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The Dodos at Fox Theatre | 09.27.11

Z2 Entertainment is proud to present The Dodos with The Luyas at the Fox Theatre on Tuesday, September 27th. Tickets go on sale Friday, June 17th at 10:00 am.

The drums hit you in the chest first, spraying your speakers like swift gunshots. But then Meric Long’s finger-picked chords kick in, cascading across Logan Kroeber’s brass knuckle beats like only the best Dodos songs can.

This forward motion feeling has driven the duo since 2005, but several key changes lift their fourth LP (No Color) to another level. For one thing, the band reunited with Portland producer John Askew, the man behind the boards of the Dodos’ first two full-lengths,Beware of the Maniacs and Visiter. Having an old friend around was like adding an honorary third member; a voice of reason who can isn’t afraid of vetoing ill-fated ideas. Ideas like glossy layers of vibraphone that lost their luster halfway through.

The main focus of No Color was to bottle the frenzied folk approach that’s been there since the beginning. And it works damn well, from the dagger-drawing dynamics and brain-burrowing choruses of “Black Night” to the hairpin turns and splashy percussion of “Good.” And then there are the songs that’ll make you want to dub old episodes of 120 Minutes, including the instrumental break of “Don’t Stop” and the sneak attack solo that weaves its way around the steely rhythms of “Don’t Try and Hide It.”

“I have a love for ‘90s riffs that I haven’t gotten to showcase in this band,” says Long. “The most fun I had with this record was when I got to strap on the electric guitar and come up with Billy Corgan riffs while the tape was rolling.”

There’s less room for error than there’s ever been.  “We’re more naked this way,” explains Long. “You can hide a lot of your mistakes on an acoustic, but with an electric, every single note is much louder and more piercing. So I have to be way more on top of my playing now.”

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The Dodos

w/ The Luyas

Fox Theatre

Tuesday, September 27th

Doors:  8:30 pm

Show Time:  9:00 pm

The Dodos Announce U.S. & European 2011 Tour Dates

The drums hit you in the chest first, spraying your speakers like swift gunshots.

Delta Spirit Announce US Winter Tour

Let’s start here with a short list of the things that we lose along the way. It seems that the men of Long Beach, Calif., who make up Delta Spirit and who have written and recorded the 11 songs that comprise History From Below, would like this little process. It would make sense to them, this brief focus on what’s gone missing, on what’s been loved and remembered.

It’s not about dwelling on the losses, but recognizing how the losses make all that remains so much more meaningful. It shapes us more than we know – rounding off and enhancing the joys that are still around, that are yet to be made. But we do lose, sometimes without gain, just pain and heartache. So, we lose, in no particular order – chronologically or as importance goes – the following, in varying degrees: our youth, our safety, our comfort, our spirit, our innocence, our grandmothers, our grandfathers, our curiosity, our love, another of our loves, still another of our loves, our wives, our mothers, our fathers, our sight, our hearing, our husbands, our daughters, our drive, our sons, our pets, our time, our hair, our reflexes, our spryness, our brightness, our shine, our guts and we’re just getting started.

We lose nearly everything before we’re done, before we’ve been finished off or written to a stop. We’re wrecked to the point that we need saints and saviors because there’s no doing it on our own. There’s no human being that can get us through these ruts. It must be out of body. It must be something other, something that breathes new breath and something that runs interference with the losses, something that softens them.

Delta Spirit makes music that softens our losses, sure, but it’s a band that makes music to soften their own losses, whatever those may be (see above for a good start). It finds a pleasing heat in a fever and it finds a comfort in a chill, knowing that they will become the other with a long enough wait. They find “churches” wherever they travel and they find those willing to embrace with them in a pageant of the losses, making them feel as if they were three parts sweetness and one part regret. The losses make them realize that so much of our histories come from our hardships, whether we like it or not, and it’s decisive. We can’t help but feel absolutely included and vulnerable when, on “Bushwick Blues,” lead singer Matt Vazquez sings, “My love is strong, but my heart is weak,” with a drawn-out pause, before finishing with the words, “after all.”

US Tour Dates:
11/15/10 Jackpot Music Hall Lawrence, Kansas
11/16/10 Mojo's Columbia, Missouri
11/18/10 High Noon Saloon Madison, Wisconsin
11/19/10 Turner Hall Milwaukee, Wisconsin
11/20/10 Legends of Notre Dame South Bend, Indiana
11/21/10 Mountain Stage Radio Show Charleston, West Virginia
11/22/10 Tralf Music Hall Buffalo, New York
11/23/10 Webster Hall New York, New York
11/26/10 Paradise Rock Club Boston, Massachusetts
11/27/10 The Met Cafe Pawtucket, Rhode Island
11/29/10 OttoBar Baltimore, Maryland
11/30/10 Brillobox Pittsburgh, Pennsylvania
12/01/10 The Mad Hatter Covington, Kentucky
12/02/10 Grey Eagle Tavern & Music Hall Asheville, North Carolina
12/03/10 Mercy Lounge Nashville, Tennessee
12/04/10 Metro Chicago, Illinois
12/07/10  Fillmore  San Francisco, California
12/08/10 The Music Box Hollywood, California
12/09/10 SOHO Music Club Santa Barbara, California
12/10/10 House of Blues San Diego, California

Kyle Hollingsworth Band hits the Midwest in November

After wrapping up a successful run of summer festival performances, Kyle Hollingsworth Band will hit the road in the Midwest this November. St. Louis’ Messy Jiverson will join KHB on all dates. Tickets will be on sale Monday, September 13, at Noon CDT at www.kylehollingsworth.com and on sale at venue outlets Wednesday, September 15, at Noon CDT.

30 years ago, Kyle Hollingsworth set out on a career in music. Since then, with a wealth of desire and incredible ability, Hollingsworth has established himself as a formidable and versatile music talent. Today, as a member of acclaimed jam masters The String Cheese Incident, Hollingsworth is revered by both peers and fans for his ability to write and perform in a mosaic of styles, from rock to classical, ragtime to bebop. Playing in SCI has allowed him unrestricted access to the world of music, and has bestowed on him the kind of fearlessness a composer needs to flirt with such disparate genres. Those who’ve seen SCI know the band can move from funk to bluegrass on a chord change. “In the jam world, where there are no set ways of doing things, we’re not afraid to move in and out of genres,” he says, “and because of that I’ve learned to be creative, not only on stage but in the studio. I can get on board with something pretty quickly. You have to.”

His recent release, Then There’s Now, finds the musician coming in to his own. With solid song material and a slamming new band, Kyle is making his mark in the new, always-evolving music scene. Then There’s Now delivers a blend of vocal and instrumental tunes and seamlessly displays his growth as a musician and as a songwriter.

Midwest Dates Include:

November 10 Miramar Theatre Milwaukee, WI
November 11 Martyrs’ Chicago, IL
November 12 Old Rock House St. Louis, MO
November 13 Iowa City Yacht Club Iowa City, IA

Local Natives Announce US Tour

Local Natives make soaring, sky-scraping harmonies, dreamy orchestral melodies, and throbbing tribal beats that bash their way into your soul. Theirs are songs you can dance to almost as well as you can swoon to them. Drawing a line from the vocal stylings of Crosby Stills Nash & Young and the Zombies through the more esoteric edges of post-punk and Afro-beat, this California five piece have communally crafted a brand of indie rock all their own.

For Local Natives everything is a collaboration, from song writing duties to the band’s self produced artwork. The three part harmonies come courtesy of keyboardist Kelcey Ayer, guitarists Ryan Hahn and Taylor Rice. Then there’s Matt Frazier on drums and Andy Hamm on bass, who look after the band’s equally impressive graphics and artwork.

One of SXSW 2009’s biggest success stories, the band drove for two days to get from Los Angeles to Austin in order to play nine spectacular shows that saw them sprinting, instruments in hand, from one gig to the next. Their hectic schedule paid off as Local Natives left Austin with the attention of the UK music Industry.

Based in the Silver Lake area of Los Angeles, three of the five-piece originally hail from Orange County. Kelcey, Ryan and Taylor attended neighboring high schools and hooked up with bassist Andy a year after they graduated, later meeting drummer Matt.  They’ve been playing – and evolving - together for three years. Last year, however, the band realized that the new songs they were writing were the sounds of a new project entirely.

It was in December 2008 that the band decamped to Silver Lake, where they all live in the same house.  But the Silver Lake digs isn’t the first house the band have shared. They lived together in Orange County too, in a place affectionately known as Gorilla Manor. “It was insanely messy and there were always friends over knocking around on guitars or our thrift store piano,” says Ryan, “it was an incredible experience and I’ll never forget that time.” The original Gorilla Manor, where the band wrote the majority of their record, had such an impact that the band has paid tribute to the house by naming their debut album in its honor.

The self-funded Gorilla Manor was recorded by Raymond Richards in West Los Angeles. Richards produced the record with Local Natives in his own Red  Rockets Glare Studio.

Featuring twelve sumptuous slices of dappled California sunlight and beguiling percussive rhythms, the album kicks off with the moody, driving, ‘Wide Eyes’. Says Ryan, “It’s about people’s obsession with the miraculous and disastrous…with witnessing extraordinary events”. The effervescent, mandolin boasting ‘Airplanes’ follows, which Kelcey explains is about “longing to have met my grandfather, a great man and pilot, who died before I was born.”  Also included is the glorious ‘Sun Hands’, which was released as a limited edition single on Chess Club back in July.  According to Taylor, the lyrics describe “that all too familiar feeling of wanting what you can’t have –  especially when you once had it.”  There’s a cover version in the mix too, a barely recognizable version of Talking Heads’ ‘Warning Sign’. “We’ve basically flipped the song on its head,” says Matt, explaining how they switched David Byrne’s original yelped vocals into a beautiful three-part harmony.

Local Natives US Tour

4/20 Tucson, AZ – Solar Culture
4/22 Dallas, TX – The Cavern
4/23 Austin, TX – Emo’s Inside
4/24 Houston, TX – Mango’s
4/26 Little Rock, AR – Sticky Fingerz Chicken Shack
4/27 Haittesburg, MS – Thirsty Hippo
4/29 St. Augustine, FL – Cafe 11
4/30 Nashville, TN – The Basement
5/1 Atlanta, GA – Masquerade
5/4 Chapel Hill, NC – Local 506
5/5 Washington, DC – DC 9
5/6 New York, NY – Bowery Ballroom
5/7 Philadelphia, PA – Kung Fu Necktie
5/8 Allston, MA – Great Scott
5/11 Cleveland, OH – Beachland Ballroom
5/12 Columbus, OH – The Basement
5/14 Chicago, IL – Schubas
5/15 Rock Island, IL - Rock Island Brewing Company
5/17 Minneapolis, MN – 400 Bar
5/18 Iowa City, IA – The Mill
5/19 Columbia, MO – Mojo’s
5/21 Denver, CO – Larimer Lounge
5/22 Salt Lake City, UT – Kilby Court
5/25 Spokane, WI – Empyrean
5/26 Boise, ID – Neurolux
5/27 Portland, OR – Mississippi Studios
5/28 Vancouver, BC – Media Club
5/30 Seattle, WA – Sasquatch