Asleep At The Wheel @ Boulder Theater | 7/24

Can a wheel reinvent itself while it’s still rolling?

Sounds like an impossible task -- but you never want to say “impossible” to Asleep at the Wheel, the famed western-swing, boogie, and roots-music outfit that’s, amazingly, still on the upswing. That’s saying something, too, considering the group’s been around for nearly 40 years, turning out an incredible 25+ albums while playing an unrelenting schedule of one-nighters that would make a vaudevillian dizzy.

“In terms of how many people we played for, what we accomplished, and how much money we made – well, we didn’t make any money – this year was absolutely our best year ever,” says Wheel founder and front man Ray Benson with a chuckle.

And even as the Wheel rolled on, the reinvention had begun. You could see and hear it in their live shows, where new vocalist Elizabeth McQueen invited comparison with the classic female vocalists of the band’s earlier era, and fiddler-singer Jason Roberts gave the band a second male lead voice to complement Benson’s immediately identifiable baritone.

These days, the reinvented Wheel is also rolling down a couple of new avenues. One involves to the critically acclaimed musical play, A Ride With Bob, which stars Benson as himself -- encountering the ghost of Bob Wills on a tour bus – Roberts as the young Wills, and McQueen as Minnie Pearl and other famed entertainment figures, with the rest of the band members featured as well. Originally designed as a one-off celebration of Wills’ 100th birthday in ’05, A Ride With Bob quickly took on a life of its own and, notes Benson, “it’s absolutely a part of what we do now.” Another success has been the adaptation of the Wheel’s repertoire for pops symphony. Performances with Dallas, Austin, Fort Worth & Amarillo symphonies have drawn record crowds.

The Wheel’s new look is also spotlighted in several new discs – the first called, appropriately enough, Reinventing the Wheel. The 12-cut celebration of American – particularly Southwestern – music features guest appearances by gospel’s Blind Boys of Alabama (with a splendid reworking of the old Wills tune “The Devil Ain’t Lazy”) and banjoist Rolf Sieker, along with lead vocals by McQueen and Roberts as well as Benson, whose voice has been synonymous with Asleep at the Wheel for decades.

The second is 2009’s Willie and the Wheel; a collaboration with Willie Nelson that was originally envisioned by famed producer Jerry Wexler in the 1970s. Unfortunately before they had a chance to cut it, Nelson had left Atlantic Records. But over the ensuing decades Wexler kept the idea alive and even gave Ray his entire collection of western swing vinyl that included his notes on song choices and treatments. In late 2007 the idea was revived and Jerry and Ray reconnected by phone. Always the producer with a vision, Jerry was involved in every way. He insisted that some of the tracks should include horns as well as a return to traditional fiddles and lap steel guitar associated with western swing. As the sessions concluded and Willie finished his vocals the tracks were sent to Jerry. “To my delight and relief,” says Ray, “he loved them.” In fact, Wexler heard most of the finished tracks prior to his passing in August 2008. "Jerry wanted us to do this album and I'm glad we got to do it for him, “says Willie Nelson. “And that he heard it before he passed on."

The success of the Willie and the Wheel album release was quickly followed up by a tour and even a taping of the 35th anniversary of Austin City Limits for PBS (for broadcast in Fall of 2009), a fitting double-bill as Willie had taped the pilot and Asleep at the Wheel appeared in the very first regular episode of the legendary live music television program.

And now in contemplating the 40th anniversary of Asleep at the Wheel in 2010, Ray remains focused on the original concept. “I carried the load for many, many years, but I’ve always just wanted to have a band, as opposed to Ray Benson and Asleep at the Wheel,” Benson explains. “That’s what we had in the ‘70s – a band, a revue kind of deal, which was the whole concept. But trying to replace a Chris O’Connell was very difficult. And then Elizabeth walks up, and boom – here’s my girl singer. And then I kept pushing Jason, both through the play and through the band, saying, `Man, you’ve got talent. You can sing. You’ve got the golden ear – just apply it to your singing and songwriting.’”

Roberts, who’s been the Wheel’s full-time fiddler since early ’96, welcomed the opportunity to be a part of the revamped, revue-style Wheel. “I think everybody got a chance to put their two cents in, and bring to the table what they had, ” he adds. “God bless Ray Benson for allowing us to do that..”

Adds McQueen, “One of the things about Asleep at the Wheel is that they always have great musicians. That’s what they’re known for. So for them to ask me to join and then to keep me in the band, and to let me step out a little more and stand in the shoes of Chris O’Connell and Maryann Price, who were amazing singers – that’s an incredible honor. It’s above and beyond my greatest expectations.”

So, whether your next encounter with Asleep at the Wheel is at a dance or concert, or backing up Willie Nelson via the new disc, or at a live production of A Ride with Bob, you’ll be witnessing something very special -- a band that’s not only been entertaining audiences with its own genre-busting music for four decades, but also a group that’s never been afraid to try something new -- including a reinvention, inspired by the past, that rolls joyously toward a long and shining future.

More Info / Buy Tickets


Date/Time: July 24, 2011, 8:00 pm

Audience: All Ages

Seating: All Seated Reserved/GA

Ticket Availability: Yes

General Admission: $32.00

Reserved Tickets: $37.50

Gold Circle: $48.50

"Fahrenheit 9/11" - Was President Bush Asleep at the Helm?

recruiters near Flynt, MI trying to sign up more troops- for the Grateful Web

"Fahrenheit 9/11," Michael Moore's latest documentary, gives a detailed account of the events leading up to 9/11 and the President's response. As the movie opens it recounts how Bush literally stole the Presidency, with the help of his brother Jeb Bush, the Governor of Florida, and his friend, Republican Secretary of State Katherine Harris. The movie potrays how African-American voters in Florida were disenfranchised and how no member of the U.S. Senate was willing to sign their petition to investigate the election.


After describing the process by which Bush was se-lected, Moore documents how Bush spent the months following inauguration taking extended vacations for his two favorite sports, golfing and hunting. The nation effectively had no one in the driver's seat during this period. The FBI gave John Ashcroft repeated warnings of an imminent terrorist attack by al Queda, but rather than taking action to protect the nation Ashcroft said that he was tired of hearing about the warnings and didn't want to hear anything more about it.


Perhaps the most troubling part of the movie concerns the presence of the Osama bin Laden family in the U.S. on the day of 9/11. Members of the bin Laden family were living in Washingon, D.C., Los Angeles, and Orlando. Just days after the attack on 9/11, the bin Laden family was rushed out of the county by plane on 9/13 when all commercial flights were grounded. Ironically, Osama bin Laden's eldest brother Salem, was one of Bush's first business partners. Interesting behavior for a President who describes himself as the leader on the war against terror. Perhaps if Bush could break his business ties with the terrorists, that might help us win the war? Just a thought.

Bush's ineptness is best shown in his handling of the 9/11 attack. On the morning of the attack, Bush is making an appearance in a predominantly black grade school in Texas to read "My Pet Goat" with the students. After being informed that the second plane was flown into the World Trade Center, Bush was at a loss as to how to proceed. Instead of taking action to protect the Nation's security, he simply sat there and did nothing. He continued reading "My Pet Goat."

In the weeks and months following 9/11, Bush wakes up. Now it's time to attack Afghanistan. Lives of American soldiers are given in vain as we fail to capture the man behind it all, Osama bin Laden. Of course, why would we want to capture a friend of the Bush family?

Then the real charade begins. As Moore describes, we refocus our efforts on Iraq and wage war on a county that never attacked, threatened, or presented a known threat to the United States. "Fahrenheit 9/11" puts the camera on the bodies of the burned Iraqi children, innocent, yet brutally murdered by the U.S. military. All for weapons of mass destruction that were never found.

OIL- Operation Iraqi Liberation. As one conservative recently told me, "Ah, but the oil we will get will be well worth it." So we finally get to the truth. All of these Iraqi children were killed so that Dick Cheney, former CEO of Halliburton could help out his old company. But I thought this was free market society with open competition? No, Halliburton was pre-selected to receive all of the major oil contracts. That's American tax dollars going into the pocket of Dick Cheney's buddies. Meanwhile, 60% of American corporations, like Halliburton, pay zero tax dollars. Seem fair to you?

Another company the Bush administration has picked to rebuild Iraq also had ties to bin Laden's family, Betchtel Corporation. Osama bin Laden family members invested $10M in an equity fund run by the former Bechtel unit. Yes, we want to make sure the bin Laden family benefits from the war efforts, since, after all, Osama bin Laden was responsible for the terrorist attacks that convinced us that we needed to go to war in the first place.

Oh, but we're liberating Iraq. Even if weapons of mass destruction were never found, Saddam Hussein was an evil dictator and we needed to liberate the country. Please explain this to me: How do you liberate a county by killing its innocent citizens? Sounds a little fishy to me.

Overall, Moore's "Fahrenheit 9/11" depicts the fatal errors of an incompetent administration that was not duly elected in the first place. We can only hope that the good Americans will do a better job to ensure that a competent leader is chosen this November. And that would be ANYBODY BUT BUSH!

"Since when did telling the truth mean you're a liberal?"