year

Kyle Park To Release FALL EP on September 21

Country singer Kyle Park, who believes his fans deserve more than one album every 12 months, will release on September 21 his second EP this year that will ultimately become the foundation of a full-length album he will release in 2011.

The featured single from Park’s FALL EP is “All Night,” a love song with smart lyrics about how long it might take to heal a broken heart, with or without a new paramour. Again, Park’s pure country voice and pure country vibe shine through in his modern country, “rock with a twang” style.

Park spent the year touring, and he will continue on the road behind the new release. The recording artist routinely plays 200 shows a year in venues, music festivals and intimate honky-tonks, in all corners of the Lone Star State.

As Robert K. Oermann of MusicRow advises, “Lend him your ears.”

For MP3s and more, visit http://www.mcguckinpr.com. Also see www.kyleparkmusic.com.

Truth & Salvage Co. Singer/Songwriter Files Suit Against Marriott Hotel Corporation

According to a recent lawsuit filed in Tulare County California, Tim Jones--one of the four singers/songwriters of the musical group TRUTH & SALVAGE COMPANY--was shaken awake and ripped from his bed by hotel security and local police while sleeping at the Marriott Hotel in Visalia, CA.  Jones, a Marriott rewards member and a registered guest staying the night at the Visalia Marriott in February 2010,  was handcuffed, assaulted, taken to jail and cited for trespassing and resisting arrest in his own hotel room after performing at a concert earlier in the evening. In the wake of the assault and imprisonment, Jones filed suit against Marriott Hotel Corporation on four counts, including negligence, negligent supervision, assault and battery.

Ironically, Marriott Hotel's slogan is, "Your home away from home." Tim Jones learned the hard way that Marriott's slogan is nothing more than that, simply a slogan. Instead of spending the night in his hotel room, the singer/songwriter was forced to spend the night in a Visalia jail cell. Jones was finally released at noon the following day.

Following the incident Jones said, "I was shocked by the break-in and arrest.  I kept telling them that I was a registered guest but they acted as if they couldn't hear a word I was saying."

One month after the incident, Jones was set to be arraigned in the Tulare County Superior Court. Legal representatives of the band arrived at the courthouse to answer for Jones, only to find that the District Attorney's office had not filed any charges against Jones.  To date, charges have not been filed and Visalia Police have refused to release the police incident report to the Los Angeles based Jordan Law Group, PLC; the Truth and Salvage legal team.  Attorney Vahe Jordan was quoted as saying "We’re hopeful that Marriott will accept responsibility for the way they treated Jones, who has been a loyal customer for many years."

Marriott experienced a public relations nightmare last year that spread in blogs, stemming from the legal position their Stamford, Connecticut franchisee attorneys took when a woman brought suit citing security shortcomings after being raped in the presence of her two children while in a parking structure located at the Stamford Marriott Hotel and Spa.  Court documents filed by the Marriott franchisee attorneys last year state the victim "failed to exercise due care for her own safety and the safety of her children and proper use of her senses and facilities."  The defense was viewed by many as blaming the victim.  Marriott later dropped that defense.

As for Jones, he did not have any outstanding warrants; he wasn't suspected of, nor accused of, any crime prior to being violated by Marriott Security staff and the Visalia Police. He later received medical treatment for injuries sustained during the arrest.

Currently, Tim Jones and his band Truth & Salvage Co. are touring the United States in support of their self-titled debut album (Megaforce Records/Silver Arrow Records) which was released in May of this year and was produced by Chris Robinson of The Black Crowes.  Truth & Salvage Co.--set to make their national television debut on ABC’s “Jimmy Kimmel Live” this Thursday, August 19--was cited as a “Top 10 Band To Watch This Summer” by USA Today and Rolling Stone said the band “has what it takes for the long haul.”  Their album was given 4½ stars by Glide.com, which noted, “Truth and Salvage is an explosion of Americana and sweaty Rock-n-Roll that comes off more like a greatest hits album than a debut...set to become an instant classic."

The String Cheese Incident Launches Rhythm of the Road series

The String Cheese Incident announces a brand new live archival series with Rhythm of the Road: Volume 1, Incident in Atlanta – 11.17.00. Available 11.09.10 in celebration of the historic show’s ten year anniversary, this will be the first offering in SCI’s new series “Rhythm of the Road” which will be highlighting many of the band’s most celebrated concerts with remastered limited edition releases.

2000 was a big year for SCI as they became a true touring force, settling into larger venues for the first time, including Red Rocks in Colorado, The Warfield in San Francisco, and New Orleans’ Saenger Theatre. The band finished off a long East Coast fall tour with three nights in Athens and Atlanta, GA, and it’s the middle night on 11.17.00 that fans still talk about as one of the best in the band’s career. With special guest Tony Furtado on banjo for several songs and featuring covers of Led Zeppelin, Talking Heads, John Coltrane, Peter Rowan, and Peter Gabriel, as well as bluegrass standards and a host of SCI originals, this show is the perfect way to kick off The String Cheese Incident’s archival series “Rhythm of the Road.”

Incident in Atlanta features the entire 11.17.00 performance, lovingly remastered from the original 24-bit multi-track master tapes and made available on CD, download (MP3, FLAC) and, an SCI first, 24-bit FLAC download. It will be released on November 9th in stores, through SCI Merchandise, and www.LiveCheese.com.

Track List for Rhythm of the Road: Volume 1, Incident in Atlanta – 11.17.00 is as follows:

Set 1: Smile, Joyful Sound > Orange Blossom Special*, Barstool, Pygmy Pony,
Missing Me > Ramble On

Set 2: Outside And Inside, Impressions > Glory Chords Jam > Midnight
Moonlight*, This Must Be the Place (Naive Melody) > Miss Brown's Teahouse,
Wake Up, Black Clouds*

Encore: The Old Home Place*, Shenandoah Breakdown*, Shakin' the Tree*

* featuring Tony Furtado on banjo and guitar

Having just completed two sets of sold out summer shows at Red Rocks and Horning’s Hideout, 2010 positions The String Cheese Incident for a future where they will continue to break industry standards, this time with unique, over-the-top Incidents as opposed to traditional tours.

The band will conclude the year with an epic Halloween weekend at Virginia’s Hampton Coliseum. “Hulaween 2010” will feature special guests The Disco Biscuits on Friday, October 29th and Saturday, October 30th will offer a three-set evening with The String Cheese Incident. A limited amount of tickets are still available, please visit www.stringcheeseincident.com for additional information.

Leon Russell, Fri Sept. 17 @ Boulder Theater

The ultimate rock & roll session man, Leon Russell's long and storied career includes collaborations with a virtual who's who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, OK, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector's renowned studio group, Russell played on many of the finest pop singles of the 1960s, also arranging classics like Ike & Tina Turner's monumental "River Deep, Mountain High"; other hits bearing his input include the Byrds' "Mr. Tambourine Man," Gary Lewis & the Playboys' "This Diamond Ring," and Herb Alpert's "A Taste of Honey."
In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. While touring with Delaney & Bonnie, he scored his first songwriting hit with Joe Cocker's reading of "Delta Lady," and in 1970, upon founding his own Shelter Records imprint, he also organized Cocker's legendary Mad Dogs and Englishmen tour. After the subsequent tour film earned Russell his first real mainstream notoriety, he issued a self-titled solo LP, and in 1971 appeared at George Harrison's Concert for Bangladesh following sessions for B.B. King, Eric Clapton, and Bob Dylan. After touring with the Rolling Stones, Russell increasingly focused on his solo career, reaching the number two spot with 1972's Carny and scoring his first pop hit with the single "Tight Rope." While the success of 1973's three-LP set Leon Live further established his reputation as a top concert draw, response to the country inspired studio effort Hank Wilson's Back was considerably more lukewarm, as was the reception afforded to 1974's Stop All That Jazz. 1975's Will O' the Wisp, however, restored his commercial luster, thanks in large part to the lovely single "Lady Blue."
In June of 1975, Russell married singer Mary McCreary; the following year the couple collaborated on The Wedding Album, issued through his newly formed Paradise Records label. Also in 1976, the Russell-penned "This Masquerade" earned a Grammy Award for singer George Benson. He and McCreary reunited for 1977's Make Love to the Music, and upon completing the solo Americana, Russell teamed with Willie Nelson for 1979's Willie & Leon. He then spent the next two years touring with his bluegrass band, the New Grass Revival, issuing a live LP in 1981; although Paradise shut down later that year, the label was reactivated for 1984's Hank Wilson, Vol. II and Solid State. Russell spent the remainder of the decade largely outside of music and did not resurface until issuing the Bruce Hornsby produced Anything Can Happen in 1992. Hank Wilson, Vol. 3: Legend in My Time. Face in the Crowd appeared a year later.
21+ / Gold Circle: $51.00 / Reserved: $41.00 / GA: $30.00
On sale July 30
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com
Phone: During box office hours 303-786-7030

Local Natives at the Fox, Tues Sept 28

Local Natives make soaring, sky-scraping harmonies, dreamy orchestral melodies, and throbbing tribal beats that bash their way into your soul. Theirs are songs you can dance to almost as well as you can swoon to them. Drawing a line from the vocal stylings of Crosby Stills Nash & Young and the Zombies through the more esoteric edges of post-punk and Afro-beat, this California five piece have communally crafted a brand of indie rock all their own. The band’s sound has been described as “afropop-influenced guitars with hyperactive drumming and hooky three-part harmonies”.

For Local Natives everything is a collaboration, from song writing duties to the band’s self produced artwork. The three part harmonies come courtesy of keyboardist Kelcey Ayer, guitarists Ryan Hahn and Taylor Rice. Then there’s Matt Frazier on drums and Andy Hamm on bass, who look after the band’s equally impressive graphics and artwork. One of SXSW 2009’s biggest success stories, the band drove for two days to get from Los Angeles to Austin in order to play nine spectacular shows that saw them sprinting, instruments in hand, from one gig to the next. Their hectic schedule paid off as Local Natives left Austin with the attention of the UK music Industry.

Based in the Silver Lake area of Los Angeles, three of the five-piece originally hail from Orange County. Kelcey, Ryan and Taylor attended neighbouring high schools and hooked up with bassist Andy a year after they graduated, later meeting drummer Matt. They’ve been playing – and evolving - together for three years. Last year, however, the band realized that the new songs they were writing were the sounds of a new project entirely. Their debut album as Local Natives, “Gorilla Manor”, was released in the UK on Nov 2nd, 2009, and saw a US release date of Feb. 16th, 2010.I nitial reviews of Local Natives have drawn favourable comparisons to Arcade Fire, Fleet Foxes and Vampire Weekend.

All Ages / GA  / $14.00 adv / $16.00 DOS

Internet 24-7 at www.foxtheater.com

Phone: During box office hours: 303.443.3399

Tea Leaf Green, Oct. 14 @ the Fox Theatre

San Francisco-based band Tea Leaf Green got their start in the relationship formed between guitarist Josh Clark and drummer Scott Rager, who played in a high-school band together in Arcadia, CA. After graduation, Rager enrolled at San Francisco State College, where he met bassist Ben Chambers. When Clark moved to San Francisco, the three began playing together as a trio. Their first paying gig was attended by Trevor Garrod, a singer/songwriter and keyboard player who had moved to San Francisco looking for other musicians to play with. Garrod met the three others, and soon they were playing together as a quartet. They built a following in Northern California and self-released the albums Tea Leaf Green, Midnight on the Reservoir (2001), Live at Slim's, San Francisco CA (2003), Living in Between (2004), and Live at the Independent (2004).

They issued their first national release, Taught to Be Proud, in 2005 and within a year they were opening for Gov't Mule, Trey Anastasio, Dave Matthews Band and a host of other lauded musicians. In 2007, longtime bass player Ben Chambers left the band and was replaced by Reed Mathis, formerly of Jacob Fred Jazz Odyssey. Mathis's stylistic versatility on bass proved to be the perfect fit for the band. In 2008, Tea Leaf Green went on to re-release their first three studio albums as the triple-CD compilation entitled Seeds. Later that year the band followed up with their next studio album Raise Up the Tent.

In June 2010 Tea Leaf Green released Looking West, their first studio album in 2 years. The release is a compilation of road-tested, fan favorite songs that the band has never recorded in the studio. The album marks a new chapter for Tea Leaf Green and represents the artistic and individual growth of the band since their formation more than a decade ago.

In a few short years, these road warriors have built a strong following, consistently filling venues across the country and becoming a warmly received, go-to band on the festival circuit with stand-out performances at Bonnaroo, Wakarusa, 10K Lakes, and The Echo Project, among others. Sharing some of the style and substance of musical contemporaries My Morning Jacket, Wolfmother, and the Raconteurs, Tea Leaf Green conjures the spirit of bands like '70s Bob Dylan, Tom Petty, and The Grateful Dead, taking classic sounds and giving them a present-day polish. Tea Leaf Green reminds us at every turn just how alluring rock 'n' roll can be.

All Ages / GA  / $15.00 adv / $18.00 DOS

Allan Sherman's Warner Bros. LPs reissued on Collectors' Choice

If Stan Freberg owned the ’50s when it came to song parodies, Alan Sherman owned the ’60s. His string of three #1 albums in a row (My Son, the Folk Singer; My Son, the Celebrity; and My Son, the Nut) remains unmatched by any comedian before or since. Yet in what would qualify as a fershlugginer state of affairs, those very same classic albums have never been released on CD in their original form — appearing only on a now out-of-print Rhino Handmade box set. Collectors’ Choice Music will reissue Sherman’s eight Warner Bros. Records albums from 1962-67 on September 7, 2010 — one day before Rosh Hashanah in the Hebrew calendar year 5771.

The digitally remastered albums include My Son, the Folk Singer; My Son, the Celebrity; My Son, the Nut; Allan in Wonderland; For Swingin’ Livers Only!; My Name Is Allan; Allan Sherman Live! (Hoping You Are the Same); and Togetherness and feature newly written liner notes by Barry “Dr. Demento” Hansen.

Sherman’s musical career started when his career as a television producer (“The Steve Allen Show,” “I’ve Got a Secret”) came to a close. He had recorded a handful of Borscht Belt song parodies in the ’50s for Jubilee Records in his native New York and decided to take up where he’d left off. Having relocated to Los Angeles, Sherman was signed to Warner Bros. Records by A&R man and arranger-conductor Lou Busch. The recording session for what would become My Son, the Folk Singer took place where his next six albums would be recorded — Radio Recorders on Hollywood’s McCadden Place, where he was joined by six musicians, six singers, and a live audience of 100, seated in folding chairs, who noshed and imbibed. “I wanted it to be like a party,” he later wrote in his autobiography. The crowd laughter became an essential part of the Allan Sherman sound. The eight Allan Sherman reissues on Collectors’ Choice Music are as follows:

• My Son, The Folk Singer: Sherman recorded his #1 debut album one night on August 6, 1962 with arranger Lou Busch at Hollywood’s Radio Recorders before a live audience of friends including Johnny Mercer, Theo Bikel and Pat Carroll. As reissue annotator Dr. Demento writes, “He had developed a style that somehow preserved the soul of Jewish humor but made it sound all-American.” The album contains such Sherman gems as “Sarah Jackman” (based on “Frère Jacques”), “My Zelda” (“Matilda”), “The Streets of Miami” (“The Streets of Laredo”), “Seltzer Boy” (“Water Boy”) and “Oh Boy” (“Chiapanecas”). The album sold so fast that when Warner Bros. ran out of album jackets, they continued to sell the vinyl alone.

• My Son, The Celebrity: At 37, Allan Sherman, the portly ex-TV producer, was suddenly famous. In the space of three sessions in late 1962, he and Busch again invited friends to the studio, supplying folding chairs, hors d’oeuvres and an open bar. The resulting album featured “Harvey & Sheila” (set to the tune of “Hava Nagila”), painting a portrait of the emerging suburban Jewish upper middle class (“They bought a house one day/Financed by FHA/It had a swimming pool/Full of H20/Traded their used MG/For a new XKE/Switched to the GOP/That’s the way things go”). The second album, which also reached #1, also included “Mexican Hat Dance,” “The Let’s All Call Up AT&T and Protest to the President March,” “Won’t You Come Home Disraeli” and “Barry Is the Baby’s Name/Horowitz/Get on the Garden Freeway.”

• My Son, The Nut: Sherman’s fan base now including President John F. Kennedy and Harpo Marx. The parodist once told Busch he wanted to record with a full orchestra, which Busch thought was indeed nuts, but agreed to add concert strings and brass to the mix for this 1963 album. Featured here is “Hello Muddah, Hello Fadduh,” sung from the vantage point of a malcontented kid at overnight camp. The Los Angeles Times called it “pure craft . . . Sherman clearly tapped not only his son’s experience that summer but the  . . . terror of a child separated from his parents.” Other tracks included “You Went the Wrong Way Old King Louie,” “Automation,” “I See Bones,” “Hungarian Goulash No. 5,” “Here’s to the Crabgrass,” “Rat Fink” and “Hail to Thee, Fat Person.” The album held the #1 spot for eight weeks.

• Allan in Wonderland: Sherman’s 1964 album didn’t reach #1 — the Beatles appeared on Ed Sullivan three weeks after its release, thereby changing the pop charts forever — but Allan Sherman’s fourth album stood up well against its chart-topping forebears. In fact its humor might even have been a little more pointed, most notably “The Dropouts March,” which took a particularly cynical look at educators’ well-meaning efforts to keep kids in school. With psychiatry a popular topic for comedians in the early ’60s, Sherman provided “You Need an Analyst,” based on “I’ve Got a Little List” from The Mikado. The album maxed at #25 on the album chart.

• For Swingin’ Livers Only: The album title was an homage to Frank Sinatra’s famous 1956 album Songs For Swingin’ Lovers. And indeed Sherman made no bones about on which side of the popular music divide he stood with “Pop Hates the Beatles” (to the tune of “Pop Goes the Weasel”). Also included are “The Twelve Gifts of Christmas,” “Grow, Mrs. Goldfarb,” “Your Mother’s Here to Stay,” “Pills,” “Shine On Harvey Bloom,” ”Beautiful Teamsters” and “Bye Bye Blumberg.”  Although one of his most fertile periods for parody, the November 1964 release reached only #32 on the charts. Sherman kept himself in the public eye, appearing on the “Tonight Show” and authoring articles that year for Playboy, TV Guide, The Saturday Evening Post and New York Magazine.

• My Name is Allan: The fad nutrition book of 1965 was The Drinking Man’s Diet, which advanced the peculiar notion that consuming alcohol would ease the stress of dieting and therefore promote weight loss — a notion that Sherman ran with on this, his final charting album. Featured were “The Drinking Man’s Diet” (not a song parody buy rather an original penned by Sherman and arranger Neil Hefti, who also composed the “Batman” theme), “It’s a Most Unusual Play,” “Peyton Place, USA,” “The Laarge Daark Aardvark Song” and “The Painless Dentist.” The humor also extends to the album title and cover — being Jewish is about the only thing Allan Sherman and Barbara Streisand had in common. The album stalled at #88 on the Billboard chart, and was the last album recorded at a Hollywood studio with invited guests in folding chairs.

• Allan Sherman Live! (Hoping You Are the Same): Sparks, Nevada’s Nugget hotel/casino was not exactly Carnegie Hall. But after years of recording before invited guests at recording studios, this 1966 release was his first recorded in concert. This was not a rehash of greatest hits, however. Sherman premiered new material — much of it a minute or less in length — alongside a few of his best-loved songs. Included are “How Van Nuys Got Its Name,” “Smog Gets in Your Eyes,” “The Learner’s Brassiere,” “Mononucleosis,” “Scotch and/or Water,” “Sorry ’Bout That” and “In Which I Finally Admit That I Won World War II Single-Handed” and “Hello Muddah, Hello Fadduh — Nevada Style,” complete with a shout-out to the casino’s owner. Overall it was not a good year for Sherman; his 21-year marriage came to an end, and he’d added fame — which had begun to dissipate — to a list of addictions that included alcohol and carbohydrates. He relocated from Los Angeles to back New York, setting his sights on creating a Broadway musical.

• Togetherness: Allan Sherman’s last album, from 1967, was the only one he made without an audience of any kind, and he and musical director Peter Matz (who he’d met an overnight camp) took full advantage of the studio environment with such effects as singing in the shower. The album’s single was “Westchester Hadassah,” a parody of the New Vaudeville Band’s “Winchester Cathedral,” itself something of a novelty record. He sang it in what Dr. Demento describes as “somewhere between the quaintly nasal sound of the New Vaudeville Band and the nagging woman of a thousand Jewish comedy routines.” Many of the songs were written by Sherman and composer Albert Hague for their Broadway show Birth Is the Coward’s Way Out (retitled The Fig Leaves Are Falling). Sadly, the production lasted a total of two days on Broadway.

Sherman moved back to L.A. and began work on a book. By the time it was published in 1973, Sherman was in poor health, suffering from emphysema (after a lifetime of smoking) and increased weight. He died on November 20, 1973 at the age of 47.

Forty-plus years after his heyday, with the re-release of his catalog, Sherman proves that good comedic music can have timeless appeal.

BROTHERS PAST ANNOUNCES SUMMER DATES

Indie-electronic act BROTHERS PAST has announced a round of summer tour dates, which includes a hometown show at the Electric Factory on Saturday, June 26. The band will also be performing at several festivals along the East Coast, including a high-profile slot at Camp Bisco.

Since returning from a one-year hiatus in early 2009, the band has spent the majority of its time working in the studio, crafting a follow-up to the 2005 release This Feeling’s Called Goodbye (SCI Fidelity Records.) “We’ve recorded a bunch of old songs and a bunch of new songs that Tommy Hamilton and I have written together.” keyboardist Tom McKee said. “All of it will eventually get released one way or another, but some of it probably won’t fit with the record. We’re definitely making progress though, and once we get it out there you’ll be seeing more of us on the road.”

Upon releasing This Feeling’s Called Goodbye, BROTHERS PAST received national attention from fans and critics alike. Morgan Wells of Urb Magazine described it as "...a glimpse into the future of pop music... Brothers Past offers a smooth and believable blend of electronica, rock and pop just original enough to place [This Feeling's Called Goodbye] at the top of a growing pile of genre-bending releases." Steven Rosen in HARP echoed the praise: "There's a future in this kind of music." The record’s catchy rock anthems, captivating arrangements and inspired lyrics received numerous "Top Ten" mentions and was nominated by the Jammy Awards for "Album of the Year." The release has established Brothers Past as innovative songwriters with a progressive vision towards future.

UPCOMING TOUR DATES:
06/18/10 THE WAREHOUSE, HARTFORD, CT
06/19/10 PUTNAM DEN, SARATOGA SPRINGS
06/25/10 BIG F’ing BOAT, NEW YORK, NY
06/26/10 THE ELECTRIC FACTORY, PHILADELPHIA, PA  (with the New Deal)
07/04/10 THE STONE PONY, ASBURY PARK (with Moe)
07/16/10 CAMP BISCO, MARIAHVILLE, NY
08/20/10 LIBERATE MUSIC & YOGA FESTIVAL, SHELDON, VT
08/21/10 BELLATERRA MUSIC & ARTS FESTIVAL, STEPHENTOWN, NY
09/10/10 DANKFEST, MINOT, ME
09/11/10 CATSKILL CHILL, HANCOCK, NY

7 Walkers, featuring Bill Kreutzmann and Papa Mali, Announce Dates

Legendary drummer and co-founder of the Grateful Dead, Bill Kreutzmann, together with funky bluesman and voodoo electronic pioneer Papa Mali, officially unveil 7 Walkers’ spring plans. 7 Walkers, which also features bass virtuoso Reed Mathis (Tea Leaf Green, JFJO) and multi-instrumentalist Matt Hubbard (Willie Nelson and Friends), will stop at select markets and festivals through out the country, all in anticipation of a new album release. The complete list of currently confirmed tour dates is included below.

7 Walkers recently spent time at an Austin, Texas studio, recording an album to be released later this year. In addition to a brand-new batch of Robert Hunter (Grateful Dead and Bob Dylan lyricist) originals that were co-written with the band, the new album offers up favorites from the Grateful Dead repertoire, Papa Mali originals, and some New Orleans and Southern songbook interpretations. Overall, the result is a fiery and funky collection of tunes that quite brilliantly capture the unique collaboration between these two very different musical shamans.

Bill Kreutzmann (who played every show in the Grateful Dead’s illustrious 30 year career as well as The Dead incarnations since) first met funky Papa Mali at a festival in 2008. Bill recalls in a recent interview, “We first met at the Oregon Country Fair last year. He was the headliner on the main stage, and I sat there and watched him and went, ‘This guy's for real man, I like this guy.' Then we met, after that he came over to my trailer that I was staying in and you couldn't separate us, we talked for hours. It was just one of those natural things, you know? You can't plan it; You can't make it happen. And then we started playing together.”

Live audio recordings of the 7 Walkers can be heard at the newly re-launched www.billkreutzmann.com.

Meanwhile, at nugs.net, fans can now download live BK3 recordings from their 2009 Colorado shows. Another potent Kreutzmann musical project, BK3 first toured in 2008 and featured a rotating lineup including such players as guitarist Scott Murawski (Max Creek) and bassists James "Hutch" Hutchinson (Bonnie Raitt), Oteil Burbridge (Allman Brothers), and Mike Gordon (Phish).

Bill Kreutzmann is also working to support the efforts of University of California at Santa Cruz, who has committed to helping to archive all things Grateful Dead. As Kreutzmann explains, “I am incredibly happy that the kind archivists at UC Santa Cruz understand the social value of [the Grateful Dead’s] priceless archive, and its hallowed meaning to our most beloved ‘Dead Heads.’ Without the care it is now going to receive, these treasures would be lost.”

7 Walkers Spring/Summer Tour Dates:

(*Please note guest bass player George Porter Jr. will perform these dates with 7 Walkers)

Tuesday, April 6 Sierra Nevada Brewing Co., Big Room Chico CA
Wednesday, April 7 Red Fox Eureka CA
Thursday, April 8 Crystal Bay Club Crown Room Crystal Bay NV
Friday, April 9 Great American Music Hall San Francisco CA
Saturday, April 10 Moe's Alley Santa Cruz CA
Friday, April 16 Spirit of Suwanee Music Park Live Oak FL
Saturday, April 17 The Salt Lick Driftwood TX
Friday, April 30 Mahalia Jackson Theatre New Orleans, LA
Thursday, June 3 Wakarusa Festival Ozark AR
Friday, June 11 Sonoma County Fairgrounds Santa Rosa CA

Drive-by Truckers @ Boulder Theater

Flaunting a mix of Southern pride, erudite lyrics, and a muscled three-guitar attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. Led by frontman Patterson Hood and comprising a rotating cast of Georgia and Alabama natives, the band celebrated the South while refusing to paint over its spotty past.

History, folklore, politics, and character studies all shared equal space in the Truckers catalog, which offered up its first blast of gutsy, twangy rock with 1998's Gangstabilly. However, it was the band's ambitious double-disc concept album, The Southern Rock Opera, that became their unlikely magnum opus. A two-act affair, the album explored Patterson Hood's fascination with 1970s Southern rock (specifically Lynyrd Skynyrd) while tackling the cultural contradictions of the region.

Although the band remained on tour well into 2009, the Truckers also found time to release their second concert album, Live from Austin TX, as well as a collection of unreleased material entitled The Fine Print: A Collection of Oddities and Rarities. Patterson Hood rounded out the year by issuing his first solo record, Murdering Oscar (And Other Love Songs), although 2010 found him returning to the fold for Drive-By Truckers' eighth studio album, The Big To-Do.

Thursday May 13, 8:30pm

DRIVE-BY TRUCKERS

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On Sale Mar 13
GA / All Ages/ $30.00
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030