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Cloud Control Premiere New Track "Mediation" & US Dates

With affirmation of their brilliance in from their homeland, being awarded the critically acclaimed Australian Music Award Cloud Control are set to unleash their stellar collection of quirky layered harmonic psyche-pop on the rest of the world.
Cloud Control signed to bespoke independent label Infectious Music in 2010, and very quickly the tightly packed four-piece from the picturesque and rugged terrains of Australia’s Blue Mountains started to turn heads with the NME claiming “We’ve got a new bunch of favorite fuzzlings, and their name is Cloud Control” and noted BBC Radio 1 D.J Nick Grimshaw hailing Bliss Release the bands debut long-player “perfect for summer time”.
The first part 2011 has seen Cloud Control complete a string of live shows on both sides of the Atlantic, including a grueling nine show campaign at SXSW in Austin Texas and support slots in the UK with Noah & the Whale, Mona and the Naked and Famous. During this first visit to Europe, respected Dutch music title Oor Magazine noted “Cloud Control is setting a foundation for an undoubtedly successful music year for them in Europe. Let The Vaccines, Mona and the rest fight over being newcomer of the year. Here in Paradiso stood one of the festival hits of 2011.”
With their amps still steaming Cloud Control jetted back to the UK for their debut headline tour in April, which ended triumphantly in front of a sold-out crowd at venue XOYO in London’s East End. And it seems as the weeks continue to unfold towards the UK & EU release of ‘Bliss Release’ on May 23rd, more and more people are professing their love for the group, including Huw Stephens from BBC Radio 1 who tweeted “Watching Cloud Control filling the breathtaking Koko venue with their stomping harmonious beauty” and Drowned In Sound who declared “Cloud Control have made a tremendously enjoyable album.”
Keep a close eye on Cloud Control this summer who play a slew of festival dates that already include Great Escape, Hop Farm and Field Day Festivals in the UK and the likes of Lowlands, London Calling, Hurricane & Southside and Les Rock Dans Tous Ses Etats in Europe. The band will be back in the US this Summer playing shows in New York and LA.
Cloud Control are Alister Wright (guitar/lead vocals), Jeremy Kelshaw (bass) and siblings Heidi Lenffer (keyboards/vocals) and Ulrich Lenffer (drums).
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US Dates

July 24th - Knitting Factory - Brooklyn, NY
July 25th - Mercury Lounge - New York, NY
July 27th - Troubadour - Los Angeles, CA

The Contribution: Which Way World

Born out of the friendly and wooded confines of a Hornings Hideout gathering in 2005, comes a jamband supergroup of sorts called The Contribution.  The project fronted by Tim Carbone (fiddle/vocals) of Railroad Earth brings together seasoned veterans Jeff Miller (guitar/vocals) and Phil Ferlino (keys) of New Monsoon, as well as Keith Moseley (bass) and Jason Hann (drums) of The String Cheese Incident to form a collaborative effort of totally original songs.

 

With some downtime over the last six months, the group was finally ready to hit the studio and start recording.  The final result, dubbed Which Way World, is a mellow, alt-country concept album.  Lyrically, it is a very reflective look on our broken society and ponders the direction we as humans are heading.  Not quite the happy-go-lucky tunes one might expect from these jam heroes, as it is filled with socio-political undertones and cautious optimism.

 

Fear is a strongly referenced emotion throughout many of these songs, evident in the rollicking blues tune "Fear of Nothing" or the meandering "Better Days".  Even the melodic title track asks "which way world, are you gonna go?"  Another tune, "Samsara", has an Old West feel to it that describes "oceans of tears and wheels of suffering".

 

The disc starts off energetically with the twangy, swampy jam vehicle "Come Around" before the rest of the album kind of drags its feet in the mud.  Musically, these five deliver upon their immense talent but stumble in structure.  With the exception of the closing track "Year of Jubilee", the rest of the album is slightly depressing and a bit too slow.

 

All is not lost though; there is some exceptional guitar work by the underappreciated Jeff Miller as well as some beautifully haunting fiddle sections by Carbone.  The rest of the band also lend their respective talents to the project wonderfully.  And these songs will likely take on new life once they are performed, and reformed, in a live setting (as of press time the group had two confirmed shows in Denver and San Francisco).

 

But Which Way World leaves a lot to be desired from these well-known musicians.  Because of the personnel the potential was there to create a very uplifting, high-energy, jam-rocking album.  Instead, listeners get a dark and dreary product that falls short of expectations.