don’t

Buck Owens pre-Capitol 1950s recordings reissued on RockBeat

Buck Owens is synonymous with the Bakersfield sound of country music that also gave rise to the Maddox brothers and Rose, Tommy Collins, Ferlin Husky and in later years Merle Haggard.

Owens’ earliest recordings for independent labels in Southern California — ahead of his lucrative career on Capitol Records in the ’60s and ’70s — have been collected on Buck Owens — Bound for Bakersfield 1953-1956: The Complete Pre-Capitol Collection, scheduled for release on September 27 on RockBeat Records through e0ne Entertainment. The suggested retail price is $14.98.

The 24-song reissue opens with selections from his first known session in 1953 in Hollywood, which produced two singles (“Down on the Corner of Love” b/w “It Don’t Show on Me” and “The House Down the Block” b/w “Right After the Dance”) on Claude Caviness’ Pico Rivera-based Pep Records. It closes with a 1956 Bakersfield session that produced singles on Chesterfield Records and an album on La Brea Records. Included are previously unreleased alternate takes including an overdubbed version of “Hot Dog.”

Liner notes for Bound for Bakersfield were written by Rich Kienzle, a music historian with special expertise in West Coast country. RockBeat VP or A&R James Austin and Jim Shaw of Buck Owens’ Buckaroos compiled the collection.

According to Kienzle’s notes, “Buck Owens was 21 when he rolled into Bakersfield from Phoenix in May, 1951, a part-time musician and laborer who had his eye on a musical career. It would take some time. There were lessons to be learned and dues to be paid. But in the final analysis, the Buck of legend, of the raw honky-tonk vocals, catchy commercial tunes, twangy Fender Telecasters and churning, aggressive ‘freight train’ rhythms was forged in Bakersfield's honky tonks and recording studios there and in L.A. from 1951 to 1957.”

Owens is best known for his later Capitol Records hits like “Tiger by the Tail,” “Foolin’ Around” and “Act Naturally.” But his ’50s pre-Capitol recordings find him working in a honky tonk milieu (except for the rockabilly tracks such as the 1957 single “Hot Dog”). One can hear early flashes of the distinctive sound he'd perfect at Capitol, the sound that made him famous.

With his indie singles earning him both regional recognition and buzz from A&R departments at both Capitol and Columbia Records, Owens passed on New York’s Columbia (whose producer told Owens to “hold on” until he could come to the West Coast) in favor of Hollywood-based Capitol Records, which made him an offer on the spot. Owens was known to Capitol from his work on sessions by one of the originators of the Bakersfield sound, Tommy Collins. Buck’s own first Capitol session in 1957 aimed for a pop-rock audience, trying, as he later said, “to make the biggest hillbilly in Bakersfield into somethin’ he wasn’t.” In 1959, he was recorded as his true, honky-tonking self, with great success.

Kienzle notes, “Buck Owens was always known for his spot-on instincts. Clearly, his expectation that he’d have no recording career beyond Pep and the odd demo or two was a rare miscalculation. These raw, primal performances, blended with hundreds of hours onstage at the Blackboard (club in Bakersfield), were essentially part of a long rehearsal for the fame that came soon enough.”

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Track List:

1.            Blue Love (with Studio Chatter) (1953)
2.            Down on the Corner of Love (Alternate Take) (1953)
3.            Down on the Corner of Love (1953)
4.            It Don’t Show On Me (Alternate Take) (1953)
5.            It Don’t Show on Me (1953)
6.            The House Down the Block (Alternate take) (1953)
7.            The House Down the Block (1953)
8.            Right After the Dance (Alternate Take) (1953)
9.            Right After the Dance (1953)
10.         Hot Dog (1955)
11.         Hot Dog (Overdubbed Single) (1955)
12.         Rhythm & Booze
13.         There Goes My Love (Alternate Take) (1956)
14.         There Goes My Love (1956)
15.         Sweethearts in Heaven (Alternate Take) (1956)
16.         Sweethearts in Heaven (1956)
17.         Honeysuckle (1956)
18.         Country Girl (Leavin’ Dirty Tracks) (1956)
19.         You’re Fer Me (1956)
20.         Blue Love (1956)
21.         Please Don’t Take Her From Me (1956)
22.         Three Dimension Love (1956)
23.         Why Don’t My Mommy Wanna Stay with Daddy & Me? (1956)
24.         I’m Gonna Blow (1956)

William Topley at the Fox Theatre - 09.10.11

Z2 Entertainment is proud to present William Topley at the Fox Theatre on Saturday, September 10th.  Tickets go on sale Friday, June 10th for $32.50 in advance and $35 day of show.

Emerging from the swamps of The Blessing and ploughing through the rocky Blues of his solo albums, William Topley delivers an album of acoustic tunes dripping with imagery from across the globe.  Anchored by William’s unique vocal, once praised by legendary Muscle Shoals producer Barry Beckett as the “best he’d ever worked with,” and accompanied by the muscular acoustic guitar of long time musical associtate, Luke Brighty with additional vocals and sterling support from Dorie Jackson, Water Taxi lures you into a world of acoustic wonder.  The track listing features something old, lots of new and all wrapped up in lush vocals, tight harmonies and rich guitar plucking to give you a well rounded and substantial musical feast.  Once again William draws on his traveled past and veracious appetite for new places and adventures to take the listener on a journey that will transport you from the mundane and humdrum to exotic climes on a with dangerous women and liquor, without leaving the comfort of your home.

Water Taxi features acoustic versions of two of William’s back catalogue namely Delta Rain from The Blessing’s first record, Prince of Deep Water and Sweetheart from their second record, Locusts and Wild Honey, which will be familiar to current William fans.  The album starts with Hummingbird (co-write with leading Nashville writer Daryl Burgess), followed by Stony Ground with a lyric delivered from a window staring moment from the back of William’s house.  Water Taxi relates the tale of William’s journeys from the Bahamas to Denver and Trouble Comes At Night is a diary from the last band tour he undertook in the US.  Spanish Waters continues William’s exploration of John Masefiel’s poetry and Watch The Wall is another Hemmingway style adventure, co-written with Toby Tyler.  After Delta Rain, I’ll Be Gone feature Luke on Spanish guitar and the mood abruptly shifts for Luck Don’t Change, which is a minute of Acapella, which should be longer.  Don’t Do That No More is another co-write with Gary Nicholson and Delbert McLinton, which runs into Sweetheart and brings the album to a conclusion.

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William Topley

Fox Theatre

Saturday, September 10th

Doors:  8:30 pm

Show Time:  9:00 pm

They Might Be Giants Announce First Leg of International Tour!

They Might Be Giants new album, Join Us, is the recording that their fans have been waiting 20 years for! Impossibly catchy, sometimes strange and always original the album is a stunning return to form. On Join Us we find the Brooklyn originals have returned to rock and to their singular sensibility that made them an instant phenomenon in the world of alternative rock. Join Us is an electrifying mix of clever, maddeningly catchy songwriting and studio mastery. The album was created in the brand new private studio of their long-time collaborator Patrick Dillett (David Byrne, Mary J. Blige, Tegan and Sara, Doveman). Join Us will be released in all digital and physical outlets July 19, 2011 through Idlewild/Rounder Records.


The record opens with “Can’t Keep Johnny Down” -- a summer-perfect pop single that will get instantly stuck in your head and make you want to roll down the windows. Immediately following, the caffeinated fuzz of “You Probably Get That a Lot” will command you to pogo! “When Will You Die” features TMBG’s own formula for punk.

The short and sweet  “Judy Is Your Viet Nam” tells an anthemic tale of unrequited infatuation.  The pure folk-pop of “Old Pine Box” showcases the band's signature harmonies, handclaps and the always popular, never anticipated vocoder. The wit TMBG are known for is at it’s finest on Join Us, album closer “You Don’t Like Me” has lyrical gems like “I can see the future like it’s in the past”.  Check out the “Can’t Keep Johnny Down” MP3 HERE.

They Might Be Giants unlikely success story started nearly three decades ago with their Dial-A-Song service. High energy, low budget videos broke them into heavy rotation on MTV and the rest would soon become alternative rock history.  Along the way the band has become the recipients of two GRAMMYs and a platinum record (1990’s Flood). They recorded numerous themes including The Daily Show with Jon Stewart, their GRAMMY-winning theme Malcolm In the Middle and many more.

They Might Be Giants will launch the first leg of their first international tour in over a decade this Fall, hitting 6 countries and over 50 US cities. Notorious for their energized live show, don’t miss TMBG live in your city!

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They Might Be Giants Tour Dates

6/11: Toronto, ON @ Luminato Festival FREE CONCERT
7/15: London, UK @ Koko
7/16: Southwold, UK @ Latitude Festival
7/29: Brooklyn, NY @ Williamsburg Waterfront w/Eugene Mirman FREE CONCERT
9/8: New Haven, CT @ Toad's Place
9/9: Great Barrington, MA @ Mahaiwe Theatre
9/10: Concord, NH @ Capitol Center for the Arts
9/11: Norwich, VT @ Open Air Theatre
9/13@ Ithaca, NY @ State Theatre
9/14: Pittsburgh, PA @ Byham Theatre
9/15: Rochester, NY @ Harro Ballroom
9/16: Cleveland, OH @ Beachland Ballroom
9/17: Detroit, MI @ Majestic Theatre
9/20: Cincinnati, OH @ Southgate House
9/21: Louisville, KY @ WFPK Presents Waterfront Wednesdays
on Harbor Lawn at Waterfront Park (2011 Season Finale)
9/22: Indianapolis, IN @ The Vogue
9/23: Chicago, IL @ Riviera Theatre
9/24: St. Louis, MO @ The Pageant
9/25: Kansas City, MO @ Folly Theatre
9/27: Nashville, TN @ Cannery Ballroom
9/28: Asheville, NC @ Orange Peel
9/29: Richmond, VA @ The National
9/30: Philadelphia, PA @ Theatre of Living Arts
10/1: Boston, MA @ Berklee Performance Center,
(2 shows, 6:30pm & 9pm)

Boris Garcia: Today We Sail

Dear Music Friend of mine:

As we all know, bands with genuine musicians have a life cycle. No matter their level of chops, they start as beginners with lots of energy and perhaps less of the subtle judgment skills that great musicians have -- the ability to listen to each other, the ability to know when not to play.

And if they don’t fall into the snares of ego and delusion, they grow. They listen more, both to other music and each other, and they hear more (two different things!), and they reach a higher level.

Boris Garcia is the band that just fell together, and now with Today We Sail, three CDs later, they’re playing at a place that’s ever richer, ever more creative. The simple acoustic feel of their first work has become much more varied: a case in point is “Walking Barefoot,” which begins with a hard-edged rock sound that becomes lovely mandolins and then almost sounds like a full orchestra – an effect they get from just a very few strings (Producer Tim Carbone’s fiddle and Bud Burroughs’ mandolin) – amazing. And Bob Stirner’s lyrics are getting deeper, more evocative: “I’m not indifferent much or maybe, surely, I’ll be on my way, I’ll be on my way/You can’t see Santa if you don’t believe, I’ll be on my way…”

Jeff Otto’s whimsicality maintains its strength here, with “Song Dog” and “Deaf Dumb and Blind” – “But why can’t I see, that love’s for fools and I’m a fool so love’s for me” – but the playing is truly impressive, with piano punctuations sliding against the pedal steel – very hip, very deft. In fact, Chip Desnoyers’ pedal steel (with mandolin in “Song Dog”) is all over Today We Sail, and it’s powerful stuff.

Boris’ songs range from the power rock chords of “Mighty High,” which comes across as almost Springsteenish to me, to “Long Black Hair,” which takes me to “Long Black Veil,” to “Good Home,” which is a sweet love song that opens into a grand psychedelic guitar jam. And lots more.

They’re all over the musical map, but in this case it’s a good thing.

My, how the kids have grown.

Press: D. McNally, dennismcnally@mac.com

Today We Sail is available from www.borisgarcia.com or www.amazon.com

Lee MacDougall Gives it to Denver Short & Sweet

Short and sweet can be a good thing, but when it’s good, everybody wants some more. British musician Lee MacDougall certainly showed that he could satisfy, but unfortunately for the very few that showed up for his performance at the Larimer Lounge, it was a moment that lasted not quite long enough.

Holly Golightly & the Brokeoffs keep it lo-fi

No Help Coming is the fourth full-length release by Holly Golightly & the Brokeoffs, and the latest of nearly 30 albums on which the veteran indie icon is featured. But she’s quick to dismiss any suggestion that she’s refined her approach during her 20 years as a recording artist.

“I’m proud to say that I don’t think there’s been much development at all, really,” Golightly asserts. “I still only know the same chords I did when I was 14, and I still write songs about the same things. But I did get a tuner three years ago, which was monumental.”

Indeed, as much as her work has evolved over the years, the London-born, Georgia-based singer/guitarist has maintained a fierce fidelity to the same raw DIY musical principles that first established her as a seminal influence upon multiple generations of garage combos and lo-fi artists. Her current outfit, Holly Golightly & the Brokeoffs, is a stripped-down duo that teams her with Texas-bred multi-instrumentalist and longtime collaborator Lawyer Dave, who contributes guitar, drums and backing vocals.

On No Help Coming, scheduled for release on April 26, 2011 on Transdreamer Records, Holly Golightly & the Brokeoffs continue to make music that’s spare and earthy yet unfailingly tuneful, drawing upon gritty blues, country and rockabilly influences while maintaining an unmistakable personal resonance. As Playboy.com commented, “Golightly’s songs are so fresh and timeless they could have been recorded yesterday or 40 years ago.”

The new 12-song set, recorded in the twosome’s adopted home state of Georgia, features such notable originals as “The Rest of Your Life,” “You’re Under Arrest,” “Get Out My House” and the swaggering title track, all of which pack as much of a musical and emotional punch as anything they’ve recorded. No Help Coming also continues Golightly’s longstanding tradition of putting her stamp on unexpected cover material, with personalized readings of country legend Bill Anderson’s “The Lord Knows We’re Drinking,” the mysterious Mr. Undertaker’s 1955 rhythm-and-blues cult classic “Here Lies My Love,” and Wendell Austin’s vintage psycho-country epic “L.S.D. Made a Wreck of Me.” The last tune features an appropriately impassioned lead vocal by Lawyer Dave.

Born in Kensington, London, in the same hospital that Jimi Hendrix died in, Holly Golightly grew up in a bohemian household, absorbing a musical diet of psychedelic rock and soul. Her performing debut came via her then-boyfriend Bruce Brand, drummer of the legendary Billy Childish-led combo Thee Headcoats. An impromptu guest spot singing with that band led to a long and productive run as a member of Thee Headcoats’ sister band, Thee Headcoatees, with whom she recorded.

In 1995, while still a member of Thee Headcoatees, Holly branched out into a solo career that quickly revealed a both a distinctive songwriting talent and a commanding stage presence. Her solo work also largely traded Thee Headcoatees’ three-chord girl-group garage rock for a rootsier approach drawing much of its inspiration from rural American styles. She’s been intensely prolific in the years since, releasing 20 solo albums as well as numerous singles and EPs for a variety of labels, including Damaged Goods, Kill Rock Stars, Super Electro and Sympathy for the Record Industry. She’s also recorded collaborations with the likes of the White Stripes, Mudhoney, the Greenhornes and Rocket from the Crypt.

In 2007, Holly teamed with Lawyer Dave to form Holly Golightly & the Brokeoffs. They purchased a parcel of rural land near Athens, Georgia, where they raise horses, dogs, chickens, geese and goats. Recording and performing as a duo, with Dave playing guitar with his hands and drums with his feet, they developed a loose, twangy sound that’s perfectly suited to their lyrical explorations of such quintessentially American themes as whiskey, religion and guns.

Holly Golightly & the Brokeoffs’ 2007 debut album You Can’t Buy a Gun When You’re Crying won considerable attention from critics and fans alike. The pair continued to expand their audience with 2008’s acclaimed Dirt Don’t Hurt, their first release on the Transdreamer label. It was followed by the similarly well-received EP Devil Do and album Medicine County, released in 2009 and 2010, respectively.

Now, No Help Coming adds a compelling new chapter to Holly Golightly’s massively influential body of work. “I think I’m still doing exactly what I’ve always done, in that I’ve managed to keep making music I like,” she observes. “Perhaps some people don’t stick at it for as long because they didn’t really like what they were doing in the first place. I think the trick is to just do what you like, and not aim to use every switch in the studio just because it’s there.”

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SPRING 2011 TOUR DATES

Fri., April 29  CHARLOTTE, NC Snug Harbor
Sat., April 30  CHAPEL HILL, NC Local 506
Sun., May 1  ARLINGTON, VA IOTA Club & Café
Tues., May 3  BALTIMORE, MD The Ottobar
Wed., May 4  PHILADELPHIA, PA M Room
Thurs., May 5  NEW YORK, NY The Mercury Lounge
Fri., May 6  BROOKLYN, NY Knitting Factory
Sat., May 7  CAMBRIDGE, MA Middle East Upstairs
Sun., May 8  NEW HAVEN CT Café Nine
Tues., May 10 BUFFALO, NY The Ninth Ward
Wed., May 11 CLEVELAND, OH Beachland Ballroom and Tavern
Fri., May 13  CHICAGO, IL Beat Kitchen
Sat., May 14  MINNEAPOLIS, MN 7th Street Entry
Sun., May 15  MILWAUKEE, WI Mad Planet
Tues., May 17  ST. LOUIS, MO The Firebird
Thurs., May 19  OKLAHOMA CITY, OK The Conservatory
Fri., May 20  AUSTIN, TX Emo’s Alternative Lounging (Indoor)
Mon., June 20  SEATTLE, WA The Funhouse
Tues., June 21  PORTLAND, OR Doug Fir Lounge
Thurs., June 23  SAN FRANCISCO, CA Bottom of the Hill
Fri., June 24  LOS ANGELES, CA The Hotel Cafe
Sat., June 25 SAN DIEGO, CA Soda Bar

Nathan Moore To Release 'Dear Puppeteer' Feb. 1

Nathan Moore has announced the release of Dear Puppeteer, his latest collection of songs, due February 1 on Royal Potato Family. The Staunton, Virginia-based singer and songwriter recorded the album around his home in the Shenandoah Valley with co-producer and guitarist Bryan Elijah Smith, as well as, out West at his previous Santa Fe, New Mexico stomping grounds, Frogville Studios.

Dear Puppeteer could best be described as a letter in 13 songs from Nathan Moore to the puppet masters: fear, mortality, the righteous, the jailor, lost love and lost time. On the title track, Moore sings: “Gonna write a letter, dear puppeteer, I don’t want to play here, I don’t wanna stay here." From this simple plea it's apparent that a restless spirit is at work. Nathan's warm fingerpicked acoustic guitar, ghostly harmonica gales, ancient ukulele meditations and tobacco-stained vocals are inhabited by a poet seeking something better, while giving song to the human condition in all of its beauty and sadness.

A crowning achievement from one of this generation's most prolific songwriters, Dear Puppeteer is Nathan Moore's ninth studio album to date. It follows 2009's well-received EP, Folk Singer, which led Paste Magazine to write, "The sharp, introspective lyrics of Nathan Moore draw an instant connection to the great folk singers of the past." The UK's Maverick Magazine said, "Many have come and many have tried, but we may finally have a storytelling successor to Dylan, Van Zandt and Cash." Moore, who first came to national attention as a founding member of ThaMuseMeant, also currently fronts the revered American rock band Surprise Me Mr. Davis.

Check out some coverage of Nathan Moore on The Grateful Web. | Stream debut track "Hollow" here

Dear Puppeteer track listing:

1. Like A Cartoon

2. Safe To Say

3. Dear Puppeteer

4. In The Basement

5. A Little Crazy

6. I'm The Same

7. The Garden

8. Hollow

9. Can't Fly To Heaven

10. When My Time Comes

11. Train Of Thoughts

12. Choose Thy Love

13. I'm Good Company

Asobi Seksu Announce 2011 North American Winter Tour

Polyvinyl recording artist Asobi Seksu has announced the release of their highly anticipated 4th album, Fluorescence, available February 14th in UK/Europe and 15th in North America on CD, LP (Gatefold Jacket, 180 gram pink vinyl limited edition of 1,500) and digital formats.  The album features the lead single, "Trails", which is available now as an MP3 download. There will also be a video for the track in early 2011.  The album features artwork from acclaimed designer Vaughan Oliver (Cocteau Twins, Pixies).  The album is available for pre-order now on the Polyvinyl website at www.polyvinylrecords.com/fluorescence.

The signs in Chris Zane’s studio couldn’t have been any clearer: “Don’t Overthink It” and one simple word—“BOLD.”

Or as Asobi Seksu guitarist/singer James Hanna puts it, “This time, our agenda was to not have one at all; to be mellow about the entire process instead of obsessing over everything.”

Maybe mellow isn’t the right word, unless he’s comparing the band’s fourth proper full-length (Fluorescence) to a coiled-up cobra or unconscious crocodile— temperamental types that are one false move away from striking. After all, “Coming Up” sets the scene by plowing into beehive-like synth lines and warp speed washes of dream-pop that leave you wondering just what the hell is going on.

Things don’t let up on “Trails” either, as singer/keyboardist Yuki Chikudate sets her immaculate melodies against a barrage of battery-powered chords. Catchy and chaotic to the core, the sky-scraping song pays homage to the pitch-perfect songwriting of the ‘60s by chartering a yellow submarine to the moon.

And when the Brooklyn-based quartet (rounded out by bassist Billy Pavone and drummer Larry Gorman) finally hits the ground, their color-saturated soundscapes don’t get dull or cold. They get even brighter, as Fluorescence’s many shades shift with each passing song. That includes everything from the expansive/erratic—and yet, oh-so- poppy—prog movements of “Leave the Drummer Out There” to the weightless balladry of “Ocean,” a track that channels its title with swollen synths and beats that bob and weave through the murkiest waters around.

“James likes to get a lot more abstract with the music,” says Chikudate, “So Chris (Asobi Seksu’s longtime producer) will often try and reign him in.”

“I like to see how far we can take a song before pulling back a bit,” explains Hanna. “Like I’ll say that 100 vocal tracks would sound great in a spot where we only need 40.”

And since Asobi Seksu have spent the past decade refining their bombastic but beautiful blend of hailstorm hooks and fog-shrouded 4AD-isms (including last year’s special acoustic album, Rewolf), they knew exactly what to do with all of that restlessness: embrace it.

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ASOBI SEKSU North American Tour:

1/27/2011 - Highline Ballroom - New York, NY*

2/17/2011 - Album Release Show at Mercury Lounge - New York, NY

2/25/2011 - Brighton Music Hall - Boston, MA**

2/26/2011 - Casa Del Popolo - Montreal, QC**

2/27/2011 - Legendary Horseshoe Tavern - Toronto, ON**

2/28/2011 - Empty Bottle - Chicago, IL**

3/01/2011 - 7th Street Entry - Minneapolis, MN**

3/03/2011 - The Badlander - Missoula, MT**

3/04/2011 - Chop Suey - Seattle, WA**

3/05/2011 - Biltmore Cabaret - Vancouver, BC**

3/06/2011 - Doug Fir Lounge - Portland, OR**

3/08/2011 - Bottom of the Hill - San Francisco, CA**

3/09/2011 - Troubadour - Los Angeles, CA**

3/10/2011 - Detroit Bar - Costa Mesa, CA***

3/11/2011 - Casbah - San Diego, CA***

3/12/2011 - Neon Reverb Festival - Las Vegas, NV***

3/13/2011 - Rhythm Room - Phoenix, AZ***

3/14/2011 - Corazon - Santa Fe, NM***

3/22/2011 - The End - Nashville, TN****

3/23/2011 - Pilot Light - Knoxville, TN****

3/24/2011 - Strange Matter - Richmond, VA****

3/25/2011 - Rock and Roll Hotel - Washington, D.C.****

3/26/2011 - Johnny Brendas - Philadelphia, PA****

*w/ White Lies

**w/ BRAHMS

***w/ BRAIDS

w/ Cults

Keller Williams announces Brand New Album and Summer Tour Dates

Keller Williams releases his first-ever all-covers collection, amusingly titled Thief, on May 25, 2010. Recorded with the Keels—husband and wife duo Larry and Jenny KeelThief includes songs originally written and recorded by as wildly diverse an assemblage as anyone’s ever likely to dream up.

Keller is on tour this summer - at solo shows, with The Keels, and even for a run of gigs as vocalist/guitarist in The Rhythm Devils, the project by Grateful Dead drummer Bill Kreutzmann and his partner percussionist Mickey Hart. Keller’s complete list of currently confirmed tour dates is included below.

Thief offers up Keller-versions of songs by an [almost] unthinkable collection of artists: from Amy Winehouse (“Rehab”) to the Grateful Dead (“Mountains of the Moon”), the Butthole Surfers (“Pepper”) to Kris Kristofferson (“Don’t Cuss That Fiddle,” which opens the album, and “The Year 2003 Minus 25,” which closes the album). The set is filled out with tunes by Ryan Adams, the Presidents of the United States of America, the Raconteurs, Patterson Hood, Danny Barnes, Cracker, the Yonder Mountain String Band and Marcy Playground. All over the place, indeed, but that’s the way Williams likes it. And in his hands it all makes sense—like everything he’s ever touched, whether from his own pen or someone else’s, it all becomes Keller Williams' music. Fans are encouraged to stay tuned for a big Thief pre-sale and contest announcement coming soon.

Keller’s thirst for music of all kinds has also led him to the world of radio. For the past seven years he has hosted Keller’s Cellar, a weekly syndicated program available on over 40 terrestrial stations and online. Williams describes the show as “a self-indulgent, hour-long narrated mix tape of stuff I’m into. It’s rule-less except for what the FCC says we can’t do. I don’t play contemporary country music. I don’t play contemporary Christian music—however, there is possibly some old gospel. I don’t play opera. Everything else is fair game. World music from all around—African music from all the countries, jazz, funk, reggae, techno, chill, lounge, lounge singers, rub-a-dub, dancehall. I pretty much stay away from smooth jazz. It’s definitely a fun outlet for me.”

Long considered one of the most unique and prolific performers in all of rock, the Fredericksburg, Virginia native is known for flying by the seat of his pants on stage, utilizing an unorthodox approach that centers around an Echoplex Digital Pro looping unit, which allows Keller to alternate between several instruments on stage.

Keller Williams’ Current Tour Dates:
Friday, April 16 Biltmore Cabaret Vancouver BC
Sunday, April 18 World Ski Festival Whistler BC
Thursday, April 22 WorkPlay Theatre Birmingham AL
Friday, April 23 Floyd's Tallahassee FL
Saturday, April 24 Freebird Live Jacksonville FL
Friday, April 30 Handle Bar Greenville SC
Thursday, May 13 Lewis Ginter Botanical Garden Richmond VA
Sunday, May 16 The Hangout Music Festival Gulf Shores AL
Saturday, May 22 SmileFest - Deerfields Amphitheater Pinnacle NC
Friday, May 28 Bella Madre Music Festival Geneva MN
Saturday, May 29 Summercamp Chillicothe IL
Sunday, May 30 Delfest Cumberland MD
Keller Williams and Friends
featuring Jeff Austin and Keith Moseley
Thursday, June 17 Telluride Bluegrass Festival Telluride CO
Saturday, June 19 Clearwater Festival - Croton Point Park Westchester NY
Friday, July 2 Nateva Music & Arts Festival - Oxford Fairgrounds Oxford ME
Sunday, July 11 All Good Music Festival Masontown WV
Saturday, July 17 YMSB String Summit North Plains OR RHYTHM DEVILS
Sunday, July 18 Britt Festival Jacksonville OR RHYTHM DEVILS
Saturday, July 24 The Spud Drive In Driggs ID RHYTHM DEVILS
Sunday, July 25 Red Butte Garden Salt Lake City UT RHYTHM DEVILS
Saturday, July 31 Gathering of the Vibes Bridgeport CT RHYTHM DEVILS
Saturday, August 14 Mile High Music and Arts Festival Denver CO
Saturday, August 21 Hoxeyville Festival Cadillac MI

Groove Armada announces Tour Dates

Andy Cato and Tom Findlay, better known as Groove Armada, have announced a spring U.S. tour in support of Black Light, their sixth studio album releasing March 2 on Om Records. The tour will find them dropping by the U.S. for multiple dates in New York, California, and Florida, including appearances on Morning Becomes Electric and at the Ultra Music Festival in Miami. The highly anticipated Black Light sees the duo stepping in bold new directions and featuring an impressive list of guest artists, including silky smooth guest vocals from Roxy Music’s Bryan Ferry on the single “Shameless,” vocal turns from Kate Bush-evoking chanteuse SaintSaviour, and appearances on several tracks from Nick Littlemore of the Aussie electronic sensation Empire of the Sun.

Prolific remixer Classixx has produced a light and playful remix of Black Light highlight "Paper Romance," replacing the hard four-to-the-floor of the original track with bubbling synths, softly skittering drums, and delicate, swooning guitars that bring out the passionate vocal takes from SaintSavior and Fenech-Soler.  Download the remix here, and feel free to post and share!  In addition to Classixx, several tracks from the album have already been remixed by other such luminaries as Mock & Toof, Bloody Beetroots, and more, all currently available on iTunes. Keep an eye out for a remix from the always fun Dan Deacon!

In case you missed them the first time around, don’t forget to catch the videos for singles I Won’t Kneel, and Paper Romance here!  Don’t miss your chance to see this legendary duo live when they stop by the U.S. this spring!

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Groove Armada 2010 U.S. TOUR DATES:

03/18: San Francisco, CA @ The Fillmore
03/19: San Francisco, CA @ The Fillmore

03/20: San Bernardino, CA @ NOS Events Center  (DJ Set)
03/21: Los Angeles, CA @ Henry Fonda Theatre
03/22: Los Angeles, CA @ KCRW Morning Becomes Eclectic
03/24: New York, NY @ Webster Hall
03/26: Miami, FL @ Ultra Music Festival