learning

Over the Rhine gets help from Joe Henry on new CD

The Long Surrender, the new studio album from the southern Ohio-based husband-and-wife team of multi-instrumentalist/vocalist Linford Detweiler and vocalist/multi-instrumentalist Karin Bergquist, otherwise known as Over the Rhine, is something rare and wondrous — an intimate epic. The fan-funded record, to be released January 11, 2011 on OtR’s own Great Speckled Dog label (named for the couple’s Great Dane, Elroy), marks 20 years since their 1991 debut. It’s the bountiful result of a collaboration between the couple and Joe Henry, whose songs they’ve long admired.

“Joe has been quietly making records (well not that quietly, he has won at least two Grammys) that don’t sound like other records bring made in 2010,” says Detweiler. “They are a little bit dark and cinematic and funky and unpredictable. It seems like he loves to help performers who have already covered a lot of miles — Mavis Staples, Elvis Costello, Solomon Burke, Loudon Wainwright III, Ramblin’ Jack Elliot, Mose Allison, Allen Toussaint — rediscover the soul of what they do in a new light.” The Long Surrender was recorded at Henry’s Garfield House studio in South Pasadena, Calif.

“With The Long Surrender, our vision was to make a record we couldn’t imagine in advance,” says Detweiler. “We wanted to be surprised. We wanted to remain open, let the record unfold in real time. Fortunately, Joe loves to be surprised as well.”

The album’s title “speaks to our ongoing desire to let go of certain expectations — and much of what we are convinced we know for sure — in favor of remaining open and curious,” Bergquist explains. “It seems like so many of our friends are currently wrestling with various forms of ‘letting go,’ so hopefully the ideas conjured by the title feel somewhat universal. And I think the title speaks to the arc of a lifetime commitment to writing and performing regardless of recognition. Learning when to work and when to let go. Learning to leave room for grace to billow our sails occasionally. Learning not to white-knuckle everything.”

In his liner notes, as much free verse as prose, Henry writes, “Before their arrival on my turf, my communication with them had been a fast flurry of emails, occasional phone conferences and songs that I’d find sporadically in my morning inbox. I had pictured Karin and Linford in the attic of their Civil War-era house in the rural outskirts of Cincinnati, huddled beneath a swinging bare bulb, shooing away pigeons and confiding songs-in-progress into an old German-made reel-to-reel recorder . . . I am not suggesting that these songs as I first heard them sounded in any way anachronistic, but rather that they shimmered in some amber band of light that stood outside of time . . . hung like blue smoke in rafters. And Karin and Linford brought with them, in fact, the greatest gift one can bring to a collaborative outing — that being an abiding faith in and a continuing wonder at the mystery involved in the process.”

The May 2010 sessions at The Garfield House enlisted drummer Jay Bellerose, bassist David Piltch, pedal steel and all-things-stringed player Greg Leisz, keyboard sound-scapists Keefus Cianca and Patrick Warren and Joe’s son Levon on tenor sax, along with soul singers James Gilstrap, Niki Haris and Jean McClain. Lucinda Williams, of whom Detweiler and Bergquist are longtime fans, traded lines with Bergquist on the song “Undamned,” which evokes a campfire gathering under a canopy of stars in a John Ford Western.

Even more than their earlier records, The Long Surrender seamlessly interweaves the disparate strains that form the many-colored crazy quilt of American music. “We’re really only reflecting what we’ve already heard,” Detweiler explains, “a mix of all the music we grew up with and were drawn to . . . But when this music is reflected back to the listener through the filter of our own particular lives, it hopefully becomes a different experience for those with ears to hear.”

As Henry puts it, “We settled for luminance over order, a terse beauty and a smeared-lipstick brand of soul. . . I am not in the business of dispelling mysteries, only abiding them when invited. Mystery is life’s strange and glorious weather, so to speak. And this time, Over the Rhine brought it with them.”

Over the Rhine will preview The Long Surrender over a series of fall tour dates, the centerpiece of which is “Over the Rhine Across the West” <http://www.flyingunderradar.com/rails/FT10LS.htm>, a five-day music festival held November 5-10 aboard railroad cars from Los Angeles to Santa Fe, across the Mohave Desert, tracing the lines of Route 66, “the Mother Road,” and then by chartered motor-coach to the Painted Desert, the Petrified Forest, Winslow, AZ and the Grand Canyon, before re-boarding for the return trip. Also featured are Lucy Wainwright Roche, Mickey Grimm and Swan Dive, as well as photographer Michael Wilson and naturalist Lynn Neal.

Other fall and winter shows:

Fri., Nov. 12  LOS ANGELES, CA Troubadour *
Sat., Nov. 13   SAN FRANCISCO, CA Great American Music Hall *
Mon, Nov. 15  EUGENE, OR W.O.W. Hall *
Wed., Nov. 17  PORTLAND, OR Aladdin Theater *
Fri.-Sun., Nov. 19, 20 & 21  SEATTLE, WA Triple Door *
Fri., Dec. 3  MARION, OH Palace Theatre   
Sat., Dec. 4  KENT, OH Kent Stage       
Sun., Dec. 5   ANN ARBOR, MI The Ark    
Tues., Dec. 7   COLUMBUS, OH Lincoln Theatre    
Fri., Dec. 10  LOUISVILLE, KY Bomhard Theater  
Sat., Dec. 11  CHICAGO, IL Old Town School of Folk Music (7 & 10 p.m.)
Fri., Dec. 17  CINCINNATI, OH The Long Surrender Premiere at the
Jarson-Kaplan Theatre  (in the Aronoff Center)  
Sat., Dec. 18    CINCINNATI, OH Taft Theatre (with special guest Joe Henry)
Sun., Dec. 19    NORWOOD, OH St. Elizabeth's  
(*shows with special guest Lucy Wainwright Roche)

HOWARD LEVY HARMONICA SCHOOL

The Howard Levy Harmonica School online has appreciatively received a warm and enthusiastic response from the harmonica playing community and student base from around the world.  The Howard Levy Harmonica School, an online video-exchange-based learning site for harmonica players created by ArtistWorks, is led by Howard Levy, arguably the world’s most prominent harmonica master. The nature of this innovative school is its appeal to players from novice to virtuoso. The range of music taught includes Blues, Jazz, Folk, World Music and more, with technical instruction in bending, overblowing, developing speed, and basic music theory to help students be able to play well in all these styles. A person can enroll in the “HLHS” a beginner, and can learn and improve rapidly to become an advanced player. The HLHS has hundreds of pre-recorded HD video lessons, with more added each week. In addition to video exchange interaction with Howard, students participate in a very active and supportive online community and help each other advance in their playing as well. Launched in December 2009, the HLHS has experienced a surge of new student enrollment and the support of top industry leaders and media.

Hohner USA has embraced the program with an exclusive offer of a “Special 20” harmonica (valued at $47) to new student members, a promotion kicking off this month, and a significant article appeared on Harmonica411.com, offering an overview of the Howard Levy Harmonica School and an in-depth look at Howard’s technique and approach to playing. The breaking news of this one-of-a-kind learning platform from the man universally acknowledged as the world’s most advanced diatonic harmonica player has landed students from all around the USA and Canada, as well as many international students from South America, Europe, Asia, and Australia.

HLHS students learn by video exchange with Howard Levy, submitting clips of their playing to Howard for his review. Howard then provides a personalized video response to the student offering guidance on mastering the lesson. The exchange between teacher and student are permanently recorded and paired on the site for the entire Harmonica School to learn from, and breaks new ground in learning a musical instrument online. Renata Yambaeva is a new student based in Russia who enrolled last month and shares, “I really like this format. The lessons are helpful, interesting and pleasant. Howard found right length of a lesson - about five minutes, it’s the perfect time. And I really appreciate Howard's sense of humor, the lessons never bore!” Tapan Bhatt, an India-based student who is also the Secretary of the Harmonica Club of Gujarat respectfully notes, “I feel I am late by many years in learning from Mr. Levy. In true spirits, I am extremely enjoying the lessons.”

“It is clear that the ArtistWorks platform is redefining online visual education,” says David Butler, ArtistWorks CEO, “the video exchange format enables worldwide student enrollment, allowing Master Class-level teaching to reach harmonica enthusiasts of all types, in all countries. The additional support of leading harmonica market contributors only reaffirms the necessity and interest of the harmonica education curriculum.”

The recent addition of “New Tune Fridays” to the HLHS presents students with one or more new song lessons with backing tracks, with a message of encouragement to try different playing techniques over it. This effort cheers students on and inspires them to play something new each week in addition to their regular lessons. Learn a new tune this Friday at the Howard Levy Harmonica School online.

The Harmonica411.com Artist Interview with Howard Levy can be viewed here.

About Artistworks:

The ArtistWorks online visual education format allows virtuoso musicians to “Teach the World” by presenting their full method, technique or curriculum in HD video to subscribing students of their sites. Simple webcams are used by the students to submit videos to the Artist through the site, for critique and guidance if they want personalized instruction. The Artists manage the video flow by using the Video Management System created and owned by ArtistWorks, Inc. (patent pending). Regardless of whether or not students participate in exchanging videos with the Artist, these “Video Exchanges” are posted for all subscribing students to learn from. This groundbreaking use of video exchange for the instruction of musical instruments has been implemented at Jimmy Bruno Guitar Institute, the Qbert Skratch University, Andreas Oberg Guitar Universe, Peery Piano Online, Tony Trischka School of Banjo and Howard Levy Harmonica School. Learn more at www.ArtistWorks.com.