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ANR Get Remixed by Memory Tapes, Release Stay Kids Deluxe Edition

Miami duo ANR will release the deluxe edition of their post-apocalyptic pop album Stay Kids on September 13th through 10K Islands. In the meantime the prolific group will be releasing videos, remixes, and other goodies. Most recently, they enlisted Memory Tapes to remix “Stay Kids,” their blissed-out, nostalgic anthem about growing older. Click HERE to stream/download Memory Tapes’ take on the track, and click HERE to watch the video for ANR’s original version of the song.

ANR consists of merely two members – Brian Robertson (Keys, Vocals) and Michael-John Hanock (Vocals, Drums) – but they create a powerful sound filled with layered melodies and bountiful hooks. It has already earned the duo praise from RCRD LBL, The Fader, and Nylon, among others, and have landed them shows with bands like Animal Collective, Neon Indian, No Age, and Fucked Up.

Stay Kids is a rhythmically propulsive, psychedelic trip that was inspired largely by recent floods, earthquakes, tornadoes, and other environmental disasters. Much of the album’s lyrics meditate on how such ‘natural’ disasters affect individuals and humanity at large. However, sonically-speaking the album is by no means morose. Instead, the synth-heavy and often danceable material feels triumphant. Each song is a journey through carefully sculpted, dream-pop soundscapes with frequent, unexpected and exciting detours

ANR’s live show highlights a different aspect of the band, bringing out their punk influences as well as their penchant for German progressive acts of the 70’s. The group will tour throughout the US this Fall, with dates to be announced soon.

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Click HERE to Watch the Video for “Stay Kids”

Click HERE for Memory Tapes’ Remix of “Stay Kids”

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Tour Dates:

8/29: Philadelphia, PA Kung-Fu Necktie
8/30: New York, NY Milk Studios
8/31: New York, NY Mercury Lounge
9/1: Boston, MA Brighton Music Hall
9/2: Montreal, QC Casa Del Popolo
9/3: Toronto, ONT The Drake
9/5: Detroit, MI Lager House
9/6: Grand Rapids, MI Pyramid Scheme
9/7: Chicago, IL Empty Bottle
9/9: Urbana, IL Canopy Club
9/10: Minneapolis, MN 7th Street Entry
9/12: Seattle, WA Crocodile Lounge
9/13: Portland, OR Doug Fir
9/15: San Francisco, CA Bottom Of The Hill
9/16: Fresno, CA Audie’s Olympic
9/17: Los Angeles, CA The Satellite
9/20: San Diego, CA Soda Bar

Furthur | Red Rocks | 9/24/2010

Two of the world's greatest road warriors, Phil Lesh & Bobby Weir, made their almost annual stop to the venue the epitomizes everything organic, granola, hippie and The Grateful Dead.  As many venues as both Lesh & Weir have played, every show at Red Rocks is just a little extra special.  Phil while doing his donar rap -- mentioned his love for the amphitheater and has said on at least a few occasions it is his favorite venue in the world.

Outside fans were arriving pretty early filling up the lower south lot and upper north lots first.  The weather couldn't have been any better, and those who live here in Colorado know late September at Red Rocks is precarious, at best.  There was some vending in the lots, though by and large it was fairly quiet.  Grateful Web, however, was hawking our "Make Love Not War" t-shirts in light of election season and America's never-ending political quagmire.  Give one as a gift to your political nemesis!  Email us if you'd like one or want more information. 

My friends went inside early to scope out some good seats.  I stayed back to guard the fort, which really means playing hacky sack with my new neighbor friends, drinking some beers, talking about which run at MSG was the best (I say 1990, hands-down -- another said '87, another said '88 - this continued through our hackin), and having a great time in the gorgeous Red Rocks parking lot.

The band came on around 8pm.  The sound where I was sitting was superb, but considering I was sitting literally over the heads of the soundboard folk, this would make sense.  Futhur is finishing their late summer/early fall tour here in Colorado.  You may wonder how in the world does a 70 year old another 62 year old just continue to tour -- but I must tell you I thought both Bobby and Phil both looked pretty well-rested and enthused on stage last night, which has not always seen the case with Weir during the past few years.  But Bobby seemed more engaged than I have seen him in a while, yet still giving John plenty of space to roam.  Furthur shows for me are pretty tame experiences, but I did find a few moments last night when John really opened things up and hit some pretty nice peaks, particularly in 'Fire on the Mountain,' which was more than apropos considering the recent fires in the near-bye foothills.    

I think Chimenti is a fine piano player, but personally I’d prefer more Hammond organ stuff and less piano. Furthur is mellow enough already, which is why I really think they would benefit more from a big Brent-esque organ sound more than all the piano playing.  Just my 2cents – with that said,  I would be a very happy camper if I could play piano as well as Jeff, so nothing at all personal toward him.  Joe Russo, on the other hand, is a groove machine.  This guy is really great and impresses me more each time.

Grateful Web is currently uploading videos, so check back through the next few hours for links to them. The videos really came out nice, especially set 1..

Sunny Ade & His African Beats @ Boulder Theater

King Sunny Ade, sometimes also called the Minister of Enjoyment, was born in Oshogbo, Nigeria in 1946, the son of a Methodist minister. He began his musical career when, after dropping out of grammer school, he drifted to Lagos and joined a highlife band. Inspired by the music of I.K. Dairo, he joined the Rhythm Dandies, led by Moses Olaiya (later known as Baba Sala, Nigeria's preeminent funny man and a prolific film maker). King Sunny was influenced by the legendary Tunde Nightingale (early Juju pioneer extraordinare) and borrowed stylistic elements from Nightingale's 'So wa mbe' style of juju.

In 1966 he formed his own band, the Green Spots. After a long eight years in which they recorded 12 LPs for the Nigeria-Africa Song label, in 1974 he entered into increasingly annoying contract hassles and a public court case. This experience prompted him into forming his own recording company linked to Decca Records. At this time he changed the name of his band to the African Beats.

King Sunny Ade and The African Beats tour with the typically large African line-up of 20-30 members. They play a spacey, jamming sort of Juju, characterized by tight vocal harmonies, intricate guitar work, backed by traditional talking drums, percussion instruments, and even adding the unusual pedal steel guitar and accordian.

Sunny Ade & His African Beats will play the Boulder Theater on April 30th, 2010.   Click here for more information or to purchase tickets.

NOTE: This show has been cancelled.