unreleased

Concord Original Jazz announces six new reissues

Concord Music Group will release six new titles in the Original Jazz Classics Remasters series on June 14, 2011. Enhanced by 24-bit remastering by Joe Tarantino, generous helpings of bonus tracks (many of them previously unreleased), and new liner notes that provide historical and technical context, the series showcases some of the most pivotal recordings of the past several decades by artists whose influences on the jazz tradition is beyond measure.

The six new titles in the series are:

  • Chet Baker: In New York
  • Ornette Coleman: Something Else!!!
  • Thelonious Monk: Thelonious Alone in San Francisco
  • Cannonball Adderley with Bill Evans: Know What I Mean?
  • Bill Evans Trio: Explorations
  • Ella Fitzgerald and Joe Pass: Easy Living


“These six releases bring us to 20 titles altogether since the launch of the series in March 2010,” says Nick Phillips, Vice President of Catalog and Jazz A&R at Concord Music Group and producer of the series. “Each occupies an important place in any quality jazz collection.”

Chet Baker: In New York

Recorded in September 1958 for Riverside, Chet Baker’s In New York features saxophonist Johnny Griffin, pianist Al Haig, bassist Paul Chambers and drummer Philly Joe Jones. In addition to the half-dozen tracks from the original album, the reissue includes a bonus seventh track — “Soft Winds,” a blues composition written by Benny Goodman and Fletcher Henderson.

The recording provides a glimpse of the trumpeter “coming off a run of popularity, critical praise, and commercial success the likes of which few musicians have known,” according to the new liner notes by Doug Ramsey. By the late ’50s, Baker had won numerous awards throughout the decade for his instrumental work, and was even regarded as a romantic idol for his singing.

“Baker had been somewhat pigeonholed as a West Coast cool jazz artist,“ says Phillips, “but this recording illustrates that he was right at home playing with New York musicians — who dealt with their own stereotype of being harder edged and more aggressive. On this recording, they all seem to meet effortlessly somewhere in the middle.”

Of the ongoing tug-of-war between Baker’s artistic successes and his personal battles with substance abuse, Ramsey adds: “It will be a long time before Chet’s struggles with his demon are forgotten, but one day when the headlines have finally disappeared, the beauty of his music will still be shimmering in the air.”

Ornette Coleman: Something Else!!!

Recorded at Contemporary’s studios in Los Angeles in February and March 1958, Ornette Coleman’s Something Else!!! features Don Cherry on pocket trumpet, Walter Norris on piano, Don Payne on bass, and Billy Higgins on drums. The first of two albums that Coleman recorded for Contemporary, Something Else!!! marks the saxophonist’s debut as a leader. “He was a very influential but at times controversial artist,” says Phillips. “Right out of the gate he was doing something that was just so different from what people were used to hearing,” says Phillips.  ”Although structurally-speaking, the music in this recording is based on established song forms, you can hear very clearly that Coleman is starting to break free of the limitations of conventional harmony.”

Neil Tesser writes in his new liner notes that Coleman traced jazz back to its roots to rid the music of its increasingly elaborate harmonic structures and other constraints. “Without the limitations imposed by such harmonic patterns, his band would freely travel into, out of, and between musical keys,” says Tesser. “As Ornette said in the original notes, ‘I think one day music will be a lot freer. The pattern for a tune, for instance, will be forgotten and the tune itself will be the pattern . . .’ When he recorded Something Else!!! that day was still a little ways off. In these performances, you hear him in the last throes of unshackling the past.”

Thelonious Monk: Thelonious Alone in San Francisco

Recorded on Riverside in October 1959, Thelonious Alone in San Francisco was a sequel of sorts to Thelonious Himself, recorded two years earlier. In addition to the album’s 10 original tracks, the reissue includes an alternate take of “There’s Danger in Your Eyes, Cherie.”

“With Thelonious Alone in San Francisco, Monk proved that his earlier success as a solo artist was not a fluke,” says Tesser in his liner notes for the reissue. “And in rejecting all the ‘rules’  for playing without accompaniment — as he’d rejected so many rules before — Monk expanded the entire concept of the solo piano idiom. Without Monk’s recordings as bedrock, it’s hard to imagine similarly intimate (though otherwise quite different) solo albums that would eventually come from Bill Evans, Herbie Hancock, Keith Jarrett, Chick Corea or even McCoy Tyner.”

For as unique as Monk’s style was, “he stayed pretty consistently within that style throughout the remainder of his career,” says Phillips. “That’s not to imply that there was any lack of creativity on his part. Within the unique style that he established, there was so much to explore and develop. But he still sounds unmistakably like Thelonious Monk, no matter what chapter of his career you listen to.”

Cannonball Adderley with Bill Evans: Know What I Mean?

Know What I Mean? was recorded between January and March 1961, with bassist Percy Heath and drummer Connie Kay supporting the saxophonist and pianist. The reissue includes three bonus tracks that are alternate takes of “Who Cares?,” “Toy” (previously unreleased), and “Know What I Mean?”.

“This album takes two artists who were part of the legendary, historic 1958 Miles Davis Sextet and pairs them together,” says Phillips. “The modal approach that Evans was pioneering in the context of that 1958 group reveals itself in some of the material that he and Cannonball are playing on this album.”

Orrin Keepnews, who produced the original recording sessions, writes in his new liner notes for this OJC Remasters reissue, “One of the many advantages of working with a man like Julian Adderley was that he was totally stubborn about pursuing an idea he believed in. And, quite simply, he thoroughly believed in the validity of an album based on his moving very much in a Bill Evans–influenced direction.

In his liner notes to the original recording, Joe Goldberg observes that while not all of the selections are ballads, an “aura of relaxation” permeates the recording. “In this instance it can be recognized as simply a matter of four highly skilled artists away from their usual tasks and delighting in one another’s musical company,” he says. “Nothing more really need be said about the results of their meeting than that the feeling of delight comes through.”

Bill Evans Trio: Explorations

Recorded in New York in February 1961 for Riverside, Explorations was the last album this version of the Evans trio would make in a recording studio. Bassist Scott LaFaro and drummer Paul Motian also appear on Sunday at the Village Vanguard and Waltz for Debby — both live recordings, released later in 1961 — but LaFaro died in a car accident shortly after the live sessions. This reissue features four bonus tracks, including previously unreleased alternate takes of “How Deep Is the Ocean?” and “I Wish I Knew.”

“Evans’ sound and approach was his own by ’61,” says Ashley Kahn in his new liner notes. “His piano style had fully matured, as had the interplay of the trio . . . Upon entering Bell Sound’s studio on February 2, 1961, producer Orrin Keepnews immediately noted the three had ‘made giant strides towards the goal of becoming a three-voice unit rather than a piano player and his accompanists.’”

What’s more, the disparity of styles between the unreleased alternate takes and their counterparts that made the final cut on the original record “illustrates that jazz masters like these are real improvisers,” says Phillips, “and no two takes are ever going to sound the same — because no two moments in jazz are ever the same.”

Ella Fitzgerald and Joe Pass: Easy Living

Recorded in Los Angeles in 1983 and 1986, Easy Living was one of a series of Ella Fitzgerald–Joe Pass collaborations on Pablo throughout the ’80s. In addition to the original album’s 15 tracks, the reissue also includes two previously unreleased bonus tracks — alternate takes of “Don’t Be that Way” and “Love for Sale.”

Easy Living and the other collaborations between these two veterans “worked on many levels,” says Tad Hershorn in his liner notes for the reissue. “As her voice aged and deepened, Fitzgerald discovered partial remedies in her phrasing, choices of keys and the pleasing maturity that now enveloped her still youthful voice. Pass was the perfect foil to display her diminishing resources to their best and most emotive advantage. Ella was known to incessantly toy with songs in her restless artistic striving, so one can perceive the music she made with Pass as a direct extension of her creative method. The leanness of their music underscores that even this late in her career, Ella Fitzgerald retained her bonafides as a singer for whom words did matter: not every song was merely a vehicle for her to bat notes out of the park. The allure was in the quiet majestic intimacy that focused an audience’s attention on full absorption of the musings of joy, wistfulness, and melody.”

The level of confidence with which each of these two musicians performs on this recording is hard to miss.  “The fact that Ella could walk into the studio with a bunch of lead sheets,” says Phillips, “and they could do a little rehearsal on the spot, figure out the best key for her, and he could just play it in any key behind her — all of that takes some phenomenal musicianship . . . They have a very conversational, relaxed sensibility about them, and both musicians seem very much at ease performing together and recording together in the studio.”

Umphrey's McGee Collaborates with Patagonia for Environment

Patagonia Inc., the environmentally minded apparel company, and some of music’s most talented artists, including Umphrey’s McGee have come together to form the Patagonia Music Collective. The Patagonia Music Collective will launch Tuesday, March 1, 2011 at www.patagonia.com/music.

The collective brings together musicians, fans and grassroots environmental groups to raise funds for environmental causes. Artists, such as Umphrey’s McGee, have donated unreleased tracks that will be sold for $.99 with net proceeds going directly to the artist’s favorite environmental group. Visit www.patagonia.com/music for details.

Umphrey’s McGee has donated, “Hajimemashite”, a previously unreleased track, to benefit Climate Cycle.

“Patagonia is honored to have Umphrey’s McGee as a part of the Patagonia Music Collective,” notes Rob BonDurant, Patagonia’s VP of Marketing, “We’ve been stunned at the graciousness of artists like Umphrey’s McGee who so readily jumped at the chance to introduce their fans to an enviro cause they support. We’re so hopeful that fans will not only purchase this track, but learn about the work Climate Cycle is doing.”

The tracks will be available at www.patagonia.com/music, through a dedicated iPhone® app and a web widget player on participating artist’s websites. Fulfillment will be handled by iTunes®.

Patagonia views the “collective” as a new model for green giving, as well as a way to engage a non-Patagonia demographic in environmental activism. The Patagonia Music Collective will launch with 24 tracks with additional tracks released each subsequent week from established acts and emerging artists. Exclusive compilation records and more will be available at varying intervals at Patagonia stores worldwide.

Other musicians on board thus far include Jack Johnson, Pearl Jam, Bonnie Raitt and Jon Cleary, Maroon 5, Philip Glass, Zac Brown Band, moe., the Bad Plus, Blitzen Trapper, Mason Jennings, John Scofield, Piers Faccini, Switchfoot, Brett Dennen, Ky-Mani Marley, Sun Kil Moon, Ben Solee, Ra Ra Riot, Spoek Mathambo, Taj Mahal, Toad the Wet Sprocket, the Drive-By Truckers, Bobby Long, The String Cheese Incident, Ki: Theory, Moondoggies, Vusi Mahlesela, Disco Biscuits, O.A.R., Ziggy Marley, Los Lobos, Dawes, Abigail Washburn, Big Head Todd & The Monsters, Brandi Carlile and many more.

The Patagonia MusicTM Collective is not a record label. Artists are simply donating tracks for a sustainable music initiative that benefits the environment. Patagonia is providing a platform for artists to participate in a larger effort to increase awareness of both the enviro groups and causes artists would like to support and the music/artists associated with Patagonia Music.

Pearl Jam's Vs. and Vitalogy to Be Re-Released

Epic Records and Legacy Recordings celebrate Pearl Jam's 20th anniversary with the release of newly restored and expanded editions of Vs. and Vitalogy, the second and third albums from Pearl Jam which broke all initial SoundScan records and secured the band's reputation as a preeminent force in American rock music.

Vs. and Vitalogy will be available in new Expanded Editions (featuring three bonus tracks on each) or together in a three-disc Deluxe Edition (featuring Live at the Orpheum Theater, Boston, April 12, 1994) and Limited Edition Collector's Box Set, on Tuesday, March 29th. Each album will also be released in new commemorative remastered Vinyl Editions on April 12th in time for Record Store Day 2011 (April 16th).

Pre-orders for the Vs. and Vitalogy Limited Edition Collector's Boxed Set begin today at www.PearlJam.com.

Details on the new Reissue Formats of Vs. and Vitalogy are as follows:

1. Expanded Editions (CD and Digital)

The expanded editions of Vs. and Vitalogy -- including the original studio albums, newly remastered, along with album-era bonus tracks -- will each be available on CD and digital formats:

· The Expanded Edition of Vs. includes three bonus tracks recorded by Brendan O'Brien at The Site studio during the Vs. sessions:

-  a previously unreleased acoustic version of "Hold On";

- "Cready Stomp" - a previously unreleased studio outtake;

- and the band's cover of Victoria Williams' "Crazy Mary" featuring Williams on backing vocals and guitar.

· The Expanded Edition of Vitalogy includes three bonus tracks:

-  the previously unreleased guitar/organ-only mix of "Betterman";

- a previously unreleased alternate take of "Corduroy" from the Vitalogy session (recorded by Brendan O'Brien);

- a previously unreleased demo version of "Nothingman," taken from the original DAT (recorded at John and Stu's in Seattle on October 14, 1993, featuring Richard Stuverud on drums).

2. Deluxe Editions (3 CDs or Digital Download Bundle at Various Digital Service Providers)

· Deluxe Edition CD version - Vs. and Vitalogy will be available together in a CD deluxe edition which includes:

-  the Expanded Edition of each album;

- a copy of Live at the Orpheum Theater, Boston, April 12, 1994. A special performance recorded at the tail end of the mythic Vs. tour, Live at the Orpheum Theater showcases a dream setlist created especially by the Pearl Jam crew and has for years been one of the most sought-after recordings among serious aficionados.

3. Limited Edition Collector's Box Set (5 LPs, 4 CDs, 1 Cassette, Digital Download, Composition Notebook, Memorabilia-filled Envelope)

Vs. and Vitalogy will be available together in a limited edition collector's box set that includes 59 unique Pearl Jam performances on four CDs, five LPs and one cassette in addition to a number of guest artist performances. The Limited Edition Box set is only available for sale at pearljam.com.

Contents include:

· Expanded Editions of Vs. and Vitalogy remastered with bonus tracks on CD;

· Remastered Vinyl Editions of Vs. (single LP) and Vitalogy (double LP);

· Double vinyl LP and CD of Live at the Orpheum Theater, Boston, April 12, 1994 plus an exclusive digital download of the concert.  A special performance recorded at the tail end of the mythic Vs. tour, Live at the Orpheum Theater showcases a dream setlist created especially by the Pearl Jam crew and has for years been one of the most sought-after recordings among serious aficionados;

· Exclusive collector's cassette featuring live tribute and studio performances from a number of Pearl Jam's fellow artist friends. Broadcast on January 8, 1995, this recording is part of the legendary Monkeywrench/Self-Pollution Radio series produced by the band;

· 80-page composition book filled with photos, drawings and artwork by Eddie Vedder and Jeff Ament;

· A glassine envelope containing a collection of Vs. and Vitalogy- era memorabilia including beautiful lithographs of each band member, postcards, posters and much more.

4. Record Store Day Vinyl Editions (Remastered) - Available April 12th

Vs. and Vitalogy will be available at independent record retailers in new commemorative Vinyl Editions on April 12th in time for Record Store Day 2011 (April 16th).

· Vs. (single LP) and Vitalogy (double LP) - both remastered

* * * * *

Vs.

Originally released in 1993, Vs., Pearl Jam's sophomore effort, faced the daunting challenge of following the success of Ten, the band's 1991 debut. Shattering all expectations, Vs., the first Pearl Jam album helmed by producer Brendan O'Brien, rolled into its first of five weeks atop the Billboard 200 at #1 with the highest first week's sales (more than 950,000 copies) in music history; a record it would hold for the next five years.

Vs. Original Tracklisting:

Go

Animal

Daughter

Glorified G

Dissident

W.M.A.

Blood

Rearviewmirror

Rats

Elderly Woman Behind the Counter in a Small Town

Leash

Indifference

* * * * *

Vitalogy

Released in December 1994, Pearl Jam's third studio album, Vitalogy entered the Billboard 200 at #1, second only to Vs. as the fastest-selling CD in chart history at that time.

Vitalogy Original Tracklisting:

Last Exit

Spin The Black Circle

Not For You

Tremor Christ

Nothingman

Whipping

Pry, To

Corduroy

Bugs

Satan's Bed

Betterman

Aye Davanita

Immortality

Stupid Mop

Richie Hawtin Releases Enormous Plastikman Box

Starting in 1993, Canadian dance music mastermind Richie Hawtin, using the name Plastikman, stripped Detroit techno down to its barest essentials, and releasing six albums of absorbing thump. Now, Hawtin is collecting everything he has ever recorded as Plastikman in the Arkives box set, available for order right now through December 31 from this site.

Arkives includes remastered versions of all six Plastikman albums, as well as rarities, unreleased sessions, and new material. The box is available in four different formats, including the 11-disc CD/DVD/book set Reference and the six-LP vinyl box Analog. In its CD form, the box includes a slipcase with foldout sleeves for all 12 discs (five of which are comprised of rare and unreleased material), as well as a 64-page book. That's a lot of Plastikman.

Over the past twenty years Richie Hawtin has been one of electronic music community's most active participants; as a DJ, a label owner, a producer, a performer, and an avid contributor to the development of music and performance technology.  His accomplishments range from having been named the 'World's Best DJ' in the most credible electronic music polls; to being invited to compose music for the 2006 Torino Winter Olympics; to exhibiting a sound installation for the French Ministry of Culture's Millennium Exhibition in Avignon, France.  He has also invested in, endorsed, and help develop some of the most forward-thinking products in the electronic music space including Native Instrument’s pioneering Traktor Scratch software, number one dance music digital retailer Beatport.com, the Tonium Pacemaker portable DJ system, and Allen & Heath's limited edition custom CTRL:92 DJ mixers - the first-ever to be fully Midi-enabled, which both he and his father helped to conceptualize and design.  This year he revived his incredible Plastikman show in unique festival settings in conjunction with his custom SYNK iPhone application at Sonar, Coachella and Movement Electronic Festival in Detroit in the U.S. just to name a few.

iTunes is also releasing today the Plastikman Remiix iPhone app which also allows you to combine and transform original Plastikman tracks and interpretations from your iPhone or iPad.  Read more here.

John Hartford Stringband Nominated Best Folk Album

MEMORIES OF JOHN (Red Clay/Compass Records), the 15-song tribute to the late, great John Hartford — the banjo wizard, guitar picker, vocalist, musical innovator and multiple GRAMMY Award-winning recording artist who penned the megahit “Gentle on My Mind” — that was recorded by members of his former band and special guests, has been nominated for a 2011 GRAMMY Award for Best Traditional Folk Album.

The John Hartford Stringband, the same group of musicians who appeared on Hartford’s last five Rounder Records projects and were his final touring band — Chris Sharp on guitar, Bob Carlin on banjo, Matt Combs on fiddle, Mike Compton on mandolin and Mark Schatz on bass — were joined by special guests Tim O’Brien, Bela Fleck, Alison Brown, Alan O’Bryant, George Buckner and Eileen Carson Schatz to make the album that commemorates Hartford.
The album features Hartford himself on several previously unreleased tracks recorded before his death in 2001 as well as voiced instructions to the band from previous rehearsal tapes. Renditions of hit original Hartford songs, traditional fiddle tunes (“Three Forks of Sandy,” the album’s opening track), country and bluegrass songs refashioned by Hartford (“The Girl I Left Behind Me,” “Love Grown Cold”), rarely heard Hartford originals (“You Don't Notice Me Ignoring You”) unreleased compositions (“Madison, Tennessee”), the story-poem “For John” and more fill the loving tribute to one of the most influential artists in American music. The album ends with Hartford’s own whistling song “Fade Out.”
“John Hartford is now in the clouds, but his spirit can rest easy,” says CountryChart.com. “His friends have honored his memory in the best possible way. They have created a remarkable album that breaks new ground while exploring the music of a legend.”
This fall, Hartford was inducted into the Bluegrass Hall of Fame, and in 2005, was awarded the Americana Music Association’s President’s Award. He received multiple GRAMMY awards and nominations throughout his career, including Album of the Year for the “O Brother, Where Art Thou” soundtrack and Best Folk Performance for his song “Gentle on My Mind,” one of the most recorded songs of all time. He also appeared on TV in the 1960s and ’70s, on “The Glen Campbell Goodtime Hour,” “The Johnny Cash Show” and “The Smothers Brothers Comedy Hour.”
The John Hartford Stringband will tour in 2011; scheduled concerts include the International Folk Alliance Conference in Memphis in February, Merle Fest in North Carolina in April, and CBA Music Camp and the 36th Annual Father’s Day Bluegrass Festival in California in June.
The 53rd Annual GRAMMY Awards will be presented Feb. 13, 2011. The full list of GRAMMY nominees is available here.

Mark Vann Foundation Benefit @ Boulder Theater

Great American Taxi is hosting the 8th Annual Mark Vann Foundation Holiday Benefit Show.  This is always a special night in Boulder, CO and we've got a bunch of great friends coming out to help.  The evening will start out with some singer-songwriters including John McKay, Kort McCumber and Bonnie Paine.  Up next Bonfire Dub will get the evening rocking with their brand of roots, rock and dub.  Shannon McNally will play a short set with her band Hot Sauce and then our good ol' buddy Todd Snider will grace the stage for a solo set before joining Great American Taxi for some more songs.  Great American Taxi will also be playing a short set as well before getting all of their friends to join in the team pick.  There's always some surprise all-star guests who show up too and join the fun.  There will be a silent auction, raffle and art sale.  This is a great chance to pick up some unique holiday gifts.  All proceeds go directly to the Mark Vann Foundation as well as two wonderful Boulder-area charities, There With Care and CareConnect. Tickets are only $20 (all charges included) and doors are at 7:30 pm with show starting at 8 pm.

If you can't make it to the show, you can always donate to any/all of these charities as well.  Go to www.MarkVannFoundation.org to help out or buy a ticket to the show and donate it.  Tickets to the show can be purchased here : www.bouldertheater.com.

Great American Taxi is also excited to announce their New Years Run at home in Colorado between December 29th-Jan 1st culminating at Quixtoe's True Blue for a 6 am bloody-mary set to start the new year on 1/1/11.  We will be in Vail on Dec. 29th, Steamboat Springs on the 30th and spending New Year's Eve with Railroad Earth at the Ogden Theater in Denver, CO.  We hope you all have a wonderful holiday season and the Taxi will be rolling back out across this great country of ours in 2011 to a town near you soon.  Take care everyone, we can't wait to rock it out with all of you soon.  See you in Boulder next Saturday!

As a way of saying thanks for a great year, Great American Taxi is offering a free download of an unreleased track that was recorded last winter to benefit a charity kitchen.  Go to this link and you will get the unreleased single "Peace Tonight" as well as "One Of These Days" from 'Reckless Habits'.  Go here.

Check out Grateful Web's coverage from the 6th Annual Mark Vann Benefit show.

Phish: Live Bait 03 Worcester, MA

Fresh out of the Phish archives, Live Bait 03 is now available for download for FREE at livephish.com

This version of our free MP3 download series features selections from Phish's storied past performances at the Worcester Centrum (now the DCU Center).  The band is returning to play there Dec 27 & 28 during their New Year's Eve run. Tickets to both shows remain available for purchase through TicketMaster.

Live Bait 03 features all previously unreleased tracks including the 58+ minute Runaway Jim from 11/29/97.  The tracks are fully mixed and mastered.

Six Bing Crosby Reissues/New Albums Set For May 18 Debut

Who was the greatest pop singer of all time? Well, opinions certainly do vary on that topic, but one thing is certain: Bing Crosby has to be part of the discussion. Collectors Choice Music feels most blessed and honored to bring you the first in a series of releases direct from the Bing Crosby Archive. Over the next couple of years you will find classic albums, unreleased albums, rare and never-before-heard tracks, new compilations and classic Crosby television and film footage all coming your way EXCLUSIVELY via Collectors Choice, all with meticulous remastering and annotation. And with Bing's TV special now airing on PBS, it seemed like the right time to get started on what promises to be a wondrous ride indeed through the Crosby canon.

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Bing Crosby: Seasons (Deluxe Edition)
Bing's final album, originally released in 1977, has never been available on CD, let alone with 13 bonus tracks! This new deluxe edition features the original twelve tracks plus Bing's very last recordings, made at a BBC session three days before his death, and five poems recorded for fan clubs but never distributed. Includes from the original release 'Seasons; On the Very First Day of the Year; June in January; Spring Will Be a Little Late This Year; April Showers; June Is Bustin' Out All Over; In the Good Old Summertime; Summer Wind; Autumn in New York; September Song; Sleigh Ride', and 'Yesterday When I Was Young', plus the bonus poems 'Around the Corner; If; The Singers; Lucy Gray (Solitude)', and 'The Slaves Dream', and the BBC recordings 'Feels Good, Feels Right; Nevertheless; The Only Way to Go; Summer Wind; The Night Is Young and You're So Beautiful; There's Nothing I Haven't Sung About; As Time Goes By', and 'Once in a While'!

Bing Crosby: Return To Paradise Islands (Deluxe Edition)
Bing's collection of Hawaiian favorites was recorded in 1963 by Frank Sinatra's Reprise label and has never been available on CD or even reissued at all! And for this edition a new stereo mix has been created from the original session tapes that is simply, well, paradisiaical. Bing is accompanied by the Nelson Riddle Orchestra on 'Keep Your Eyes on the Hands; Forevermore; Love and Aloha; Beautiful Kahana; The Hukilau Song; The Old Plantation; Lovely Hula Hands; Frangipani Blossom; Farewell My Kane; Adventures in Paradise; Return to Paradise', and Home in Hawaii'. Six bonus tracks include a brief session outtake of 'Return to Paradise' and five previously unissued Hawaiian tracks recorded in 1961 featuring 'My Little Grass Shack (in Kealakakua, Hawaii); The Cockeyed Mayor of Kaunakakai; Yaaka Hula Hickey Dula; Ukulele Lady', and 'King's Serenade'.

Bing Crosby:
On The Sentimental Side (Deluxe Edition - previously unreleased album)
Recorded in 1962 and never released, this collection of popular songs, many dating back to Bing's boyhood, has been long rumored to exist by Crosby fans, and finally appears here with five bonus tracks! The original album is all medleys: 'My Bonnie/The Band Played On; Always/Wishing; Remember/Put on Your Old Gray Bonnet; All Alone/In the Shade of the Old Apple Tree; How Can I Leave Thee/A Bird In a Gilded Cage/The Sidewalks of New York; If I Didn't Care/Blueberry Hill; Beautiful Dreamer/The Last Rose of Summer; Roll On Silver Moon/Now the Day Is Over; Tom Dooley/The Old Gray Mare; Together/What'll I Do; Look For the Silver Lining/Say It With Music', and 'Did You Ever See a Dream Walking/A Pretty Girl Is Like a Melody'. The bonus tracks hail from Bing's 1950s CBS radio shows with Buddy Cole; they include 'Because; Love's Old Sweet Song; Smilin' Through; Whither Thou Goest', and a 1960 take of Too-Ra-Loo-Ra-Loo-Ral'!

Bing Crosby: Bing On Broadway (new album)
When it came to interpreting show tunes, Bing had few peers. This brand-new collection of rare material features him singing selections from such legendary Broadway musicals as 'South Pacific, The Pajama Game, Damn Yankees, Can-Can, Anything Goes, My Fair Lady' and many others, accompanied by Buddy Cole & His Trio on 17 tracks and John Scott Trotter on two tracks. Includes 'Swanee; Carolina in the Morning; Mandy; How Long Has This Been Going On?; My Heart Stood Still; Crazy Rhythm; Ain't Misbehavin'; Fine and Dandy; But Not for Me; New Sun in the Sky; Taking a Chance on Love; It's Only a Paper Moon; All Through the Night; Come Rain or Come Shine; A Cockeyed Optimist; It's All Right with Me; Hey There; Heart', and 'Get Me to the Church on Time'.

Bing Crosby: El Senor Bing (Deluxe Edition)
Bing loved Spanish music, and for this 1960 collection, recorded for his own Project label, he was accompanied by none other than the Billy May Orchestra— the CD debut of this LP! Includes from the original album 'Ramona/Amapola (Pretty Little Poppy);. Marta/The Rose in Her Hair; Again/Allez-Vous-En (Go Away); In the Still of the Night/I Could Have Danced All Night; Pagan Love Song/Cuban Love Song; Down Argentine Way/What a Difference a Day Made; Heavenly Night (Cielito Lindo)/My Shawl; Malaguena (at the Crossroads)/Andalucia (The Breeze and I); How High the Moon/Old Devil Moon', and 'C'est Magnifique/Taking a Chance on Love'. There are six Spanish-flavored bonus tracks from Bing's 1950s CBS radio sessions with Buddy Cole & His Trio including 'Papa Loves Mambo; Floras Negras; Solamente Una Vez; No Te Importe Saber (Let Me Love You Tonight); La Borrichita', and In 'A Little Spanish Town', plus the markedly different mono mix of the original album. 'Muy sabroso!'

Bing Crosby
: So Rare: Treasures From The Crosby Archive (2 CD set/new album)
Carefully compiled by Crosby archivist Robert S. Bader, this career-spanning collection of rare and unusual recordings from Bing Crosby's personal archive includes his first solo radio performance from 1931, some rare private recordings and unknown outtakes as well as the first album appearances of several rare single tracks–many of which are mixed in stereo for the first time! Includes 'Just One More Chance' and 'I'm Through with Love' from Fifteen Minutes with Bing Crosby; 'Buckin' the Wind' from a Spanish radio promo disc; 'Where the Turf Meets the Surf', Del Mar race track's theme song; Kraft Music Hall performances of 'Over the Rainbow,' 'As Time Goes By', and 'Why Don't You Fall in Love with Me'; 'I'll Be Seeing You' from a 8/31/44 British broadcast; 'You're the Gem State Wonder, Idaho; Santa Claus Is Coming to Town', a 1954 recording for Shriner's Hospital; 'My Old Kentucky Home', recorded for the Kentucky Junior Derby; radio performances of 'What Do You Mean, You Lost Your Dog?; We're in the Money (The Golddigger's Song); I Hear Music; I Can't Get Started; Pledging My Love; Because', and 'The Yellow Rose of Texas; So Rare' from The Ford Road Show; the Columbia singles 'Straight down the Middle' and 'Tomorrow's My Lucky Day'; first-time stereo appearances of the MGM singles 'The Second Time Around' and 'Incurably Romantic'; a 1960 private recording of 'Anthem of the Clams'; a stereo TV outtake of 'Pennies from Heaven'; the Reprise singles 'Far From Home; How Green Was My Valley; Step to the Rear', and 'What Do We Do with This World'; Reprise outtakes of 'Live a Little' and 'Don't Let a Good Thing Get Away'; the unreleased singles 'Take a Longer Look' and 'The Human Race', and 'That's What Life Is All About' live from the Dorothy Chandler Pavilion on March 17, 1976. 34 tracks, 26 unreleased!