rock

Umphrey's McGee's "1348" Launches in Rock Band

Umphrey's McGee will be launching their song "1348" on the Rock Band Network this week. This marks the first release by the band in any video game, and the progressive-rock influenced music proves to be a great fit.

Umphrey's McGee has been working with former Harmonix Music Systems employee and current Rock Band Network freelancer Andrew Buch. Buch is working on several songs for the program, including 1348 and Miss Tinkles Overture." "1348" is the first of these songs to be made available, with plans for others to follow shortly.

Buch, whose mind-numbingly difficult "Trippolette" is one the top-five best-selling launch songs on the Rock Band Network, has worked on several games in the Guitar Hero and Rock Band franchises and was a likely choice to prepare the music of Umphrey's McGee for the game. Samples of his work can be found on his website www.andrewbuch.com, including video footage of both Umphrey's McGee's music and "Trippolette" running in-game.

"1348" is scheduled to release on Wednesday or Thursday of this week, and will be available to be purchased in Rock Band 2 on the XBOX 360 via the newly implemented Rock Band Network Store. It will additionally be available to purchase via the XBOX Live Marketplace.

Lubriphonic to Tour SE With The New Mastersounds in April

Lubriphonic has announced it will hop aboard an April tour with The New Mastersounds for their Southeast run, culminating in a House of Blues performance during the peak of the epic New Orleans Jazz & Heritage Festival. In celebration the group has offered a download of over 90 minutes of live recordings for free via its website.

Chicago’s Lubriphonic tight and raw sound is immediately familiar, fusing the roots of soul with explosive in-your-face delivery and sensuous R&B dance music.  The New Mastersounds is an instrumental four-piece British export offering a modern take on vintage soul-jazz, funk and rock delivering gritty grooves and deep rhythms.

Lubriphonic will open for The New Mastersounds on the following dates:

April 17 – Club 828 - Asheville, NC

April 18 - Blue 5 - Roanoke, Virginia

April 20 - Cat's Cradle - Carrboro, NC

April 21 - Pisgah Brewery - Black Mountain, NC

April 22 - Barley's Tap - Knoxville, TN

April 23 - Vanderbilt University - Alumni Lawn - Rites of Spring

April 24 - 412 Market - Chattanooga, TN

April 25 - Visulite Theatre - Charlotte, NC

April 27 - Blazers Tavern - Valdosta, GA

April 28 - Engine Room - Tallahassee, FL

April 29 - Soul Kitchen - Mobile, AL

April 30 - House Of Blues - New Orleans, LA

The Lubriphonic sound is full of precision orchestrations made up of blazing guitar work, unison three piece horn lines, soulful songwriting, bluesy vocals and the habit to cut the funk loose. The best description of the band’s sound comes from Relix Magazine: “Superb, adventurous, diverse, simply mesmerizing instrumental work. Steeped in soul, rock, pop, and blues Lubriphonic's members play with a tenacity and precision that sets them apart from equally proficient bands.”

In addition to the live sampler offering on its website, Lubriphonic is also offering free downloads of recordings of four additional shows to registered members of the website here.

THE WHIGS "IN THE DARK" OUT NOW!

Known for their enthralling live show, the Athens, GA trio The Whigs are currently on tour with Band Of Skulls and will make their Late Night with Jimmy Fallon debut April 27th. You can check out their recent appearance on The Late Show with David Letterman performing "Kill Me Carolyne," their raucous first single from their recently released album IN THE DARK. The song which brings a memorable strength to this exciting new collection, is now available for free download on the bands website and the video premieres today on Yahoo Music.
IN THE DARK is the follow up to the band’s two much-admired albums – GIVE ‘EM ALL A BIG FAT LIP and MISSION CONTROL. With each release, The Whigs have won over fans and critics with their pedal-to-the-metal power earning them universal praise as one of America’s finest young rock ‘n’ roll bands. Filter Magazine hailed for “artfully combining the disenchanted swagger of ‘70s punk with the infectious, catchy bounce of ‘60s pop” and Maxim Magazine simply called “riff-tastic.”
Spending much of 2008 and 2009 on the road, The Whigs have completed several tours with Kings Of Leon, The Kooks, Drive By-Truckers and others, have performed at Bonnaroo, Lollapalooza, Fuji Rock and T in The Park, among other festivals and worldwide stops and have performed on The Late Show with David Letterman, Late Night with Conan O’Brien and Jimmy Kimmel Live!.
Developed through years of non-stop touring and two critically acclaimed albums, IN THE DARK, with its impressive range and undeniable vigor, sees The Whigs doing what all-great bands do – furthering their artistic scope with each successive effort.
TOUR DATES:
4/6/10 - Cosmic Charlie’s -  Lexington, KY *
4/7/10 - Grimey's In-store - Nashville, TN
4/7/10 - Exit/In - Nashville, TN *
4/8/10 - 40 Watt - Athens, GA *
4/10/10 - WorkPlay Theatre - Birmingham, AL *
4/12/10 - Riot Room - Kansas City, MO *
4/13/10 - Boulder Theatre - Boulder, CO *
4/15/10 - Zia Record In-Store - Phoenix, AZ
4/15/10 - Martini Ranch - Phoenix, AZ *
4/17/10 - Outside O'Connell's Irish Pub - Norman, OK
4/18/10 - Cain's 2nd Stage - Tulsa, OK
4/19/10 - Outside Phoggy Dog - Lawrence, KS
4/20/10 - Mill Creek Bar, Appleton, WI
4/22/10 - Gargolye - St. Louis, MO
4/23/10 - Bottom Lounge - Chicago, IL
4/24/10 - University Of Wisconsin - Madison, WI
4/28/10 - The Mod Club Threatre - Toronto, ON *
4/29/10 - Live Lounge - Ottawa, ON *
4/30/10 - Studio JPR - Montreal, QC *
5/1/10 - Valentines - Albany, NY
5/2/10 - Higher Ground - Burlington, VT
5/5/10 - The Southern - Charlottesville, VA
5/6/10 - Jewish Mother - Virginia Beach, VA
5/7/10 - New Brookland Tavern - Columbia, SC
5/8/10 - Pour House - Charlestion, SC
5/15/10 - Hangout Music Festival - Gulf Shores, AL
6/5/10 - Mountain Jam - Hunter, NY
6/12/10 - Riverbend Festival - Chattanooga, TN
6/30/10 - Hyde Park w/ KINGS OF LEON - London, UK

* = Dates with Band Of Skulls

The Henry Clay People To Release "Somewhere On The Golden Coast"

We know what you’re thinking: The Henry Clay People aren’t really from L.A., right? After all, their TBD debut, Somewhere on the Golden Coast, sounds like the riff-slinging byproduct of playing hard—and drinking even harder—in Midwestern bars that keep their jukeboxes stocked with old Pavement and Replacements records or whatever Robert Pollard released that week.

“While we don’t quite fit in with L.A.’s noise scene or the singer-songwriter crew that hangs out at the Hotel Cafe,” says vocalist/guitarist Joey Siara, “we've found a nice little niche for bands like us in L.A—just a bunch of friendly people who prefer to hang out, drink cheap beer, and listen to Big Star records on a Saturday night.”  Joey and his 23-year-old little brother Andy—also a singer/guitarist—formed The Henry Clay People in 2005.  Since then the band has developed a reputation for spreading their unpretentious slacker guitar rock though out greater Los Angeles and beyond.  "I think we played close to 200 shows in 2007-2008 and most of those were just local to southern California. 2009 was nice though because we really got to hit the road for most of the year and see if the tunes held up outside our little bubble."


Somewhere on the Golden Coast bottles that boundless live energy in 11 airtight tracks and 34 filler-free minutes. Listening closely, it’s easy to see how all of this started, how a revolving door of “crappy punk bands” led the Siara brothers to form The Henry Clay People in the first place.  Two buzz-building albums (2006’s Blacklist the Kid With the Red Moustache and 2008’s For Cheap or For Free) and several lineup shifts later, they’re still keeping things simple.  Recorded mostly at The Ship Studios in Eagle Rock, CA by Earlimart frontman Aaron Espinoza, he encouraged the band to ditch the headphones, take it easy on overdubs, drink more beer, and record live in the same room to tape.  The idea was to get as close as possible to the essence of the live show.

Golden Coast pushes and pulls between the two brother's influences.  Joey's zeal for jagged distorted guitars ("Nobody Taught us to Quit), gets smoothed out by Andy's laid back "drive into the sunset" love of The Byrds, Jackson Browne, and Grandaddy. The influence of the latter—along with their dad’s considerable classic rock collection—creeps into a couple Golden Coast cuts, lending a nostalgic from-dusk-’til-dawn feel to “A Temporary Fix” and the album’s melancholic curtain-closer, “Two Lives At the End of the Night.” Both of which provide a nice contrast to such certified piano-spiked jams as “Working Part Time,” “Your Famous Friends,” and “End of an Empire.” And since this particular long player barely eclipses the 30-minute mark, you better believe The Henry Clay People never wear out their welcome. In fact, they may just leave you wanting more.

“We want our music to be accessible, but still mean something,” says Joey. “That’s the spirit of this band—nothing we’re doing is rocket science, but we’re playing the music we love. And if some people recognize that, great. Rock ’n’ roll is rock ’n’ roll.”

May Tour With Drive By Truckers:

May 5th Rialto Theatre Tucson, AZ
May 6th House Of Blues San Diego, CA
May 7th Avalon Ballroom LA, CA
May 8th Fillmore Theater San Fran, CA
May 12th In The Venue Salt Lake City, Utah
May 13th Boulder Theater Boulder, CO
May 14th Aggie Theater Ft. Collins, CO
May 15th Belly Up Aspen, CO

THE CORE:

JOEY- Voice and Guitar
ANDY- Voice and Guitar
MIKE- Drummer Boy
JONATHAN- Voice and Bass JORDAN- Piano and Voice

DiscoverHope Fund Present: Band Together for Hope

Come enjoy the music and contribute to the global effort to end poverty for some of the 3 billion people who live on less than $2 a day and are trapped in poverty so they cannot adequately feed, clothe, or shelter themselves or their families. DiscoverHope Fund (DHF) is a 501(c)3 promoting abundance for women and their families in economic poverty through microcredit and entrepreneurial training.  DHF’s “Microcredit Plus” model implements a dual approach to poverty alleviation—providing microloans and entrepreneurial training to help loan recipients build their businesses. DHF asks loan recipients what they need to build and sustain their business; then it answers with business trainings, literacy classes, artisan workshops and more. A percentage of ticket sales and funds from an on-site opportunity drawing will go toward our work to create a new consciousness of prosperity that women can pass onto their children, families, communities, society, and this world. DiscoverHope is proud to present an evening of great music starring Americana without Borders allstars – Great American Taxi.

In the past five years, Great American Taxi has become one of the best-known headliners on the jam band circuit. Their uninhibited sound is a swinging concoction of swampy blues, progressive bluegrass, funky New Orleans strut, Southern boogie, honky tonk country, gospel, and good ol’ fashioned rock ’n’ roll. Great American Taxi was born when singer, guitarist, and mandolin player Vince Herman of Leftover Salmon joined keyboard player and singer Chad Staehly for a superstar jam to benefit the Rainforest Action Group in Boulder, in March of 2005. “We put together a dream band of the best local musicians for a one-off gig,” Herman recalls. “It worked so well we had to do it again, and again, and again.” Great American Taxi quickly evolved into one of the best country-, rock-, and bluegrass- influenced jam bands in the land, masterfully blending acoustic and electric instruments into music they call “Americana Without Borders."

Great American Taxi has been equated with roots rockers like the New Riders of the Purple Sage, Grateful Dead, Wilco, Uncle Tupelo, The Byrds, and Little Feat. Herman finds the comparisons flattering. “We’re definitely connected to all the acts in the country/rock spectrum, as well as the spirit of Gram Parsons and Woody Guthrie,” he says. “We want to address the issues appropriate to our times, while making music that gets people up and moving.”

The benefit will also feature an amazing opportunity drawing with a grand prize of 2 tickets to 2010 10th Anniversary Summer Camp Music Festival in Chillicothe, IL as well as other prizes such as signed and unsigned rock artwork, local gift certificates, and other amazing prices to be announced.

Who: Great American Taxi, Chicago Farmer & Farmaggedon

Where: Coconut Louie’s 2303 E. Washington Bloomington, IL

When: Thursday, April 15th 2010

WHY: To support Discover Hope Fund

COST: $8

WEB: www.discoverhopefund.org

Earl Greyhound Premiere Ghost And The Witness

EARL GREYHOUND is pleased to announce the release of Suspicious Package, a blistering
rock inferno spun out of the Brooklyn trio’s inspired and innovative
rock-n-roll imagination machine.  Suspicious Package was recorded at Red Bull Studios in Santa Monica, under the nimble and keen producerly auspices of Dave Schiffman (Mars Volta, Red Hot Chili Peppers, System of a Down).


Earl Greyhound formed in 2002 with the collaboration of songwriters Matt Whyte and Kamara Thomas, who began performing regularly as a duo in NYC. All the while, they were crafting the unique sound and songs that would form the foundation for a colossal rock band. Their influences swept from the strident English three-and four-pieces of the 70’s, to the dark pop and heavy grunge grooves of the 90’s, to the transcendental, noisy acid sounds of modern rock.

In 2005, EG recorded their first album, Soft Targets, but they also hit their first snag when drummer Chris Bear left to pursue his fortunes with the band Grizzly Bear. Reluctant to release the album without a permanent drummer, Matt and Kamara vowed to play relentlessly until their dream drummer found them. Guitar player Kirk Douglass (The Roots) witnessed a show and brought his friend and Gold Crowns band mate Ricc Sheridan to the next few gigs. Ricc says, “I awoke from a dream one night, and I knew this was my band.” A few weeks later, a rockneck-inducing jam confirmed that the band had found its soul mate, and they hit the ground running.  Soft Targets and EG’s wrecking ball of a live show earned them oodles of fans and critical acclaim from The New Yorker, SPIN, Rolling Stone, Brooklyn Vegan and Pitchfork, among others. The next three years were spent touring the US, Canada and Japan as well as opening for Gov’t Mule, Chris Cornell and Saul Williams.


Suspicious Package is Earl Greyhound’s sophomore release. The album marks a turning point in the band’s maturation since the benefit of Mr. Sheridan’s full creative collaboration. Listeners will notice a marked expansion into the higher reaches of the sonic territories. Heavy, dark, groovy and grand—Suspicious Package is a reminder that though ROCK is still only a four-letter word, it can still pack a load of splendor.

US Tour

3/23  - Rochester, NY - Harro East Theatre & Ballroom#
3/24  - Syracuse, NY - The Westcott Theater#
3/25 - Clifton Park, NY - Northern Lights#
3/26  - South Burlington, VT - Higher Ground#
3/28 - Portland, ME - - Port City Music Hall#
3/29 - Hartford, CT - Webster Theater#
3/30 - Scranton, PA - Hardware Bar#
3/31 - Brooklyn, NY - Music Hall of Williamsburg#

4/13 – Salt Lake City, UT - The State Room*
4/14 – Denver, CO - Bluebird Theatre*
4/16 – Milwaukee, WI - Turner Hall*
4/17 – Chicago, IL - Metro*
4/18 – St. Louis, MO - The Old Rock House*
4/20 – Columbia, MO - The Blue Note*
4/21 – Indianapolis, IN - Earth House*
4/22 – Detroit, MI - Magic Stick*
4/23 – Toronto, ON - Mod Club*
4/27 – Northampton, MA - Pearl Street*
4/28 – New Haven, CT - Toad's Place*
5/3 – Philadelphia, PA - Theatre of Living Arts*
5/5 – Washington, DC - 9:30 Club*
5/7 – Boston,MA - Paradise Rock Club*
5/8 – Albany, NY - TBD*
5/9 – Baltimore, MD - Ram's Head Live*
5/11 – Raleigh, NC - Lincoln Theatre*
5/12 – Charlotte, NC - Visulite Theatre*
5/13 – Atlanta, GA - The Loft*
5/14 – Tampa, FL - Crowbar*
5/15 – Orlando, FL - Firestone Live*
5/18 – Dallas, TX - Granada Theatre*
5/19 – Austin, TX - The Parish*
5/21 – Los Angeles, CA - Henry Fonda Theatre*
5/22 – San Diego, CA -TBD*
5/26 – San Francisco, CA - Great American Music Hall*
5/28 – Portland, OR - Hawthorne Theatre*

6/4 - Ozark, Arkansas - Wakarusa Festival
6/5 - Ozark, Arkansas - Wakarusa Festival

w/ Coheed and Cambria # w/ Ok Go *

Railroad Earth: New Album, New Bassist, New Songs

After celebrating the end of their first decade together with a massive fan release, Railroad Earth Retrospective: 2001-2009, the tightly-woven unit of Railroad Earth is embarking on a new chapter in their musical journey. The rootsy Americana ensemble will hit the stage again on their first tour of 2010 with a new bass player, a new record deal (One Haven Music), and a new album in the can (to be released late Summer 2010) for what is expected to be a great year for the revitalized Railroad Earth. With Spring tour dates mostly focused on the Eastern Seaboard, fans can expect an newly energized live show with surprises around every bend.

After coming off a highly successful 2009, Railroad Earth is preparing for another year of sold-out theaters and large club performances. The band has built up some incredible steam over the past few years with highly notable performances on some of the most prestigious stages in the country, including; the Red Rocks Amphitheater in Morrison, CO, Bonnaroo, Austin City Limits Festival, Telluride Bluegrass Festival, Rothbury, 10,000 Lakes Festival and many more.

Collectively, Railroad Earth wields an impressive arsenal of sounds, with each player bringing a variety of instruments and tones to the collective. The unique howl of an edgy rock-inflected violin, a fat-toned acoustic guitar with sounds bordering on a classic Gibson motif, wild fanning mandolin chording that has an almost piano-like attack, rolling or clawing banjo and dobro, and a slamming rhythm section driven by precise, rock-hard drumming and an aggressively, pumping upright bass. All of this delivered with surprisingly unique vocals, powerful harmonies and world-class songwriting.

To be more precise, Railroad Earth features songwriter/singer, Todd Sheaffer (Lead vocals, acoustic guitars), Tim Carbone (Violin, electric guitar, vocals), John Skehan (Mandolin, vocals), Andy Goessling (Acoustic guitars, banjo, dobro, mandolin, flute, pennywhistle, saxophones and vocals), Carey Harmon (Drums, hand percussion, vocals) and newcomer Andrew Altman (Upright bass), formerly of the Southeast band, The Codetalkers.


Railroad Earth’s unique sound is one that may be hard to categorize, but is also damn hard to shake! Each live performance is like a journey into the beating heart of American life, its heartaches and its triumphs. A true musical celebration, this is one tour that is not to be missed.

Railroad Earth Tour Dates:

3/26/2010 Toad's Place - New Haven, CT
3/27/2010 Spartan - Rutland, VT
4/9/2010 Mexicali Live - Teaneck, NJ
4/10/2010 Mexicali Live - Teaneck, NJ
4/23/2010 The Orange Peel - Asheville, NC
4/24/2010 Variety Playhouse - Atlanta, GA
4/26/2010 Workplay Theatre - Birmingham, AL
4/27/2010 The Engine Room - Tallahassee, FL
4/29/2010 Tipitina's French Quarter - New Orleans, LA
5/13/2010 Port City Music Hall - Portland, MA
5/14/2010 Lupo's Heartbreak Hotel - Providence, RH
5/15/2010 Bromberg's Big Noise - Wilmington, DE
5/21/2010 Brown's Island - Richmond, VI
5/22/2010 Cat's Cradle - Carrboro, NC
5/23/2010 Visulite Theatre - Charlotte, NC
5/27/2010 Allegany County Fairgrounds - Cumberland Center, MA
5/30/2010 Three Sister's - Chillicothe, IL

Drive-by Truckers @ Boulder Theater

Flaunting a mix of Southern pride, erudite lyrics, and a muscled three-guitar attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. Led by frontman Patterson Hood and comprising a rotating cast of Georgia and Alabama natives, the band celebrated the South while refusing to paint over its spotty past.

History, folklore, politics, and character studies all shared equal space in the Truckers catalog, which offered up its first blast of gutsy, twangy rock with 1998's Gangstabilly. However, it was the band's ambitious double-disc concept album, The Southern Rock Opera, that became their unlikely magnum opus. A two-act affair, the album explored Patterson Hood's fascination with 1970s Southern rock (specifically Lynyrd Skynyrd) while tackling the cultural contradictions of the region.

Although the band remained on tour well into 2009, the Truckers also found time to release their second concert album, Live from Austin TX, as well as a collection of unreleased material entitled The Fine Print: A Collection of Oddities and Rarities. Patterson Hood rounded out the year by issuing his first solo record, Murdering Oscar (And Other Love Songs), although 2010 found him returning to the fold for Drive-By Truckers' eighth studio album, The Big To-Do.

Thursday May 13, 8:30pm

DRIVE-BY TRUCKERS

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On Sale Mar 13
GA / All Ages/ $30.00
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030

Guitars and Good Lyrics: The Drive-By Truckers

Why did you fall in love with rock and roll?

I ask that, not particularly sure you love rock and roll at all, in its purest definition, anyway.. It isn’t heard all that often these days.. Music genres in recent years seem to have splintered into multitudes of subgenres, in some ways – diluting the original archetype. We ‘think’ we have the leaded coffee, cause we haven’t tasted it in so long, we’re sure nothing stronger, exists.

Jakob Dylan & Three Legs ft: Neko Case & Kelly Hogan

Live radio show with Nick and Helen Forster featuring music and conversation with the Jakob Dylan & Three Legs (ft: Neko Case, Kelly Hogan, Paul Rigby, Jon Rauhouse, Tom Ray & Barry Mirochnick). Being the son of one of the most influential, innovative, eccentric, and unique songwriters in the history of Western pop music probably opened some doors for Jakob Dylan when he started his own musical career, but being Bob Dylan's son was just as likely a heavy load to carry as well, and the good news is that the younger Dylan has handled the pressure with relative élan.
He studied at private schools in L.A. and New York, and eased into the music business in the late '80s when he formed the Wallflowers with guitarist Tobi Miller, keyboard player Rami Jaffee, bassist Barrie Maguire, and drummer Peter Yanowitz. Featuring a classic heartland sound that was closer to Tom Petty & the Heartbreakers or John Mellencamp than it was to anything Bob Dylan recorded, the band signed to Virgin and released a self-titled debut album in 1992, but it sold poorly and Virgin dropped the band.
Dylan assembled a second version of the Wallflowers -- guitarist Michael Ward, bassist Greg Richling, and drummer Mario Calire -- keeping only Jaffee. The "new" group signed to Interscope Records and recorded its second album with producer (and Dylan family friend) T Bone Burnett. Bringing Down the Horse was released in 1996, producing the alternative radio hit "6th Avenue Heartache." A second single from the album, "One Headlight," followed later in the year, and by the spring of 1997 it had become a Top Ten hit, firmly establishing the Wallflowers as a legitimate commercial band, and while the media naturally played up Dylan's connection to his iconic father, the Wallflowers had their own sound and Jakob's similarities to his dad as both a singer and a songwriter were only occasional at best. A third single from Bringing Down the Horse, "The Difference," was issued in 1997, and the album hung on as a big seller throughout 1997, and in 1998 "One Headlight" won Grammys for Best Rock Song and Best Rock Performance by a Duo or Group with Vocal.
The obvious next move would have been to rush out a third album, but Dylan and the Wallflowers instead took a long four-year break from recording, returning in October 2000 to release Breach. The album, although quite impressive, went largely ignored. The more mainstream Red Letter Days appeared a year later in 2001, and following a two-year hiatus, Rebel, Sweetheart was issued in 2003, closing out the band's deal with Interscope. Dylan signed a solo contract with Columbia Records, his dad's longtime label, in 2006, and issued the acoustic-based Seeing Things, produced by Rick Rubin and recorded at Rubin's Hollywood Hills studio, under his own name in 2008, leaving the status of the Wallflowers up in the air. Jakob's new record, "Women & Country" will drop April 6, 2010.
In 2006, SPIN Magazine called Neko Case "one of pop music's best" voices, and Interview Magazine hailed her album Fox Confessor Brings The Flood as "one of the most original, beguiling, honest records of the year." The album also earned Case Female Artist of the Year honors from the PLUG Independent Music Awards, and a Top 10 placement in the Village Voice's annual Pazz and Jop Critics Poll of the year's best releases. Fox Confessor was Case's first album to debut in the Billboard Top 100, and has sold nearly 200,000 copies in the U.S. alone.

Kelly's Hogan's voice is so versatile it can wrap itself around any song, in any style, be it torchy jazz, country weepers, soul-fueled bump and grinders or long-lost pop nuggets, and transform them into something all her own. Hogan began to hone her mellifluously spooky welter of torch songs and honky tonk anthems when she fronted the legendary peg-legged cabaret quartet, The Jody Grind, and then fanned the flames of her bummer-rock fixation while playing guitar for Orbisonic southern gothic punks, The Rock*A*Teens. She has also kept her bad self busy with appearances on some clever and popular Bloodshot compilations, and she did a split single with Neko Case. The past few years has seen Kelly singing with fellow Georgians the Drive By Truckers, the kiddie-punk ensemble Wee Hairy Beasties, the hopped up jazz combo The Wooden Leg and recording and touring with Neko Case as her back up singer.
Sunday March 28, 8pm
97.3 KBCO presents
e-TOWN: Jakob Dylan & Three Legs
ft: Neko Case & Kelly Hogan
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Tickets are on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030