manhattan

Greg Osby & Daniel Bennett at the Triad (NYC)


On Saturday, June 25th, the acclaimed Triad Theatre in Manhattan presents a special double bill concert, featuring contemporary jazz saxophonist Greg Osby and experimental "Folk-Jazz" saxophonist Daniel Bennett. Legendary contemporary saxophonist Greg Osby and innovative "Folk Jazz" saxophonist Daniel Bennett team up for a double bill performance at the Triad Theatre!  The New York Times declares, "Greg Osby has a keen, focused tone on alto saxophone and a hummingbird's phrasing, an equilibrium of hover and flutter."  The Boston Globe raves,"the Daniel Bennett Group plays a mix of jazz, folk, and trance."

The Triad Theatre has hosted performances by entertainers like Slash, Joan Osborne, Lisa Loeb, Paula Cole, Susan Lucci, Buddy Miles, Ravi Coltrane, Debbie Gibson, David Crosby, George Benson, Max Weinberg, John Entwistle, Tracey Morgan, Kathie Lee Gifford, Matthew Broderick, Rachel Dratch, and Steve Gutenberg. The Triad was the original home for Off-Broadway hits like "Forever Plaid," "Forbidden Broadway," and "Secrets Every Smart Traveler Should Know."

The Triad is located at 158 West 72nd Street on Manhattan's upper west side. Visit www.triadnyc.com for more information.  All advance tickets must be purchased at www.brownpapertickets.com/event/177563


Amy Speace's new CD 'Land Like a Bird' announced

Amy Speace wrote her new album, Land Like a Bird, with her life in a state of transition. Having spent many years in Manhattan, Brooklyn and New Jersey, surrounded by concrete, taxi horns and rushing trains, Speace suddenly found herself in the South. She’d done quite well as a New Yorker: she was signed by Judy Collins — who called Speace “one of the best young songwriters” — to Wildflower Records; she was awarded an NPR “Song of the Day”; and she toured with Collins, Nanci Griffith and Shawn Colvin. The city’s WFUV-FM named her song “Weight of the World” the #4 Folk Song of the Decade in its 2010 year-end Top 10 list.

“But life takes its twists and turns and as much as I loved Manhattan, I felt the ending of one chapter and the beginning of another. Relief and anticipation went hand in hand with the grieving,” she says of the change.

Space began writing Land Like a Bird as she bade farewell her Jersey City apartment with the view of the Statute of Liberty and lower Manhattan (inspiration for the song “Manila Street”). Many of the songs were goodbyes to people and places (“Had to Lose,” “Ghost,” Ron Sexsmith’s beautiful “Galbraith Street”). She brought these songs and unpacked them in her new East Nashville home.

Land Like a Bird follows Speace’s 2006 Songs for Bright Street on Collins’ Wildflower Records and 2009’s The Killer in Me. The latter, her “breakup album” which featured guest vocals by Ian Hunter, earned much critical praise. “Amy Speace is a rising star,” opined USA Today. NPR said, “Her velvety, achy voice recalls an early Lucinda Williams. Sounding grounded but wounded, Speace exudes the vulnerability of someone who’s loved and lost.” The Washington Post advised, “If you bemoan the lack of solid singer-songwriters in the world who can bridge inner turmoil with universal experience, Speace is just what you need to hear.”

The new album was produced by Neilson Hubbard (Kim Richey, Matthew Ryan, Glen Phillips, Garrison Starr) at Mr. Lemons studio in Nashville. Hubbard played bass, keyboards and vibes. Speace and Hubbard first met seven years ago while performing on an Arizona TV show and discovered their simpatico musical directions. However, they did not remain in touch. When Speace moved to Nashville last year, they were reintroduced, immediately co-wrote a song, and decided to collaborate on what would become Land Like a Bird. Kim Richey sang background vocals on “Land Like A Bird,” “Half Asleep & Wide Awake” and “Real Love Song.”

“As the fall became winter and the winter became spring, Neilson Hubbard and I would meet and write or record and snippets became songs became demos became a sound we both were chasing,” Speace says of the making of the album. “And by early fall 2010 we were inside the record we both knew we wanted to make together, a full turn of the seasons from my arrival.”

In other news, Speace will be seen on the forthcoming Big Star documentary Nothing Can Hurt Me: The Big Star Story http://vimeo.com/11881695 which includes her performance of “Try Again” with the surviving Big Star members, the Posies and Evan Dando at the Alex Chilton tribute at SXSW in March 2010. Speace and charter Big Star member Jody Stephens had met at the Folk Alliance a few years back in the band’s home of Memphis. Speace was a huge fan of Big Star and was pleasantly surprised that Stephens, in turn, as a fan of hers.

BAMcafe Live: Beat Kaestli - "Far From Home - A Tribute to European Song"

Beat Kaestli is a vocalist, songwriter and producer residing in New York City. After establishing himself in the Swiss music scene, he moved to New York to broaden his musical horizon, leaving behind a promising career in his homeland. He was awarded a scholarship to the Manhattan School of Music (BM) and received the Ella Fitzgerald Foundation scholarship to graduate in 2008 with a Masters Degree from the Aaron Copland School of Music (MA). While honing his craft alongside noteworthy Jazz performers, such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan's fiercely competitive music scene, emerging as a seasoned performer. He now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone aCd Sweet Rhythm, performing with Jazz greats, like Esperanza Spalding, Jon Hendricks, Clarence Penn, Gregoire Maret, Joel Frahm , Billy Drummond, Magos Herrera and Victor Prieto. In 2005, Beat was the chosen vocalist for the Glenn Miller Orchestra, thrilling audiences in concert halls across the USA. Kaestli is touring the world extensively with his own projects, showcasing his music in renowned clubs and at festivals across the US, Europe, Mexico and Canada. His new release "Far From Home - A Tribute to European Song" is scheduled to be released fall 2009.

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"A compelling re-imagining of European popular song, refracted through the polyvalent experiences of an expat in New York."

Friday, February 26th, 9:30 PM (one set only!)
30 Lafayette Avenue, Brooklyn, NY 11217
718.636.4100
http://www.bam.org/view.aspx?pid=1923
FREE

Transportation: 2, 3, 4, 5, B, Q to Atlantic Avenue

featuring:

Beat Kaestli - voice

Ben Stivers - piano

Matt Wigton - bass

Fred Kennedy – drums

Victor Prieto - accordion

and special guest Magos Herrera - voice

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Upcoming shows in USA/Europe/Mexico:

Jan 30th/31st - RBB Live Concert Broadcast, Berlin, Germany
Feb 26th - BAM Cafe, Brooklyn, NYC
March 5th - Jazz Club Bamberg, Germany
March 8th - RBB Radio "The Voice", Berlin, Germay http://www.kulturradio.de/frequenzen/index.html
March 8th - "Shared Night Vocal Duos", B-Flat, Berlin, Germany
March 9th - Kulturzentrum Reberhaus Keller, Bolligen, Switzerland
March 10th - Ludwigs w/Jan Eschke, Munich, Germany
March 11th - Cafe Lido w/ Christian Elsaesser, Munich Germany
March 19th - Jazzclub Uster, Switzerland
March 20th - Thalwil w/ Eliane Amherd, Switzerland
March 26th - JazzTone, Loerrach, Germany
March 31st - Bix Jazz Club, Stuttgart, Germany
April 8th - Brooklyn Library, NYC
April 19th - Bar Next Door, NYC
May 16th - Talent and Voices at CENART, Mexico City
Oct 2nd-5th - Generations Festival Frauenfeld, Switzerland
Oct 11th - "Shared Night" w/ Alexa Rodrian & Elisabeth Rodrian, B-Flat, Berlin (tbc)
Oct 13th - Le Pirate, Rosenheim, Germany
Oct 15th - Birdland, Ettlingen w/Elisabeth Lohninger, Germany
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For More information on Beat Kaestli go to: www.beatkaestli.com