instrumental

Deerhoof's New Collaborative 7” with Jeff Tweedy

Jeff Tweedy fronting Deerhoof? You might be surprised just how natural the voice of Wilco sounds amidst the eccentric, swirling chaos of the Deerhoofian musical universe.

The Wilco-Deerhoof connection goes back a long way. They toured the midwest together in 2004. Wilco guitarist Nels Cline's "Suspended Head" from Instrumentals (2002) was the guitarist's raucous tribute to Deerhoof. Frontman Jeff Tweedy has been name-checking Deerhoof records in best-of lists for years. And when Deerhoof recently pointed to Wilco as the inspiration for their song "Behold A Marvel In The Darkness,” the idea was hatched that Mr. Tweedy should actually have a go.

Which brings us to "Behold A Raccoon In The Darkness," the fourth installment of Deerhoof’s collaborative 7” series in which guest vocalists perform over an instrumental track from the band’s latest full-length, Deerhoof vs. Evil.

The instrumental track, the melody, and the lyrics for "Behold" are unchanged from the original. But in place of Deerhoof chanteuse Satomi Matsuzaki, we hear the immediately identifiable pipes of Jeff Tweedy, with harmonies by his son Spencer.

Side B features "Own It," an original song by The Raccoonists, a group comprised of Tweedy and his two sons, Spencer and Sam. Although the band originally began as an instrumental duo (consisting of Jeff and Spencer), it has since evolved into a trio with Sam providing vocals. Recorded in Spencer and Sam's bedroom, "Own It" is the first Raccoonists song to be released. However, the group does have plans to record more tracks later this year.

You can listen to the 7” and watch the video for “Own It” now.

"Behold a Raccoon in the Darkness" comes out October 11 on Polyvinyl Records. It is limited to 2000 copies on clear pink vinyl and it is available for pre-order now.

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TOUR DATES

aug 07 - Katowice, Poland - OFF Festival (Scena Lesna stage)

sep 15 - San Francisco, CA - Atrium at SFMOMA (Adam Pendleton & Deerhoof present BAND)

sep 20 - Brooklyn, NY - Music Hall of Williamsburg (White Suns, Mick Barr)

sep 21 - Philadelphia, PA - World Cafe Live (Joshua Stamper)

sep 22 - Charlottesville, VA - Jefferson Theater (Gull, Invisible Hand)

sep 23 - Cincinnati, OH - Know Theatre (Midpoint Music Festival)

sep 24 - Champaign, IL - Polyvinyl's 15th Anniversary Party at Pygmalion (Braid, Xiu Xiu, and many more)

sep 25 - Chicago, IL - Bottom Lounge (Trin Tran, The Cloak Ox)

sep 26 - St. Louis, MO - Luminary Center for the Arts (Sleepy Kitty)

sep 28 - Ithaca, NY - The Haunt (Keir Neurings, Powerdove)

sep 29 - Cambridge, MA - Middle East (The Toughcats, Fat Worm of Error)

oct 01 - Washington, DC - 9:30 Club (Benjy Ferree)

oct 02 - Asbury Park, NJ - ATP - Asbury Park Convention Hall & Paramount Theatre (w/ Portishead, Mogwai, Battles, Earth, and more)

The Dodos at Fox Theatre | 09.27.11

Z2 Entertainment is proud to present The Dodos with The Luyas at the Fox Theatre on Tuesday, September 27th. Tickets go on sale Friday, June 17th at 10:00 am.

The drums hit you in the chest first, spraying your speakers like swift gunshots. But then Meric Long’s finger-picked chords kick in, cascading across Logan Kroeber’s brass knuckle beats like only the best Dodos songs can.

This forward motion feeling has driven the duo since 2005, but several key changes lift their fourth LP (No Color) to another level. For one thing, the band reunited with Portland producer John Askew, the man behind the boards of the Dodos’ first two full-lengths,Beware of the Maniacs and Visiter. Having an old friend around was like adding an honorary third member; a voice of reason who can isn’t afraid of vetoing ill-fated ideas. Ideas like glossy layers of vibraphone that lost their luster halfway through.

The main focus of No Color was to bottle the frenzied folk approach that’s been there since the beginning. And it works damn well, from the dagger-drawing dynamics and brain-burrowing choruses of “Black Night” to the hairpin turns and splashy percussion of “Good.” And then there are the songs that’ll make you want to dub old episodes of 120 Minutes, including the instrumental break of “Don’t Stop” and the sneak attack solo that weaves its way around the steely rhythms of “Don’t Try and Hide It.”

“I have a love for ‘90s riffs that I haven’t gotten to showcase in this band,” says Long. “The most fun I had with this record was when I got to strap on the electric guitar and come up with Billy Corgan riffs while the tape was rolling.”

There’s less room for error than there’s ever been.  “We’re more naked this way,” explains Long. “You can hide a lot of your mistakes on an acoustic, but with an electric, every single note is much louder and more piercing. So I have to be way more on top of my playing now.”

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The Dodos

w/ The Luyas

Fox Theatre

Tuesday, September 27th

Doors:  8:30 pm

Show Time:  9:00 pm

Eddie Vedder Album "Ukulele Songs" Released 5/31

Eddie Vedder will release a solo album, Ukulele Songs, on Tuesday, May 31st (May 30th internationally) through Pearl Jam's Monkeywrench Records. Ukulele Songs is a collection of original songs and covers performed by Vedder on ukulele. The first single from the album, "Longing to Belong," will be available for sale through digital retailers on Tuesday, March 22nd (March 21st internationally).

Also released on May 31st is Water on the Road, a live-concert DVD directed by Brendan Canty of Fugazi and Christoph Green featuring performances from Vedder’s August 16 and 17, 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The DVD features a live performance of "You're True" from Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder’s critically acclaimed, award-winning solo record, Into The Wild.

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Ukulele Songs Album Tracklisting:

1. Can't Keep

2. Sleeping by Myself

3. Without You

4. More Than You Know

5. Goodbye

6. Broken Heart

7. Satellite

8. Longing to Belong

9. Hey Fahkah

10. You're True

11. Light Today

12. Sleepless Nights (featuring Glen Hansard)

13. Once in Awhile

14. Waving Palms

15. Tonight You Belong to Me (featuring Cat Power)

16. Dream a Little Dream

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Water on the Road Live Concert DVD Tracklisting:

1. The Canyon

2. Sometimes

3. Trouble

4. Around the Bend

5. Girl From the North Country

6. Guaranteed

7. Setting Forth

8. Far Behind

9. No Ceiling

10. Rise

11. Golden State

12. Society

13. Forever Young

14. Ed Piano (Instrumental)

15. I’m Open

16. Man of the Hour

17. Driftin’

18. No More

19. You’re True

20. Ukulele Interlude (Instrumental)

21. Unthought Known

22.  Arc

23.  Hard Sun

24.  The Canyon (reprise)

Saxophonist Plunky Releases R&B CD

J. Plunky Branch's new release, Plunky On Fire, is a funk jazz concept album that burns across a wide swath of the urban contemporary music landscape. Plunky On Fire takes us on a musical journey through down-tempo funk jazz; house-tempo dance; R&B love songs; spoken word; smooth mellow jazz; novelty funk; world soul message music; live gig clips and thought leader lecturing, all on one chockfull compact disc.

Saxophonist J. Plunky Branch and his group Plunky & Oneness create musical theater that combines the quirkiness of George Clinton and the musicality of George Duke with the vocal poetics of Jill Scott and Gil Scott Heron. Plunky's words and melodies are crafted over hip-hop influenced instrumental tracks produced by his son, Jamiah “Fire” Branch, hence the double entendre CD title.

The father-son duo has produced an album of 14 new songs that are both retro and ultramodern, a new organic-techno soul music that is jazzy, funky and highly danceable. Two songs are targeted for initial airplay: "On Fire," a hot, sax driven dance instrumental with a vocal hook; and "Inside These Walls" a quiet storm love song featuring Chyp Green on lead vocals.

Released on his own N.A.M.E. Brand Records label, this, Plunky's 25th album, will be available at CDBaby.com and all the most popular online sites, including i-tunes, Rhapsody and Napster. CD’s will be distributed to record stores by Liaison Record Distributors of Maryland. The March 29th release date also kicks off the Plunky & Oneness promotional touring in support of the new CD.

Plunky & Oneness is one of the most versatile and enduring funk jazz groups, having toured in the Mid-Atlantic region of the US, in Europe, Africa and the Caribbean for over 25 years. They have appeared in concert and at festivals with some of the biggest names in Black music, including Earth Wind & Fire, Frankie Beverly & Maze, B.B. King, Patti Labelle, Ray Charles, LL Cool J, Chuck Brown, Wyclef Jean and many others.

Plunky has also been active in music education and arts and culture presentations and some of his insights on aesthetics and African concepts of the groove are presented as interludes on the album. His positive empowerment and political messages are infused in the lyrics of several of the songs as well. He comments, "I just think it’s important to inspire people to reach for their highest aspirations and I believe it can be done while we're having fun; what some call partying with a purpose."

Plunky On Fire presents R&B as art music and this concept extends to the CD cover as well. The original portrait of Plunky on the front was painted by French artist, Dan Brussat; and the inside photograph taken at the Virginia Museum of Fine Arts was shot by the design and layout artist, Danja Mowf. On this album the music and the art are hot like fire…

Web site: www.plunkyone.com CD Link: www.cdbaby.com/cd/plunky

Brian Setzer Gives Bluegrass a Rockabilly Spin

With its forays into bluegrass and traditional jazz, Brian Setzer's new album 'Setzer Goes Instru-MENTAL!' (out April 19 on Surfdog Records) has the guitar legend testing new waters and putting his signature Stray Cat stamp on a few instrumental favorites. Setzer didn't set out to create an all-instrumental affair but couldn't resist temptation when the music started heading in that direction.

"I didn’t start writing an instrumental record, per se," says Setzer. "I wrote 7 songs with lyrics, and then all of a sudden I just took a turn and started fooling around with 'Blue Moon of Kentucky,' except without any vocals. I started playing melody chords and thought, 'Wow, this is pretty cool!'  So the direction turned about halfway through my writing. I had never done an instrumental record, but I thought, well, now’s the time."

Setzer wrote six originals and revitalizes five jazz-bluegrass classics – “Blue Moon of Kentucky,” "Earl's Breakdown," "Cherokee," "Be-Bop-A-Lula," and "Lonesome Road." Recording each gave Setzer the chance to revisit old techniques and try new tricks, such as playing banjo on the Earl Scruggs' classic “Earl’s Breakdown,” or substituting jazz chords into traditional bluegrass on the Bluegrass Boys’ “Blue Moon of Kentucky.”

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'Setzer Goes Instru-MENTAL!' Tracklist

(all songs written by Brian Setzer, unless otherwise noted)

1. "Blue Moon of Kentucky" (written by Bill Monroe)

2. "Cherokee" (written by Ray Noble)

3. "Be-Bop-A-Lula" (written by Tex Davis and Gene Vincent)

4. "Earl's Breakdown" (written by Earl Scruggs)

5. "Far Noir East"

6. "Intermission"

7. "Go-Go Godzilla"

8. "Lonesome Road" (written by Gene Austin, Nathaniel Shilkret)

9. "Hillbilly Jazz Meltdown"

10. "Hot Love"

11. "Pickpocket"

The Dead Kenny Gs Announce 'Operation Long Leash'

Combustible punk jazz trio, The Dead Kenny Gs, featuring saxophonist Skerik, bassist Brad Houser and drummer/percussionist/vibraphonist Mike Dillon, have announced the release of Operation Long Leash due March 15 on Royal Potato Family. Recorded in December at Stone Gossard's Studio Litho in Seattle with engineer Randall Dunn (Cave Singers, Black Mountain, Boris), the band conceived the majority of the material while on the road last summer with Primus, Gogol Bordello and Garage A Trois. The release of Operation Long Leash is surrounded by a 15-date tour that begins in New Orleans and heads north up the East Coast.

If the moniker Dead Kenny Gs doesn’t say it all at first glance, an initial listen to the latest album quickly makes their intentions clear. The trio is committed to musical subversion of the highest order. Exploring a muso obsession of musical styles and sonic colors, The Dead Kenny Gs have both the courage and the chops to realize their wildest aural fantasies. One moment they draw inspiration from punk legends The Minutemen, while the next finds them embracing the spirit of jazz giant Rahsaan Roland Kirk, and still another the influence of indie rock progenitors Deerhoof; yet always remaining purely DKGs. It’s not just music informing the band’s voice either, but an obsession with political conspiracy in American history. The album’s title, Operation Long Leash, comes from the clandestine CIA operation in the late ‘40s to fund Abstract Expressionism as a means for Western culture to undermine the conformist ideals of the Soviet Union during the early years of the Cold War.

Operation Long Leash opens with the sprawling instrumental art rock "Devil's Playground" followed by the skewed go-go funk of "Black Truman (Harry The Hottentot)," featuring special guest Charlie Hunter on guitar. Over the course of the album's ten tracks, they'll blast through avant instrumental punk rockers spiked with Balkan and Klezmer music like "Melvin Jones" and "Sweatbox." The experimental doom metal dirge "Black Death" includes a cathartic lyrical onslaught from Mike D. that turns his past struggles with heroin into a metaphor for the Gulf Coast oil spill and the United States' addiction to oil. In the hands of these three musicians, the disparate  elements coalesce into a complete vision, fearless in its creation and explosive upon arrival. In the words of Skerik: "Dead Kenny Gs is what happens when people listen to Bad Brains and Art Ensemble of Chicago, Sunn O))) and Milt Jackson, Dead Kennedys and John Coltrane, Melt Banana and Fela Kuti."

Listen to "Devil's Playground"

Listen to "Black Truman (Harry The Hottentot)"

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Tour Dates:

March 4 | D.B.A. | New Orleans, LA
March 5 | Donna's | New Orleans, LA
March 7 | Engine Room | Tallahassee, FL
March 8 | Pour House | Charleston, SC
March 9 | Five Spot | Atlanta, GA
March 10 | Mo Daddy’s | Asheville, NC
March 11 | Cosmic Charlie's | Lexington, KY
March 12 | Rex Theater | Pittsburgh, PA
March 13 | Beachland Tavern | Cleveland, OH
March 14 | Bullfrog Brewery | Williamsport, PA
March 16 | The Dover Brick House | Dover, NH
March 17 | Brooklyn Bowl | New York, NY
March 18 | North Star | Philadelphia, PA
March 19 | The Jewish Mother | Norfolk, VA
March 20 | Martin's Downtown | Roanoke, VA

Lubriphonic to Tour SE With The New Mastersounds in April

Lubriphonic has announced it will hop aboard an April tour with The New Mastersounds for their Southeast run, culminating in a House of Blues performance during the peak of the epic New Orleans Jazz & Heritage Festival. In celebration the group has offered a download of over 90 minutes of live recordings for free via its website.

Chicago’s Lubriphonic tight and raw sound is immediately familiar, fusing the roots of soul with explosive in-your-face delivery and sensuous R&B dance music.  The New Mastersounds is an instrumental four-piece British export offering a modern take on vintage soul-jazz, funk and rock delivering gritty grooves and deep rhythms.

Lubriphonic will open for The New Mastersounds on the following dates:

April 17 – Club 828 - Asheville, NC

April 18 - Blue 5 - Roanoke, Virginia

April 20 - Cat's Cradle - Carrboro, NC

April 21 - Pisgah Brewery - Black Mountain, NC

April 22 - Barley's Tap - Knoxville, TN

April 23 - Vanderbilt University - Alumni Lawn - Rites of Spring

April 24 - 412 Market - Chattanooga, TN

April 25 - Visulite Theatre - Charlotte, NC

April 27 - Blazers Tavern - Valdosta, GA

April 28 - Engine Room - Tallahassee, FL

April 29 - Soul Kitchen - Mobile, AL

April 30 - House Of Blues - New Orleans, LA

The Lubriphonic sound is full of precision orchestrations made up of blazing guitar work, unison three piece horn lines, soulful songwriting, bluesy vocals and the habit to cut the funk loose. The best description of the band’s sound comes from Relix Magazine: “Superb, adventurous, diverse, simply mesmerizing instrumental work. Steeped in soul, rock, pop, and blues Lubriphonic's members play with a tenacity and precision that sets them apart from equally proficient bands.”

In addition to the live sampler offering on its website, Lubriphonic is also offering free downloads of recordings of four additional shows to registered members of the website here.