WA @ Paramount Theatre
06/28:  Portland, OR @ Edgefield
06/29:  Vancouver, BC @ Orpheum
06/30-07/03:  Quincy, CA @ High Sierra Music Festival
7/2 Santa Barbara, CA Santa Barbara Bowl
07/11:  Toronto, ON @ Kool Haus
07/12:  Montreal, QC @ Metropolis
07/16: Southwold  @ Latitude Festival
07/17: London  @ Somerset House
8/2 St. Louis, MO The Pageant 
8/3 Kansas City, MO Uptown Theater 
08/04:  Denver, CO @ Red Rocks Amphitheatre
08/05-08/13:  Bangor, ME @ The KahBang Festival

TOUR DATES W/ NEKO CASE:
8/7 Indianapolis, IN The Lawn at White River State Park 
8/8 Columbus, OH LC Pavilion 
8/10 Pittsburgh, PA Stage AE 
8/12 Columbia, MD Merriweather Post Pavilion 
8/14 Boston, MA Bank Of America Pavilion 
8/16 Rochester Hills, MI Meadow Brook 
8/17 Cincinnati, OH PNC Pavilion at Riverbend Music Center
8/20 Alpharetta, GA Verizon Wireless Amphitheater 
8/21 Charlotte, NC Time Warner Cable Uptown Amphitheater