warehouse

Zoë Keating @ Boulder Theater | 6/11/11

Zoë Keating is a one-woman orchestra. She uses a cello and a foot-controlled laptop to record layer upon layer of cello, creating intricate, haunting and compelling music. Increasingly considered a role model for DIY artists, Zoë's self-released albums have sold over 35,000 copies and she has amassed an incredible 1.3 million Twitter followers. Born in Canada and classically trained from the age of eight, Zoë spent her 20's dabbling in computer software while moonlighting as a cellist in rock bands. Inevitably, she combined the two and developed her now signature style while improvising for late night crowds at her San Francisco warehouse. She makes an effort to reach audiences wherever they are and has performed on National Public Radio, television, webcasts, outdoors in the Nevada desert, in churches, concert halls, universities, museums, technology conferences, executive brainstorming sessions, house concerts, bars and rock clubs across North America and Europe.

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Santah Premieres New Song & Tour Dates

Santah was born with their feet planted in the ground and their heads in the clouds. Composed of guitarist/vocalist Stanton McConnell, drummer Steven Plock, bassist Otto Stuparitz, and Tommy Trafton on keyboards, the quintet met at the University of Illinois and with their debut full-length record, "White Noise Bed," they have assembled a kaleidoscopic opus whose reach extends far beyond the Midwest.

Recorded at the late Jay Bennett's Pieholden Studios, where the band found its niche among the studio's forbearers of psychedelic Americana, "White Noise Bed" has a yin and yang aesthetic: sometimes sunny and sometimes stormy, but always running on audible elation. The band takes its cues from the power pop greats of the 70's such as The Raspberries and The Cars, and dresses them in a twangy haze, full of clever, lyrical nooks and crannies ala Wilco and Whiskeytown.

After finishing the record last May, Stan's sister Vivian joined the band, adding her passionate vocals and thoughtful guitar. They have since been touring the country and building their cult following; performing multiple sets at CMJ, SXSW and the Pygmalion Music Festival, and sharing the stage with the likes of Surfer Blood, Cults, Margot and the Nuclear So and So's, Pomegranates and Young the Giant.

Santah isn't just something the listener hears, it's something they feel. Be it a tropical aura of relaxation, the bittersweet mystery of growing up, or the lulling memory of a past love, Santah creates an original sonic journey for all.

Download "No Other Woman" exclusively @ FilterMagazine.com!

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Santah Live

10-May Milwaukee, WI Cactus Club 11-May Des Moines, IA Vaudeville Mews
12-May Iowa, City, IA The Blue Moose Tap House
14-May Chicago, IL Lincoln Hall
16-May St, Louis, MO Off Broadway
20-May Lexington, KY Cosmic Charlie's
21-May Chattanooga, TN Collective Warehouse
23-May Columbus, OH Rumba Café
24-May Detroit, MI Lager House
1-Jun Indianapolis, IN White Rabbit
3-Jun Pittsburgh 31st Street Pub
4-Jun New York City, NY Piano's *
7-Jun Brooklyn, NY Knitting Factory ^
8-Jun Cambridge, MA TT Bear's
10-Jun Charlottesville, VA Twisted Branch Tea Bazaar
13-Jun Atlanta, GA Smith's Olde Bar
16-Jun Nashville, TN Mercy Lounge
17-Jun Champaign, IL Cowboy Monkey
18-Jun Chicago, IL Beat Kitchen

* = w/ The Dig and Dinosaur Bones
^ = w/ Brian Bonz and Stationary Set

Cut Copy Announce New Album, Zonoscope

Ladies and gentlemen please welcome back Cut Copy! Ever the gracious houseguests, they’re returning armed with their 3rd and most ambitious work yet, Zonoscope which will be released February 8, 2011 in North America.

Zonoscope is Cut Copy boiled down to their purest form, a suite of futuristic visions built upon primal rhythm tracks. It is at once their most immediate work to date but also their most sonically exquisite. “Take Me Over” perfectly encapsulates this, it’s chiming highlife guitars bouncing around tropical percussion reminiscent of an island holiday in a pop song.

Zonoscope was dreamt in the comedown of In Ghost Colours, the album which cemented Cut Copy as a global sensation. Their perpetual touring cycle found the band headline a stage at Lollapalooza, become the first Australian act to play Colombia since INXS, have fire marshals shut down an LA performance mid-set as crowds began to buckle the seams of the Henry Fonda Theatre and be raced to the Pitchfork Festival via police escort following a cancelled flight.

After over two years of exhilarating chaos, frontman Dan Whitford bunkered down at home to flesh out rough synth and vocal skeletons, before heading into the studio with the band to bring these textured grooves to life. Whitford describes the wonderland which he set out to create with Tim Hoey, Mitchell Scott and Ben Browning, “All the way along we had this weird vision of a tropical, jungle, tribal sound. A place or an idea that we wanted to reach with some of the songwriting; to explore a looping hypnotic trance and revise the whole palette of what Cut Copy was about.”

Recorded over a 6 month period in a warehouse space the band rented in Melbourne and mixed in Atlanta by Ben H. Allen (Animal Collective, Gnarls Barkley, Deerhunter), Zonoscope paints a mesmerizing picture, conjured by a band at the height of their powers.

You can watch the second installment of the Krozm documentary on the process of making the record, entitled "Skies of The Ape" where it premiered on SPIN or HERE. More music is revealed in this piece, which sees the band moving into their Christmas St recording warehouse, and all band members involved in the creative process.

1320 Records to Release John Hughes' RESET THE WAREHOUSE May 18th

STS9's boutique record label, 1320 Records, proudly presents Reset the Warehouse, the new studio release from John Hughes (May 18th, 2010 / 1320 Records).  A new recording studio, a new record label, and a new record allow John Hughes to step out from the familiar surroundings of Hefty Records, the label he founded in 1996, to strengthen his creative partnership with 1320 Records.

Though Hughes has collaborated with label-founders STS9 for years, this marks his first official release on 1320-an alliance long in the making, given both parties' shared mission of creating and supporting new music under artist-run labels.  Like Hefty, 1320 is an independent, musician-run collective that stresses cooperation between the artist and label.

According to Hughes, "Working with 1320 affords [him] the freedom to focus entirely on the music and the live performances in support of the record."

And, STS9 adds about Hefty, "few contemporary American labels have had as much influence on [the band]. We are extremely honored and excited to be apart of the 'Reset' release."

Hughes has recorded and released over a dozen albums under various aliases and groups like Slicker, Brood, Some Water and Sun, and Bill Ding, as well as under his own name.  His latest creation, Reset the Warehouse, represents the prime selections from a productive period of meticulous tracking and experimentation at his HFT Studio, located outside of Chicago.

Working with a team of veteran musicians and trusted collaborators, Hughes has assembled a cohesive union of styles and recording techniques, resulting in a record that explores uncharted directions while remaining rooted in sounds and beats that a listener may only describe as "classic."

As Hughes explains, "I wanted this recording to have a live, gritty sound, so I took it outside of the computer as much as I could. It was mixed through a board to tape, and the synths are all analog. Within the context of an electronic record, the live performances also help give it a warm, organic feel."

When it came time to edit and mix the tracks, Hughes looked to vibraphonist Rick Embach, who was involved in the sessions from the earliest stages, as well as his old friend Joshua Eustis of Telefon Tel Aviv.  Hughes brought his recording sessions to Eustis' studio in Chicago, and together they mixed the tracks thorough an analog mixing board and then to two-track tape, giving the album the finishing touches and appropriate analog "glue" it required.

Visit here to view the entire supporting cast of Reset the Warehouse.

The Reset the Warehouse track list is as follows:

1.  A Reflection of the Times

2.  Waukee Wallop

3.  Another One

4.  Reset The Warehouse

5.  Pterodactyl Piano Bar

6.  Little Dot in the Sky

7.  Done Everything

8.  Moan Pop Asheesh

9.  Witchfinger

10.  You Don't Love Me

11.  Wow, I Think I Love You

12.  Naphtha Jets

As his work in the studio continues to evolve, and interest in his music continues to soar, John Hughes takes to the road this summer with label mates STS9, in support of Reset the Warehouse.  Hughes will perform this August and September with STS9 at select events in NYC, Boston, Philadelphia, Chicago and at the infamous Red Rocks Amphitheatre in Colorado.

For more information on John Hughes and to see full tour date information please visit here.