parker

Teddy Charles Quartet at KItano | NYC

Teddy Charles is considered to be one of the great jazz vibraphonists and composers of all time, playing with such jazz legends as Charles Mingus, Charlie Parker and Miles Davis. As a student at Julliard in the mid 40s, he haunted New York's jazz clubs, occasionally sitting in with the bands on vibes or piano. His break came unexpectedly one night when he was asked to sit in on piano with Coleman Hawkin's band for the overdue Thelonious Monk. Soon after, Charles began to appear regularly with the top jazz groups of the day, Artie Shaw, Benny Goodman, Buddy De Franco, playing alongside and writing for such jazz stars as Coltrane, Parker, Max Roach and Miles Davis. Recently appeared with Max Roach, David Amram, Lee Konitz. In the early 1950s he began leading his own groups, composing, producing and recording original works such as No More Nights, Blues Become Elektra and Word from Bird.

TEDDY CHARLES QUARTET

FRI. & SAT. APRIL 23 & 24 SETS 8:00 PM & 10:00 PM

THE KITANO | NEW YORK
66 Park Avenue @ 38th St.
RESERVATIONS - 212-885-7119
VISIT OUR TWEETS AT: http://twitter.com/kitanonewyork
http://kitano.com/ email: jazz@kitano.com

Maceo Parker at Cervante's Ballroom - March 12th

Maceo Parker: his name is synonymous with Funky Music, his pedigree impeccable; his band: the tightest little funk orchestra on earth.

Everyone knows by now that he’s played with each and every leader of funk, his start with James Brown, which Maceo describes as "like being at University"; jumping aboard the Mothership with George Clinton; stretching out with Bootsy’s Rubber Band. He’s the living, breathing pulse which connects the history of Funk in one golden thread. The cipher which unravels dance music down to its core.

“Everything’s coming up Maceo,” concluded DownBeat Magazine in a 1991 article at the beginning of Maceo Parker’s solo career. At the time Maceo was a remembered by aficionados of funk music as sideman; appreciated mainly by those in the know. More than a decade and a half later Maceo Parker has been enjoying a blistering solo career. For the past sixteen years Maceo has been building a new funk empire, fresh and stylistically diverse. He navigates deftly between James Brown’s 1960’s soul and George Clinton’s 1970’s freaky funk while exploring mellower jazz and the grooves of hip-hop.

His collaborations over the years performing or recording or both have included Ray Charles, Ani Difranco, James Taylor, De La Soul, Dave Matthews Band and the Red Hot Chilli Peppers. His timeless sound has garnered him a fresh young fan base. It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary alto horn for some time dating back to the 1960’s. That’s when Maceo and his drummer brother Melvin climbed on board the James Brown funky soul funk train. It wasn’t long before James coined the solo summoning signature, “ Maceo, I want you to Blow!” . To most musicologists it’s the muscially fertile group of men from this period of James Brown’s band who are recognized as the early pioneers of the modern funk and hip-hop we still jump to today.

Tickets are $20.00 Advance / $25.00 Day of show
Doors are at 8pm, show begins at approx. 9PM
Tickets are available at the Cervantes’ box office or online at Cervante's Ticketing

Harry Houdini, A musical anointing, and the Ghosts of Jim Crow: The North Mississippi AllStars

Leslie Jenkins believes in the power of the blues. She believes in its’ power to lift the souls of those who truly are listening. If The Blues were to be a religion, I suspect she’d be in the front pew, ready for a anointing thru music each and every Saturday night. Or – better yet, she might heed a calling and lead the congregation, preferably with a historically accurate homemade instrument. Music - for the farmer and local television personality, is a religious expression to be made with careful consideration.