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The Motet: Funk Is Dead @ Boulder Theater

Z2 Entertainment is proud to present The Motet:  Funk Is Dead Performing the music of the Grateful Dead at the Boulder Theater on Monday, October 31st. Tickets go on sale Friday, June 17th at 10:00am.

The Motet is extremely excited to announce that for Halloween 2011 they will be paying tribute to the music of one of the most influential rock bands of the last 40 years: THE GRATEFUL DEAD!

How does the Grateful Dead’s sound fit into the energy and vibe of a Motet Halloween show?  They will be taking the challenge of reworking those epic and timeless songs with the energetic afro-funk grooves that you come to expect from The Motet…..hence the title “Funk is Dead!”

In addition to the slamming rhythm section of Dave Watts (drums), Garrett Sayers (bass), Joey Porter (keys), Ryan Jalbert (guitar), Scott Messersmith (percussion) and Dan Schwindt (guitar), they will be bringing in 3 of their great vocalists:  Jans Ingber, Paul Creighton and Kim Dawson.  Also, they will be showcasing a trio of horns (who’s ever played the Grateful Dead with a horn section?!):  Gabe Mervine (trumpet), Matt Pitts (tenor) and Pete Wall (bari)>

The boys are certain that these are going to go down in Motet Halloween history as some of the most exciting and creative shows they have ever put together!! Make sure to get your tickets soon so you don’t find yourself at the concert with your finger in the air looking for a funky miracle!

For more information please visit www.themotet.net

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The Motet Presents Funk Is Dead

Boulder Theater

Monday, October 31st

Doors:  8:00 pm

Show Time:  8:30 pm

The Antlers Play BOULDER At Fox Theatre On 4.26

Sometimes you have to put yourself first, no matter how difficult that notion seems; no matter how much time and effort you’ve already put into this one person—the person who’s reduced your very being to its absolute core. Just ask Peter Silberman, the string-pulling founder of The Antlers, a solo project that suddenly went widescreen on the self-released Hospice LP (now receiving a proper widespread pressing through Frenchkiss). The first Antlers effort to feature two key permanent players—powerhouse drummer Michael Lerner and the layer-lathering multi-instrumentalist Darby Cicci—it’s an album with a sound that’s actually as ambitious as its concept.

“Hospice came from the idea of caring for a terminal patient who’s mentally abusive to you,” says Silberman. “You don’t have the right to argue with them, either, because they’re the one who’s dying here; they’re the one that’s been dealt a wrong hand. So you take it, but you can only take so much. Eventually, you realize that this person is just destroying you.”

Appropriately enough, Hospice’s 10 distinct chapters resonate on debilitating sonic and lyrical levels, from the hypnotic harp and tension-ratcheting build of “Two” to the sing-or-sink choruses of “Bear” and the speaker-rattling peaks of “Sylvia,” easily one of the year’s most immediate epics. It’s here, amidst contrasting shards of ambient noise, sweeping strings and smoky horns, where The Antlers truly transcend Silberman’s singer-songwriter beginnings—a striking escalation of expectations first hinted at on 2008’s New York Hospitals EP. The progression doesn’t end there, either. In a move that could be taken as the riff-raking extension of his thorough guitar training (from the age of 6 ‘til right before college), “Atrophy” and “Wake” delve into sheets of distortion, subtle shades of soul, cicada-like effects and enough movements to fill an entire EP.

“We were going for something that’d be dense but not too complicated,” explains Silberman. “I hate the word ‘lush,’ but I guess that’s the best way of describing it. The structures are like pop songs—verse/chorus, verse/chorus—but the sound is a little more shoegaze-y or post-rocky.”

It’s about to get even more complicated, too, as The Antlers’ Technicolor-tinged trio take all of Hospice’s songs—and three previous releases—in a completely different direction, jettisoning a note-for-note rendition of the record for “a massive sound” doused in delay, reverb and unrehearsed chaos. And to think Cicci was a stage actor with a desire to drop it all for music just a few years ago.

“Hospice was the clear indication that this isn’t a singer-songwriter thing at all,” says Silberman. “Whatever we record next is going to define the three of us as a ‘band.’

He continues, “I always figured I’d be the ‘shredder’ in a group… But things somehow ended up this way.”  We wouldn’t have it any other way, either.

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The Antlers US Tour Dates With Phantogram:

Fri-Apr-16 - Columbus, OH - The Basement
Sat-Apr-17 - Urbana, IL - Canopy Club
Sun-Apr-18 - Madison, WI - High Noon Saloon
Tue-Apr-20 - Minneapolis, MN - Varsity Theatre
Wed-Apr-21 - Iowa City, IA  - The Blue Moose
Thu-Apr-22 - Chicago, IL - Lincoln Hall
Fri-Apr-23 - Ann Arbor, MI - Blind Pig

Mon-Apr-26 - Boulder, Co - Fox Theatre
Wed-Apr-28 - San Diego, CA - Casbah
Thurs-Apr-29-Costa Mesa, CA - Detroit Bar
Fri-Apr-30 - Los Angeles, CA - Troubadour
Sat-May-01 - San Francisco, CA  - Independent
Mon-May-03 - Portland, OR - Doug Fir Lounge
Tue-May-04 - Vancouver, BC - The Biltmore Cabaret
Wed-May-05 - Seattle, WA - Neumo's

The Antlers US Dates With The National:

Wed-Jun-02 - Boston, MA  - House of Blues w/The National
Thu-Jun-03 - Boston, MA  - House of Blues w/The National
Fri-Jun-04 - Philadelphia, PA - Electric Factory w/The National
Sat-Jun-05 - Philadelphia, PA - Electric Factory w/The National
Sun-Jun-06 - Washington, DC - Constitution Hall w/The National
Tue-Jun-08  - Toronto, ON - Massey Hall w/The National
Wed-Jun-09 - Toronto, ON - Massey Hall w/The National

Wed-Jun-16 - New York, NY - Radio City Music Hall w/The National