rising

Evan Caminiti Announces New Solo Album

"When California Falls into The Sea", the product of more than a year's work, finds Caminiti shifting away from the evocation of the land elements and towards the urban - the coarseness of blood on the streets and people living in squalor juxtaposed with beautiful, fleeting moments like sun reflecting off of glass buildings into dingy puddles - to produce a dialogue where guitars float through the air weightlessly, weaving around each other like butterflies and other moments that are more solitary, monolithic excursions into the night.

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"When California Falls Into The Sea" Track List:

1. Heavy Whisper
2. For Now The Streets Are Nearly Silent
3. Trembling Moon
4. Reflections in Puddles
5. World Goes Dark
6. Rising
7. A Single Flame
8. Woven Into The Moon
9. Burning A Hole Through The Sky
10. With Fog As My Blanket
11. The Obsidian Curtain

* Pre-order of the new album is available now at HandmadeBirds.com (500 first edition LP's in 400 black, 100 white).

Papadosio & June What?! @ the Fox Theatre

Some music, because of its originality, timelessness, mass appeal, or perhaps because it is just plain odd, will always be destined for the hallowed halls of cult classicism. No band fits this criteria better than Papadosio. Papadosio has wowed crowds from Denver to NYC, Cleveland to Atlanta, shaking the earth at festivals and clubs alike.

Papadosio's music is all about unexpected combinations. From Rock/House to Jazz/Hop to Dub/Breaks and so on, every song has a unique approach to attaining originality. Long improvisational interludes and vocal harmonies quickly set this group in a new category of mass appeal.

Adam Fox(Universal Studio's): "It is rare for Bands to have such control, understanding, and objectivity as they create and produce their own music. Young, freakishly mature, and wise beyond their years, Papadosio has just released a sophisticated work of art."

A rising star in their field, Juno What?! is bringing their illuminated madness to every venue upon which they descend. Featuring members of The Motet (Dominic Lalli, Dave Watts and Joey Porter), these three accomplished musicians have gathered their collective talents to focus on this mission of making the world a better place.......to dance!

Papadosio & June What?! | June 11th, 2010

Doors: 08:30PM Show: 09:00 PM $8 ADV / $12 DOS +$2 for under 21 tickets

Tickets on sale through the Fox Theatre box office

Internet 24-7 at www.foxtheatre.com

Phone: During box office hours: 303.443.3399


Otis Redding's 2-CD 'Live on the Sunset Strip'

In 1966, Otis Redding had emerged not only as the star of Stax Records but as one of nation’s most influential soul singers. With his version of “Satisfaction” climbing the charts in April 1966, Redding arrived in Los Angeles to play both the Hollywood Bowl (as part of a KHJ-AM listener appreciation concert that also featured Donovan, Sonny & Cher and the Mamas & the Papas) and a four-nighter at the legendary Whisky A Go Go on the Sunset Strip. According to Taj Mahal, whose ’60s band the Rising Sons opened the Whisky shows, “At that time, Otis was it.”

Live on the Sunset Strip, slated for May 18, 2010 release on Stax Records through Concord Music Group, captures Redding in the white heat of transition, when his star power was undeniable and it was still possible to catch him backed by his own road band in the tight quarters of a smoky nightclub. The 2-CD set features three full live sets that have never been previously available in their entirety. A definitive live statement from Redding, the songs are sequenced exactly as they went down, complete with an emcee and spoken introductions by Redding. The booklet features rare photographs as well as extensive liner notes by Ashley Kahn, author of music biographies and a contributor to NPR’s Morning Edition.

Live on the Sunset Strip highlights versions of Redding’s best-known songs: “I’ve Been Loving You Too Long,” “Security,” “I Can’t Turn You Loose,” “Satisfaction,” “Respect,” “These Arms of Mine” and “Just One More Day,” to name a few.

As Kahn points out in his notes, “In 1966, Redding was 24 and defined not only the sound but the style and look of a true soul man. Tall and lanky, he was ready to drop to his knees and tear off the thin-lapelled jacket of his sharply pressed suit when it was time to deliver the goods. His ten-piece band was his personal, traveling amen-corner, urging him to testify night after night . . . His out-of-breath stage patter was warm and downhome. ‘Ladies and gentlemens,’ he addressed his fans, ‘holler as loud as you wanna — you ain’t home!’”

The Whisky A Go Go was known for its integrated booking policy and for helping bring awareness of R&B and blues to rock audiences, who attended shows by the Doors, Love, and the Standells at the venue. On April 7-10, the club booked the Otis Redding Revue for the Easter weekend that followed the Hollywood Bowl appearance. Redding’s entourage included an emcee and a full 10-piece band (led by saxophonist Bob Holloway) along with three up-and-coming singers performing one tune apiece before the headliner hit the stage. Engineer Wally Heider, the West Coast’s leading recorder of live performances, was hired to tape the three nights.

The shows did not go unnoticed by the Los Angeles Times, which noted: “Drawn by his growing popularity, a fervid audience shoe-horned into the club . . . Redding was assured of an In Group [sic] following Thursday night when from among his spectators emerged Bob Dylan, trailed by an entourage of camp followers.” (Legend holds that Dylan offered him “Just Like a Woman” as a possible cover that night, though Redding thought the song was a little wordy.)

Redding achieved even greater heights in the months after the Whisky performances, chalking up two new hits (“Fa-Fa-Fa-Fa-Fa [Sad Song]” and “Try a Little Tenderness”). He played San Francisco’s Fillmore Auditorium, took part in the Stax/Volt Revue through Europe in March ’67 and stole the show at the historic Monterey International Pop Festival in June of that year. The ultimate tragedy happened on December 10, 1967, when, as eloquently stated by Kahn, “his death in an airplane crash . . . dramatically froze his star forever in its perfect, meteoric apogee.”

In 1968, Stax posthumously issued the LP In Person at the Whisky A Go Go, with liner notes by Los Angeles Times critic Pete Johnson, who’d also reviewed the live show. In 1993, the CD Good to Me: Recorded Live at the Whisky, Vol. 2 expanded on a largely forgotten 1982 LP, Recorded Live. While those releases juggled selections from different shows, Live on the Sunset Strip stands out as a historically true document, offering the last three consecutive sets capturing Redding and his band in top form.

“I’m still real clear about those shows,” recalls Taj Mahal, whose Rising Sons opened them. “It was raw and unscripted. It was just the joy of music, you know. The joy of rhythm, the joy of energy. . .”